View allAll Photos Tagged Arcitecture
MANRESA-JUTJATS-VELLS-ANTICS-PINTURA-ART-PAISATGES-PATRIMONI-EDIFICIS-BAIXADA DE LA SEU-FOTOS-PINTANT-PINTOR-ERNEST DESCALS-
Pintar los edificios del Patrimonio Arquitectónico de la ciudad de MANRESA, els JUTJATS VELLS o JUTJATS ANTICS en un edificio que se encuentra en la Baixada de la Seu, delante de la puerta de la basílica manresana, los Juzgados se han trasladado a otras dependencias y ahora permanecen vacíos pero siguen formando parte de la historia ciudadana, en un lienzo de 81 x 100 centímetros he introducido todos los elementos que se integran en el paisaje urbano, con gran importancia a los árboles y queriendo dar la profundidad correcta he pintado la escena con tiendas, casas y personas andando por el asfalto. Luz y color son sus principales factores paisajistas. Fotos del artista pintor Ernest Descals pintando el cuadro con óleos, soltura y ambiente estructuran el corazón de la obra.
Manial Palace and Museum (Prince Mohammed Ali Tewfik Palace), Manial, Cairo, Egypt (1899 - 1929).
The Moorish Style - Clock Tower lies between the Palace Reception and the Mosque. Its features were emphasized obviously in its geometry, openings and decorations.
The Clock style is also similar to Ramses Station Clock Tower except that the clock hand is snake shaped and not straight.
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It is the second-oldest operating of Denver and is one of the first atrium-style hotels ever built. It is now operated by Quorum Hotels and Resorts, and joined Marriott's Autograph Collection in 2012. It was built in 1892 of sandstone and red granite,[3] one year later than the Oxford Hotel. It was named for its original owner, Henry C. Brown, and was designed with its distinctive triangular shape by architect Frank Edbrooke.
Colorado State Register of Historic Properties
U of Alberta - VAN VLIET CENTRE
Located on the University of Alberta campus, the facilities here include two pools, one of the tallest climbing walls in Canada, an equipment room, squash/racquetball courts, and an exercise facility.
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a stunning interior view of an architectural structure, captured through a fisheye lens which gives it a rounded, convex appearance and an expansive feel, enhancing the grandeur of the scene. The mood evoked is one of awe and reverence, possibly due to the suggestion that this could be the interior of a grand, historic building, such as a church or cathedral.
The composition is centered and symmetrical, with a clear emphasis on the radial balance created by the wooden beams that converge towards the center of the ceiling. This creates a pattern and rhythm that draws the eye inwards, giving a strong sense of movement towards the middle of the image. The rich texture of the wooden ceiling is pronounced, adding depth and warmth to the photograph.
There is an interesting interplay between the foreground and the background, given that the fisheye lens distorts the perspective, making it a bit challenging to distinguish between the two. The play of light and shadow is subtle yet effective, with the natural light from the stained glass windows creating patterns on the wooden surfaces, suggesting that the photographer intended to capture the interplay of light within this space.
The style and genre of the photo could be categorized as architectural photography with an artistic twist due to the use of the fisheye lens. Emotionally, the image may invoke feelings of curiosity and introspection, as it leads one to look up and around, following the lines and curves.
The seven basic elements of photographic art are all present and well-represented:
Line: The strong, curved lines of the beams and the outlines of the windows.
Shape: The geometric shapes formed by the wooden panels and the windows.
Form: The three-dimensional form is emphasized by the fisheye perspective.
Texture: The wood grain and stone textures are rich and detailed.
Color: The warm tones of the wood contrast with the cooler hues of the windows and the stone.
Size: The fisheye lens distorts the size, giving an expansive feeling to the space.
Depth: The curvature of the lens provides a unique sense of depth that is more spherical than linear.