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tagline: Ex-gymnast, winner of a $2500 kissing contest, and a nude model in college.
hometown: Memphis, Tennessee
age: 23
height: 5'11"
build: slim and fit
hair color: blonde
eye color: brown
what i can do for you: date, tech help, ladies' choice
Maker: Roger Fenton (1819-1869)
Born: UK
Active: UK/Russia/Crimea
Medium: salted paper print
Size: 5 1/2 in x 8 1/4 in
Location: UK
Object No. 2012.169
Shelf: N-25
Publication:
Other Collections: British Museum
Provenance: Bloomsbury Auctions, Books, Manuscripts & Photographs, 6/14/12, lot 645
Rank: 68
Notes: British Museum Drawing by the Master of the Pala Sforzesca (formerly attributed to Leonardo da Vinci) on original card mount, with the photographer’s engraved credit and BM stamp in red, with the engraved title From a Drawing in the British Museum, Payne Knight Collection with the imprint of Colnaghi dated 1857, Fenton was appointed photographer to the British Museum in 1853.
Roger Fenton (20 March 1819 - 8 August 1869) was a pioneering British photographer and one of the first war photographers. Fenton, trained as a lawyer, visited the Great Exhibition in Hyde Park in London in 1851 and was impressed by the photography on display there. He then visited Paris to learn the waxed paper calotype process, most likely from Gustave Le Gray, its inventor. By 1852 he had photographs exhibited in England, and travelled to Kiev, Moscow and St. Petersburg making calotypes there, and photographed views and architecture around Britain. He published a call for the setting up of a photographic society.
In 1855 Fenton went to the Crimean War on assignment for the publisher Thomas Agnew to photograph the troops, with a photographic assistant Marcus Sparling and a servant and a large van of equipment. Despite high temperatures, breaking several ribs, and suffering from cholera, he managed to make over 350 usable large format negatives. An exhibition of 312 prints was soon on show in London. Sales were not as good as expected, possibly because the war had ended.
Fenton also produced a number of Stereoscopes of architecture, landscapes and still life subjects. He then produced a series of photographs of cathedrals. For reasons that are not clear, he gave up taking photographs in 1861 and returned to the law; it has been suggested that this was because of his dislike for the increasing commercialization of photography
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
These DeSotoPhotos are courtesy of;
VanDerBrink Auctions, LLC Yvette VanDerBrink-Auctioneer/owner www.vanderbrinkauctions.com/
VIN#: 5620181
This is a 1938 DeSoto 2 door rumble Seat convertible. It is maroon in color with a white top. This car is a real looker. The paint is decent with some chips and flakes. There is some surface rust on the running board areas. The car has white walls. The top is white canvas and in decent condition. there are wing or vent glasses. The car has a flathead 6 cylinder motor with manual transmission with floor shift. The trim is nice and complete. the interior is older restore as the car and is maroon vinyl seat. It is a bench seat. It has maroon carpet. the door panels needs wom work and are worn. They appear more original. the dashh is beautiful. there are cracks in the steering wheel. It has a fancy shift knob. the car also has no radio . There are foglights. the runble seat is in decent condition but could use some work. REal treat of a car. it is a 6 volt system. there are 59,905 miles on the odometer. The car turns over and runs-yard drives. this was another favorite car of the owner. This was the only car that he listed with the National DeSoto club- who'd a known.
This would be a good addition to any collection.
Lot 9B Sold for $ 37,500.00
At the end of the Ars Electronica Festival 2010, all the interior like benches, tables and dustbins that were made of cardboard cartons were sold in the course of an auction.
The cardboard carton furniture was made by PappLab (AT). PappLab is a cooperation of o-werk and mia.
o-werk: Stefan Hofer (AT), Kai Maier-Rothe (AT), Peter Luger (AT), Gigi Gratt (AT), Mods Flotzinger (AT), Tom Latzel (AT) & Wodo Gratt (AT)
mia: Sandra Gnigler (AT), Tobias Hagleitner (AT) & Gunar Wilhelm (AT)
credit: rubra
Maker: Roger Fenton (1819-1869)
Born: UK
Active: UK/Russia/Crimea
Medium: salted paper print
Size: 9.5" x 13"
Location: UK
Object No. 2012.166
Shelf: N-25
Publication: Roger Fenton, Photographer of the 1950s, Yale University Press, London, 1988, Cat. 28
Other Collections: British Museum
Provenance: Bloomsbury Auctions, Books, Manuscripts & Photographs, 6/14/12, lot 645
Rank: 68
Notes: British Museum Drawings on original card mount, with the photographer’s engraved credit and BM stamp in red. Fenton was appointed photographer to the British Museum in 1853.
Many of the existing 19th century photographs of Raphael's works were originally created at the instigation of Prince Albert whose project to create a definitive archive of Raphael's work is documented here: THE PRINCE CONSORT'S RAPHAEL COLLECTION
Roger Fenton (20 March 1819 - 8 August 1869) was a pioneering British photographer and one of the first war photographers. Fenton, trained as a lawyer, visited the Great Exhibition in Hyde Park in London in 1851 and was impressed by the photography on display there. He then visited Paris to learn the waxed paper calotype process, most likely from Gustave Le Gray, its inventor. By 1852 he had photographs exhibited in England, and travelled to Kiev, Moscow and St. Petersburg making calotypes there, and photographed views and architecture around Britain. He published a call for the setting up of a photographic society.
In 1855 Fenton went to the Crimean War on assignment for the publisher Thomas Agnew to photograph the troops, with a photographic assistant Marcus Sparling and a servant and a large van of equipment. Despite high temperatures, breaking several ribs, and suffering from cholera, he managed to make over 350 usable large format negatives. An exhibition of 312 prints was soon on show in London. Sales were not as good as expected, possibly because the war had ended.
Fenton also produced a number of Stereoscopes of architecture, landscapes and still life subjects. He then produced a series of photographs of cathedrals. For reasons that are not clear, he gave up taking photographs in 1861 and returned to the law; it has been suggested that this was because of his dislike for the increasing commercialization of photography
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Toronto Burlesque Festival 2010 presents the BOOBALICIOUS BURLESQUE BRA AUCTION for The Weekend to End Breast Cancer
Come see wearable works of art and bid to own them! Artists include such notable burlesque performers/costumiers as Amber Ray and local designers such as Fashion Whore and Brooke Alviano. All proceeds go to Boobalicious for The Weekend to End Breast Cancer. We will have models wearing the bras milling around our Launch Party for your photo op! Live auction of the bras with fashion show will take place during our Rising Star Showcase in The Gladstone Hotel Ballroom.
Bras on display July 23 to 27
More About The Toronto Burlesque Festival Here
Art Bar: The Art Bar (named after a weekly figure
drawing class ongoing since 1957) is our storefront
room with large windows facing Queen Street West. It is
an intimate space for parties, meetings, conferences or
exhibitions. www.gladstonehotel.com/venue
Photography by: Ellie Frost
We are the leading online auction bidding website where you can explore memorable shopping experience and get unbelievable discount deals.
From the giant StarWars/Trek lot at a local livestock/used goods auction, this was a $12.50 box I won. I was super happy to get the two Arena Beasts I've wanted forever. Everything else is just bonus
Amost 20 years ago an auction was held near Maidstone in Kent and several of the lots may be of interest to London Transport / East Kent / Maidstone & District enthusiasts. London Transport vehicles for sale were CR16 , now restored and on loan to the London Bus Museum , LT1059 which is awaiting restoration at the London Bus Museum , and LT1076 now restored and part of the London Transport Museum Collection. East Kent for sale were JG8720 and KFN220. Maidstone & District for sale were HKL819 and 315LKK. This and the next ten pages shown the catalogue guide available on the day.
Maker: Roger Fenton (1819-1869)
Born: UK
Active: UK/Russia/Crimea
Medium: salted paper print
Size: 4.25" x 6.25"
Location: UK
Object No. 2012.172
Shelf: N-25
Publication:
Other Collections: Royal Collection Trust, British Museum
Provenance: Bloomsbury Auctions, Books, Manuscripts & Photographs, 6/14/12, lot 645
Rank: 68
Notes: British Museum Drawing on original card mount, with the photographer’s engraved credit and BM stamp in red, with the engraved title From a Drawing in the British Museum, Payne Knight Collection with the imprint of Colnaghi dated 1857. According to Joannides this sheet is a study for the Madonna di Loreto. Fenton was appointed photographer to the British Museum in 1853.
Many of the existing 19th century photographs of Raphael's works were originally created at the instigation of Prince Albert whose project to create a definitive archive of Raphael's work is documented here: THE PRINCE CONSORT'S RAPHAEL COLLECTION
Roger Fenton (20 March 1819 - 8 August 1869) was a pioneering British photographer and one of the first war photographers. Fenton, trained as a lawyer, visited the Great Exhibition in Hyde Park in London in 1851 and was impressed by the photography on display there. He then visited Paris to learn the waxed paper calotype process, most likely from Gustave Le Gray, its inventor. By 1852 he had photographs exhibited in England, and travelled to Kiev, Moscow and St. Petersburg making calotypes there, and photographed views and architecture around Britain. He published a call for the setting up of a photographic society.
In 1855 Fenton went to the Crimean War on assignment for the publisher Thomas Agnew to photograph the troops, with a photographic assistant Marcus Sparling and a servant and a large van of equipment. Despite high temperatures, breaking several ribs, and suffering from cholera, he managed to make over 350 usable large format negatives. An exhibition of 312 prints was soon on show in London. Sales were not as good as expected, possibly because the war had ended.
Fenton also produced a number of Stereoscopes of architecture, landscapes and still life subjects. He then produced a series of photographs of cathedrals. For reasons that are not clear, he gave up taking photographs in 1861 and returned to the law; it has been suggested that this was because of his dislike for the increasing commercialization of photography
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
The Play It Forward auction series concluded with the Auction Showcase on Saturday, March 8, 2014 at The Barstow School.
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Photo by Todd Race
NAN Auction Lot #47 - dapple grey Breyer Nokota Horse, hand painted at the Breyer factory in Wayne, New Jersey.
The model was named after the Greek route word for crystal, krustallos, meaning "clear ice," in honor of NAMHSA's 15th anniversary.
Held by the NAMHSA auction committee, to raise funds in support of NAN ("North American Nationals") activities. It's always exciting to see the donations model horse hobbyists come up with to support NAN!
2010 marked NAMHSA's 15 years of their involvement with the model horse hobby, and they celebrated with a huge party, featuring the 2010 NAN Auction and (new this year!) sweepstakes, door prizes, drinks, dessert, and more!
Held at the Holiday Inn North
Lexington, KY
Thursday, July 22nd, 2010
"NAN" is the largest annual North American MODEL HORSE Live Show. Held over a 3-day period, organized and run by NAMHSA (North American Model Horse Shows Association) committee members, staff and numerous volunteers, this is the world's largest model horse show, regularly attracting upwards of 200 entrants from around the globe.
NAMHSA website: www.namhsa.org/
May 8, 2012, Courthouse auction for the property at 324 Marigold Lane: EVB bank was the high bidder and bought the house for $380,000. Gadzooks!
Bruce & Jill Anderson ByBruce&Jill
Carter Real Estate
Irvington, Virginia
804-436-5251