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"letting go gives us freedom, and freedom is the only condition for happiness. if, in our heart, we still cling to anything - anger, anxiety, or possessions - we cannot be free"
-Thich Nhat Hanh
that was an excerpt from a book called The Heart of the Buddha's Teaching i've been reading. finish the first Hunger Games but hasn't had time to start on the second one yet. i am still clinging on to my goal of not tending to any media an hour before bed time (eg., tv, computer.) it's been working out really great! with all the events that i been going through this past week today was a much needed relaxation.
courage is the power of letting go of the familiar...
Awake the Dawn - Natures natural theatre givng us this wonderful display of light! A moment I'll never forget, Dawn on the mountain!
Thanks for your time.
Regards - Sarah x
Prometheus Awakes
photo by kev t---------
costume; design and make belinda---
dancer; welly---
collaborators; la fura dels baus & graeae
ANAGLYPH, made from original card stereoview in my collection: "7912 - The Automobile Somnambulist -- "keep quite I'll have it going in a minute."" copyright 1906 by Underwood & Underwood.
This image views in 3D when wearing RED/CYAN 3D glasses.
The original stereoview is here: www.flickr.com/photos/depthandtime/5307929025/
Spring flowers awakening on the forest floor at Häuslberg, Leoben.
Shot with Leica M8 and Carl Zeiss Sonnar C 50mm at f/1.5
Tom Otterness (b. 1952 in Wichita, Kansas) is an American sculptor whose works adorn parks in New York---
most notably in Rockefeller Park in Battery Park City and in the 14th Street/8th Avenue subway station---and other cities around the world. His style is very cartoonish and cheerful, and the forms of his sculptures often consist of many blobs and pipes, giving them a humorous look. These sculptures depict, among other things, huge pennies, pudgy characters in business suits with moneybag heads, helmeted workers holding giant tools, and crocodiles crawling out from under sewer covers. The main theme of his work seems to be the struggle of the little man against the Capitalist machine in a difficult and strange city.
As primarily a public artist, Otterness' has shown popular exhibitions in locations across the United States, including New York City, Indianapolis, and Beverly Hills. His studio is located in the DUMBO neighborhood in Brooklyn.
His most recent exhibition of public sculpture in Grand Rapids, Michigan is his largest to date, featuring more than 40 works across two miles of the city's downtown area and at Frederik Meijer Gardens & Sculpture Park.
Otterness is best known to New Yorkers for his "Life Underground" series of sculptures, which are primarily located in the 14th St/8th Avenue subway station, which was commissioned in 2000 and fully installed by 2002.
Journalist Gary Indiana criticized Otterness for an independent work done while part of the East Village art scene in the mid-eighties called "Shot Dog Piece", in which Otterness allegedly "adopted a dog and then shot it to death for the fun of recording his infantile, sadistic depravity on film." When student Matthew Goad, a candidate for student government president at Wichita State University, learned of this act, Wichita State began questioning a USD$450,000 commission, which would cost an additional USD$150,000 for shipping, however, at present it looks as if the project continued may as planned. Otterness commented that "In 1977, I was a young artist having a very rough time. I had anger at myself and at the world. What I did was symbolic of how I was feeling internally and it is something I would never do today.
1952 Born in Wichita, Kansas
1970 Art Students League, New York
1973 Independent Study Program, Whitney Museum of American Art, New York
1977 Member of Collaborative Projects, Inc., New York
PUBLIC COMMISSIONS (Post 1984)
2004 Untitled, Museum Beelden aan Zee, Scheveningen, The Netherlands Tornado of Ideas, Texas Tech University, Lubbock, Texas
2003 The Return of the Four-Leggeds, Northwest Museum of Arts and Culture, Washington State Arts Commission, Spokane, WA; to be installed in 2003
2002 Life Underground, Metropolitan Transit Authority and Arts for Transit, 14th Street and 8th Avenue, New York, NY; to be installed 2002
2002 Untitled, Branchbrook Park Station, New Jersey Transit, Newark, NJ
2001 Suspended Mind, Carl Sagan Discovery Center, Montefiore Children's Hospital, Bronx, NY
2000 Time and Money, Hilton Hotel at Times Square, Forest City Ratner Corporation, NYC
1999 Rockman, Federal Courthouse, General Services Administration, Minneapolis, MN
Kohn Pedersen Fox (Architect), Martha Schwartz (Landscape Architect)
Feats of Strength, Western Washington University, Bellingham, WA
The Music Lesson, Music School, University of North Carolina at Greensboro, NC
Calloway Johnson Moore & West (Architect)
Gold Rush, Federal Courthouse, General Services Administration, Sacramento, CA
Nacht & Lewis/Hansen Lind Meyer (Architects)
1998 The Gates, Cleveland Public Library, in collaboration with Maya Lin (Artist) and Tan Lin (Poet) Hardy Holzman Pfeiffer Associates (Architect)
1997 Visionary, Metro Tech Center, Brooklyn, NY Law of Nature, The Mark O. Hatfield US Courthouse, General Services Administration, Portland, OR Kohn Pedersen Fox (Architect)
1996 The Marriage of Real Estate and Money, Roosevelt Island, NY
1995 Dreamers Awake, Wichita Art Museum, Kansas Untitled, Eli Broad Family Foundation, Santa Monica, California
Tom Otterness (b. 1952 in Wichita, Kansas) is an American sculptor whose works adorn parks in New York---
most notably in Rockefeller Park in Battery Park City and in the 14th Street/8th Avenue subway station---and other cities around the world. His style is very cartoonish and cheerful, and the forms of his sculptures often consist of many blobs and pipes, giving them a humorous look. These sculptures depict, among other things, huge pennies, pudgy characters in business suits with moneybag heads, helmeted workers holding giant tools, and crocodiles crawling out from under sewer covers. The main theme of his work seems to be the struggle of the little man against the Capitalist machine in a difficult and strange city.
As primarily a public artist, Otterness' has shown popular exhibitions in locations across the United States, including New York City, Indianapolis, and Beverly Hills. His studio is located in the DUMBO neighborhood in Brooklyn.
His most recent exhibition of public sculpture in Grand Rapids, Michigan is his largest to date, featuring more than 40 works across two miles of the city's downtown area and at Frederik Meijer Gardens & Sculpture Park.
Otterness is best known to New Yorkers for his "Life Underground" series of sculptures, which are primarily located in the 14th St/8th Avenue subway station, which was commissioned in 2000 and fully installed by 2002.
Journalist Gary Indiana criticized Otterness for an independent work done while part of the East Village art scene in the mid-eighties called "Shot Dog Piece", in which Otterness allegedly "adopted a dog and then shot it to death for the fun of recording his infantile, sadistic depravity on film." When student Matthew Goad, a candidate for student government president at Wichita State University, learned of this act, Wichita State began questioning a USD$450,000 commission, which would cost an additional USD$150,000 for shipping, however, at present it looks as if the project continued may as planned. Otterness commented that "In 1977, I was a young artist having a very rough time. I had anger at myself and at the world. What I did was symbolic of how I was feeling internally and it is something I would never do today.
1952 Born in Wichita, Kansas
1970 Art Students League, New York
1973 Independent Study Program, Whitney Museum of American Art, New York
1977 Member of Collaborative Projects, Inc., New York
PUBLIC COMMISSIONS (Post 1984)
2004 Untitled, Museum Beelden aan Zee, Scheveningen, The Netherlands Tornado of Ideas, Texas Tech University, Lubbock, Texas
2003 The Return of the Four-Leggeds, Northwest Museum of Arts and Culture, Washington State Arts Commission, Spokane, WA; to be installed in 2003
2002 Life Underground, Metropolitan Transit Authority and Arts for Transit, 14th Street and 8th Avenue, New York, NY; to be installed 2002
2002 Untitled, Branchbrook Park Station, New Jersey Transit, Newark, NJ
2001 Suspended Mind, Carl Sagan Discovery Center, Montefiore Children's Hospital, Bronx, NY
2000 Time and Money, Hilton Hotel at Times Square, Forest City Ratner Corporation, NYC
1999 Rockman, Federal Courthouse, General Services Administration, Minneapolis, MN
Kohn Pedersen Fox (Architect), Martha Schwartz (Landscape Architect)
Feats of Strength, Western Washington University, Bellingham, WA
The Music Lesson, Music School, University of North Carolina at Greensboro, NC
Calloway Johnson Moore & West (Architect)
Gold Rush, Federal Courthouse, General Services Administration, Sacramento, CA
Nacht & Lewis/Hansen Lind Meyer (Architects)
1998 The Gates, Cleveland Public Library, in collaboration with Maya Lin (Artist) and Tan Lin (Poet) Hardy Holzman Pfeiffer Associates (Architect)
1997 Visionary, Metro Tech Center, Brooklyn, NY Law of Nature, The Mark O. Hatfield US Courthouse, General Services Administration, Portland, OR Kohn Pedersen Fox (Architect)
1996 The Marriage of Real Estate and Money, Roosevelt Island, NY
1995 Dreamers Awake, Wichita Art Museum, Kansas Untitled, Eli Broad Family Foundation, Santa Monica, California
"...Oh-... Oh go-... Where the hell am I?!" Flash yells in confusion. "Welcome, child." Zoom says to welcome Barry. "Oh... You are 'Zoom', I presume?" Barry asks. "Yes indeed, child. Now. Untie him, you two." Zoom demands. "Yes, boss." Heatwave replies. "On it." King Shark adds on. "Now... Fight."
~Scarecrow
Infrared Photograph
COPYRIGHT NOTICE. All Photos are copyright by Kat Shanahan. They may NOT be reposted, copied, modified, or used in any manner without written permission from Kat
young cell phone addict man awake at night in bed using smartphone for chatting flirting and sending text message in internet addiction and mobile abuse concept
Nightride. can't remember where I first saw it but the following advice is always useful when out in the woods at night.
The key thing to remember when hearing those strange noises or eyes reflected in the beam is that is nothing there which isn't around during the day as well.
Just now its awake and hungry.
Goal:
Album artwork
Direction:
This is an instrumental EP of music meant to be used to create a worshipful atmosphere during personal Bible study and prayer time. We wanted a graphic that felt gentle, personal and ethereal to accompany the instrumental music.
Seems that I have been held, in some dreaming state
A tourist in the waking world, never quite awake
No kiss, no gentle word could wake me from this slumber
Until I realise that it was you who held me under
Felt it in my fist, in my feet, in the hollows of my eyelids
Shaking through my skull, through my spine and down through my ribs
No more dreaming of the dead as if death itself was undone
No more calling like a crow for a boy, for a body in the garden
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love with the wrong world
And I could hear the thunder and see the lightning crack
All around the world was waking, I never could go back
Cos all the walls of dreaming, they were torn right open
And finally it seemed that the spell was broken
And all my bones began to shake, my eyes flew open
And all my bones began to shake, my eyes flew open
No more dreaming of the dead as if death itself was undone
No more calling like a crow for a boy, for a body in the garden
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love with the wrong world
Snow White's stitching up the circuitboards
Someone's slipping through the hidden door
Snow White's stitching up the circuitboard
No more dreaming of the dead as if death itself was undone
No more calling like a crow for a boy, for a body in the garden
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love, so in love
No more dreaming like a girl so in love with the wrong world
Snow White's stitching up the circuitboards
Someone's slipping through the hidden door
Snow White's stitching up the circuitboard
Someone's slipping through the hidden door