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Walmart associates attend the Bob Seger and the Silver Bullet Band concert Wednesday night during the week of the 2011 Walmart Shareholders' Meeting. To watch the replay of the event, view videos, and join the conversation, visit www.walmartstores.com/shareholdersmeeting
An Associate Degree in Science at The Finch Gallery
November 14, 2008
EC Brown curated "Liv Ullmann, Anaerobic Digestion, Post-Psychiatry"
and
Catie Olson curated Spiderbug short film screening: The pH Show
Frank DiGiovanni
Brandon Heuser
Michael Morris
Richard O'Sullivan
Premier Member of Landscape Design Advisor
Mark Scott and his team design some of the most elegant landscapes and homes in Southern California and beyond.
For more on this member, visit us at www.landscape-design-advisor.com and be sure to follow
Mary Wagner, Associate Chief, U.S. Forest Service introduced the speakers at the Chimney Rock National Monument Dedication Celebration held at the United States Department of Agriculture in Washington, D.C., on Monday, Sept. 24, 2012. President Barack Obama designated Chimney Rock in the San Juan National Forest in Southwest Colorado as a national monument Friday, Sept. 21, 2012. A move that will help preserve 4,726 acres in southwestern Colorado surrounded by the Southern Ute Indian Reservation. The land will be managed by the U.S. Department of Agriculture Forest Service with assistance from local tribes. The site is deeply spiritual to the Pueblo people and other tribes. Chimney Rock was home to the Pueblo People 1,000 years ago and is culturally significant for Native American tribes. USDA photo by Bob Nichols.
Dawn Henderson & Associates
2314 Irving Boulevard
Dallas, Texas 75207
Main Office: 214-905-9900
Fax: 214-905-9990
hendersoninteriors.com/index.html
With 19 years of high-end residential design experience and 14 years of multi-family experience, Dawn Henderson & Associates incorporates great designs with your specific market and needs. Our strategy combines having a passion for space planning and innovative thinking, when creating interiors that reflect our clients' goals. We create unexpected, unique design solutions and pay meticulous attention to detail.
At Dawn Henderson & Associates, our firm is comprised of skilled and knowledgeable senior-level designers and partners. The clients' bottom line is in the forefront of all our efforts. Our goal is for the Design to take the lead on projects while maintaining cost effectiveness. In summary, we design to maximize leasing and sales while minimizing costs. A more detailed list of the services we provide is available here.
We work diligently and effectively to make our client's vision become a reality. Our experience and background along with our staff of carefully selected craftsmen will take your project beyond expectation.
Associates : The Affectionate Punch (remixed)
Front cover
Fiction Records (1982)
FIXD 5
Artwork : Alan Macdonald, Baillie Walsh, Associates
Photography : Alan Macdonald
Lewis Thomas Laboratory (Venturi, Rauch & Scott Brown, with Payette Associates, 1982-1986). With spatial and massing games increasingly limited (and constrained by the technical priorities of the interior's designers), the 'decorated shed' postulated years earlier is finally taking over. Venturi and Scott Brown had been playing around with ornamental flatness for a long time, but there was usually something interesting happening in plan behind it; here we really are looking a box of rooms with applique surfaces. The grab-bag of different patterns applied to this 'peeled-away' end wall belies the more consistent strips of diaper-patterned brickwork on the long elevation around to the left. Even if the latter, too, are still playing games (cheekily wrapping the corner to morph into the punch-tape strips seen here), they are much more comfortable on the medievalist Princeton campus than the wacky Palladio-meets-Corbu cartoons at Gordon Wu. But hey, laboratories are serious business, I suppose.
Premier Member of Landscape Design Advisor
Mark Scott and his team design some of the most elegant landscapes and homes in Southern California and beyond.
For more on this member, visit us at www.landscape-design-advisor.com and be sure to follow
Stafford Associates, Dr. Eugene F. Stafford Building, is a Data Center and Office Building located on Long Island at 21 Bennetts Road in Setauket, New York. The facility incorporates many green features and anticipates a LEED Silver certification, LEED elements incorporated into the building include:
Preferred parking for hybrid vehicles & those carpooling – encourages use of these means of transportation which lowers greenhouse gas emissions
Rainwater collection for site irrigation – lowers the buildings demand for potable water
20% + of site left as open space – help maintain habitat for natural ecosystem
Cut off light fixtures – maintains dark sky
Waterless urinals, dual flush toilets & low flow fixtures – lowers buildings demand for potable water
Implementation of Construction Waste Management Plan – encourages the reuse & recycling of Construction waste & keeps useable material from the landfill
Use of SIPs (Structurally Insulated Panels) – tighter more efficient building envelope, lowers energy demand and associated pollution
Tighter building envelope and innovative building systems – approximate 30% less energy use and carbon footprint than typical building construction
Recycled content in building materials – reduces need for virgin materials and associated environmental costs
Local/regional content in building materials – supports local economy while reducing impact of transporting materials to the site
Low VOC materials – healthier indoor air for building occupants
CO2 monitoring – healthier indoor air for building occupants
The building itself is 30,000 sq. ft. and has many house like qualities to give clients, tenants and employees the sense that they are working with a family owned business. The building is adorned with rich earth tones throughout which can be found in the black marble steps with orange veins to the mahogany in the Stafford lobby, the deep brown accented carpets and natural wall coverings. Craftsmanship and high technology are infused throughout the building from the hand crafted railings in the center atriums to the Tier 3 Data Center that boasts concurrently maintainable site infrastructure guaranteeing 99.982% availability.
Premier Member of Landscape Design Advisor
Mark Scott and his team design some of the most elegant landscapes and homes in Southern California and beyond.
For more on this member, visit us at www.landscape-design-advisor.com and be sure to follow
Business link partners - a collection of link partners on business related industry.
See details here: Business Link Partners
Steve Comba, associate director and registrar of the Pomona College Museum of Art, packs pieces of the museum’s Native America collection for the move to the museum’s new facility.
British postcard. Photo: Associated British.
Handsome Italian actor and director Rossano Brazzi (1916-1994) personified the Latin Lover and romantic aristocrat in such Hollywood classics as South Pacific, but he also starred in many European productions. In his 55 years career, he made more than 100 films, mainly in Italy and France, but also in Germany, Spain, Great Britain, Brazil, Argentina, and the USA. In Italy, he was also a hugely popular stage and TV actor, and an accomplished stage director.
Rossano Brazzi was born in 1916, in Bologna, Italy. He was the son of Adelmo Brazzi, a shoemaker who later owned a leather factory, and Maria Ghedini Brazzi. As a young man, Rossano was quite athletic – playing soccer, tennis, golf, swimming, fencing and boxing. He was particularly good at soccer, and assumed the role of goalkeeper for the Florentine college team, where he stayed for two years. During his years at the San Marco University in Florence, he was also an amateur boxer. He quit boxing when he unintentionally but seriously hurt an opponent. He became friendly with students who were active in the University's amateur theater. His friends persuaded him to try out for a part. He did, and got it. During his second year he won an important role: the part of the prodigal son in Siro Angeli's La Casa. In 1937, he earned his law degree, and was sent by his father to practice law in Rome with an established lawyer. Meanwhile Rossano actively pursuited a stage and screen career. He started to work as an actor for a theatrical company, led by the actresses Irma and Emma Gramatica. When the company played Somerset Maugham's The Sacred Flame in Rome, film producer Michele Scalera offered Brazzi a part in his forthcoming Processo e morte di Socrate/The Trial and Death of Socrates (1939, Corrado D'Errico). A year later, the 24 year old actor astonished critics and public alike with his electric film portrayal of a middle aged Edmund Kean in the Alexandre Dumas adaptation Kean (1940, Guido Brignone). Two years later he delivered a critically acclaimed and award-winning performance in the two part classic Noi Vivi - Addio Kira/We The Living - Goodbye Kira (1942, Goffredo Alessandrini) opposite Alida Valli. Other films were Tosca/The Story of Tosca (1941, Carl Koch) with Imperio Argentina and Michel Simon, the first Italian western Una donna dell'ovest/Girl of the Golden West (1942, Carl Koch) with again Michel Simon, and the drama I due Foscari/The Two Foscaris (1942, Enrico Fulchignoni) based on a screenplay by Michelangelo Antonioni. His International break came in 1942, when the Ufa cast him opposite Zarah Leander in the film Damals/At That Time (1943, Rolf Hansen). In 1942, however, Rossano Brazzi was also asked to move to Milan to make propaganda pictures under government sponsorship. He refused, feigning illness, and abandoned his film career for the duration. Earlier, he had been asked to help the resistance. He capitalised upon his knowledge of the Cinécitta studio, which had been converted into a concentration camp. He helped smuggle inmates, many of them American, British and French prisoners of war. Seven days before the liberation of Rome, Brazzi was arrested by the German SS, and was turned over to the Italian authorities. A week later, Brazzi's prison guards vanished and he walked out free.
After the war, Rossano Brazzi's popularity declined in Italy. He starred in the enormously popular Aquila nera/Black Eagle (1946, Riccardo Freda), but filmmaking began to move in a new direction: the stark, gritty neo-realistic style. The neorealist directors associated Brazzi with swashbuckling adventures and romances. Thus, when American producer David O. Selznick offered him the chance to make films in America, he went to Hollywood. At the time, he could read almost no English and his accent was extraordinarily bad. After a year he was finally lent out to producer Mervyn LeRoy who used the actor as the professor in Little Women (1949, Mervyn LeRoy). But Selznick decided not to pick up his option on the actor and Brazzi fled back to Italy. He starred opposite Anna Magnani in Vulcano/Volcano (1950, William Dieterle), and returned to the stage where he had begun his career. In 1952, Jean Negulesco, a director Brazzi had met in Hollywood, offered him a part in Three Coins in the Fountain (1954, Jean Negulesco). Brazzi, as the love-smitten young Italian, played the third male lead, behind Clifton Webb and Louis Jourdan. The part was small, but the picture did well and it introduced the blue eyed hunk to international audiences as a new sex symbol. It was his multi-hued portrayal of the impotent Count Vincenzo Toriato-Faurini opposite Ava Gardner in The Barefoot Contessa (1954, Joseph L. Mankiewicz) that won him international stardom. This success was followed by the leading male role opposite Katharine Hepburn in David Lean's romance Summertime (1955). Brazzi became the first Italian actor since Rudolph Valentino to achieve the same global popularity and passion from his admirers. He played Latin Lovers in films like The Story of Esther Costello (1957, David Miller) with Joan Crawford, Interlude (1957, Douglas Sirk) with June Allyson, and The Light in the Piazza (1962, Guy Green) with Olivia de Havilland. His probably most famous role was in South Pacific (1958, Joshua Logan), as Emile De Becque opposite Mitzi Gaynor. Later his film roles tended to become routine and repetitive.
In the 1960’s , Rossano Brazzi wasn't interested in resurrecting (again) the role of the Latin lover. In some of his most willingly comedic performances he poked fun at his own image: as the smooth, suave and utterly silly Carlos Matabosch in The Bobo (1967, Robert Parrish), in his brief but very funny role as Giorgio in Woman Times Seven (1967, Vittorio De Sica) and as himself in Mondo Cane (1962, Paolo Cavara, Gualtiero Jacopetti, Franco Prosperi). He turned to directing in the mid-1960’s and was sometimes credited with the nom de film of Edward Ross. His best-known effort in this capacity was the modest family-oriented film Il Natale che quasi non fu/The Christmas That Almost Wasn't (1966), in which he also starred as the gleefully cartoonish Phineas T. Prune. The late 1960’s and early 1970’s found him choosing more uncharacteristic projects, from the nerdy intellectual complete with the tortoise shell glasses falling down his nose in La ragazza di bersagliere/Soldier's Girl (1966, Alessandro Blasetti), to the sadistic and brutal Major Bernadelli in Mister Kingstreet's War/Heroes Die Hard (1973, Percival Rubens), to the gloomy, insane Dr. Frankenstein in Terror! Il castello delle donne maledette/Frankenstein's Castle of Freaks (1974, Dick Randall). His refusal to be typecast into characters known for their romantic gallantry and heroism found its way into criminals, sexual deviants, rapists, Mafia dons. One of his most successful films of this period was the classic crime caper The Italian Job (1969, Peter Collinson), in which he appeared as the murdered Roger Beckermann. On television, he was a regular on the Harold Robbins-created series The Survivors (1969), playing Onassis clone Antaeus Riakos, and did guest appearances in popular series like Madigan (1972), Hawaii Five-O (1977), Police Woman (1978), Charlie’s Angels (1979) and The Love Boat (1982). In Italy he starred with Steophane Audran in the tv mini-series Orient-Express (1980) and with Gabriel Byrne in Christopher Columbus (1985). His later films included The Great Waltz (1972, Andrew L. Stone) with Horst Buchholz, The Final Conflict/The Omen III (1981, Graham Baker) and Fear City (1984, Abel Ferrara). In 1984 Brazzi was indicted along with 36 others for international drug and weapons smuggling; the charges against him, however, were later dropped. Brazzi was working on the horror film Fatal Frames (1996, Al Festa) when he was hospitalized with a viral infection that disabled his nervous system. Rossano Brazzi died of complications following the neural virus, in 1994, in Rome, Italy. He was married to Florentine Baroness Lidia Bertolini from 1940 until her death in 1980, and to the German Ilse Fischer, from 1984 until his death. There were no children from the marriages.
Sources: Hal Erickson (All Movie Guide), Rudi Polt (IMDb), BRAZZI! - theofficial Rossano Brazzi International Network, Encyclopedia Brittanica, Wikipedia, and IMDb.
Associates : Sulk
Front cover
Associates/Beggars Banquet (1982)
ASCL 1
Artwork : Alan MacDonald / Associates
Photography : Peter Ashworth
Premier Member of Landscape Design Advisor
Mark Scott and his team design some of the most elegant landscapes and homes in Southern California and beyond.
For more on this member, visit us at www.landscape-design-advisor.com and be sure to follow
75th Anniversary of Associated Motorways – Saturday & Sunday 24/25th May 2009
The weekend’s festivities which have been organised between Kelvin Amos & Ian Lloyd-Owen, include a Road Run from Bristol Bus Station to Aust Services, departing at 9.48am on Saturday 23rd May 2009 from Bristol Bus & Coach Station, which I am very proud to be part off with my lovely Plaxton 3500 bodied Leyland Tiger (FRU675Y).
The festivities run right through Saturday and in to Sunday, where there is a Coach Rally to be held at the infamous site which once was the home of Black & White Motorways, the one and only St Margaret’s Coach Station in Cheltenham. This location is synonymous with coaching through the ages, and at one point during its heyday, used to have 8 or so mass departures during the day, with the very famous 15.00 departure, which on a Summer Saturday could have as many as 300 coaches leaving Cheltenham at once to various locations across the country. The M5 and motorway services put paid to Cheltenham, but as Mike Walker told me once, you may not have got many pics when I was a lad, but the memories are still there.
Well done to Kelvin, Ian and all the others involved with what promises to be a cracking weekend for us Coach Enthusiasts, and here is to this being an annual occurrence!
FRU is seen in Hotwells (Bristol), awaiting our convoy of coaches, Cheltenhamm Bound!!!!!
While I'm not a fan of hotels with women names I like them better than those containing traditional words - Park, City, Square and likes.
This were one of few shots from Rollei Prego 30 with film I unloaded from Minox 35 midroll after I discovered my repair attempt isn't too successful and shutter isn't closing (but I still got some pictures before problem returned). My Prego 30 overexposes - I learned this from previous rolls so I modified DX code of Paradies 100 (Kodak Gold?) film to ISO200 and think this is the way to use it.