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A lamp post to avoid and difficult to get a clear view - we headed to other side of road.

 

Purely by chance the reflection of one of the nearby hotels has created a face on the body.

 

From www.artscityliverpool.com/single-post/2019/06/14/Striking...

 

The vibrant 4.5 metre (15ft) multicoloured sculpture explores themes of mental health and depression.

 

It has been created by award-winning Egyptian-born, North Yorkshire-based artist Sam Shendi and was chosen after a call went out for submissions from artists based in the North of England.

 

The sculptor said: "As with all my work, my hope is that Split Decision will have an impact on the people of Liverpool, both visually and emotionally, and stir a conversation about the issues of mental health and depression.

 

"Importantly, I want Split Decision to give hope to those going through dark times in their lives, so they know that there is always a light at the end of the tunnel."

 

...

 

The Liverpool Plinth is the brainchild of the Liverpool BID Company in association with the Parish Church and dot-art.

 

The new sculpture replaces last year's winner, Gold Lamé - a suspended, bright gold car by Tony Heaton, which was originally commissioned as part of Art of the Lived Experiment for DaDaFest 2014 at the Bluecoat.

  

From www.theguideliverpool.com/giant-new-multicoloured-sculptu...

 

Split Decision uses colours to express a multitude of emotions and fears that a depressed individual experiences when having to make a decision. Represented by the outstretched legs, the artist also hopes to convey the positive opportunities that sit on the horizon for those who are struggling to overcome their mental anguish.

 

St Mark's Square, Venice... Early morning shot above the heads of the crowds that visit this magical venue on an early compact digital camera

Tigger resting in Yubari trying to sleep to avoid a humid day, on 2 July 2017.

take a page from his book, and don't let those thorns stop you from finding your own perch in life!

 

#231 on Explore on 9/28/07

The line to the left leads to the NB yard and Dewars warehouse. The Holding Sidings can be seen in the distance, formerly the north end of the Down Carriage Sidings.

November 7, 2042

 

29 years have passed since Bruce Wayne retired as Batman. He and Selina Kyle moved to Corto Maltese, a country where the ‘’Caped Crusader of Gotham’’ is nothing more than an urban myth, and have led a safe life there. After changing their identities to Matches Malone and Irena Dubrovna respectively to avoid them getting recognized, the two married a few decades earlier and got a daughter named Helena together roughly 17 years ago. Although Bruce sometimes misses the life he lived before this, he wouldn’t trade his current one for anything.

 

It is a quiet night when Bruce gets awoken by some noise coming from the kitchen. He tries to get back to sleep, but hears something isn’t right when he hears something clattering on the ground. Bruce gets out of bed, puts on a dark red bathrobe and walks downstairs to investigate. Making sure to walk as silently as possible in order to remain unnoticed, he takes a peek around the corner but doesn’t find anything out of the ordinary there. Everything is just as he left it the day before, without any signs of a break-in. He prepares to head back to bed as he notices some sound coming from upstairs now. He hears a window opening in another room, but as he slams open the door he finds another empty room. He takes a look outside the window he heard getting opened which has a view over the wide garden of their house, but he fails to spot anything there either. Bruce decides to leave it be for now and to contact the authorities the next morning as he returns to bed. However, as he enters the bedroom, he is met with a gruesome sight.

 

Before him he sees his wife Selina reaching for her throat, struggling to breathe as blood spills everywhere. He rushes to help her and notices that her throat has been slit open by a sharp object. Knowing that he can’t do anything to help her himself Bruce grabs the phone on the nightstand and dials 911 hoping that he can save her life that way. He gets connected to an emergency medical dispatcher and gives the necessary information to call an ambulance. After this, he lifts her up out of bed and carries her downstairs to make it easier for the paramedics to get her in the ambulance, trying everything to comfort her as he does so. He lays her on the couch as he hears the sirens of the ambulance approaching in the distance. The paramedics rush inside the house, putting her on a brancard and bringing her into the ambulance as Bruce can only watch. He stands next to the brancard in the ambulance, holding her hand as he hears the heartbeat monitor flatlining.

 

A week has passed since the murder on Selena. Both Bruce and Helena are still processing the event. Despite the best work from the local police force they did not manage to find any clues as to who did it, leaving them without a single idea as to why it happened. After not having slept for almost a week and refusing to enter the place where his wife got her throat slit, Bruce decides to finally go in there to clean the mess from that night. As he takes the blood-stained sheets off the bed, he sees something weird under the sheets; a playing card with a bloody, golden knife pierced through it. He takes the knife out of it and takes a look at the card, noting a short message written on there in a messy handwriting.

 

“Why the long face, Bruce? I know this truly puts a smile on my own face.”

 

He turns over the card, almost losing his balance in shock as he sees the trademark design Joker always used on the front of the card. Despite him finding out his identity years ago and ruining his life shortly after, Bruce hoped that he would leave him alone now that he is retired. He looks up what he has been up to for the past years, and finds out Joker has supposedly been in the highest security wing of Arkham for the past 25 years. Despite his instincts telling him to leave it be and just continue to make the most of his retirement, he can't seem to shake off the urge to return to Gotham to get to the bottom of this.

 

A couple of days later, Helena gets awoken by her dad early in the morning. She puts on some clothes and steps outside her room as her dad prompts her to follow him to the attic. As they are making their way there, Bruce asks her if she ever heard of the Batman. Although she has read the rumors online of a vigilante dressed as a bat fighting crime in Gotham for several years, she never really believed them to be real. Despite all of the evidence, from pictures in newspapers to blurry videos of somebody in a bat costume flying over Gotham, something about it just seemed weird to her. Knowing that her parents lived in that city for some time she did ask them about it once, but her dad said all the stories were just hoaxes made up by the police force in order to scare off criminals.

 

After walking up the stairs Bruce turns on a light to illuminate the messy attic. He makes his way over to a wooden closet in the back with a big padlock around the door. As he looks around for something, Helena notices a lot of little trinkets filling up the attic; some kind of jester hat, a glass dome with an old handgun in it, a cane with a weird question mark on it along with a bunch of other items. Bruce finds the key and opens the closet, revealing a suit hanging upside down in it. Helena notices a bat symbol on the chest of the suit as she begins to put together the pieces; her dad was Batman. She picks up a bat-shaped weapon from the ground as Bruce takes the suit out of the closet.

 

“Pack up your stuff.” Bruce says. “We’re going to Gotham.”

---------------------------

A few days later, after getting on the next flight to Gotham City and after telling Helena of his suspicions, the two arrive in the city. Although Bruce didn’t expect Gotham to look exactly like how it did when he left with Selina almost 30 years ago, he’s still shocked to see how much it changed. As he looks at the skyline of the city through the window of the airport, he sees that the dark and mundane buildings of the city he used to know have all been replaced with tall, futuristic skyscrapers. All personnel on the airport have also been replaced with androids and computer systems. While Bruce struggles to get used to this new and completely different Gotham, Helena guides them to a metro line leading right into the center of the city.

 

Another hour passes before the two find their way to the center of Gotham, making their way towards the newly rebuilt Wayne Enterprises building; a gigantic black structure, contrasting sharply with the clean lightly colored buildings surrounding it and with a big neon-lit sign on top of the roof. Knowing he left most of the gadgets he used as Batman in one of the floors of the building, Bruce hopes that he can still find and use them. He tries to enter, but he gets halted by a security guard asking him why he wants to enter the building. Bruce directs the guards attention towards the sign on the structure as he pulls out his ID-card, making sure to point out the fact that the name plastered on the building belongs to him. The guard nods and lets the two in, turning on his earpiece and muttering something to the person on the other end as he does so.

 

As they find themselves in the lobby, a well-dressed young man approaches Bruce and Helena. He introduces himself as Lucius Fox Jr, current CEO of Wayne Enterprises and son of the late Fox Sr, who he used to know back during his prime as a vigilante. He talks about the stories his father used to tell about him before getting to the reason he is here. Fox guides them to one of the elevators in the building and touches in a specific code into the panel after they enter. A fingerprint scanner flips open from the wall as he asks Bruce to put his thumb on it. He does so and feels the elevator descending downwards right after, despite there officially not being any levels below ground in this building. The elevator stops going down after a short while, giving way to a dimly lit storage area filled with items hidden under big pieces of cloth when the doors open. Bruce walks over to one of the bigger items and takes the cloth of it, seeing that someone put the Batmobile under there. He walks around the place and takes a look at more of the items, seeing that most of what he stored in the Batcave when he retired has been put in here. He sees that one of his batarangs, an old prototype for a suit for Robin and even the old Batsignal were brought to this place. As Bruce shows Helena some of the objects, reminiscing about when he was still in his prime, he suddenly hears a female voice behind him.

 

He turns around and sees Barbara Gordon sitting in a wheelchair behind him. She and him haven’t seen each other since the Joker paralyzed her from the waist down almost thirty years ago, with Barbara cutting off all contact with him shortly after the incident. She begins talking about how after Bruce left Gotham nobody was left to look after Wayne Manor. Roughly 15 years ago, when plans were announced to tear down the vacant house, Lucius Fox took it upon himself to get all of the items left in the Batcave out of there before someone would stumble on them during the demolition. Out of the faint hope that the Dark Knight would one day return to Gotham, he decided to store all of his items right under the Wayne Enterprises building instead of destroying them.

 

During this time, Barbara had moved back to Gotham and got a position within the GCPD again. She got assigned to lead the investigation behind the addicting, strength-enhancing drug known as Venom which had been becoming more and more popular in Gotham over the past years. Due to it becoming more and more difficult to keep track of all the Venom-related incidents within the city, she reached out to Wayne Enterprises for help. Fox Jr. showed her the storage space and asked her to help him look after the Dark Knight's gadgets. Although she refused at first, wanting nothing to do with Bruce and the Batman after the incident at Wayne Manor, she eventually agreed in case he would ever return to Gotham.

 

Barbara then shows Bruce something she has been working on in the past years. After the company abandoned their contract to make military equipment years ago, many projects which were still a work in progress got scrapped and left behind in the Applied Science division. One of these projects was a prototype for an exosuit which would give more strength to older or wounded soldiers, allowing them to be more effective in battle despite their handicaps. Seeing how Bruce isn’t as strong as he was in his prime almost 30 years ago, she modified and prepared the prototype for him to use as a new suit. He walks over to the suit, seeing a gun-metal gray suit with a black cowl and purple gloves outfit on display. He contemplates his decision for a moment, doubting if adopting his Dark Knight-persona again is the right choice, but the thought of figuring out who was behind the murder on his wife finally convinces him to do it. Right next to his outfit is an old, red and green-colored suit originally intended for Duke Thomas to which Helena takes a liking. Bruce tries to talk her out of it at first, remembering the guilt he felt after letting the first Robin getting killed, but her insisting on helping solve the murder on her mother persuades him to let his daughter help him out.

 

A few days have passed when a young man walks down Park Row, now more commonly known as Crime Alley after the murder on the Waynes took place there almost 50 years ago. After finishing his 10-hour shift at LexCorp all he wants to do is go home, but his way gets blocked by a figure emerging from the shadows. He tries to turn around, but two other people are blocking the way there as well. He notices they are all holding some kind of weapon in their hands as one of them asks him to hand over his valuable possessions. The man, paralyzed with fear, finds himself too scared to do anything. Seeing that the man isn’t complying with them, the criminal commands the other two people to beat the man up and to take whatever valuable he has from him after that. They approach the young man, but the two stop in their tracks as the streetlights illuminating the alley suddenly all burst apart. All of the criminals get their phones out of their pockets and turn on the flashlights to investigate as they find a weird, bat-shaped weapon on the ground. Before any of them can react, a shadowy figure drops from the rooftop and lands on top of one of the criminals, knocking him out instantly. The young man drops to the ground in fear while the remaining criminals aim their flashlights at the figure. Before them stands a person with most of his figure hidden behind a completely black cape, wearing a cowl with spikes on top of it. While they can't see the face of the person, the white eyes of his cowl suddenly light up as he looks the two right in the face.

 

In their youth, every kid in Gotham heard the ghost stories of the Batman from their parents, who would come after them if they ever commit a crime. Most kids always thought this was just a myth told to keep their kids from doing anything stupid, but the two criminals are doubting the legitness of these stories as they lay their eyes upon the figure in front of them.

 

One of the criminals clenches his fist around the wooden baseball bat he’s holding and charges at the Batman. He swings the weapon at full force in an attempt to hit him, but Batman grabs the bat right before it strikes him and tests out the power of his new suit by breaking it in half with his hands. After throwing away the one half, he uses the other half to beat up the perpetrator. Once he’s done with him, Batman redirects his attention to the other criminal as he slowly approaches him. Out of fear he pulls out a gun from his back pocket, bringing Bruce back to what happened 50 years prior in this exact alley for a short moment. He fires the gun several times, but finds that the Batman is unphased by the bullets as he continues to steadily walk towards him. Before he’s able to run away, the Bat grabs him by the coat and lifts him in the air. He grabs the gun out of his hand and tosses him against the wall, breaking the gun in two and dropping it on the ground.

 

Then he turns to the young man who is still cowering in fear. He walks towards him as the man tries to get away too, scared that he is going to beat him up too, but stops once he sees that he is just offering him a hand to get up. For the first time since the start of the fight, Batman begins talking and warns him to not go through this alley again as he won't always be there to protect him. He unbuckles the grappling gun from his utility belt, but right before he goes away the man asks him who he is.

 

‘’Me?’’ He asks. ‘’I’m Batman.’’

 

Upon returning to the Wayne Enterprises building not too long after, Batman starts the engine of the Batmobile up for the first time in thirty years. Using Barbara’s connections with the Arkham Asylum, she was able to get him and Helena into the high-security wing of the prison in order to meet up with the Joker. After parking the vehicle in front of the gate, the two head inside to investigate the Clown Prince of Crime’s involvement with the murder on Selina. They register themselves at the front desk and have to follow a security guard in order to get to the proper wing. While they are walking through the lower-security wings of the prison Batman notices a lot of people, both inmates and employees of the facility, staring at him in disbelief. As they descend into the higher security levels Batman begins to see some more familiar faces like Edward Nigma, who is scribbling dozens of tiny question marks on the wall of his cell and even the Condiment King who tries to greet him like an old friend.

 

After making their way through the complex, the guard unlocks the big door leading to the high-security wing. As the gate opens in front of them, Batman and Robin see a long hallway with cells on each side. Despite almost every single cell having their lights on, the one at the end of the wall is completely dark. While Batman avoids any contact with the inmates in this wing, only focused

on the cell at the end of the hall, Helena takes her time to see who is in which cell. Although most of them are empty, she sees one with plants covering every inch of the cell belonging to Pamela Isley and another right next to the one Batman is walking towards containing Mr. Freeze, now not much more than a corpse being kept alive by his own suit. Batman stands in front of the dark room, only being able to make out a vague silhouette in the darkness. He orders the guard to turn on the light, and sees the Joker staring right into his eyes on the other side of the glass when the lights flicker on.

 

He has changed a lot since their final confrontation which led to the death of Duke Thomas; he abandoned his long tousled, spiked up hairstyle in favor of a shorter swept back one, his permanent white make-up almost seems to have faded from his skin, and his smile has disappeared from his face. While Joker does his best to strike a conversation with him, acting like he’s an old friend of his who he hasn’t seen in years and asking what made him come out of retirement, Batman only responds by taking the playing card out of his pocket and holding it in front of his face. Batman explains his suspicions, showing him the message on the back of the card. Joker becomes genuinely confused, stating that he hasn't used those cards in decades because he lost his motivation to commit crime after he drove the Dark Knight out of Gotham. Along with that he has been on constant supervision within this prison, locked behind bulletproof glass walls 24/7, so someone would’ve noticed if he got out of his cell to deliver the card somehow.

 

“Listen Bats, I know you don't trust me at all, but for once I'm not making some sick joke. I swear i was not involved with the murder on your wife.”

 

After this, Joker asks to see it for himself stating that he might be able to figure out some more clues. He manages to slip his fingers through one of the openings in the glass wall, insisting him to hand over the card. Batman hesitates for a moment, but agrees to give it to him in a moment of desperation. He attentively looks at it from all angles, noting how the handwriting is just slightly off from how he actually writes and how the design of the card doesn’t quite match up to what he used as well. As he asks Bruce if he even bothered to check the item for any traces of DNA on it before coming up with this plan, he notices some low beeping coming from the inside of the card. He tears it open without a second thought, discovering that a strange flat device with a blinking light has been sitting in the card this whole time. Joker tosses the torn pieces of the card away to examine the thing, seeing the symbol of an owl embedded on the back of it. Before Joker can comment on it, the device begins beeping louder and louder while the light begins blinking faster as well. Batman realizes he unknowingly gave the Joker an explosive and tries everything he can to prevent it from going off, but it's too late. Joker looks him in the eye for one last time, putting a big smile on his face right before he gets engulfed in a sea of flames.

 

Batman and Robin manage to get out of the blast zone just in time. After the dust settles, he sees that the entire back of the prison wing has been obliterated. Nothing’s left of Joker and his cell along with the ones holding Freeze and Ivy next to it. Only some smoldering pieces of the playing card remain, floating through the air and burning up before they can be salvaged. Alarms start going off as a group of guards rushes into the wing, forcing Batman and Robin out of the wing. As they get guided out of the building, moving past the chaos which has erupted in the other parts of the facility, Batman is struggling to comprehend what he just witnessed. His head’s filled with burning questions; Why did someone pretend that the Joker was behind the murder? Why was there an explosive hidden in the card? Why was there an owl printed on said explosive? And most importantly, why was it detonated at that exact moment?

 

The sun has begun to rise when Bruce and Helena return from their trip to Arkham. As they use a hidden entrance to get inside the Wayne Enterprises building, stories about the explosion in the prison start flooding every news station. Almost all of them point towards the Batman having brought an bomb into the facility on purpose in order to finally get rid of his arch nemesis, despite there not being a lot of actual evidence to support this. Bruce parks the Batmobile in the storage facility and steps out, looking around to see if Barbara is around here anywhere. He calls out for her, but as his voice echoes through the place without a response he begins to think something is not right. Bruce spots three figures standing in the distance, but before he can identify them the lights suddenly turn off. A voice echoes through the space, saying something about the ‘’Court of Owls’’ wanting to see the Dynamic Duo. He tries to approach them, but suddenly feels a small dart piercing through his cowl and hitting him in the neck. He falls to the ground, feeling himself getting dragged away towards the Court as his vision turns black.

-----------------------------

Oulton Raiders v York Acorn - 6th July 2019 - Final Score 30 - 24

I usually avoid trying to shoot the airshow, because my zoom lens doesn't auto focus well, but this year I gave it my best shot with manual focus and a tripod. This one is one of the better ones. It's a Staudacher rolling inverted.

Northbound HST on the Gloucester Avoiding Line in 1982.Notice the three class 25 locos in the sidings on the right,presumably on the way to Swindon for scrapping.

G-UZMB easyJet Airline A321neo Avoiding a Storm Approaching Corfu

Hooded merganser. Shelter Island, NY.

To avoid confusion with some group invitations, all of my images are created from blank. Any image from a photo is clearly marked as such.

With first class at the wrong end, 43063 passes Styles Hill on the Frome avoider leading 1C74 0903 Paddington to Plymouth on 26th June 2018

 

43193 was the rear power car

Avoid wasting this precious resource.

 

Best viewed on Black Large

View On Black

Some rare track for passenger stock as Locomotive Services Limited Class 47s, 47593 "Galloway Princess" and 47853 (carrying former number 47614) lead the ECS for the following day's Statesman Rail Settle & Carlisle circular (from Scarborough) via the freight avoider lines at Crewe.

 

The pair of Sulzers are seen heading across Salop Goods Junction and onto the Down Manchester Independent as they make their way to stable overnight in York as 5Z39 11:48 Crewe Holding Sidings to York Holgate Siding.

 

Crewe Alexandra F.C.'s ground, Gresty Bridge, is in the background.

 

Full consist: 47593 47853 + 3348 3344 3426 3384 1211 3312 3229 8004 33188 3438 17056

Taken at Lapa Rios on the south end of the Osa Peninsula

 

www.joiseyshowaa.com

 

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Argentinian-made Ranger, called Heritage to avoid confussion with the Thai versioin sold at the same time here

56005 comes off the York avoiding line with a southbound MGR heading to one of the Aire Valley power stations. This class 56 had another ten years of service before being cut up at Booth,s scrapyard at Rotherham. July 14th 1986.

I heard the crows making an unholy commotion before I saw why. Crows have it in for cats. A pair were harassing this fellow verbally as he made his way down the sidewalk. "CAT! CAT! CAT! ", cawed they. I don't blame him for ducking out of sight under the nearest vehicle.

Beautiful and isolated walk in Jurassic Park while trying to avoid the dinosaurs waste.

 

www.fotobloki.com

Leiden, Netherlands

These big boats are shallow draught to enable them to go into canals, so they have side lifting keels to enable them to avoid drifting sideways in deeper water

This was taken at the Thompson between Spring & Broome

 

***************

 

This set of photos is based on a very simple concept: walk every block of Manhattan with a camera, and see what happens. To avoid missing anything, walk both sides of the street.

 

That's all there is to it …

 

Of course, if you wanted to be more ambitious, you could also walk the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that's more than I'm willing to commit to at this point, and I'll leave the remaining boroughs of New York City to other, more adventurous photographers.

 

Oh, actually, there's one more small detail: leave the photos alone for a month -- unedited, untouched, and unviewed. By the time I actually focus on the first of these "every-block" photos, I will have taken more than 8,000 images on the nearby streets of the Upper West Side -- plus another several thousand in Rome, Coney Island, and the various spots in NYC where I traditionally take photos. So I don't expect to be emotionally attached to any of the "every-block" photos, and hope that I'll be able to make an objective selection of the ones worth looking at.

 

As for the criteria that I've used to select the small subset of every-block photos that get uploaded to Flickr: there are three. First, I'll upload any photo that I think is "great," and where I hope the reaction of my Flickr-friends will be, "I have no idea when or where that photo was taken, but it's really a terrific picture!"

 

A second criterion has to do with place, and the third involves time. I'm hoping that I'll take some photos that clearly say, "This is New York!" to anyone who looks at it. Obviously, certain landscape icons like the Empire State Building or the Statue of Liberty would satisfy that criterion; but I'm hoping that I'll find other, more unexpected examples. I hope that I'll be able to take some shots that will make a "local" viewer say, "Well, even if that's not recognizable to someone from another part of the country, or another part of the world, I know that that's New York!" And there might be some photos where a "non-local" viewer might say, "I had no idea that there was anyplace in New York City that was so interesting/beautiful/ugly/spectacular."

 

As for the sense of time: I remember wandering around my neighborhood in 2005, photographing various shops, stores, restaurants, and business establishments -- and then casually looking at the photos about five years later, and being stunned by how much had changed. Little by little, store by store, day by day, things change … and when you've been around as long as I have, it's even more amazing to go back and look at the photos you took thirty or forty years ago, and ask yourself, "Was it really like that back then? Seriously, did people really wear bell-bottom jeans?"

 

So, with the expectation that I'll be looking at these every-block photos five or ten years from now (and maybe you will be, too), I'm going to be doing my best to capture scenes that convey the sense that they were taken in the year 2013 … or at least sometime in the decade of the 2010's (I have no idea what we're calling this decade yet). Or maybe they'll just say to us, "This is what it was like a dozen years after 9-11".

 

Movie posters are a trivial example of such a time-specific image; I've already taken a bunch, and I don't know if I'll ultimately decide that they're worth uploading. Women's fashion/styles are another obvious example of a time-specific phenomenon; and even though I'm definitely not a fashion expert, I suspected that I'll be able to look at some images ten years from now and mutter to myself, "Did we really wear shirts like that? Did women really wear those weird skirts that are short in the front, and long in the back? Did everyone in New York have a tattoo?"

 

Another example: I'm fascinated by the interactions that people have with their cellphones out on the street. It seems that everyone has one, which certainly wasn't true a decade ago; and it seems that everyone walks down the street with their eyes and their entire conscious attention riveted on this little box-like gadget, utterly oblivious about anything else that might be going on (among other things, that makes it very easy for me to photograph them without their even noticing, particularly if they've also got earphones so they can listen to music or carry on a phone conversation). But I can't help wondering whether this kind of social behavior will seem bizarre a decade from now … especially if our cellphones have become so miniaturized that they're incorporated into the glasses we wear, or implanted directly into our eyeballs.

 

If you have any suggestions about places that I should definitely visit to get some good photos, or if you'd like me to photograph you in your little corner of New York City, please let me know. You can send me a Flickr-mail message, or you can email me directly at ed-at-yourdon-dot-com

 

Stay tuned as the photo-walk continues, block by block ...

LNER class 800 Azuma no. 800102 heads south towards Holgate Junction on the York avoiding line on 29th December 2022 with 1E11, an Aberdeen to Kings Cross service. Due to extensive engineering works taking place during the Christmas/New Year period, trains were unable to enter the station from the north. Passengers for York were detrained at Northallerton for a bus service onwards.

fuckin tagged.

by antonis and blur-maria. so there is no way to avoid it. mmmmm.

k

1. i am a real eel.

2. i have some girl parts as well.

3. the first thing i do in the morning is piss.

4. the last thing i do at night is a secret.

5. i am a fresh water, garden variety eel. but i always wished for a squirt of moray.

6. six is an unjesus-like number. especially if there are three of them in a row or when there is just one of them w a nine living next door.

7. i have a dented ass cheek from spending so much time on the computer.

8. i like missing teeth and facial scars. pls email me if you have been blessed w both.

9. my favourite kinda photo is a self. always. anybody.

10. antonis and maria did a way better job at this.

11. if i could trade places w anyone on flickr for a week , it would have to be bc65s" or his doppleganger bc65x". and then i could see what all this forest fuck stuff is about. and he could monitor my eel and crinkle papers.

12. i used to shit in the toilet every year at christmas and then act like i was wounded or something and fool my step father into running into the can and finding my stupid turd. always made my brother laugh his ass off.

13. www.youtube.com/watch?v=UDt42Vs-teI

14. ive never swum w dolphins. they have those dangerous beaks.

15. penguins are cool though. i saw some one time in chicago, flying underwater like little missiles. there was a bay bee beluga too. although those creatures have beaks as well..

16. im not gonna fucking tag anyone. fuck that. this shits painful.

She's There Somewhere. Well Camouflaged 20007 Emerges out into the Light.

When we go out someplace crowded, like shopping at the mall, we have to disguise ourselves or the paparazzi will be all over us ! LOL

So, in part to avoid sitting in the house and obsessing about the latest developments in the news, I went for a wander round Wimbledon this afternoon.

 

I went up past a church on the hillside that I've only seen from the train before. It's a Roman Catholic one called Sacred Heart and I thought the building was in fine fettle. Here's just a simple portrait taken from the entry path ...

Tim avoiding the burn from the harsh Welsh sunshine

I do not want to be wet. In Kyrgyzstan many people told me that there are 65% of girls for 35 of men...In the streets, it's clear that you see much more girls than men.

I have to look for an explanation!

 

© Eric Lafforgue

www.ericlafforgue.com

 

On July 1st I avoided the highways and celebrated Canada Day by going to Reader Rock Garden. This is a magical garden in the center of the city. I took far too many photos to post all of them so have made a few collages.

 

Thanks for your visits and comments! They are all greatly appreciated.

 

Here are some links to very interesting information on the history.

  

www.readerrock.com/

 

www.calgary.ca/csps/parks/locations/se-parks/reader-rock-...

  

(in fact the van drenched them both anyway!)

I ran over to Cade's Cove last Saturday to avoid some bad weather at one of my favorite eagle spots. Turns out the bad weather followed me and we had 70+ mph gusts that started knocking trees down all over the Great Smoky Mountains National Park. They closed Cade's Cove and were funneling everyone out through Townsend. Also, it would seem that a tree had fallen across the road as people were leaving. Long story short, I was stuck in traffic for a long time. A lot of cars can fit in that 11 mile long loop on a Saturday afternoon during the beginning of fall colors. I have always wanted to photograph the tunnel leading up to the cove, so while I was stuck in traffic, I decided to pull off and start taking a series of frames. It seemed like a much better idea than idling my car for 2 hours and getting frustrated. :)

 

This is a composite of 4 photos.

 

Camera: Sony Alpha 7RIV

Adapter: Sigma MC-11

Lens: Canon EF 24-70 L f/2.8 II

Focal Length: 39 mm

Aperture: f/11

 

Car Trails: 6 stop Lee ND Filter

ISO 100

Exposure: 30 s

 

People:

ISO: 50

Exposure: 0.6 s

 

Sky and Bright:

ISO: 50

Exposure: 1/20 s

 

Raise Shadow:

ISO: 50

0.6 s

  

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