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Tom Otterness (b. 1952 in Wichita, Kansas) is an American sculptor whose works adorn parks in New York---
most notably in Rockefeller Park in Battery Park City and in the 14th Street/8th Avenue subway station---and other cities around the world. His style is very cartoonish and cheerful, and the forms of his sculptures often consist of many blobs and pipes, giving them a humorous look. These sculptures depict, among other things, huge pennies, pudgy characters in business suits with moneybag heads, helmeted workers holding giant tools, and crocodiles crawling out from under sewer covers. The main theme of his work seems to be the struggle of the little man against the Capitalist machine in a difficult and strange city.
As primarily a public artist, Otterness' has shown popular exhibitions in locations across the United States, including New York City, Indianapolis, and Beverly Hills. His studio is located in the DUMBO neighborhood in Brooklyn.
His most recent exhibition of public sculpture in Grand Rapids, Michigan is his largest to date, featuring more than 40 works across two miles of the city's downtown area and at Frederik Meijer Gardens & Sculpture Park.
Otterness is best known to New Yorkers for his "Life Underground" series of sculptures, which are primarily located in the 14th St/8th Avenue subway station, which was commissioned in 2000 and fully installed by 2002.
Journalist Gary Indiana criticized Otterness for an independent work done while part of the East Village art scene in the mid-eighties called "Shot Dog Piece", in which Otterness allegedly "adopted a dog and then shot it to death for the fun of recording his infantile, sadistic depravity on film." When student Matthew Goad, a candidate for student government president at Wichita State University, learned of this act, Wichita State began questioning a USD$450,000 commission, which would cost an additional USD$150,000 for shipping, however, at present it looks as if the project continued may as planned. Otterness commented that "In 1977, I was a young artist having a very rough time. I had anger at myself and at the world. What I did was symbolic of how I was feeling internally and it is something I would never do today.
1952 Born in Wichita, Kansas
1970 Art Students League, New York
1973 Independent Study Program, Whitney Museum of American Art, New York
1977 Member of Collaborative Projects, Inc., New York
PUBLIC COMMISSIONS (Post 1984)
2004 Untitled, Museum Beelden aan Zee, Scheveningen, The Netherlands Tornado of Ideas, Texas Tech University, Lubbock, Texas
2003 The Return of the Four-Leggeds, Northwest Museum of Arts and Culture, Washington State Arts Commission, Spokane, WA; to be installed in 2003
2002 Life Underground, Metropolitan Transit Authority and Arts for Transit, 14th Street and 8th Avenue, New York, NY; to be installed 2002
2002 Untitled, Branchbrook Park Station, New Jersey Transit, Newark, NJ
2001 Suspended Mind, Carl Sagan Discovery Center, Montefiore Children's Hospital, Bronx, NY
2000 Time and Money, Hilton Hotel at Times Square, Forest City Ratner Corporation, NYC
1999 Rockman, Federal Courthouse, General Services Administration, Minneapolis, MN
Kohn Pedersen Fox (Architect), Martha Schwartz (Landscape Architect)
Feats of Strength, Western Washington University, Bellingham, WA
The Music Lesson, Music School, University of North Carolina at Greensboro, NC
Calloway Johnson Moore & West (Architect)
Gold Rush, Federal Courthouse, General Services Administration, Sacramento, CA
Nacht & Lewis/Hansen Lind Meyer (Architects)
1998 The Gates, Cleveland Public Library, in collaboration with Maya Lin (Artist) and Tan Lin (Poet) Hardy Holzman Pfeiffer Associates (Architect)
1997 Visionary, Metro Tech Center, Brooklyn, NY Law of Nature, The Mark O. Hatfield US Courthouse, General Services Administration, Portland, OR Kohn Pedersen Fox (Architect)
1996 The Marriage of Real Estate and Money, Roosevelt Island, NY
1995 Dreamers Awake, Wichita Art Museum, Kansas Untitled, Eli Broad Family Foundation, Santa Monica, California
"...Oh-... Oh go-... Where the hell am I?!" Flash yells in confusion. "Welcome, child." Zoom says to welcome Barry. "Oh... You are 'Zoom', I presume?" Barry asks. "Yes indeed, child. Now. Untie him, you two." Zoom demands. "Yes, boss." Heatwave replies. "On it." King Shark adds on. "Now... Fight."
~Scarecrow
Tom Otterness (b. 1952 in Wichita, Kansas) is an American sculptor whose works adorn parks in New York---
most notably in Rockefeller Park in Battery Park City and in the 14th Street/8th Avenue subway station---and other cities around the world. His style is very cartoonish and cheerful, and the forms of his sculptures often consist of many blobs and pipes, giving them a humorous look. These sculptures depict, among other things, huge pennies, pudgy characters in business suits with moneybag heads, helmeted workers holding giant tools, and crocodiles crawling out from under sewer covers. The main theme of his work seems to be the struggle of the little man against the Capitalist machine in a difficult and strange city.
As primarily a public artist, Otterness' has shown popular exhibitions in locations across the United States, including New York City, Indianapolis, and Beverly Hills. His studio is located in the DUMBO neighborhood in Brooklyn.
His most recent exhibition of public sculpture in Grand Rapids, Michigan is his largest to date, featuring more than 40 works across two miles of the city's downtown area and at Frederik Meijer Gardens & Sculpture Park.
Otterness is best known to New Yorkers for his "Life Underground" series of sculptures, which are primarily located in the 14th St/8th Avenue subway station, which was commissioned in 2000 and fully installed by 2002.
Journalist Gary Indiana criticized Otterness for an independent work done while part of the East Village art scene in the mid-eighties called "Shot Dog Piece", in which Otterness allegedly "adopted a dog and then shot it to death for the fun of recording his infantile, sadistic depravity on film." When student Matthew Goad, a candidate for student government president at Wichita State University, learned of this act, Wichita State began questioning a USD$450,000 commission, which would cost an additional USD$150,000 for shipping, however, at present it looks as if the project continued may as planned. Otterness commented that "In 1977, I was a young artist having a very rough time. I had anger at myself and at the world. What I did was symbolic of how I was feeling internally and it is something I would never do today.
1952 Born in Wichita, Kansas
1970 Art Students League, New York
1973 Independent Study Program, Whitney Museum of American Art, New York
1977 Member of Collaborative Projects, Inc., New York
PUBLIC COMMISSIONS (Post 1984)
2004 Untitled, Museum Beelden aan Zee, Scheveningen, The Netherlands Tornado of Ideas, Texas Tech University, Lubbock, Texas
2003 The Return of the Four-Leggeds, Northwest Museum of Arts and Culture, Washington State Arts Commission, Spokane, WA; to be installed in 2003
2002 Life Underground, Metropolitan Transit Authority and Arts for Transit, 14th Street and 8th Avenue, New York, NY; to be installed 2002
2002 Untitled, Branchbrook Park Station, New Jersey Transit, Newark, NJ
2001 Suspended Mind, Carl Sagan Discovery Center, Montefiore Children's Hospital, Bronx, NY
2000 Time and Money, Hilton Hotel at Times Square, Forest City Ratner Corporation, NYC
1999 Rockman, Federal Courthouse, General Services Administration, Minneapolis, MN
Kohn Pedersen Fox (Architect), Martha Schwartz (Landscape Architect)
Feats of Strength, Western Washington University, Bellingham, WA
The Music Lesson, Music School, University of North Carolina at Greensboro, NC
Calloway Johnson Moore & West (Architect)
Gold Rush, Federal Courthouse, General Services Administration, Sacramento, CA
Nacht & Lewis/Hansen Lind Meyer (Architects)
1998 The Gates, Cleveland Public Library, in collaboration with Maya Lin (Artist) and Tan Lin (Poet) Hardy Holzman Pfeiffer Associates (Architect)
1997 Visionary, Metro Tech Center, Brooklyn, NY Law of Nature, The Mark O. Hatfield US Courthouse, General Services Administration, Portland, OR Kohn Pedersen Fox (Architect)
1996 The Marriage of Real Estate and Money, Roosevelt Island, NY
1995 Dreamers Awake, Wichita Art Museum, Kansas Untitled, Eli Broad Family Foundation, Santa Monica, California
Infrared Photograph
COPYRIGHT NOTICE. All Photos are copyright by Kat Shanahan. They may NOT be reposted, copied, modified, or used in any manner without written permission from Kat
Nightride. can't remember where I first saw it but the following advice is always useful when out in the woods at night.
The key thing to remember when hearing those strange noises or eyes reflected in the beam is that is nothing there which isn't around during the day as well.
Just now its awake and hungry.
Goal:
Album artwork
Direction:
This is an instrumental EP of music meant to be used to create a worshipful atmosphere during personal Bible study and prayer time. We wanted a graphic that felt gentle, personal and ethereal to accompany the instrumental music.
It’s one of the amazing, calm moments early in the morning, when the nature awakes and pushes away the foggy sleepiness of the quiet night.
Captured in the back yard of my home, Quebec, Canada, July 2013.
Camera Nikon D600, f/9, 1/125 sec, ISO-160, focal lenght 28 mm, lens AF-S Nikkor 28-300 mm.
Asakusa Extreme : Thunder Gate vol.2
2013/10/05 at Asakusa KURAWOOD
head liner
LITTLE BASTARDS
AWAKED
support
EVIL
ANAL VOLCANO
NECROLUST
VEIYADRA
No quiero que esta nube obscurezca el brillo del sol,
no, no, hoy no.
Tampoco quiero desvestirte por la noche sin razón,
quiero verte brillar,
y saber apreciar
que si yo brillo es por ti.
Godiva Awakes passes through Towcester - very quickly, so I could only get three shots!
She was also at least an hour late - I'd just missed seeing her in Northampton the day before, so was very pleased when I heard she would be passing through. Having been told that she was due to arrive at 11am, I thought it best not to leave my desk but to run downstairs when she arrived - but I opened the double glazing and sash window just in case.
It was just as well, because I was on the phone when I saw the beginning of the procession arrive so just had time to climb into the bay window (camera set up in preparation) and shoot out of the open sash!
More information on Godiva Awakes here - Imagineer Productions
IMG_4545_Godiva_web
Wide Awake support Mallory Knox at the Joiners in Southampton - 07.01.12
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Contact: Benji.walker[at]hotmail[dot]co[dot]uk
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