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© All rights reserved Ian C Brightman Please do not use this image on websites, blogs or any other media without my explicit written permission.
Wikipedia reports, "A nymph (Greek: νύμφη, nymphē) in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. Different from goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek polis. They are believed to dwell in mountains and groves, by springs and rivers, and also in trees and in valleys and cool grottoes." And in sea caves! - en.wikipedia.org/wiki/Nymph
New JOHHNY RANGER MCCOY Instagram! instagram.com/45surf
Welcome to your epic hero's journey! The beautiful 45surf goddess hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Journey Mythology. I wouldn't be saying it if it hadn't happened to me.
PRETTY! Canon 5D Mark II Photos of Beautiful Blonde Swimsuit Bikini (Green One Piece Swimsuit!) Model Goddess with Pretty Blue Eyes in a Sea Cave !
Some video of the goddess:
She was tall, thin, fit, and very pretty with long, blonde hair and blue eyes! From Sweden!
The Canon EOS 5D Mark II EF 24-105/4L IS USM was my workhorse until I got the Nikon D800 & D800E with the 70-200 mm 2.8 VR2 zoom.
Canon, Nikon, you can't go wrong with the pretty 45surf model goddesses! (Though the D800 is my new love.)
May the goddess inspire ye along a hero's journey of yer own making, and the path of yer own taking.
Was a classic socal autumn morning with a bright, blue, sunny sky! Hope the photos make you feel like you were there! :)
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 5.3 ! :)
New Instagram! instagram.com/45surf
Join/like my facebook page! www.facebook.com/45surfHerosJourneyMythology
Follow me on facebook! facebook.com/elliot.mcgucken
A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
A Gold 45 Goddess guards the wisdom of dx4/dt=ic -- my physics theory which appears on all the 45surf clothes. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy! Catch those photons as they surf the fourth expanding dimension!
Wikipedia reports, "A nymph (Greek: νύμφη, nymphē) in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. Different from goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek polis. They are believed to dwell in mountains and groves, by springs and rivers, and also in trees and in valleys and cool grottoes." And in sea caves! - en.wikipedia.org/wiki/Nymph
New JOHHNY RANGER MCCOY Instagram! instagram.com/45surf
Welcome to your epic hero's journey! The beautiful 45surf goddess hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Journey Mythology. I wouldn't be saying it if it hadn't happened to me.
PRETTY! Canon 5D Mark II Photos of Beautiful Blonde Swimsuit Bikini (Green One Piece Swimsuit!) Model Goddess with Pretty Blue Eyes in a Sea Cave !
Some video of the goddess:
She was tall, thin, fit, and very pretty with long, blonde hair and blue eyes! From Sweden!
The Canon EOS 5D Mark II EF 24-105/4L IS USM was my workhorse until I got the Nikon D800 & D800E with the 70-200 mm 2.8 VR2 zoom.
Canon, Nikon, you can't go wrong with the pretty 45surf model goddesses! (Though the D800 is my new love.)
May the goddess inspire ye along a hero's journey of yer own making, and the path of yer own taking.
Was a classic socal autumn morning with a bright, blue, sunny sky! Hope the photos make you feel like you were there! :)
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 5.3 ! :)
New Instagram! instagram.com/45surf
Join/like my facebook page! www.facebook.com/45surfHerosJourneyMythology
Follow me on facebook! facebook.com/elliot.mcgucken
A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
A Gold 45 Goddess guards the wisdom of dx4/dt=ic -- my physics theory which appears on all the 45surf clothes. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy! Catch those photons as they surf the fourth expanding dimension!
NASA Associate Administrator Robert Lightfoot, left, talks as NASA Associate Administrator Science John Grunsfeld, Ph.D, listens during the Asteroid Initiative Industry and Partner Day at NASA Headquarters on Tuesday, June 18, 2013 in Washington. During the event NASA Deputy Administrator Lori Garver and other senior NASA officials discussed the progress being made on NASA's mission to capture, redirect, and explore an asteroid. NASA also announced an Asteroid Grand Challenge focused on finding all asteroid threats to human populations and knowing what to do about them. Photo Credit: (NASA/Bill Ingalls)
Promotional activity associated with the release of the film 'Major Dundee' Also captured are scenes from the 'Wild West Nite' ball which occurred on Friday July 9th 1965.
We would welcome any information that would identify any of the people or events that are captured in this album. Please feel free to leave a comment here or follow the link to the Top Rank Preston Facebook group below.
Image kindly provided by the Top Rank Preston 1960's and 1970's Facebook Group
For more information on this collection and other music memorabilia please visit www.cjs.co.uk
Vin Sumner had been engaged as a dance band promoter for both the Public Hall and Queens Hall Preston under his own banner 'The Vin Sumner Entertainment Agency'. He was notable for bringing the Beatles to the Public Hall on October 26th 1962 and again on September 13th 1963. In 1963 he became the Regional Manager at the new Top Rank Ballroom on Church Street leaving in 1971 to run the new Guild Hall where he stayed for the next 14 years. Vin died in June 2000 and is fondly remembered as the towns foremost entertainment impresario. For more biographical information on Vin Sumner click Here
Design by M Moser Associates
When workspace designer M Moser redesigned its Hong Kong office, it was determined to visibly demonstrate the benefits of migrating to a more technologically sophisticated, collaborative and Sustainable style of working. The doubling of existing meeting spaces and integration of shared areas such as team hubs, plus ‘heads down’ rooms for more private working and meetings ensured enhanced knowledge sharing. Collaboration was further improved by the seamless integration of new technologies. Incorporating optimised natural daylight, plus energy-efficient individually-lit, island style personal workstations and extensively recycling existing fittings and furnishings, the new office shortly expects to receive LEED certification.
Lead Designer: Karen Wong
Photography: Vitus Lau, Stefan Ripperger
Text: W. Frederic Nitschke
Design by M Moser Associates
When workspace designer M Moser redesigned its Hong Kong office, it was determined to visibly demonstrate the benefits of migrating to a more technologically sophisticated, collaborative and Sustainable style of working. The doubling of existing meeting spaces and integration of shared areas such as team hubs, plus ‘heads down’ rooms for more private working and meetings ensured enhanced knowledge sharing. Collaboration was further improved by the seamless integration of new technologies. Incorporating optimised natural daylight, plus energy-efficient individually-lit, island style personal workstations and extensively recycling existing fittings and furnishings, the new office shortly expects to receive LEED certification.
Lead Designer: Karen Wong
Photography: Vitus Lau, Stefan Ripperger
Text: W. Frederic Nitschke
© All rights reserved Ian C Brightman Please do not use this image on websites, blogs or any other media without my explicit written permission.
Camp Evans
Wall Township, NJ
Camp Evans is a former military base associated with Fort Monmouth, in the U.S. State of New Jersey. It is located in Wall Township, although it is often said to be located in Belmar (its postal zip code is Belmar's, although it lies outside the borough). The property overlooks the Shark River.
Camp Evans is named after Lt. Col. Paul Wesley Evans of the Signal Corps, who worked in the development of wireless transmission at the Belmar Station in the early 20th century. After World War I, Evans was reassigned to the Panama Canal Zone as the presiding Signal Officer.
The original buildings were built by the American Marconi Company under a contract to the J.G. White Engineering Corp. between 1912 and 1914 as part of Guglielmo Marconi's "Wireless Girdle" around the Earth. It was then known as the Belmar Station.
The Belmar Station served as Marconi's receiving station, "Duplexed" with his New Brunswick high power transmitting station. An operator in Wall keyed the New Brunswick transmitter, 32 miles to the northwest, through a landline connection. Edwin Armstrong and David Sarnoff tested and perfected the regenerative circuit at the Wall site, on the night of January 31/February 1, 1914.
Associated text reads:
Progressive use of outdoor and electrical advertising by the railroads is symbolized by the advertising displays on the roof of the Union Pacific Railroad's headquarters in Los Angeles. The railroad's famous shield is colorfully and gleamingly dramatized in the largest application yet completed of the relatively new animation effect achieved by means of plastic prisms stacked on rotating columns. This sign is 20 feet square and was produced by Prism Sign Company, San Mateo, Calif., and Electrical Products Corp., Los Angeles. The huge shield is flanked by 60-foot three-dimensional pictorial cut-out bulletins by Foster and Kleiser Company. The unit on the left is especially interesting in mechanical animation of the double pair of eyes of the cut-out in the center. The eyes roll realistically for especially effective attraction of attention and dramatization of the theme.
The Ferry Crossing can be traced back to 1296, but is probably much older, with origins in Saxon times. It has always been an important link and in those days saved a 14 mile journey to Shaldon and beyond, via Newton Abbot as the first bridge wasn’t built until 1827.
The Ferry now runs from the bottom of Lifeboat Lane in Teignmouth, but throughout its history has landed in several different places. For instance, during World War Two, The Ferry landing moved along the beach to Gales Hill, next to the present commercial docks, as the whole area around The Point was used by U.S. Forces for the repair and preparation of landing craft for D Day.
Black and white ‘gunports’ were added to the rowing boat ferries after the Napoleonic wars to make them look like ‘fearsome’ Men o’ War. This tradition continued with the advent of the first motor ferries nos. 1 & 2 in 1907-08.
When the first bridge was built around 1827 the ferry was then owned by the Shaldon Bridge Company until it was purchased by the local Council in the early 1950s.
Teignbridge District Council still retain the ‘rights to the crossing and own No.4 ferry, which was built in 1946. The service itself is run privately by a local company, the previous owners added the former Kings Lynn Ferry to the route, built around 1973 and now named ‘No.5’.
A visit the Teignmouth & Shaldon museum will tell you more about the Ferry and local history.
NASA Associate Administrator for the STEM Engagement Office, Mike Kincaid, provides remarks during Space Education Day, Tuesday, June 20, 2023, at the Microsoft Technology Center in Arlington, Va. Microsoft hosted the event to showcase the collaboration, early successes, and future plans for high quality student engagement through activities that combined space content and technologies like artificial intelligence and cloud computing. Photo Credit: (NASA/Aubrey Gemignani)
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see more interesting photo's from me here:
flickeflu.com/photos/77411963@N07/interesting
Amanita muscaria, the classic European "toadstool" is probably the most depicted and recognized mushroom on earth.
Amanita muscaria, commonly known as the fly agaric or fly amanita is a poisonous and psychoactive basidiomycete fungus, one of many in the genus Amanita. Native throughout the temperate and boreal regions of the Northern Hemisphere, Amanita muscaria has been unintentionally introduced to many countries in the southern hemisphere, generally as a symbiont with pine plantations, and is now a true cosmopolitan species. It associates with various deciduous and coniferous trees. The quintessential toadstool, it is a large white-gilled, white-spotted, usually deep red mushroom, one of the most recognizable and widely encountered in popular culture.
Although it is generally considered poisonous, deaths from its consumption are extremely rare, and it is eaten as a food in parts of Europe, Asia, and North America after parboiling. Amanita muscaria is noted for its hallucinogenic properties, with its main psychoactive constituent being the compound muscimol.
The name of the mushroom in many European languages is thought to be derived from its use as an insecticide, when sprinkled in milk. This practice has been recorded from Germanic- and Slavic-speaking parts of Europe, as well as the Vosges region and pockets elsewhere in France, and Romania.
Amanita muscaria varies considerably in its morphology. A 2006 molecular phylogenetic study of different regional populations of A. muscaria by mycologist József Geml and colleagues found three distinct clades within this species representing, roughly, Eurasian, Eurasian "subalpine", and North American populations. Specimens belonging to all three clades have been found in Alaska; this has led to the hypothesis that this was the center of diversification of this species.
A large conspicuous mushroom, Amanita muscaria is generally common and numerous where it grows, and is often found in groups with basidiocarps in all stages of development. Fly agaric fruiting bodies emerge from the soil looking like a white egg, covered in the white warty material of the universal veil. Dissecting the mushroom at this stage will reveal a characteristic yellowish layer of skin under the veil which assists in identification. As the fungus grows, the red color appears through the broken veil and the warts become less prominent; they do not change in size but are reduced relative to the expanding skin area. The cap changes from globose to hemispherical, and finally to plate-like and flat in mature specimens. Fully grown, the bright red cap is usually around 8–20 cm (3–8 in) in diameter, although larger specimens have been found. The red color may fade after rain and in older mushrooms. After emerging from the ground, the cap is covered with numerous small white to yellow pyramid-shaped warts. These are remnants of the universal veil, a membrane that encloses the entire mushroom when it is still very young. The free gills are white, as is the spore print. At the base is a bulb that bears universal veil remnants in the form of two to four distinct rings or ruffs. Between the basal universal veil remnants and gills are remnants of the partial veil (which covers the gills during development) in the form of a white ring. It can be quite wide and flaccid with age. There is generally no associated smell other than a mild earthiness.
Two working commercial fishing boats that dock along the Sheboygan riverfront. They are used in the catching of fished used for pet food, not for game fishing.
Associated with a late Iron Age round house and possible courtyard settlement, only about 2 metres of the main passage and 1.5 metres of the creep passage remain of the above ground fogou at Lower Boscaswell. The entrance to the chamber is oriented to the North-West, the midsummer solstice sunset, the same as nearby Pendeen fogou.
Although similar to souterrains found in Northern Europe and Scotland, fogous are only found in Cornwall and are associated with Celtic Iron Age courtyard house settlements. These stone structures usually consist of a curved underground passageway sealed both ends with a narrow side passage called a creep which slopes upwards to ground level and was the original entrance. Until recently the mainstream accepted theory of their use was for a refuge or food storage, but it is now thought they were for ceremony or ritual.
The Postcard
A Valentine's Series postcard that was posted in Margate on the 1st. September 1910 to:
Miss W. Betts,
190, Lavender Hill,
Clapham Junction,
London.
The message on the back of the card was as follows:
"'The Mulberry Tree',
Dane Road,
Margate.
Dear Winn,
I am having a grand time.
The weather has been
unsettled until today, now
it is simply great.
Love from Bert".
The Mulberry Tree at 53 Dane Road is still going strong as a pub, although it doesn't appear to offer accommodation any more.
Margate
Margate is a seaside town in Thanet, Kent, England, 24 km north-east of Canterbury. It includes Cliftonville, Garlinge, Palm Bay and Westbrook.
The town has been a significant maritime port since the Middle Ages, and was associated with Dover as part of the Cinque Ports in the 15th. century. It became a popular place for holidaymakers in the 18th. century, owing to easy access via the Thames, and later with the arrival of the railways.
Popular landmarks include the sandy beaches and the Dreamland amusement park. During the late 20th. century the town went into decline along with other British seaside resorts, but attempts are being made (2021) to revitalise the economy.
History of Margate
Margate was recorded as "Meregate" in 1264 and as "Margate" in 1299, but the spelling continued to vary into modern times. The name is thought to refer to a pool gate or gap in a cliff where pools of water are found, often allowing swimmers to jump in.
Margate gives its name to the relatively unknown yet influential Battle of Margate. It started on the 24th. March 1387, and was the last major naval battle of the Caroline War phase of the Hundred Years' War.
Despite the battle being named after Margate, very little actually happened near the coastal town - the battle is named after Margate as this was where an English fleet of 51 vessels was anchored.
Margate has been a leading seaside resort for at least 250 years. Like its neighbour Ramsgate, it has been a traditional holiday destination for Londoners drawn to its sandy beaches. Margate had a Victorian jetty which was largely destroyed by a storm in 1978.
In the late 18th. century, the town was chosen by the physician John Coakley Lettsom as the location for the Royal Sea Bathing Hospital, which was the first of its kind in Great Britain.
Like Brighton and Southend, Margate was infamous for gang violence between mods and rockers in the 1960's, and mods and skinheads in the 1980's.
The Turner Contemporary Art Gallery occupies a prominent position next to the harbour, and was constructed there with the specific aim of revitalising the town. The Thanet Offshore Wind Project, completed in 2010, is visible from the seafront.
Margate Tourism
For at least 250 years Margate has been drawing Londoners to its beaches, Margate Sands. The bathing machines in use at Margate were described in 1805 as:
"Four-wheeled carriages, covered with canvas, and
having at one end of them an umbrella of the same
materials which is let down to the surface of the water,
so that the bather descending from the machine by a
few steps is concealed from the public view, whereby
the most refined female is enabled to enjoy the
advantages of the sea with the strictest delicacy".
The Dreamland Amusement Park (featured in "The Jolly Boys' Outing" episode of the TV series Only Fools and Horses) is situated in the centre of Margate. After its closure in 2006, it reopened in 2015 following a lengthy campaign by the "Save Dreamland" Campaign Group.
The Scenic Railway roller coaster at Dreamland, which opened in 1920, is Grade II* Listed, and is the second oldest in the world. It was severely damaged by fire on the 7th. April 2008, but has now been fully restored and reopened to the public.
Cliftonville, next to Margate, had an Arnold Palmer mini golf course. It closed, and was illegally converted into a skate park, which was later shut down by the council amid safety concerns.
Margate Theatres and Exhibitions
There are two notable theatres, the Theatre Royal in Addington Street – the second oldest theatre in the country – and the Tom Thumb Theatre, the second smallest in the country, in addition to the Winter Gardens.
The Theatre Royal was built in 1787, burned down in 1829 and was remodelled in 1879. From 1885 to 1899, actor-manager Sarah Thorne ran a school for acting at the Theatre Royal which is regarded as Britain's first formal drama school.
Actors who received their initial theatrical training there include Harley Granville-Barker, Evelyn Millard, Louis Calvert, George Thorne, Janet Achurch, Adelaide Neilson and Irene and Violet Vanbrugh.
An annual jazz festival takes place in June.
In September, an annual car show commences known as "Oh So Retro" featuring classic and retro vehicles, trade stalls and family-friendly entertainment.
Margate Museum in Market Place explores the town's seaside heritage in a range of exhibits and displays.
The Margate Grotto and Caves
The Shell Grotto, has walls and roof covered in elaborate decorations of over four million shells. These cover 2,000 square feet (190 m2) in complex patterns. It was discovered in 1835, and is of unknown age and origin. It has been designated as a Grade I listed building.
First discovered in 1798, the Margate Caves (also known as the Vortigern Caves) are situated at the bottom of Northdown Road.
The Walpole Bay Tidal Pool
The Walpole Bay Tidal Pool is a Grade 2 listed tidal sea bathing pool built in 1937. The pool covers over four acres, and its dimensions are 450 ft long, 300 ft wide at the seaward end and 550 ft long at the landward end. The water in the pool is refreshed by the incoming tide twice a day, and fresh water springs rise from the beach within the walls.
The Turner Contemporary Gallery
The former chairman of the Margate Civic Society, John Crofts, had a plan to develop a centre that would show the link that the painter JMW Turner shared with Margate. Turner described the Thanet skies as "The loveliest in all Europe."
Crofts became increasingly determined to create such a gallery, and in 1998 the Leader of Kent County Council met a number of people from the art world to discuss the idea.
They hoped that the centre would regenerate the once-thriving town of Margate and offer an alternative to Margate's traditional tourist trade. The County Council offered to partly fund the building of the Turner Gallery. In 2001 the Turner Contemporary was officially established. The view from the gallery is similar to that seen by Turner from his lodging house.
To reduce the cost, Thanet District Council chose a new site inland from the harbour wall. The scheme was supported by the artist Tracey Emin, who was brought up in Margate. The building itself was designed by David Chipperfield Architects after the abandonment of the design by Snøhetta + Spence.
Building work started in 2008, but the project's initiator, John Crofts, died in 2009. The Turner Contemporary Gallery officially opened on the 16th. April 2011.
Historic Sites in Margate
There is a 16th.-century, two-storey timber-framed Tudor house built on a flint plinth in King Street.
Margate's Jubilee Clock Tower was built to commemorate Queen Victoria's Golden Jubilee in 1887, although not completed until 1889. It had a Time Ball mechanism, mounted on a mast atop the tower, which was raised a few minutes before 1 pm each day and dropped at precisely 1 pm, thereby allowing residents, visitors and ships to know the exact time.
The Time Ball fell out of use many years ago, but the Margate Civic Society raised funds to have the Time Ball repaired and brought back into use. This was successful, and a civic ceremony celebrated the restoration on the 24th. May 2014, Queen Victoria's birthday, and the 125th. anniversary of the Clock Tower's official opening. The Time Ball now drops at 1 pm each day, and is one of only a handful of working time balls in the world.
Draper's Mill is a smock mill built in 1845 by John Holman. It was working by wind until 1916 and by engine until the late 1930's. It was saved from demolition, and is now restored and open to the public.
Cultural References to Margate
Margate features at the start and as a recurrent theme in Margate writer Iain Aitch's travelogue, A Fete Worse Than Death. The author was born in the town.
T. S. Eliot, who in 1921 recuperated after a mental breakdown in the suburb of Cliftonville, commented in his poem The Waste Land Part III - The Fire Sermon:
"On Margate sands.
I can connect
Nothing with nothing".
Margate features as a destination in Graham Swift's novel Last Orders and its film adaptation. The character Jack Dodds had asked to have his remains scattered at Margate, and the book tells the tale of the drive to Margate and the memories evoked on the way.
The Victorian author William Thackeray used out-of-season Margate as the setting for his early unfinished novel 'A Shabby Genteel Story'.
"Margate" is the title of a UK single released by Chas & Dave in 1982.
"Margate Fhtagn" is a song by UK steampunk band The Men That Will Not Be Blamed For Nothing. The story related in the song combines the Victorian tradition of the seaside holiday with the works of H. P. Lovecraft, specifically the Cthulhu Mythos, to tell the tale of a Victorian family going on a seaside holiday to Margate, which gets interrupted by Cthulhu rising from the sea.
It is thought that Ralph Vaughan Williams wrote his Lark Ascending whilst walking along the cliffs in Margate.
The spirit of early 20th. century Margate and Cliftonville was caught by John Betjeman (1906 - 1984) in his poem "Margate 1940":
Margate 1940
From out The Queen's Highcliffe for weeks at a stretch
I watched how the mower evaded the vetch,
So that over the putting-course rashes were seen
Of pink and of yellow among the burnt green.
How restful to putt, when the strains of a band
Announced a thé dansant was on at The Grand,
While over the privet, comminglingly clear,
I heard lesser Co-Optimists down by the pier.
How lightly municipal, meltingly tarr'd,
Were the walks through the lawns by the Queen's Promenade
As soft over Cliftonville languished the light
Down Harold Road, Norfolk Road, into the night.
Oh! then what a pleasure to see the ground floor
With tables for two laid as tables for four,
And bottles of sauce and Kia-Ora and squash
Awaiting their owners who'd gone up to wash -
Who had gone up to wash the ozone from their skins
The sand from their legs and the rock from their chins,
To prepare for an evening of dancing and cards
And forget the sea-breeze on the dry promenades.
From third floor and fourth floor the children looked down
Upon ribbons of light in the salt-scented town;
And drowning the trams roared the sound of the sea
As it washed in the shingle the scraps of their tea.
Beside The Queen's Highcliffe now rank grows the vetch,
Now dark is the terrace, a storm-battered stretch;
And I think, as the fairy-lit sights I recall,
It is those we are fighting for, foremost of all.
We know from Betjeman's letters that he visited Margate in 1929 while staying at nearby Birchington with his convalescing employer.
This visit alone would have been sufficient to acquaint him with Margate's pre-war gaiety, the innocent pleasures it offered as a family seaside resort, as well as the more upmarket pretensions of its eastern extension, Cliftonville.
There were probably subsequent visits, one of which must have taken place in the early years of the second World War, as recorded in the poem 'Margate, 1940'.
The evocation of the resort's former glories poignantly conjures up, by contrast, the neglected, bomb-battered desolation it had become.
Note: 'Vetch' is a climbing plant in the pea/legume family. It produces small, pealike flowers (often blue, purple, yellow, or white). It grows quickly and is highly valued in farming for forage (animal feed) and as green manure. Like other legumes, vetches host bacteria on their roots that take nitrogen from the air and convert it into a natural fertilizer, thereby improving soil health.
Margate in Film and Television
J. M. W. Turner's long-term relationship with Mrs. Sophia Booth of Margate was featured in the film Mr. Turner (2014).
The railway station and Dreamland feature prominently in the Only Fools & Horses episode "The Jolly Boys' Outing" (1989).
In series 4 (2017) of the British television crime drama Peaky Blinders, the character Alfie Solomons chooses to reside at Margate, where he's shot on the beach by Tommy Shelby.
The town appeared on BBC TV's The Apprentice in May 2009.
The 2012 BBC television drama series True Love was set and filmed in Margate. The show had its first public screening at the Turner Contemporary.
The 2014 ITV sitcom Edge of Heaven was set in a 1980's-themed bed and breakfast establishment in Margate.
The Sacrorum Antistitum
So what else happened on the day that the card was posted?
Well, on the 1st. September 1910, Pope Pius X promulgated the Sacrorum Antistitum (Oath against Modernism).
The Oath directed that all Roman Catholic bishops, priests and teachers take an oath against the Modernist movement, which called for a departure from following traditional teachings of the Church.
The requirement was mandatory until 1967.
The Mormon Tabernacle Choir
Also on that day, the Mormon Tabernacle Choir's music was recorded commercially for the first time. The choir's records and CD's have sold millions of copies since then.
The Associate Board hosted their fall fundraiser on Saturday, November 15 at ROOF on theWit in Chicago. Young professionals come together at this event to celebrate Make-A-Wish while raising funds to grant future wishes. For information visit illinois.wish.org.
Premier Member of Landscape Design Advisor
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Wikipedia reports, "A nymph (Greek: νύμφη, nymphē) in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. Different from goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek polis. They are believed to dwell in mountains and groves, by springs and rivers, and also in trees and in valleys and cool grottoes." And in sea caves! - en.wikipedia.org/wiki/Nymph
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Welcome to your epic hero's journey! The beautiful 45surf goddess hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Journey Mythology. I wouldn't be saying it if it hadn't happened to me.
PRETTY! Canon 5D Mark II Photos of Beautiful Blonde Swimsuit Bikini (Green One Piece Swimsuit!) Model Goddess with Pretty Blue Eyes in a Sea Cave !
Some video of the goddess:
She was tall, thin, fit, and very pretty with long, blonde hair and blue eyes! From Sweden!
The Canon EOS 5D Mark II EF 24-105/4L IS USM was my workhorse until I got the Nikon D800 & D800E with the 70-200 mm 2.8 VR2 zoom.
Canon, Nikon, you can't go wrong with the pretty 45surf model goddesses! (Though the D800 is my new love.)
May the goddess inspire ye along a hero's journey of yer own making, and the path of yer own taking.
Was a classic socal autumn morning with a bright, blue, sunny sky! Hope the photos make you feel like you were there! :)
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 5.3 ! :)
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A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
A Gold 45 Goddess guards the wisdom of dx4/dt=ic -- my physics theory which appears on all the 45surf clothes. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy! Catch those photons as they surf the fourth expanding dimension!
Walmart associates and shareholders from around the globe gather during the 2011 Walmart Shareholders' Meeting. To watch the replay of the event, view videos, and join the conversation, visit www.walmartstores.com/shareholdersmeeting
For years, Jordan has been associated with its epic history and landscapes, from the hidden ruined city of Petra to the red-sand dunes and canyons of Wadi Rum.
It's a country with stunning history, but not really known for hiking - the Jordan Trail, a recently introduced epic 650km route stretching the entire length of the state from its north to the south, may however well change that perception.
Each hike must have its most popular and admired part, and for the Jordan Trail it comes two-thirds of the way through the route with the stage from the Dana Biosphere Reserve to the ancient city of Petra.
Starting in one of Jordan's most scenic nature reserves, it takes four days mostly on the little-trodden and unmarked paths to finally reach the country's most iconic sights at Petra, which one enters - contrary to the vast majority of visitors - backdoor and alone.
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During the second day, we left Feynan Eco Lodge before sunrise, with packed breakfasts and lunches prepared by the lodge staff for our hike. Also, we needed to take care of water; on top of two 1,5 l bottles, I was carrying another 6 l of water (using the rather practical MSR Dromedary Bag) - almost 10kg in total in the form of the precious liquid! (We knew there is no water source till the stage end in Wadi Feid).
We followed a few 4WD tracks when crossing Wadi Malaga, and then hiked on footpaths to pass on the eastern side of smaller hills of Jabal al-Hamra, Jabal Mahzan and Jabal Barwas.
With expansive plains of Wadi Araba to the west and the rising mountains to the east, we started to gradually ascend the slopes, crossing Wadi Barwas, Wadi abu Hamdtha and Wadi al-Jilf, and finally reaching a point near the shallow wadi to meet an old graded donkey & camel trail ascending more steeply up the hillside.
The pass widened closer to its top where we finally reached the saddle called Ras Naqb Shdeid, offering breathtaking views in both the directions.
Then we continued downhill using the same old path to the right side of the saddle, cutting the steep grade down at the top and then flattening up as it winded to the left to follow a small gully, finally meeting the perennial spring-fed Wadi Feid below.
The Golden Ratio in Dr. Elliot McGucken's Fine Art Ballet Photography!
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Dr. E's: Golden Number Ratio Principle--Why the Fibonacci Numbers Exalt Beauty: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after, thusly providing symmetry over not only space but time, and exalting life’s foundational dynamic symmetry. Robust, ordered, symmetric growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in the arrangement of nature’s discrete elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which they and all their vital sustenance, as well as all the flowers and nature’s epic beauty, had been created—the golden ratio.
Fine Art Ballet Photography: Nikon D810 Elliot McGucken Fine Art Ballerina Dancer Dancing Classical Ballet Seascape Landscape Photography!
Fine Art Ballet Photography: Nikon D810 Elliot McGucken Fine Art Ballerina Dancer Dancing Classical Ballet Seascape Landscape Photography!
White leotard and flowy dress!
Dancing for Dynamic Dimensions Theory dx4/dt=ic: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c!
New ballet & landscape instagrams!
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Nikon D810 Epic Fine Art Ballerina Goddess Dancing Ballet! Dr. Elliot McGucken Fine Art Ballet!
Marrying epic landscape, nature, and urban photography to ballet!
Nikon D810 with the Nikon MB-D12 Multi Battery Power Pack / Grip for D800 and D810 Digital Cameras allows one to shoot at a high to catch the action FPS! Ballerina Dance Goddess Photos! Pretty, Tall Ballet Swimsuit Bikini Model Goddess! Captured with the AF-S NIKKOR 70-200mm f/2.8G ED VR II from Nikon, and the Sigma 50mm f/1.4 DG HSM Art Lens for Nikon! Love them both!
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A pretty goddess straight out of Homer's Iliad & Odyssey!
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The 45EPIC landscapes and goddesses are straight out of Homer's Iliad & Odyssey!
I'm currently updating a translation with the Greek names for the gods and goddesses--will publish soon! :)
"RAGE--Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Zeus fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. " --Homer's Iliad capturing the rage of the 45EPIC landscapes and seascapes! :)
Ludwig van Beethoven: "Music/poetry/art should strike fire from the heart of man, and bring tears from the eyes of woman."
The Lobkowicz Palace[1] (Czech: Lobkowický palác) is a part of the Prague Castle complex in Prague, Czech Republic. It is the only privately owned building in the Prague Castle complex and houses the Lobkowicz Collections and Museum.
The palace was built in the second half of the 16th century by the Czech nobleman Jaroslav of Pernštejn (1528–1569) and completed by his brother, Vratislav of Pernštejn (1530–1582), the chancellor of the Czech Kingdom. It was opened to the public for the first time on 2 April 2007 as the Lobkowicz Palace Museum. Set in 22 galleries, the museum displays a selection of pieces from the Lobkowicz Collections, including works by artists such as Antonio Canaletto, Pieter Brueghel the Elder, Lucas Cranach the Elder, and Diego Velázquez, as well as decorative art, military paraphernalia, musical instruments, and original scores of composers including Beethoven and Mozart.
History
Lobkowicz Palace was built in the second half of the 16th century by the Czech nobleman Jaroslav of Pernštejn (1528-1569) and completed by his brother, Vratislav of Pernštejn (1530–1582), the chancellor of the Czech Kingdom. Vratislav's wife, Maria Maximiliana Manrique de Lara y Mendoza, brought the Infant Jesus of Prague statue, thought to have healing powers, from her homeland of Spain to the Palace. The statue was later given by Vratislav and Maria Maximiliana's daughter, Polyxena (1566-1642), to the Church of Our Lady Victorious in Prague, where it remains on display as a popular tourist attraction. A replica of the Infant Jesus of Prague is on permanent display in the Lobkowicz Palace Museum.
Martinic, in the Lobkowicz Palace on 23 May 1618, Rudolf Vejrych after Václav Brožík
The Palace came into the Lobkowicz family through the marriage of Polyxena to Zdeněk Vojtěch, 1st Prince Lobkowicz (1568-1628). In 1618, Protestant rebels threw the Catholic Imperial Ministers from the windows of the Royal Palace at Prague Castle, known as the Second Defenestration of Prague. Surviving the fall, the ministers took refuge in Lobkowicz Palace, where they were protected from further assault by Polyxena.
Following the defeat of the Protestant faction at the Battle of White Mountain in 1620, the Catholic Lobkowicz family grew in influence and power for the next three centuries. Lobkowicz Palace took on a more formal, imperial role and functioned as the Prague residence when the family needed to be present at the seat of Bohemian power for political and ceremonial purposes. With the exception of the 63 years (1939-2002) during which the property was confiscated and held by Nazi and then Communist authorities, the Palace has belonged to the Lobkowicz family.
After World War I, and the abolition of hereditary titles in 1918, Maximilian Lobkowicz (1888-1967), son of Ferdinand Zdenko, 10th Prince Lobkowicz (1858-1938), demonstrated his support for the fledgling First Republic of Czechoslovakia by making several rooms at the palace available to the government headed by Tomas G. Masaryk. In 1939, the occupying Nazi forces confiscated the Palace, along with all other Lobkowicz family properties. The Palace was returned in 1945, only to be seized again after the Communist takeover in 1948. For the next forty years, the Palace was used for a variety of purposes, including State offices and as a museum of Czech history.
After the Velvet Revolution of 1989 and the fall of the Communist government, President Václav Havel enacted a series of laws that allowed for the restitution of confiscated properties. Following a twelve-year restitution process, the palace returned to the ownership of the Lobkowicz family in 2002. On 2 April 2007, after four years of restoration and refurbishment, the palace was opened to the public for the first time as the Lobkowicz Palace Museum, home to one part of The Lobkowicz Collections. The 17th century baroque Concert Hall of the Lobkowicz Palace hosts regular concerts of classical music, and the premises are also used for weddings.
Architecture
After the Thirty Years War, the Palace underwent a number of significant changes, particularly under Václav Eusebius, 2nd Prince Lobkowicz. He was responsible for the palace’s significant baroque alterations and some of its more lavishly decorated salons. Václav Eusebius redesigned the palace in the Italianate style. His design influence can be seen today in the Imperial Hall, whose walls are painted in fresco with trompe l'oeil statues of emperors surrounded by geometric designs, floral and other decorative motifs. Additional examples of the Italianate style are the Concert Hall and the Balcony Room, whose ceilings are adorned with elaborate painted stuccowork and frescoes by F.V. Harovník.
In the 18th century, Joseph František Maximilian, 7th Prince Lobkowicz commissioned the reconstruction of the exterior of the Palace in preparation for the coronation at Prague Castle of Emperor Leopold II as King of Bohemia in 1791. The alterations included the addition of the palace's panoramic balconies. Despite the various alterations made through the years, remnants of original 16th-century murals and graffito work can still be seen in both of the interior courtyards.
The Lobkowicz Collection
Haymaking, Pieter Brueghel the Elder, oil on panel, The Lobkowicz Collections
The oldest and largest privately owned art collection in the Czech Republic, the Lobkowicz Collection draws its significance from its comprehensive nature, reflecting the cultural, social, political and economic life of Central Europe for over seven centuries. In 1907, Max Dvořák, a prominent member of the Vienna School of Art History, created the first complete catalogue of The Collections.[2] After the restitution laws in the early 1990s, the Lobkowicz family was able to reassemble most of the collection, subsequently making it available to the public for the first time.
Paintings
The Lobkowicz Collections comprise approximately 1,500 paintings, including famous works by artists including Pieter Brueghel the Elder, Pieter Brueghel the Younger, Jan Brueghel the Elder, Bellotto,[which?] Lucas Cranach the Elder, Lucas Cranach the Younger, Diego Velázquez Peter Paul Rubens, Paolo Veronese and Canaletto. The collections also include: an extensive collection of Spanish portraits; Central European portraits by Hans von Aachen and the School of Prague; Dutch, Flemish and German genre paintings; and over 50 paintings and watercolors of Lobkowicz residences by Carl Robert Croll.
The three most prestigious artworks in the collection are Haymaking (1565) by Pieter Brueghel the Elder, and two panoramic views of London by Canaletto. Other notable works include: Hygieia Nourishing the Sacred Serpent (c. 1614) by the Flemish master, Peter Paul Rubens; The Virgin and Child with Saints Barbara and Catherine (c. 1520) by Lucas Cranach the Elder; Christ and the Woman Taken in Adultery (c. 1530) by Lucas Cranach the Younger; Caritas Romana (early-mid 16th century) by Georg Pencz and smaller paintings such as A Village in Winter (c. 1600) by Pieter Brueghel the Younger and St. Martin Dividing his Cloak (1611) by Jan Brueghel the Elder. Venetian painting of the 16th century is represented by Paolo Veronese's David with the Head of Goliath (1575).
The Italian baroque collection includes a prayerful Madonna by Giovanni Battista Salvi, and paintings by Francesco del Cairo, Antonio Zanchi and Giovanni Paolo Pannini. The principal Lobkowicz residences and estates—Roudnice nad Labem, Nelahozeves, Jezeří and Bílina—are depicted in oils and watercolors, commissioned from the 19th-century German painter Carl Robert Croll.
The portraits contained in The Collections reflect the Lobkowicz family's participation in European political and cultural life. The collection includes full-length Spanish portraits of Pernstejns, Lobkowiczes, Rožmberks and related members of European and ruling Habsburg dynasties by painters such as Alonso Sánchez Coello, Juan Pantoja de la Cruz, Jacob Seisenegger and Hans Krell. Among the 17th and the 18th century works in the collection is the Spanish Infanta Margarita Theresa (c. 1655), attributed to Diego Velázquez. Later portraits of members of the Lobkowicz family are by Viennese portraitists of the 19th century such as Franz Schrotzberg and Friedrich von Amerling.
The collection of paintings is accompanied by an extensive collection of graphics and drawings, including a set of engravings of Rome by Giovanni Battista Piranesi.
Decorative Arts
While not as well known as the paintings, books and music associated with the Lobkowiczes, decorative and sacred arts objects, dating from the 13th through the 20th centuries, form a significant part of The Collections.
During the Nazi occupation of Czechoslovakia and the later period of Communist rule, the private chapels in the family’s principal residences were desecrated and their contents dispersed. Important artefacts survived, including a 12th-century reliquary cross of rock crystal and gilded copper. The gold reliquary head of a female saint, possibly St. Ursula, dated c. 1300 and known as the Jezeri Bust, was found in a trunk of theatrical props. It is now on display in the Lobkowicz Palace.
Late-Renaissance and early-baroque ceramics from Italy feature prominently in the collections. Several pieces of colorful Deruta ware are considered to be among the earliest Italian ceramics brought back to Bohemia. Ordered during a trip to Italy in 1551, the pieces are colourfully decorated with an image of a bull, which was the Pernstejn family crest.
By the late 17th century, Chinese hard-paste porcelain had become the great obsession of European rulers and aristocrats. The Dutch workshops at Delft created tin-glazed earthenware that was an early European imitation of the expensive Chinese ware. Around 1680 when he was Imperial Envoy to the Netherlands, Wenzel Ferdinand, Count Lobkowicz of Bilina, commissioned a personalized work, designed with intricate overlapping letters of his initials WL. With 150 pieces, the set is the largest surviving Delft dinner service. A selection of pieces are on display at the Lobkowicz Palace Museum. In the spring of 2000, over sixty pieces from this service were lent to the Rijksmuseum, Amsterdam, to be displayed as part of the "Glory of the Golden Age" exhibition.
The Meissen factory outside Dresden discovered how to produce hard-paste porcelain in the first decade of the 18th century, for the first time outside of Asia. As a result of the factory’s proximity to the Lobkowicz landholdings and castles, 18th and 19th century examples of these porcelain works are prevalent in the collections, ranging from the earlier delicate chinoiserie motifs to the more traditional European elements and designs with fruits and flowers.
Some of the cabinetmaking and marquetry in the Collections come from the Eger craftsmen who worked in Western Bohemia in the 17th century. Several Eger jewelry cabinets are considered among the finest ever produced.[citation needed] Other pieces include caskets, tables and games boards, which are lavishly inlaid with ivory, mother-of-pearl and tortoiseshell, depicting landscapes, animals and classical motifs.
Music
The Music Archive of the Lobkowicz Collection holds over 5,000 items. Originally housed in The Lobkowicz Library at the principal family seat of Roudnice Castle, the entire archive was confiscated, first by the Nazis in 1941, and again by the Communist regime, which sent it to the Museum of Czech Music. In October 1998, the Music Archive was returned to the family in its entirety and moved to Nelahozeves Castle under the auspices of the Roudnice-Lobkowicz Foundation.
The Music Archive, established by Ferdinand August, 3rd Prince of Lobkowicz, was assembled over three centuries by principal members of the family who were not only enthusiastic collectors, but patrons of the arts and also often talented performers. The Music Archive contains works by over five hundred composers and musicians. These include a rare collection of late 17th- and early 18th-century lute, mandolin and guitar scores. This collection, regarded as the world’s largest private collection of baroque music for plucked instruments, has a particularly extensive collection of works by French composers, including Denis and Ennemond Gaultier, St. Luc, Charles Mouton, and Jacques Gallot. The Music Archive is most noted, however, for its late 18th- and early 19th-century collection, including works by Handel, Mozart, Haydn and Beethoven, including Beethoven’s Third (Eroica), Fourth and Fifth symphonies, and Mozart’s hand written re-orchestration of Handel’s Messiah.
Philip Hyacinth, 4th Prince of Lobkowicz, and his second wife, Anna Wilhelmina Althan, were both distinguished lutenists and the prince an accomplished composer as well. Both were both taught by some of the finest contemporary lutenists, including Sylvius Leopold Weiss and Andreas Bohr, and their fine period instruments remain part of the collections. Their son, Ferdinand Philip, the sixth prince, played the glass harmonica and championed the son of one of the family's foresters, the opera composer Christoph Willibald Gluck.
The family member who had the greatest impact on the history of Western music, however, was the 7th Prince, Joseph Franz Maximilian. A talented singer, violinist and cellist, the 7th Prince was the major patron of Beethoven, who dedicated his Third (Eroica), Fifth, and Sixth (Pastoral) symphonies to the Prince, as well as other works. It was the annual stipend provided by the Prince (and continued by his son until the composer’s death), supplemented by support from the Archduke Rudolf and Prince Kinsky, that allowed Beethoven the freedom to compose without dependence on commissions and time-consuming teaching.[citation needed]
In addition to the manuscripts and printed music, the Collections include musical instruments from house orchestras that performed in the various family residences at Jezeří and Roudnice nad Labem in Northern Bohemia, as well as in Vienna. Also on display are lutes from the 16th and 17th centuries by Maler, Tieffenbrucker and Unverdorben; a 17th-century guitar; violins of Italian, German and Czech origin (Gasparo da Salo, Jacob Stainer, Eberle, Hellmer, Rauch); contrabasses from Edlinger[disambiguation needed] and Jacob Stainer; Guarneri and Kulik violoncelli; 18th-century Viennese wind instruments and a pair of copper martial kettledrums. A rare item in the collection is a suite of six elaborately decorated silver trumpets made in 1716 by Michael Leichamschneider of Vienna – one of only two documented sets in existence.
The Nelahozeves Castle Music Room displays a spinet, a contrabass by Posch[disambiguation needed] and other string instruments as well as two pairs of copper and bronze kettledrums.
Military equipment
Hunting was an important activity for Central European nobility from the late Renaissance period onwards, and all of the major Lobkowicz properties served as venues for hunting. Bearing witness to these hunting parties and their participants are hundreds of mounted trophies in the Lobkowicz Collections, dating from the 18th to the early 20th centuries. The social aspects of the hunt are also reflected in the numerous paintings and graphics by local artists in the collection, among them pictures of favourite horses, dogs and trophies. The central part of the hunting-related exhibitions, however, is the firearms themselves, which are displayed in two armoury rooms at Lobkowicz Palace, while further items from the collection are held at Nelahozeves Castle.
The majority of these rifles and pistols were produced locally for the family between 1650 and 1750, by the 17th-century Prague workshops of Adam Brand, Paul Ignatius Poser, the Neireiter family and Leopold Becher, as well as Roudnice craftsmen such as Johannes Lackner and Adel Friedrich during the mid-18th century. These exhibits reflect the patronage of the Lobkowicz family, who provided the gun makers with large orders for guns for many centuries.
The collection features a group of identical flintlock rifles produced for the Lobkowicz Militia in the 18th century, one of the largest collections of such items. Additional weapons came from Silesia, while the most elaborate 18th-century rifles and pistols (some in the Turkish manner) with mother-of-pearl inlay were produced in Vienna. Goldsmiths and silversmiths specializing in inlay were employed to decorate guns, rifles, crossbows and powder flasks of the finest quality.
The palace housed an exhibition of the work Illustrated geography and history of Bohemia by Bavarian cartographer Mauritius Vogt. The exhibition ran until 31 May 2015.
Lobkowicz Collections o.p.s.
In 1994, a non-profit organisation, Lobkowicz Collections o.p.s. (previously the Roudnice Lobkowicz Foundation), was established to curate and maintain the Lobkowicz Collection, recently returned to the family after the Velvet Revolution. The organisation also works to provide access to the art, music and literature contained in the collection to academic researchers and the general public. Lobkowicz Collections o.p.s. has co-ordinated the installation of the collections at both Lobkowicz Palace and Nelahozeves Castle.
The organisation's responsibilities include:
•overseeing the preservation and installation of the objects in The Collections
•developing education programs for students
•promoting and facilitating academic research around The Collections
•administering loans to other cultural institutions
•curating exhibitions of works included in the collections for the public
Significant restoration projects include the restoration of Peter Paul Rubens’ Hygieia Nourishing the Sacred Serpent, restored by Hubert von Sonnenburg of the Metropolitan Museum of Art. This project was funded by the American Friends for the Preservation of Czech Culture (AFPCC).
Lobkowicz Collections o.p.s. also administers lending of artworks to exhibitions. Since 1993, over 200 works of art have been lent to museums in the Czech Republic and abroad, including the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington DC, the Royal Academy of Art in London and the Rijksmuseum in Amsterdam.
Junagarh Fort (Rajasthani: जुनाग्द क़िला) is a fort in the city of Bikaner, Rajasthan, India. The fort was originally called Chintamani and was renamed Junagarh or "Old Fort" in the early 20th century when the ruling family moved to Lalgarh Palace outside the fort limits. It is one of the few major forts in Rajasthan which is not built on a hilltop. The modern city of Bikaner has developed around the fort.
The fort complex was built under the supervision of Karan Chand, the Prime Minister of Raja Rai Singh, the sixth ruler of Bikaner, who ruled from 1571 to 1611 AD. Construction of the walls and associated moat commenced in 1589 and was completed in 1594. It was built outside the original fort of the city, about 1.5 kilometres from the city centre. Some remnants of the old fort are preserved near the Lakshmi Narayan temple.
Historical records reveal that despite the repeated attacks by enemies to capture the fort, it was not taken, except for a lone one-day occupation by Kamran Mirza. Kamran was the second son of the Mughal Emperor Babur who attacked Bikaner in 1534, which was then ruled by Rao Jait Singh. In the battle, the Mughals were defeated by Rathors. Kamran then returned to Lahore.
The 5.28 hectares large fort precinct is studded with palaces, temples and pavilions. These buildings depict a composite culture, manifest in the mix of architectural styles.
GEOGRAPHY
Junagarh fort is located in the arid region of the Thar desert of Rajasthan bordered on the northwest by the Aravalli range, a range of mountains in western India. Part of the desert area is in Bikaner city, which is one of the three desert triangle cities; the other two cities are Jaisalmer and Jodhpur. The name of the place where Bikaner city with its forts was established was then known as Jungladesh.
HISTORY
Before the present Junagarh Fort was built, an old stone fort existed in the city. This fort was built in 1478 by Rao Bika who established the city of Bikaner in 1472. Rao Bika was the second son of Maharaja Rao Jodha of the Rathor clan, the founder of Jodhpur city. He conquered the large arid lands to the northern region of Rajasthan to set up his domain. As the second son of Jodha he had no chance of inheriting his father’s territory of Jodhpur or to the title of Maharaja. He, therefore, reconciled and decided to build his own kingdom at Bikaner at the place then called "Jungladesh". Bikaner, though a partly of the Thar Desert, was considered an oasis on the trade route between Central Asia and the Gujarat coast since it had adequate spring water sources. Bika’s name was thus tagged to the Bikaner city as well as to the then state of Bikaner (“the settlement of Bika”) that he established. The history of Bikaner and the fort within it thus start with Bika. It was only about 100 years later that Bikaner’s fortunes flourished under Raja Rai Singhji, the sixth ruler of Bikaner, who ruled from 1571 to 1611. During the Mughal Empire’s rule in the country, he accepted the suzerainty of the Mughals and held a high position of an army general in the court of Emperor Akbar and his son Emperor Jahangir. His successful war exploits by way of winning half of Mewar kingdom won him accolades and rewards from the Mughal emperors. He was gifted the jagirs (lands) of Gujarat and Burhanpur. With the large revenue earned from these jagirs, he built the Junagarh fort on a plain land, which has an average elevation of 230 m. The formal foundation ceremony for the fort was held on 17 February 1589 and the fort was completed on 17 January 1594. Raja Rai Singhji, was an expert in arts and architecture and the knowledge that he acquired during his several sojourns to several countries are amply reflected in the numerous monuments he built in the Junagarh fort. Thus the fort, a composite structure, became an outstanding example of architecture and a unique centre of art, amidst the Thar desert.
Karan Singh who ruled from 1631 to 1639, under the suzerainty of the Mughals, built the Karan Mahal palace. Later rulers added more floors and decorations to this Mahal. Anup Singh, who ruled from 1669–98, made substantial additions to the fort complex, with new palaces and the Zenana quarter (royal dwelling for females). He refurbished the Karan Mahal with a Diwan-i-Am (public audience hall) and called it the Anup Mahal. Gaj Singh who ruled from 1746 to 1787 refurbished the Chandra Mahal (the Moon palace). Following him, Surat Singh ruled from 1787 to 1828 and he lavishly decorated the audience hall (see picture in info box) with glass and lively paintwork. Dungar Singh who reigned from 1872 to 1887 built the Badal Mahal (the weather palace) named so in view of a painting of falling rain and clouds (a rare event in arid Bikaner). Ganga Singh who ruled from 1887 to 1943 built the Ganga Niwas Palace, which has towers at the entrance patio. This palace was designed by Sir Samuel Swinton Jacob.[10] Ganga Singh’s son Sadul Singh succeeded his father in 1943 but acceded to the Union of India in 1949. He died in 1950.
Bikaner came under the suzerainty of the British Raj under a treaty of paramountcy signed in 1818, where after the Maharajas of Bikaner invested heavily on refurbishing their Junagarh fort. However, during the 18th century, before this treaty was signed, there was internecine war between rulers of Bikaner and Jodhpur and also amongst other Thakur, which was put down by the British troops. It is reported that during the attack by Jodhpur army, of the two entrances to the fort (one in the east and the other in the west), the eastern entrance and the southern rampart were damaged; marks of cannonballs fired are seen on the southern façade of the fort.
Ganga Singh was the best-known king among the Rajasthan princes. A favourite of the British Raj, he earned the title of Knight Commander of the Star of India. He served as a member of the Imperial War Cabinet, represented the country at the Imperial First World War Conferences and the British Empire at the Versailles Peace Conference and was aware of the shift of fortunes in the World War II but died in 1943, before the war was won by the allies. His contribution to the building activity in Junagarh involved separate halls for public and private audience in the Ganga Mahal and a durbar hall for formal functions. The hall where he held his Golden Jubilee as a ruler of Bikaner is now a museum. He also got a new palace - north of Junagarh fort - designed and built by Swinton, the third of the new palaces built in Bikaner and named it Lalgarh Palace in the name of his father and shifted his residence from Junagarh fort to this palace in 1902. The royal family still lives in a special suite in the Lalbagh palace, which they have converted into a heritage hotel.
STRUCTURES
The structures built within the Junagarh fort are the palaces and temples, which are made of red sandstone (Dulmera) and marble. The palaces are described as picturesque with their assortment of courtyards, balconies, kiosks and windows. The fort, the temples and the palaces are preserved as museums and provide insight into the grandiose living style of the past Maharanas of Rajasthan. The fort is called “a paradox between medieval military architecture and beautiful interior decoration”.
OVERVIEW
The massive fort built in the plains of Bikaner has a rectangular (quadrangular) layout with a peripheral length of 986 m. The fort walls are 4.4 m wide and 12 m in height. It encompasses an area of 5.28 ha. It was surrounded by a moat which was 6.1–7.6 m deep with a base width of 4.6 m and top width of 9.1 m. However, the moat no longer exists. The fort is well fortified with 37 bastions (‘burj’ in local language) and seven gates (two are main gates) to counter enemy attacks. The fort was built as a “new stronghold” outside of the ruins of an old fort built by Rao Bika and on the periphery of the Bikaner city walls (1.5 kilometres from the city centre); the old fort was demolished a century after it was built.
The fort with seven gates contains several palaces, pavilions and many temples of Hindu and Jain religions - the earliest dated to the 16th century. A major feature of the fort is the stone carving done in red and gold coloured sandstones. The interiors of the palaces are decorated and painted in traditional Rajasthani style. The Junagarh palaces have a large number of rooms, as every king built his own separate set of rooms, not wanting to live in his predecessors’ rooms. These structures were considered as “at par with those of Louis’s France or of Imperial Russia”. Several types of architectural style are discerned in the fort complex and hence it is called a true depiction of composite culture. The earliest style is of Rajput architecture, defined by Gujarati and Mughal architectural influence reflecting the association with Mughal rulers, the second type is of semi-western architecture reflecting British influence, and finally the revivalists Rajput architecture that evolved particularly during the rule of Maharaja Ganga Singh. Only the most representative of all these architectural styles are on display for visitors. Thus, the unique monuments on display in the Junagarh Fort represent sixteen successive generations of the rulers of Bikaner, starting from the end of the 16th century.
GATES
While the main entry gate was Karan Pol or Parole, facing east, the current gate of entry is called Suraj Pol (meaning the Sun gate), 'pol' also colloquially spelt prol, built in gold coloured or yellow sandstone, unlike the other gates and buildings built in red sandstone. It is the east facing gate permitting the rising Sun’s rays to fall on the gate, which is considered a good omen. The doors of this gate are strengthened with iron spikes and studs to prevent ramming by elephants during an attack. At the entrance to the gate, two red stone statues of elephants with mahouts stand as sentinels. The gate was also the location for announcing the arrival and departure of royalty by musicians playing the trumpet from a gallery in the gate. The other gates are Karan Pol, Daulat Pol, Chand Pol (a double gate) and Fateh Pol; these provided access to various monuments in the fort. The Karan Pol gate is also braced with iron spikes to prevent battering of the gate by elephants. To the right of this gate is Daulat Pol. Forty-one hand imprints are seen on the Daulat Pol gate wall, in red colour, of the wives of the Maharajas of Bikaner, who committed sati (self immolation) on the funeral pyres of their husbands who died in battle.
Between the main gate and the palace, there is a quadrangle, and then another gate called the Tripolia gate (triple gateway) before accessing the royal chambers. Next to this gate is a small temple called the Har Mandir, where the Royal family used to offer worship. In the quadrangle, which houses a large pavilion with a water pool built in Carrara Italian marble. The Karan Mahal, where public audience was held in the Diwan-i-Am by Karan Singh (1631–39) and his successors till the 20th century, can also be seen in the same quadrangle.
TEMPLES
Har Mandir temple was the royal chapel - private temple of the royal family. The royal family celebrated the Hindu festival of Dussera and Gangaur here, apart from celebrating other family functions such as birthdays and marriages. In the Dussera celebrations, weapons and horses were worshipped here. The main deities worshipped in this temple are the Hindu deities Lakshmi Narayan, a combined representation of god Vishnu and his consort Lakshmi.
The Ratan Behari temple located near the Junagarh Fort, was built in 1846 by the 18th ruler of Bikaner. It was built in Indo-Mughal architectural style using white marble. The Hindu god Krishna is deified in this temple.
PALACES
Karan mahal (Public Audience Hall) was built by Karan Singh in c.1680 to mark his victory over the Mughal Emperor Aurangzeb. It is considered as one of the most exquisite palaces built with gardens, which displays the aesthetic sensibilities of the royalty of Rajasthan. It has stained glass windows and intricately carved balconies built in stone and wood fluted columns. Later Rajas, Anup Singh and Surat Singh, also added lot of glitter to this palace with inlaid polychrome glass, intricate mirror patterns, and red and gold paint. In the coronation chamber, there is a shored up alcove, which was used as a throne.
Phool Mahal ("Flower Palace") is the oldest part of the palace and was built by king Raja Rai Singh of Bikaner, who ruled between 1571-1668.
Anup Mahal is a multi-storey structure, which functioned as the administrative headquarters of the kingdom. It has ornate wooden ceilings with inlaid mirrors, Italian tiles, and fine lattice windows and balconies. It has some gold leaf paintings. It is considered as one of the “grandest construction”.
Chandra Mahal has the most luxurious room in the palace, which houses gold plated deities and paintings inlaid with precious stones. In the royal bedroom, mirrors have been strategically placed so that the Maharaja could see from his bed, any intruder entering his room.
Ganga Mahal was built in the 20th century by Ganga Singh who reigned for 56 years from 1887 to 1943, has a large durbar hall known as the Ganga Singh Hall that houses the Museum. The museum has exhibits of war weaponry and also a World War I aeroplane (biplane), which is stated to be well maintained.
Badal Mahal (The weather palace) is part of the Anup Mahal extensions. It has paintings of Shekhawati Dundlod chiefs paying respects to the Maharaja of Bikaner in different types of turbans. Photos of people standing on nails, wood, swords and saws are also depicted here – a display of faith and endurance. The walls in this palace depict fresco paintings of the Hindu god Krishna and his consort Radha amidst the rain clouds.
Bikaneri Havelies located both within and outside the fort in the Bikaner city’s by lanes are also of unique architectural style in home architecture. Aldous Huxley who visited these havelis reportedly said “They are the pride of Bikaner.”
FORT MUSEUM
The museum within the fort called the Junagarh Fort Museum was established in 1961 by Maharaja Dr.Karni Singhji under the control of "Maharaja Rai Singhji Trust". The Museum exhibits Sanskrit and Persian manuscripts, miniature paintings, jewels, royal costumes, farmans (royal orders), portrait galleries, costumes, headgear and dresses of gods’ idols, enamelware, silver, palanquins, howdahs and war drums. The museum also displays armoury that consists of one of the assorted collection of post medieval arms.
MAHARAJA RAI SINGHJI TRUST
Maharaja Rai Singhji Trust has been set up by the 'Royal family of Bikaner' with the basic objective to showcase the fort with professional inputs in various areas and to improve the experience for visitors. Another objective is to promote education and research scholarships, cultural activities, setting up of libraries and integration with other such trusts.
WIKIPEDIA
Stafford Associates, Dr. Eugene F. Stafford Building, is a Data Center and Office Building located on Long Island at 21 Bennetts Road in Setauket, New York. The facility incorporates many green features and anticipates a LEED Silver certification, LEED elements incorporated into the building include:
Preferred parking for hybrid vehicles & those carpooling – encourages use of these means of transportation which lowers greenhouse gas emissions
Rainwater collection for site irrigation – lowers the buildings demand for potable water
20% + of site left as open space – help maintain habitat for natural ecosystem
Cut off light fixtures – maintains dark sky
Waterless urinals, dual flush toilets & low flow fixtures – lowers buildings demand for potable water
Implementation of Construction Waste Management Plan – encourages the reuse & recycling of Construction waste & keeps useable material from the landfill
Use of SIPs (Structurally Insulated Panels) – tighter more efficient building envelope, lowers energy demand and associated pollution
Tighter building envelope and innovative building systems – approximate 30% less energy use and carbon footprint than typical building construction
Recycled content in building materials – reduces need for virgin materials and associated environmental costs
Local/regional content in building materials – supports local economy while reducing impact of transporting materials to the site
Low VOC materials – healthier indoor air for building occupants
CO2 monitoring – healthier indoor air for building occupants
The building itself is 30,000 sq. ft. and has many house like qualities to give clients, tenants and employees the sense that they are working with a family owned business. The building is adorned with rich earth tones throughout which can be found in the black marble steps with orange veins to the mahogany in the Stafford lobby, the deep brown accented carpets and natural wall coverings. Craftsmanship and high technology are infused throughout the building from the hand crafted railings in the center atriums to the Tier 3 Data Center that boasts concurrently maintainable site infrastructure guaranteeing 99.982% availability.
2022 Mickey Leland Research Associate Christian Maldonado-Rivera (foreground) working in the Hybrid Performance (HyPer) Lab with CHRES research associate Dario Valenzuela and mentor Larry Shadle. Christian is working on the Advanced Systems Integration Team. His project is to apply the cyber-physical modeling concept to a use case - a novel conceptual design of a hybrid system composed of solid oxide fuel cell (SOFC), solid oxide electrolyzer cell (SOEC), carbon capture and thermal energy storage. This cycle aims to investigate the efficient and cost-effective production of hydrogen and electricity. The objectives of this project are conceptual design and system studies.