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Rochester is a town and historic city in the unitary authority of Medway in Kent, England. It is situated at the lowest bridging point of the River Medway about 30 miles (50 km) from London.
Rochester was for many years a favourite of Charles Dickens, who owned nearby Gads Hill Place, Higham,[1] basing many of his novels on the area. The Diocese of Rochester, the second oldest in England, is based at Rochester Cathedral and was responsible for the founding of a school, now The King's School in 604 AD,[2] which is recognised as being the second oldest continuously running school in the world. Rochester Castle, built by Bishop Gundulf of Rochester, has one of the best preserved keepsin either England or France, and during the First Barons' War (1215–1217) in King John's reign, baronial forces captured the castle from Archbishop Stephen Langton and held it against the king, who then besieged it.[3]
Neighbouring Chatham, Gillingham, Strood and a number of outlying villages, together with Rochester, nowadays make up the MedwayUnitary Authority area. It was, until 1998,[4]under the control of Kent County Council and is still part of the ceremonial county of Kent, under the latest Lieutenancies Act.[5]
Toponymy[edit]
The Romano-British name for Rochester was Durobrivae, later Durobrivis c. 730 and Dorobrevis in 844. The two commonly cited origins of this name are that it either came from "stronghold by the bridge(s)",[6] or is the latinisation of the British word Dourbruf meaning "swiftstream".[7]Durobrivis was pronounced 'Robrivis. Bede copied down this name, c. 730, mistaking its meaning as Hrofi's fortified camp (OE Hrofes cæster). From this we get c. 730 Hrofæscæstre, 811 Hrofescester, 1086 Rovescester, 1610 Rochester.[6] The Latinised adjective 'Roffensis' refers to Rochester.[7]
Neolithic remains have been found in the vicinity of Rochester; over time it has been variously occupied by Celts, Romans, Jutes and/or Saxons. During the Celtic period it was one of the two administrative centres of the Cantiaci tribe. During the Roman conquest of Britain a decisive battle was fought at the Medway somewhere near Rochester. The first bridge was subsequently constructed early in the Roman period. During the later Roman period the settlement was walled in stone. King Ethelbert of Kent(560–616) established a legal system which has been preserved in the 12th century Textus Roffensis. In AD 604 the bishopric and cathedral were founded. During this period, from the recall of the legions until the Norman conquest, Rochester was sacked at least twice and besieged on another occasion.
The medieval period saw the building of the current cathedral (1080–1130, 1227 and 1343), the building of two castles and the establishment of a significant town. Rochester Castle saw action in the sieges of 1215 and 1264. Its basic street plan was set out, constrained by the river, Watling Street, Rochester Priory and the castle.
Rochester has produced two martyrs: St John Fisher, executed by Henry VIII for refusing to sanction the divorce of Catherine of Aragon; and Bishop Nicholas Ridley, executed by Queen Mary for being an English Reformation protestant.
The city was raided by the Dutch as part of the Second Anglo-Dutch War. The Dutch, commanded by Admiral de Ruijter, broke through the chain at Upnor[8] and sailed to Rochester Bridge capturing part of the English fleet and burning it.[9]
The ancient City of Rochester merged with the Borough of Chatham and part of the Strood Rural District in 1974 to form the Borough of Medway. It was later renamed Rochester-upon-Medway, and its City status transferred to the entire borough. In 1998 another merger with the rest of the Medway Towns created the Medway Unitary Authority. The outgoing council neglected to appoint ceremonial "Charter Trustees" to continue to represent the historic Rochester area, causing Rochester to lose its City status – an error not even noticed by council officers for four years, until 2002.[10][11]
Military History
Rochester has for centuries been of great strategic importance through its position near the confluence of the Thames and the Medway. Rochester Castle was built to guard the river crossing, and the Royal Dockyard's establishment at Chatham witnessed the beginning of the Royal Navy's long period of supremacy. The town, as part of Medway, is surrounded by two circles of fortresses; the inner line built during the Napoleonic warsconsists of Fort Clarence, Fort Pitt, Fort Amherst and Fort Gillingham. The outer line of Palmerston Forts was built during the 1860s in light of the report by the Royal Commission on the Defence of the United Kingdomand consists of Fort Borstal, Fort Bridgewood, Fort Luton, and the Twydall Redoubts, with two additional forts on islands in the Medway, namely Fort Hoo and Fort Darnet.
During the First World War the Short Brothers' aircraft manufacturing company developed the first plane to launch a torpedo, the Short Admiralty Type 184, at its seaplane factory on the River Medway not far from Rochester Castle. In the intervening period between the 20th century World Wars the company established a world-wide reputation as a constructor of flying boats with aircraft such as the Singapore, Empire 'C'-Class and Sunderland. During the Second World War, Shorts also designed and manufactured the first four-engined bomber, the Stirling.
The UK's decline in naval power and shipbuilding competitiveness led to the government decommissioning the RN Shipyard at Chatham in 1984, which led to the subsequent demise of much local maritime industry. Rochester and its neighbouring communities were hit hard by this and have experienced a painful adjustment to a post-industrial economy, with much social deprivation and unemployment resulting. On the closure of Chatham Dockyard the area experienced an unprecedented surge in unemployment to 24%; this had dropped to 2.4% of the local population by 2014.[12]
Former City of Rochester[edit]
Rochester was recognised as a City from 1211 to 1998. The City of Rochester's ancient status was unique, as it had no formal council or Charter Trustees nor a Mayor, instead having the office of Admiral of the River Medway, whose incumbent acted as de facto civic leader.[13] On 1 April 1974, the City Council was abolished under the Local Government Act 1972, and the territory was merged with the District of Medway, Borough of Chatham and most of Strood Rural District to form a new a local government district called the Borough of Medway, within the county of Kent. Medway Borough Council applied to inherit Rochester's city status, but this was refused; instead letters patent were granted constituting the area of the former Rochester local government district to be the City of Rochester, to "perpetuate the ancient name" and to recall "the long history and proud heritage of the said City".[14] The Home Officesaid that the city status may be extended to the entire borough if it had "Rochester" in its name, so in 1979, Medway Borough Council renamed the borough to Borough of Rochester-upon-Medway, and in 1982, Rochester's city status was transferred to the entire borough by letters patent, with the district being called the City of Rochester-upon-Medway.[13]
On 1 April 1998, the existing local government districts of Rochester-upon-Medway and Gillingham were abolished and became the new unitary authority of Medway. The Department of Environment, Transport and the Regions informed the city council that since it was the local government district that officially held City status under the 1982 Letters Patent, the council would need to appoint charter trustees to preserve its city status, but the outgoing Labour-run council decided not to appoint charter trustees, so the city status was lost when Rochester-upon-Medway was abolished as a local government district.[15][16][17] The other local government districts with City status that were abolished around this time, Bath and Hereford, decided to appoint Charter Trustees to maintain the existence of their own cities and the mayoralties. The incoming Medway Council apparently only became aware of this when, in 2002, it was advised that Rochester was not on the Lord Chancellor's Office's list of cities.[18][19]
In 2010, Medway Council started to refer to the "City of Medway" in promotional material, but it was rebuked and instructed not to do so in future by the Advertising Standards Authority.[20]
Governance[edit]
Civic history and traditions[edit]
Rochester and its neighbours, Chatham and Gillingham, form a single large urban area known as the Medway Towns with a population of about 250,000. Since Norman times Rochester had always governed land on the other side of the Medway in Strood, which was known as Strood Intra; before 1835 it was about 100 yards (91 m) wide and stretched to Gun Lane. In the 1835 Municipal Corporations Act the boundaries were extended to include more of Strood and Frindsbury, and part of Chatham known as Chatham Intra. In 1974, Rochester City Council was abolished and superseded by Medway Borough Council, which also included the parishes of Cuxton, Halling and Cliffe, and the Hoo Peninsula. In 1979 the borough became Rochester-upon-Medway. The Admiral of the River Medway was ex-officio Mayor of Rochester and this dignity transferred to the Mayor of Medway when that unitary authority was created, along with the Admiralty Court for the River which constitutes a committee of the Council.[21]
Like many of the mediaeval towns of England, Rochester had civic Freemen whose historic duties and rights were abolished by the Municipal Corporations Act 1835. However, the Guild of Free Fishers and Dredgers continues to the present day and retains rights, duties and responsibilities on the Medway, between Sheerness and Hawkwood Stone.[22] This ancient corporate body convenes at the Admiralty Court whose Jury of Freemen is responsible for the conservancy of the River as enshrined in current legislation. The City Freedom can be obtained by residents after serving a period of "servitude", i.e. apprenticeship (traditionally seven years), before admission as a Freeman. The annual ceremonial Beating of the Boundsby the River Medway takes place after the Admiralty Court, usually on the first Saturday of July.
Rochester first obtained City status in 1211, but this was lost due to an administrative oversight when Rochester was absorbed by the Medway Unitary Authority.[10] Subsequently, the Medway Unitary Authority has applied for City status for Medway as a whole, rather than merely for Rochester. Medway applied unsuccessfully for City status in 2000 and 2002 and again in the Queen's Diamond Jubilee Year of 2012.[23] Any future bid to regain formal City status has been recommended to be made under the aegis of Rochester-upon-Medway.
Ecclesiastical parishes[edit]
There were three medieval parishes: St Nicholas', St Margaret's and St Clement's. St Clement's was in Horsewash Lane until the last vicar died in 1538 when it was joined with St Nicholas' parish; the church last remaining foundations were finally removed when the railway was being constructed in the 1850s. St Nicholas' Church was built in 1421 beside the cathedral to serve as a parish church for the citizens of Rochester. The ancient cathedral included the Benedictine monastic priory of St Andrew with greater status than the local parishes.[24] Rochester's pre-1537 diocese, under the jurisdiction of the Church of Rome, covered a vast area extending into East Anglia and included all of Essex.[25]
As a result of the restructuring of the Church during the Reformation the cathedral was reconsecrated as the Cathedral Church of Christ and the Blessed Virgin Mary without parochial responsibilities, being a diocesan church.[26] In the 19th century the parish of St Peter's was created to serve the burgeoning city with the new church being consecrated in 1859. Following demographic shifts, St Peter's and St Margaret's were recombined as a joint benefice in 1953 with the parish of St Nicholas with St Clement being absorbed in 1971.[27] The combined parish is now the "Parish of St Peter with St Margaret", centred at the new (1973) Parish Centre in The Delce (St Peter's) with St Margaret's remaining as a chapel-of-ease. Old St Peter's was demolished in 1974, while St Nicholas' Church has been converted into the diocesan offices but remains consecrated. Continued expansion south has led to the creation of an additional more recent parish of St Justus (1956) covering The Tideway estate and surrounding area.[28]
A church dedicated to St Mary the Virgin at Eastgate, which was of Anglo-Saxon foundation, is understood to have constituted a parish until the Middle Ages, but few records survive.[29]
Geography
Rochester lies within the area, known to geologists, as the London Basin. The low-lying Hoo peninsula to the north of the town consists of London Clay, and the alluvium brought down by the two rivers—the Thames and the Medway—whose confluence is in this area. The land rises from the river, and being on the dip slope of the North Downs, this consists of chalksurmounted by the Blackheath Beds of sand and gravel.
As a human settlement, Rochester became established as the lowest river crossing of the River Medway, well before the arrival of the Romans.
It is a focal point between two routes, being part of the main route connecting London with the Continent and the north-south routes following the course of the Medway connecting Maidstone and the Weald of Kent with the Thames and the North Sea. The Thames Marshes were an important source of salt. Rochester's roads follow north Kent's valleys and ridges of steep-sided chalk bournes. There are four ways out of town to the south: up Star Hill, via The Delce,[30] along the Maidstone Road or through Borstal. The town is inextricably linked with the neighbouring Medway Towns but separate from Maidstone by a protective ridge known as the Downs, a designated area of Outstanding Natural Beauty.
At its most limited geographical size, Rochester is defined as the market town within the city walls, now associated with the historic medieval city. However, Rochester historically also included the ancient wards of Strood Intra on the river's west bank, and Chatham Intra as well as the three old parishes on the Medway's east bank.
The diocese of Rochester is another geographical entity which can be referred to as Rochester.
Climate[edit]
Rochester has an oceanic climate similar to much of southern England, being accorded Köppen Climate Classification-subtype of "Cfb" (Marine West Coast Climate).[31]
On 10 August 2003, neighbouring Gravesend recorded one of the highest temperatures since meteorogical records began in the United Kingdom, with a reading of 38.1 degrees Celsius (100.6 degrees Fahrenheit),[32]only beaten by Brogdale, near Faversham, 22 miles (35 km) to the ESE.[33] The weather station at Brogdale is run by a volunteer, only reporting its data once a month, whereas Gravesend, which has an official Met Office site at the PLA pilot station,[34] reports data hourly.
Being near the mouth of the Thames Estuary with the North Sea, Rochester is relatively close to continental Europe and enjoys a somewhat less temperate climate than other parts of Kent and most of East Anglia. It is therefore less cloudy, drier and less prone to Atlanticdepressions with their associated wind and rain than western regions of Britain, as well as being hotter in summer and colder in winter. Rochester city centre's micro-climate is more accurately reflected by these officially recorded figures than by readings taken at Rochester Airport.[35]
North and North West Kent continue to record higher temperatures in summer, sometimes being the hottest area of the country, eg. on the warmest day of 2011, when temperatures reached 33.1 degrees.[36]Additionally, it holds at least two records for the year 2010, of 30.9 degrees[37] and 31.7 degrees C.[38] Another record was set during England's Indian summer of 2011 with 29.9 degrees C., the highest temperature ever recorded in the UK for October.
North and North West Kent continue to record higher temperatures in summer, sometimes being the hottest area of the country, eg. on the warmest day of 2011, when temperatures reached 33.1 degrees.[36]Additionally, it holds at least two records for the year 2010, of 30.9 degrees[37] and 31.7 degrees C.[38] Another record was set during England's Indian summer of 2011 with 29.9 degrees C., the highest temperature ever recorded in the UK for October.
Building
Rochester comprises numerous important historic buildings, the most prominent of which are the Guildhall, the Corn Exchange, Restoration House, Eastgate House, as well as Rochester Castle and Rochester Cathedral. Many of the town centre's old buildings date from as early as the 14th century up to the 18th century. The chapel of St Bartholomew's Hospital dates from the ancient priory hospital's foundation in 1078.
Economy
Thomas Aveling started a small business in 1850 producing and repairing agricultural plant equipment. In 1861 this became the firm of Aveling and Porter, which was to become the largest manufacturer of agricultural machinery and steam rollers in the country.[39] Aveling was elected Admiral of the River Medway (i.e. Mayor of Rochester) for 1869-70.
Culture[edit]
Sweeps Festival[edit]
Since 1980 the city has seen the revival of the historic Rochester Jack-in-the-Green May Day dancing chimney sweeps tradition, which had died out in the early 1900s. Though not unique to Rochester (similar sweeps' gatherings were held across southern England, notably in Bristol, Deptford, Whitstable and Hastings), its revival was directly inspired by Dickens' description of the celebration in Sketches by Boz.
The festival has since grown from a small gathering of local Morris dancesides to one of the largest in the world.[40] The festival begins with the "Awakening of Jack-in-the-Green" ceremony,[41] and continues in Rochester High Street over the May Bank Holiday weekend.
There are numerous other festivals in Rochester apart from the Sweeps Festival. The association with Dickens is the theme for Rochester's two Dickens Festivals held annually in June and December.[42] The Medway Fuse Festival[43] usually arranges performances in Rochester and the latest festival to take shape is the Rochester Literature Festival, the brainchild of three local writers.[44]
Library[edit]
A new public library was built alongside the Adult Education Centre, Eastgate. This enabled the registry office to move from Maidstone Road, Chatham into the Corn Exchange on Rochester High Street (where the library was formerly housed). As mentioned in a report presented to Medway Council's Community Services Overview and Scrutiny Committee on 28 March 2006, the new library opened in late summer (2006).[45]
Theatre[edit]
There is a small amateur theatre called Medway Little Theatre on St Margaret's Banks next to Rochester High Street near the railway station.[46] The theatre was formed out of a creative alliance with the Medway Theatre Club, managed by Marion Martin, at St Luke's Methodist Church on City Way, Rochester[47] between 1985 and 1988, since when drama and theatre studies have become well established in Rochester owing to the dedication of the Medway Theatre Club.[48]
Media[edit]
Local newspapers for Rochester include the Medway Messenger, published by the KM Group, and free newspapers such as Medway Extra(KM Group) and Yourmedway (KOS Media).
The local commercial radio station for Rochester is KMFM Medway, owned by the KM Group. Medway is also served by community radio station Radio Sunlight. The area also receives broadcasts from county-wide stations BBC Radio Kent, Heart and Gold, as well as from various Essex and Greater London radio stations.[49]
Sport[edit]
Football is played with many teams competing in Saturday and Sunday leagues.[50] The local football club is Rochester United F.C. Rochester F.C. was its old football club but has been defunct for many decades. Rugby is also played; Medway R.F.C. play their matches at Priestfields and Old Williamsonians is associated with Sir Joseph Williamson's Mathematical School.[51]
Cricket is played in the town, with teams entered in the Kent Cricket League. Holcombe Hockey Club is one of the largest in the country,[52]and is based at Holcombe Park. The men's and women's 1st XI are part of the England Hockey League.[53] Speedway was staged on a track adjacent to City Way that opened in 1932. Proposals for a revival in the early 1970s did not materialise and the Rochester Bombers became the Romford Bombers.[54]
Sailing and rowing are also popular on the River Medway with respective clubs being based in Rochester.[55][56]
Film[edit]
The 1959 James Bond Goldfinger describes Bond driving along the A2through the Medway Towns from Strood to Chatham. Of interest is the mention of "inevitable traffic jams" on the Strood side of Rochester Bridge, the novel being written some years prior to the construction of the M2 motorway Medway bypass.
Rochester is the setting of the controversial 1965 Peter Watkins television film The War Game, which depicts the town's destruction by a nuclear missile.[57] The opening sequence was shot in Chatham Town Hall, but the credits particularly thank the people of Dover, Gravesend and Tonbridge.
The 2011 adventure film Ironclad (dir. Jonathan English) is based upon the 1215 siege of Rochester Castle. There are however a few areaswhere the plot differs from accepted historical narrative.
Notable people[edit]
Charles Dickens
The historic city was for many years the favourite of Charles Dickens, who lived within the diocese at nearby Gads Hill Place, Higham, many of his novels being based on the area. Descriptions of the town appear in Pickwick Papers, Great Expectations and (lightly fictionalised as "Cloisterham") in The Mystery of Edwin Drood. Elements of two houses in Rochester, Satis House and Restoration House, are used for Miss Havisham's house in Great Expectations, Satis House.[58]
Sybil Thorndike
The actress Dame Sybil Thorndike and her brother Russell were brought up in Minor Canon Row adjacent to the cathedral; the daughter of a canon of Rochester Cathedral, she was educated at Rochester Grammar School for Girls. A local doctors' practice,[59] local dental practice[60] and a hall at Rochester Grammar School are all named after her.[61]
Peter Buck
Sir Peter Buck was Admiral of the Medway in the 17th century; knightedin 1603 he and Bishop Barlow hosted King James, the Stuart royal familyand the King of Denmark in 1606. A civil servant to The Royal Dockyardand Lord High Admiral, Buck lived at Eastgate House, Rochester.
Denis Redman
Major-General Denis Redman, a World War II veteran, was born and raised in Rochester and later became a founder member of REME, head of his Corps and a Major-General in the British Army.
Kelly Brook
The model and actress Kelly Brook went to Delce Junior School in Rochester and later the Thomas Aveling School (formerly Warren Wood Girls School).
The singer and songwriter Tara McDonald now lives in Rochester.
The Prisoners, a rock band from 1980 to 1986, were formed in Rochester. They are part of what is known as the "Medway scene".
Kelly Tolhurst MP is the current parliamentary representative for the constituency.
Elk, (Cervus elaphus canadensis), also called wapiti, the largest and most advanced subspecies of red deer (Cervus elaphus), found in North America and in high mountains of Central Asia. It is a member of the deer family, Cervidae (order Artiodactyla). Recent genetic studies suggest that the “red deer” may be three species: the European red deer, the Tibetan–West Chinese red deer, and the elk.
The word elk is derived from the ancient Germanic root word meaning “stag” or “hart.” In Europe, elk is the common name for the moose. In 16th-century Virginia the name was applied by English settlers to the native subspecies of the red deer, and that name also came into popular use in New England. An alternate name, wapiti (“white deer” in Shawnee), comes from the light-coloured coat of the bull elk. Although less ambiguous than elk, wapiti never became popular, and in North America today elk is the firmly established proper name. In Asia the elk, along with the red deer of Persia, is called by the Mongolian name maral.
Exceeded in size only by the moose, large male elk from Alberta average 380 kg (840 pounds) in early winter. Body mass varies considerably within and between populations and increases from south to north. Exceptional bulls exceed 500 kg (1,100 pounds) in weight; bulls from southern California average about 110 kg (240 pounds). Compared with other red deer, female elk are more similar to bulls in external appearance and body mass. During winter all elk have well-developed, dark neck manes that contrast sharply with their tan or light brown body colour.
Elk are classic red deer in their biology. However, they are more highly adapted to life in open plains, to grazing, and to cold, long winters. They evolved as fast endurance runners that are very difficult to catch even with the best of horses, particularly in broken terrain. Nevertheless, they get their chief protection from predators by forming large groups.
Compared with European red deer, elk have longer gestation periods (255 days, versus 235 days in the European red deer), and the bulls retain their antlers longer (about 185 days, versus 150 or less in European red deer). In Asia elk are confined to cold grasslands found on the high plateaus of Outer Mongolia, southern Siberia, and the Altai and Tien Shan mountains, while more primitive red deer subspecies occupy the valley bottoms and upland forests. In North America, free of competing red deer, elk are found in diverse habitats from the Yukon to northern Mexico and from Vancouver Island to Pennsylvania. They thrive in coniferous rain forests along the Pacific coast, prairies, aspen parklands, sagebrush flats, eastern deciduous forests, the Rocky Mountains, and the once swampy valleys of California. Elk shun deserts, boreal forests, and tundra. Due to their wide distribution, elk from different regions in North America can differ considerably in size and antler growth. However, elk are remarkably homogeneous genetically throughout their range, even in their Asian populations.
While North American elk are uniform in coat markings and voice and thus cannot be differentiated by these features from some of their Asian counterparts, they are quite different from other subspecies of Asian elk, such as the Manchurian red deer (Cervus elaphus xanthopygos) and the small Alashan wapiti (C. elaphus alashanicus) of Inner Mongolia. These primitive elk have smaller bodies and antlers, less striking coat patterns, and a deeper voice than the North American elk. However, all male elk, American and Asian, have a high-pitched bugling call used during the rut. This call is a vocal adaptation designed to carry sound across long distances in open landscapes. On rare occasions, females bugle.
Elk are part of the old Siberian Ice Age fauna that crossed the Bering land bridge into Alaska. There they appeared along with caribou over one million years ago, but they were unable to establish themselves in the southern half of the continent, because of the presence of the native large fauna. Elk entered lower North America from Alaska, along with the grizzly bear, moose, and humans, only after the glaciers had retreated and most of America’s old megafauna was extinct. Elk then spread into some of the empty ecological niches, and about 12,000 years ago their southward spread was halted by deserts.
The archaeological record suggests that elk became very abundant after European diseases decimated Native American populations in the 16th century, thus greatly reducing human predation. Elk were valued by native peoples more for their hide and ceremonial value than for their meat. Although they were nearly exterminated by market hunting in the 19th century, elk have been widely reintroduced throughout North America and are now thriving.
Elk were introduced into New Zealand in 1909 in Fiordland, but they have been outcompeted by European red deer. Unlike the latter, the elk did not disperse, choosing to occupy higher elevations. They have also been introduced to Europe in the vain hope of creating larger antlered red deer. Although this effort failed and the elk went extinct, a parasite they brought along, the giant liver fluke (Fascioloides magna), has established itself in European deer and livestock.
Elk have been traditionally used on Asian deer farms dedicated to the production of velvet antlers, and this practice has spread globally. (Growing antlers are covered in a blood-engorged skin called velvet.) The velvet antlers are cut off bulls’ heads and are ultimately processed into folk medicines.
Henna has medicinal values. When applied on the palms, it cools down the body temperature, calms down frazzled nerves of the about-to-be-wed bride. Henna colours on fair palms is naturally beautiful. Organic is best, always.
Applied Dynamic Systems Inc. Model IP2K-D202-V \'Scooter\' pictured with ST-07 CHUB
Inspired by this little fellow from ˢᵒˡᵒ.
It looked to be roughly in scale and I had a good idea for how to mod the legs to make them more poseable. Unfortunately, I wasn\'t quite able to reverse engineer the hip joints, so the back-end/under-carriage are a little over-built.
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Built for Mobile Frame Zero - a tabletop wargame.
Mobile Frame Hangar (MFZ Community Forums).
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As one of the showpiece main rooms of Billilla mansion when male guests came to call, the billiard room is one of the grandest rooms in the house. With an interconnecting door between it and the adjoining dining room, whilst the women retired to the feminine surrounds of the drawing room, the men could retreat to this strictly male preserve with their brandy and cigars and discuss business over a game or two of billiards.
Although part of the original 1878 house and featuring some High Victorian detailing, the billiard room did not escape the 1907 redecoration, and as a result it also features some very fine Art Nouveau detailing.
The Billilla billiards room is also one of the most intact rooms in the whole house, as it still features its original and ornate Victorian carpet and the original walnut Alcock and Company billiard table and scoreboard.
A very masculine oriented room, the walls feature Victorian era dark wood dado panelling about a third of the way up the walls. Above that the walls are simply painted, and even to this day they still feature marks where chalked cues once rested. Original ornate Victorian gasoliers that could be swiveled into position still jut from the walls above the dado panelling. With their original fluted glass shades remaining in place, the gasoliers still have functioning taps to increase or decrease the gas supply.
The room is heated by a large fireplace featuring an insert of beautiful tube lined Art Nouveau peacock feathers, once again quietly underlining the fact that this is a man's room.
The Victorian era carpet of the billiard room is still bright and in remarkably good condition for its age. It is thick and dyed in bright colours in a pattern designed to imitate ornate floor tiles.
The ceiling of the billiard room is decorated with ornate stylised foliate Art Nouveau patterns and mouldings of leaves. Whilst Art Nouveau is often referred to as a feminine style, the ceiling of the billiard room shows how when applied in a particular way it could also be very strong and masculine.
Suspended over the walnut Alcock and Company billiard table the gleaming polished brass foliate style gasolier has subsequently been electrified and features five of its six green glass shades.
One of the few more feminine touches to what is otherwise a very masculine room are the stained glass lunettes over the billiard room's three windows. In keeping with other original windows of the house, they feature a single flower, in this case a red tulip.
Alcock and Company Manufacturers was established in 1853 when Melbourne was still a very new city of less than twenty years old. they still manufacture billiard tables from their Malvern establishment today.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
Applied debayering, denoising, color smoothing, sky replacement, sharpening, area fill over rough seams. Still a lot of vignetting visible.
NASA/JPL-Caltech/MSSS/Kevin M. Gill
Tocal.
James Webber arrived in the region in January 1822 and applied for a land grant at Paterson. He was granted 2,020 acres which he named Tocal. He later added 720 acres and soon had a total of 3,280 acres. His brother John Webber got a nearby land grant of 3,300 acres which he named Penshurst. Like other pioneers the Webber brothers were fortunate to obtain assigned convicts to provide the basically free labour for them to build up their grand estates. James Webber grew wine grapes, fruit, wheat, corn, tobacco, and ran sheep and cattle. Records for 1828 shows 38 assigned convicts at Tocal including - 13 labourers; 3 tobacconists; 8 shepherds; 2 overseers; 1 shoemaker; 1 stock keeper and 1 servant and others. All were males between the ages of 16 and 63 years. He built a barracks for the assigned convicts and a stone barn was built in 1830 but later burnt down. The barn was needed for drying tobacco. A blacksmiths shop was built 1828. James Webber sold Tocal in 1834 and it was purchased by Caleb Wilson and his son Felix. The perfectly proportioned two storey Georgian residence was built in 1839 for Felix Wilson. The architect of this homestead is now believed to be William Moir. Later in 1867 another architect was commissioned, Edmund Blacket who built many churches in NSW, to build a new stone barn. All joinery is the homestead is Australian red cedar. Felix Wilson planted Moreton Bay Figs to frame his new home. He grew vines and produced wine.
In 1843 he attempted to sell Tocal estate to Charles Reynold but Reynolds leased the estate from Wilson from 1844 to 1871. Charles Reynolds died in 1871 and his son Frank Reynolds took over Tocal and built some new stone structures. By then Tocal covered 5,900 acres and it was still owned by the estate of Felix Wilson. Frank Reynolds then began to buy some sections until the Reynolds family owned all of Tocal in 1907. Frank Reynolds died in 1920 and his sons Charles and Harry ran Tocal mainly as horse stud. In 1926 Tocal estate was sold to the Alexander family - two sisters and two brothers all elderly and unmarried. The youngest Alexander was Charles Boyd Alexander. When he died at Tocal in 1947 with no heirs, it was left to two nieces to occupy provided they were not married. They were the Curtis sisters. He also set up a trust covering Tocal so that it became the C. B. Alexander Training home for destitute and orphan children. In 1963 the Presbyterian Church took over Tocal homestead and the training college. A new chapel was built at Tocal in 1967. The church then got the trustees to establish and an agricultural training college at Tocal with the two Miss Curtis women still having life tenancy of the Tocal homestead. By then Tocal house was on 163 acres. The C. B. Alexander Presbyterian Agricultural College lasted from 1965 to 1969. Then the NSW Department of Agriculture took it over in 1970 with a special act of parliament.
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The history of the Austrian Museum of Applied Art/Contemporary Art
1863 / After many years of efforts by Rudolf Eitelberger decides emperor Franz Joseph I on 7 March on the initiative of his uncle archduke Rainer, following the model of the in 1852 founded South Kensington Museum (now the Victoria and Albert Museum, London) the establishment of the "k.u.k. Austrian Museum for Art and Industry" and appoints Rudolf von Eitelberger, the first professor of art history at the University of Vienna director. The museum should be serving as a specimen collection for artists, industrialists, and public and as a training and education center for designers and craftsmen.
1864/ on 12th of May, opened the museum - provisionally in premises of the ball house next to the Vienna Hofburg, the architect Heinrich von Ferstel for museum purposes had adapted. First exhibited objects are loans and donations from the imperial collections, monasteries, private property and from the k.u.k. Polytechnic in Vienna. Reproductions, masters and plaster casts are standing value-neutral next originals.
1865-1897 / The Museum of Art and Industry publishes the journal Communications of Imperial (k.u.k.) Austrian Museum for Art and Industry .
1866 / Due to the lack of space in the ballroom the erection of an own museum building is accelerated. A first project of Rudolf von Eitelberger and Heinrich von Ferstel provides the integration of the museum in the project of imperial museums in front of the Hofburg Imperial Forum. Only after the failure of this project, the site of the former Exerzierfelds (parade ground) of the defense barracks before Stubentor the museum here is assigned, next to the newly created city park at the still being under development Rind Road.
1867 / Theoretical and practical training are combined with the establishment of the School of Applied Arts. This will initially be housed in the old gun factory, Währinger street 11-13/Schwarzspanier street 17, Vienna 9.
1868 / With the construction of the building at Stubenring is started as soon as it is approved by emperor Franz Joseph I. the second draft of Heinrich Ferstel.
1871 / The opening of the building at Stubering takes place after three years of construction, 15 November. Designed according to plans by Heinrich von Ferstel in the Renaissance style, it is the first built museum building at the Ring. Objects from now on could be placed permanently and arranged according to main materials. / / The School of Arts and Crafts (Kunstgewerbeschule) moves into the house at Stubenring. / / Opening of Austrian arts and crafts exhibition.
1873 / Vienna World Exhibition. / / The Museum of Art and Industry and the Vienna School of Arts and Crafts are exhibiting together at Stubenring. / / Rudolf von Eitelberger organizes in the framework of the World Exhibition the worldwide first international art scientific congress in Vienna, thus emphasizing the orientation of the Museum on teaching and research. / / During the World Exhibition major purchases for the museum from funds of the Ministry are made, eg 60 pages of Indo-Persian Journal Mughal manuscript Hamzanama.
1877 / decision on the establishment of taxes for the award of Hoftiteln (court titels). With the collected amounts the local art industry can be promoted. / / The new building of the School of Arts and Crafts, adjoining the museum, Stubenring 3, also designed by Heinrich von Ferstel, is opened.
1878 / participation of the Museum of Art and Industry as well as of the School of Arts and Crafts at the Paris World Exhibition.
1884 / founding of the Vienna Arts and Crafts Association with seat in the museum. Many well-known companies and workshops (led by J. & L. Lobmeyr), personalities and professors of the School of Arts and Crafts join the Arts and Crafts Association. Undertaking of this association is to further develop all creative and executive powers the arts and craft since the 1860s has obtained. For this reason are organized various times changing, open to the public exhibitions at the Imperial Austrian Museum for Art and Industry. The exhibits can also be purchased. These new, generously carried out exhibitions give the club the necessary national and international resonance.
1885 / After the death of Rudolf von Eitelberger, Jacob von Falke, his longtime deputy, is appointed manager. Falke plans all collection areas al well as publications to develop newly and systematically. With his popular publications he influences significantly the interior design style of the historicism in Vienna.
1888 / The Empress Maria Theresa exhibition revives the contemporary discussion with the high Baroque in the history of art and in applied arts in particular.
1895 / end of directorate of Jacob von Falke. Bruno Bucher, longtime curator of the Museum of metal, ceramic and glass, and since 1885 deputy director, is appointed director.
1896 / The Vienna Congress exhibition launches the confrontation with the Empire and Biedermeier style, the sources of inspiration of Viennese Modernism.
1897 / end of the directorate of Bruno Bucher. Arthur von Scala, director of the Imperial Oriental Museum in Vienna since its founding in 1875 (renamed Imperial Austrian Trade Museum 1887), takes over the management of the Museum of Art and Industry. / / Scala wins Otto Wagner, Felician of Myrbach, Koloman Moser, Josef Hoffmann and Alfred Roller to work at the museum and School of Arts and Crafts. / / The style of the Secession is crucial for the Arts and Crafts School. Scala propagates the example of the Arts and Crafts Movement and makes appropriate acquisitions for the museum's collection.
1898 / Due to differences between Scala and the Arts and Crafts Association, which sees its influence on the Museum wane, archduke Rainer puts down his function as protector. / / New statutes are written.
1898-1921 / The Museum magazine Art and Crafts replaces the Mittheilungen (Communications) and soon gaines international reputation.
1900 / The administration of Museum and Arts and Crafts School is disconnected.
1904 / The Exhibition of Old Vienna porcelain, the to this day most comprehensive presentation on this topic, brings with the by the Museum in 1867 definitely taken over estate of the "k.u.k. Aerarial Porcelain Manufactory" (Vienna Porcelain Manufactory) important pieces of collectors from all parts of the Habsburg monarchy together.
1907 / The Museum of Art and Industry takes over the majority of the inventories of the Imperial Austrian Trade Museum, including the by Arthur von Scala founded Asia collection and the extensive East Asian collection of Heinrich von Siebold .
1908 / Integration of the Museum of Art and Industry in the Imperial and Royal Ministry of Public Works.
1909 / separation of Museum and Arts and Crafts School, the latter remains subordinated to the Ministry of Culture and Education. / / After three years of construction, the according to plans of Ludwig Baumann extension building of the museum (now Weiskirchnerstraße 3, Wien 1) is opened. The museum thereby receives rooms for special and permanent exhibitions. / / Arthur von Scala retires, Eduard Leisching follows him as director. / / Revision of the statutes.
1909 / Archduke Carl exhibition. For the centenary of the Battle of Aspern. / / The Biedermeier style is discussed in exhibitions and art and arts and crafts.
1914 / Exhibition of works by the Austrian Art Industry from 1850 to 1914, a competitive exhibition that highlights, among other things, the role model of the museum for arts and crafts in the fifty years of its existence.
1919 / After the founding of the First Republic it comes to assignments of former imperial possession to the museum, for example, of oriental carpets that are shown in an exhibition in 1920. The Museum now has one of the finest collections of oriental carpets worldwide.
1920 / As part of the reform of museums of the First Republic, the collection areas are delimited. The Antiquities Collection of the Museum of Art and Industry is given away to the Museum of Art History.
1922 / The exhibition of glasses of classicism, the Empire and Biedermeier time offers with precious objects from the museum and private collections an overview of the art of glassmaking from the former Austro-Hungarian Empire. / / Biedermeier glass serves as a model for contemporary glass production and designs, such as of Josef Hoffmann.
1922 / affiliation of the museal inventory of the royal table and silver collection to the museum. Until the institutional separation the former imperial household and table decoration is co-managed by the Museum of Art and Industry and is inventoried for the first time by Richard Ernst.
1925 / After the end of the directorate of Eduard Leisching, Hermann Trenkwald is appointed director.
1926 / The exhibition Gothic in Austria gives a first comprehensive overview of the Austrian panel painting and of arts and crafts of the 12th to 16th Century.
1927 / August Schestag succeeds Hermann Trenkwald as director.
1930 / The Werkbund (artists' organization) Exhibition Vienna, a first comprehensive presentation of the Austrian Werkbund, takes place on the occasion of the meeting of the Deutscher (German) Werkbund in Austria, it is organized by Josef Hoffmann in collaboration with Oskar Strnad, Josef Frank, Ernst Lichtblau and Clemens Holzmeister.
1931 / August Schestag concludes his directorate.
1932 / Richard Ernst is new director.
1936 and 1940 / In exchange with the Kunsthistorisches Museum (Museum of Art History), the museum at Stubenring gives away part of the sculptures and takes over arts and crafts inventories of the collection Albert Figdor and the Kunsthistorisches Museum.
1937 / The Collection of the Museum of Art and Industry is newly set up by Richard Ernst according to periods. / / Oskar Kokoschka exhibition on the 50th birthday of the artist.
1938 / After the "Anschluss" (annexation) of Austria by Nazi Germany, the museum is renamed into "National Museum of Arts and Crafts in Vienna".
1939-1945 / The museums are taking over numerous confiscated private collections. The collection of the "State Museum of Arts and Crafts in Vienna" in this way also is enlarged.
1945 / Partial destruction of the museum building by impact of war. / / War losses on collection objects, even in the places of rescue of objects.
1946 / The return of the outsourced objects of art begins. A portion of the during the Nazi time expropriated objects is returned in the following years.
1947 / The "State Museum of Arts and Crafts in Vienna" is renamed into "Austrian Museum of Applied Arts".
1948 / The "Cathedral and Metropolitan Church of St. Stephen" organizes the exhibition The St. Stephen's Cathedral in the Museum of Applied Arts. History, monuments, reconstruction.
1949 / The Museum is reopened after repair of the war damages.
1950 / As last exhibition under director Richard Ernst takes place Great art from Austria's monasteries (Middle Ages).
1951 / Ignaz Schlosser is appointed manager.
1952 / The exhibition Social home decor, designed by Franz Schuster, makes the development of social housing in Vienna again the topic of the Museum of Applied Arts.
1955 / The comprehensive archive of the Wiener Werkstätte (workshop) is acquired.
1955-1985 / The Museum publishes the periodical ancient and modern art .
1956 / Exhibition New Form from Denmark, modern design from Scandinavia becomes topic of the museum and model.
1957 / On the occasion of the exhibition Venini Murano glass, the first presentation of Venini glass in Austria, there are significant purchases and donations for the collection of glass.
1958 / End of the directorate of Ignaz Schlosser
1959 / Viktor Griesmaier is appointed as new director.
1960 / Exhibition Artistic creation and mass production of Gustavsberg, Sweden. Role model of Swedish design for the Austrian art and crafts.
1963 / For the first time in Europe, in the context of a comprehensive exhibition art treasures from Iran are shown.
1964 / The exhibition Vienna around 1900 (organised by the Cultural Department of the City of Vienna) presents for the frist time after the Second World War, inter alia, arts and crafts of Art Nouveau. / / It is started with the systematic work off of the archive of the Wiener Werkstätte. / / On the occasion of the founding anniversary offers the exhibition 100 years Austrian Museum of Applied Arts using examples of historicism insights into the collection.
1965 / The Geymüllerschlössel (small castle) is as a branch of the Museum angegliedert (annexed). Simultaneously with the building came the important collection of Franz Sobek - old Viennese clocks, made between 1760 and the second half of the 19th Century - and furniture from the years 1800 to 1840 in the possession of the MAK.
1966 / In the exhibition Selection 66 selected items of modern Austrian interior designers (male and female ones) are brought together.
1967 / The Exhibition The Wiener Werkstätte. Modern Arts and Crafts from 1903 to 1932 is founding the boom that continues until today of Austria's most important design project in the 20th Century.
1968 / To Viktor Griesmaier follows Wilhelm Mrazek as director.
1969 / The exhibition Sitting 69 shows at the international modernism oriented positions of Austrian designers, inter alia by Hans Hollein.
1974 / For the first time outside of China Archaeological Finds of the People's Republic of China are shown in a traveling exhibition in the so-called Western world.
1979 / Gerhart Egger is appointed director.
1980 / The exhibition New Living. Viennese interior design 1918-1938 provides the first comprehensive presentation of the spatial art in Vienna during the interwar period.
1981 / Herbert Fux follows Gerhart Egger as director.
1984 / Ludwig Neustift is appointed interim director. / / Exhibition Achille Castiglioni: designer. First exhibition of the Italian designer in Austria
1986 / Peter Noever is appointed director and starts with the building up of the collection contemporary art.
1987 / Josef Hoffmann. Ornament between hope and crime is the first comprehensive exhibition on the work of the architect and designer.
1989-1993 / General renovation of the old buildings and construction of a two-storey underground storeroom and a connecting tract. A generous deposit for the collection and additional exhibit spaces arise.
1989 / Exhibition Carlo Scarpa. The other city, the first comprehensive exhibition on the work of the architect outside Italy.
1990 / exhibition Hidden impressions. Japonisme in Vienna 1870-1930, first exhibition on the theme of the Japanese influence on the Viennese Modernism.
1991 / exhibition Donald Judd Architecture, first major presentation of the artist in Austria.
1992 / Magdalena Jetelová domestication of a pyramid (installation in the MAK portico).
1993 / The permanent collection is newly put up, interventions of internationally recognized artists (Barbara Bloom, Eichinger oder Knechtl, Günther Förg, GANGART, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger and Heimo Zobernig) update the prospects, in the sense of "Tradition and Experiment". The halls on Stubenring accommodate furthermore the study collection and the temporary exhibitions of contemporary artists reserved gallery. The building in the Weiskirchner street is dedicated to changing exhibitions. / / The opening exhibition Vito Acconci. The City Inside Us shows a room installation by New York artist.
1994 / The Gefechtsturm (defence tower) Arenbergpark becomes branch of the MAK. / / Start of the cooperation MAK/MUAR - Schusev State Museum of Architecture Moscow. / / Ilya Kabakov: The Red Wagon (installation on MAK terrace plateau).
1995 / The MAK founds the branch of MAK Center for Art and Architecture in Los Angeles, in the Schindler House and at the Mackey Apartments, MAK Artists and Architects-in-Residence Program starts in October 1995. / / Exhibition Sergei Bugaev Africa: Krimania.
1996 / For the exhibition Philip Johnson: Turning Point designs the American doyen of architectural designing the sculpture "Viennese Trio", which is located since 1998 at the Franz-Josefs-Kai/Schottenring.
1998 / The for the exhibition James Turrell. The other Horizon designed Skyspace today stands in the garden of MAK Expositur Geymüllerschlössel. / / Overcoming the utility. Dagobert Peche and the Wiener Werkstätte, the first comprehensive biography of the work of the designer of Wiener Werkstätte after the Second World War.
1999 / Due to the Restitution Act and the Provenance Research from now on numerous during the Nazi time confiscated objects are returned.
2000 / Outsourcing of Federal Museums, transformation of the museum into a "scientific institution under public law". / / The exhibition Art and Industry. The beginnings of the Austrian Museum of Applied Arts in Vienna is dealing with the founding history of the house and the collection.
2001 / In the course of the exhibition Franz West: No Mercy, for which the sculptor and installation artist developed his hitherto most extensive work, the "Four lemurs heads" are placed at the bridge Stubenbrücke, located next to the MAK. / / Dennis Hopper: A System of Moments.
2001-2002 / The CAT Project - Contemporary Art Tower after New York, Los Angeles, Moscow and Berlin is presented in Vienna.
2002 / Exhibition Nodes. symmetrical-asymmetrical. The historical Oriental Carpets of the MAK presents the extensive rug collection.
2003 / Exhibition Zaha Hadid. Architecture. / / For the anniversary of the artist workshop, takes place the exhibition The Price of Beauty. 100 years Wiener Werkstätte. / / Richard Artschwager: The Hydraulic Door Check. Sculpture, painting, drawing.
2004 / James Turrell's MAKlite is since November 2004 permanently on the facade of the building installed. / / Exhibition Peter Eisenmann. Barefoot on White-Hot Walls, large-scaled architectural installation on the work of the influential American architect and theorist.
2005 / Atelier Van Lieshout: The Disciplinator / / The exhibition Ukiyo-e Reloaded presents for the first time the collection of Japanese woodblock prints of the MAK on a large scale.
2006 / Since the beginning of the year, the birthplace of Josef Hoffmann in Brtnice of the Moravian Gallery in Brno and the MAK Vienna as a joint branch is run and presents annually special exhibitions. / / The exhibition The Price of Beauty. The Wiener Werkstätte and the Stoclet House brings the objects of the Wiener Werkstätte to Brussels. / / Exhibition Jenny Holzer: XX.
2007/2008 / Exhibition Coop Himmelb(l)au. Beyond the Blue, is the hitherto largest and most comprehensive museal presentation of the global team of architects.
2008 / The 1936 according to plans of Rudolph M. Schindler built Fitzpatrick-Leland House, a generous gift from Russ Leland to the MAK Center LA, becomes with the aid of a promotion that granted the Bureau of Educational and Cultural Affairs of the U.S. Department the MAK Center, center of the MAK UFI project - MAK Urban Future Initiative. / / Julian Opie: Recent Works / / The exhibition Recollecting. Looting and Restitution examines the status of efforts to restitute expropriated objects from Jewish property from museums in Vienna.
2009 / The permanent exhibition Josef Hoffmann: Inspiration is in the Josef Hoffmann Museum, Brtnice opened. / / Exhibition Anish Kapoor. Shooting into the Corner / / The museum sees itself as a promoter of Cultural Interchange and discusses in the exhibition Global:lab Art as a message. Asia and Europe 1500-1700 the intercultural as well as the intercontinental cultural exchange based on objects from the MAK and from international collections.
2011 / After Peter Noever's resignation, Martina Kandeler-Fritsch takes over temporarily the management. / /
Since 1 September Christoph Thun-Hohenstein is director of the MAK and declares "change through applied art" as the new theme of the museum.
2012 / With future-oriented examples of mobility, health, education, communication, work and leisure, shows the exhibition MADE4YOU. Designing for Change, the new commitment to positive change in our society through applied art. // Exhibition series MAK DESIGN SALON opens the MAK branch Geymüllerschlössel for contemporary design positions.
2012/2013 / opening of the newly designed MAK Collection Vienna 1900. Design / Decorative Arts from 1890 to 1938 in two stages as a prelude to the gradual transformation of the permanent collection under director Christoph Thun-Hohenstein
2013 / SIGNS, CAUGHT IN WONDER. Looking for Istanbul today shows a unique, current snapshot of contemporary art production in the context of Istanbul. // The potential of East Asian countries as catalysts for a socially and ecologically oriented, visionary architecture explores the architecture exhibition EASTERN PROMISES. Contemporary Architecture and production of space in East Asia. // With a focus on the field of furniture design NOMADIC FURNITURE 3.0. examines new living without bounds? the between subculture and mainstream to locate "do-it-yourself" (DIY) movement for the first time in a historical context.
2014 / Anniversary year 150 years MAK // opening of the permanent exhibition of the MAK Asia. China - Japan - Korea // Opening of the MAK permanent exhibition rugs // As central anniversary project opens the dynamic MAK DESIGN LABORATORY (redesign of the MAK Study Collection) exactly on the 150th anniversary of the museum on May 12, 2014 // Other major projects for the anniversary: ROLE MODELS. MAK 150 years: from arts and crafts to design // // HOLLEIN WAYS OF MODERN AGE. Josef Hoffmann, Adolf Loos and the consequences.
Fish, any of approximately 34,000 species of vertebrate animals (phylum Chordata) found in the fresh and salt waters of the world. Living species range from the primitive jawless lampreys and hagfishes through the cartilaginous sharks, skates, and rays to the abundant and diverse bony fishes. Most fish species are cold-blooded; however, one species, the opah (Lampris guttatus), is warm-blooded.
The term fish is applied to a variety of vertebrates of several evolutionary lines. It describes a life-form rather than a taxonomic group. As members of the phylum Chordata, fish share certain features with other vertebrates. These features are gill slits at some point in the life cycle, a notochord, or skeletal supporting rod, a dorsal hollow nerve cord, and a tail. Living fishes represent some five classes, which are as distinct from one another as are the four classes of familiar air-breathing animals—amphibians, reptiles, birds, and mammals. For example, the jawless fishes (Agnatha) have gills in pouches and lack limb girdles. Extant agnathans are the lampreys and the hagfishes. As the name implies, the skeletons of fishes of the class Chondrichthyes (from chondr, “cartilage,” and ichthyes, “fish”) are made entirely of cartilage. Modern fish of this class lack a swim bladder, and their scales and teeth are made up of the same placoid material. Sharks, skates, and rays are examples of cartilaginous fishes. The bony fishes are by far the largest class. Examples range from the tiny seahorse to the 450-kg (1,000-pound) blue marlin, from the flattened soles and flounders to the boxy puffers and ocean sunfishes. Unlike the scales of the cartilaginous fishes, those of bony fishes, when present, grow throughout life and are made up of thin overlapping plates of bone. Bony fishes also have an operculum that covers the gill slits.
The study of fishes, the science of ichthyology, is of broad importance. Fishes are of interest to humans for many reasons, the most important being their relationship with and dependence on the environment. A more obvious reason for interest in fishes is their role as a moderate but important part of the world’s food supply. This resource, once thought unlimited, is now realized to be finite and in delicate balance with the biological, chemical, and physical factors of the aquatic environment. Overfishing, pollution, and alteration of the environment are the chief enemies of proper fisheries management, both in fresh waters and in the ocean. (For a detailed discussion of the technology and economics of fisheries, see commercial fishing.) Another practical reason for studying fishes is their use in disease control. As predators on mosquito larvae, they help curb malaria and other mosquito-borne diseases.
Fishes are valuable laboratory animals in many aspects of medical and biological research. For example, the readiness of many fishes to acclimate to captivity has allowed biologists to study behaviour, physiology, and even ecology under relatively natural conditions. Fishes have been especially important in the study of animal behaviour, where research on fishes has provided a broad base for the understanding of the more flexible behaviour of the higher vertebrates. The zebra fish is used as a model in studies of gene expression.
There are aesthetic and recreational reasons for an interest in fishes. Millions of people keep live fishes in home aquariums for the simple pleasure of observing the beauty and behaviour of animals otherwise unfamiliar to them. Aquarium fishes provide a personal challenge to many aquarists, allowing them to test their ability to keep a small section of the natural environment in their homes. Sportfishing is another way of enjoying the natural environment, also indulged in by millions of people every year. Interest in aquarium fishes and sportfishing supports multimillion-dollar industries throughout the world.
Fishes have been in existence for more than 450 million years, during which time they have evolved repeatedly to fit into almost every conceivable type of aquatic habitat. In a sense, land vertebrates are simply highly modified fishes: when fishes colonized the land habitat, they became tetrapod (four-legged) land vertebrates. The popular conception of a fish as a slippery, streamlined aquatic animal that possesses fins and breathes by gills applies to many fishes, but far more fishes deviate from that conception than conform to it. For example, the body is elongate in many forms and greatly shortened in others; the body is flattened in some (principally in bottom-dwelling fishes) and laterally compressed in many others; the fins may be elaborately extended, forming intricate shapes, or they may be reduced or even lost; and the positions of the mouth, eyes, nostrils, and gill openings vary widely. Air breathers have appeared in several evolutionary lines.
Many fishes are cryptically coloured and shaped, closely matching their respective environments; others are among the most brilliantly coloured of all organisms, with a wide range of hues, often of striking intensity, on a single individual. The brilliance of pigments may be enhanced by the surface structure of the fish, so that it almost seems to glow. A number of unrelated fishes have actual light-producing organs. Many fishes are able to alter their coloration—some for the purpose of camouflage, others for the enhancement of behavioral signals.
Fishes range in adult length from less than 10 mm (0.4 inch) to more than 20 metres (60 feet) and in weight from about 1.5 grams (less than 0.06 ounce) to many thousands of kilograms. Some live in shallow thermal springs at temperatures slightly above 42 °C (100 °F), others in cold Arctic seas a few degrees below 0 °C (32 °F) or in cold deep waters more than 4,000 metres (13,100 feet) beneath the ocean surface. The structural and, especially, the physiological adaptations for life at such extremes are relatively poorly known and provide the scientifically curious with great incentive for study.
Almost all natural bodies of water bear fish life, the exceptions being very hot thermal ponds and extremely salt-alkaline lakes, such as the Dead Sea in Asia and the Great Salt Lake in North America. The present distribution of fishes is a result of the geological history and development of Earth as well as the ability of fishes to undergo evolutionary change and to adapt to the available habitats. Fishes may be seen to be distributed according to habitat and according to geographical area. Major habitat differences are marine and freshwater. For the most part, the fishes in a marine habitat differ from those in a freshwater habitat, even in adjacent areas, but some, such as the salmon, migrate from one to the other. The freshwater habitats may be seen to be of many kinds. Fishes found in mountain torrents, Arctic lakes, tropical lakes, temperate streams, and tropical rivers will all differ from each other, both in obvious gross structure and in physiological attributes. Even in closely adjacent habitats where, for example, a tropical mountain torrent enters a lowland stream, the fish fauna will differ. The marine habitats can be divided into deep ocean floors (benthic), mid-water oceanic (bathypelagic), surface oceanic (pelagic), rocky coast, sandy coast, muddy shores, bays, estuaries, and others. Also, for example, rocky coastal shores in tropical and temperate regions will have different fish faunas, even when such habitats occur along the same coastline.
Although much is known about the present geographical distribution of fishes, far less is known about how that distribution came about. Many parts of the fish fauna of the fresh waters of North America and Eurasia are related and undoubtedly have a common origin. The faunas of Africa and South America are related, extremely old, and probably an expression of the drifting apart of the two continents. The fauna of southern Asia is related to that of Central Asia, and some of it appears to have entered Africa. The extremely large shore-fish faunas of the Indian and tropical Pacific oceans comprise a related complex, but the tropical shore fauna of the Atlantic, although containing Indo-Pacific components, is relatively limited and probably younger. The Arctic and Antarctic marine faunas are quite different from each other. The shore fauna of the North Pacific is quite distinct, and that of the North Atlantic more limited and probably younger. Pelagic oceanic fishes, especially those in deep waters, are similar the world over, showing little geographical isolation in terms of family groups. The deep oceanic habitat is very much the same throughout the world, but species differences do exist, showing geographical areas determined by oceanic currents and water masses.
All aspects of the life of a fish are closely correlated with adaptation to the total environment, physical, chemical, and biological. In studies, all the interdependent aspects of fish, such as behaviour, locomotion, reproduction, and physical and physiological characteristics, must be taken into account.
Correlated with their adaptation to an extremely wide variety of habitats is the extremely wide variety of life cycles that fishes display. The great majority hatch from relatively small eggs a few days to several weeks or more after the eggs are scattered in the water. Newly hatched young are still partially undeveloped and are called larvae until body structures such as fins, skeleton, and some organs are fully formed. Larval life is often very short, usually less than a few weeks, but it can be very long, some lampreys continuing as larvae for at least five years. Young and larval fishes, before reaching sexual maturity, must grow considerably, and their small size and other factors often dictate that they live in a habitat different than that of the adults. For example, most tropical marine shore fishes have pelagic larvae. Larval food also is different, and larval fishes often live in shallow waters, where they may be less exposed to predators.
After a fish reaches adult size, the length of its life is subject to many factors, such as innate rates of aging, predation pressure, and the nature of the local climate. The longevity of a species in the protected environment of an aquarium may have nothing to do with how long members of that species live in the wild. Many small fishes live only one to three years at the most. In some species, however, individuals may live as long as 10 or 20 or even 100 years.
Fish behaviour is a complicated and varied subject. As in almost all animals with a central nervous system, the nature of a response of an individual fish to stimuli from its environment depends upon the inherited characteristics of its nervous system, on what it has learned from past experience, and on the nature of the stimuli. Compared with the variety of human responses, however, that of a fish is stereotyped, not subject to much modification by “thought” or learning, and investigators must guard against anthropomorphic interpretations of fish behaviour.
Fishes perceive the world around them by the usual senses of sight, smell, hearing, touch, and taste and by special lateral line water-current detectors. In the few fishes that generate electric fields, a process that might best be called electrolocation aids in perception. One or another of these senses often is emphasized at the expense of others, depending upon the fish’s other adaptations. In fishes with large eyes, the sense of smell may be reduced; others, with small eyes, hunt and feed primarily by smell (such as some eels).
Specialized behaviour is primarily concerned with the three most important activities in the fish’s life: feeding, reproduction, and escape from enemies. Schooling behaviour of sardines on the high seas, for instance, is largely a protective device to avoid enemies, but it is also associated with and modified by their breeding and feeding requirements. Predatory fishes are often solitary, lying in wait to dart suddenly after their prey, a kind of locomotion impossible for beaked parrot fishes, which feed on coral, swimming in small groups from one coral head to the next. In addition, some predatory fishes that inhabit pelagic environments, such as tunas, often school.
Sleep in fishes, all of which lack true eyelids, consists of a seemingly listless state in which the fish maintains its balance but moves slowly. If attacked or disturbed, most can dart away. A few kinds of fishes lie on the bottom to sleep. Most catfishes, some loaches, and some eels and electric fishes are strictly nocturnal, being active and hunting for food during the night and retiring during the day to holes, thick vegetation, or other protective parts of the environment.
Communication between members of a species or between members of two or more species often is extremely important, especially in breeding behaviour (see below Reproduction). The mode of communication may be visual, as between the small so-called cleaner fish and a large fish of a very different species. The larger fish often allows the cleaner to enter its mouth to remove gill parasites. The cleaner is recognized by its distinctive colour and actions and therefore is not eaten, even if the larger fish is normally a predator. Communication is often chemical, signals being sent by specific chemicals called pheromones.
Many fishes have a streamlined body and swim freely in open water. Fish locomotion is closely correlated with habitat and ecological niche (the general position of the animal to its environment).
Many fishes in both marine and fresh waters swim at the surface and have mouths adapted to feed best (and sometimes only) at the surface. Often such fishes are long and slender, able to dart at surface insects or at other surface fishes and in turn to dart away from predators; needlefishes, halfbeaks, and topminnows (such as killifish and mosquito fish) are good examples. Oceanic flying fishes escape their predators by gathering speed above the water surface, with the lower lobe of the tail providing thrust in the water. They then glide hundreds of yards on enlarged, winglike pectoral and pelvic fins. South American freshwater flying fishes escape their enemies by jumping and propelling their strongly keeled bodies out of the water.
So-called mid-water swimmers, the most common type of fish, are of many kinds and live in many habitats. The powerful fusiform tunas and the trouts, for example, are adapted for strong, fast swimming, the tunas to capture prey speedily in the open ocean and the trouts to cope with the swift currents of streams and rivers. The trout body form is well adapted to many habitats. Fishes that live in relatively quiet waters such as bays or lake shores or slow rivers usually are not strong, fast swimmers but are capable of short, quick bursts of speed to escape a predator. Many of these fishes have their sides flattened, examples being the sunfish and the freshwater angelfish of aquarists. Fish associated with the bottom or substrate usually are slow swimmers. Open-water plankton-feeding fishes almost always remain fusiform and are capable of rapid, strong movement (for example, sardines and herrings of the open ocean and also many small minnows of streams and lakes).
Bottom-living fishes are of many kinds and have undergone many types of modification of their body shape and swimming habits. Rays, which evolved from strong-swimming mid-water sharks, usually stay close to the bottom and move by undulating their large pectoral fins. Flounders live in a similar habitat and move over the bottom by undulating the entire body. Many bottom fishes dart from place to place, resting on the bottom between movements, a motion common in gobies. One goby relative, the mudskipper, has taken to living at the edge of pools along the shore of muddy mangrove swamps. It escapes its enemies by flipping rapidly over the mud, out of the water. Some catfishes, synbranchid eels, the so-called climbing perch, and a few other fishes venture out over damp ground to find more promising waters than those that they left. They move by wriggling their bodies, sometimes using strong pectoral fins; most have accessory air-breathing organs. Many bottom-dwelling fishes live in mud holes or rocky crevices. Marine eels and gobies commonly are found in such habitats and for the most part venture far beyond their cavelike homes. Some bottom dwellers, such as the clingfishes (Gobiesocidae), have developed powerful adhesive disks that enable them to remain in place on the substrate in areas such as rocky coasts, where the action of the waves is great.
The methods of reproduction in fishes are varied, but most fishes lay a large number of small eggs, fertilized and scattered outside of the body. The eggs of pelagic fishes usually remain suspended in the open water. Many shore and freshwater fishes lay eggs on the bottom or among plants. Some have adhesive eggs. The mortality of the young and especially of the eggs is very high, and often only a few individuals grow to maturity out of hundreds, thousands, and in some cases millions of eggs laid.
Males produce sperm, usually as a milky white substance called milt, in two (sometimes one) testes within the body cavity. In bony fishes a sperm duct leads from each testis to a urogenital opening behind the vent or anus. In sharks and rays and in cyclostomes the duct leads to a cloaca. Sometimes the pelvic fins are modified to help transmit the milt to the eggs at the female’s vent or on the substrate where the female has placed them. Sometimes accessory organs are used to fertilize females internally—for example, the claspers of many sharks and rays.
In the females the eggs are formed in two ovaries (sometimes only one) and pass through the ovaries to the urogenital opening and to the outside. In some fishes the eggs are fertilized internally but are shed before development takes place. Members of about a dozen families each of bony fishes (teleosts) and sharks bear live young. Many skates and rays also bear live young. In some bony fishes the eggs simply develop within the female, the young emerging when the eggs hatch (ovoviviparous). Others develop within the ovary and are nourished by ovarian tissues after hatching (viviparous). There are also other methods utilized by fishes to nourish young within the female. In all live-bearers the young are born at a relatively large size and are few in number. In one family of primarily marine fishes, the surfperches from the Pacific coast of North America, Japan, and Korea, the males of at least one species are born sexually mature, although they are not fully grown.
Some fishes are hermaphroditic—an individual producing both sperm and eggs, usually at different stages of its life. Self-fertilization, however, is probably rare.
Successful reproduction and, in many cases, defense of the eggs and the young are assured by rather stereotypical but often elaborate courtship and parental behaviour, either by the male or the female or both. Some fishes prepare nests by hollowing out depressions in the sand bottom (cichlids, for example), build nests with plant materials and sticky threads excreted by the kidneys (sticklebacks), or blow a cluster of mucus-covered bubbles at the water surface (gouramis). The eggs are laid in these structures. Some varieties of cichlids and catfishes incubate eggs in their mouths.
Some fishes, such as salmon, undergo long migrations from the ocean and up large rivers to spawn in the gravel beds where they themselves hatched (anadromous fishes). Some, such as the freshwater eels (family Anguillidae), live and grow to maturity in fresh water and migrate to the sea to spawn (catadromous fishes). Other fishes undertake shorter migrations from lakes into streams, within the ocean, or enter spawning habitats that they do not ordinarily occupy in other ways.
The basic structure and function of the fish body are similar to those of all other vertebrates. The usual four types of tissues are present: surface or epithelial, connective (bone, cartilage, and fibrous tissues, as well as their derivative, blood), nerve, and muscle tissues. In addition, the fish’s organs and organ systems parallel those of other vertebrates.
The typical fish body is streamlined and spindle-shaped, with an anterior head, a gill apparatus, and a heart, the latter lying in the midline just below the gill chamber. The body cavity, containing the vital organs, is situated behind the head in the lower anterior part of the body. The anus usually marks the posterior termination of the body cavity and most often occurs just in front of the base of the anal fin. The spinal cord and vertebral column continue from the posterior part of the head to the base of the tail fin, passing dorsal to the body cavity and through the caudal (tail) region behind the body cavity. Most of the body is of muscular tissue, a high proportion of which is necessitated by swimming. In the course of evolution this basic body plan has been modified repeatedly into the many varieties of fish shapes that exist today.
The skeleton forms an integral part of the fish’s locomotion system, as well as serving to protect vital parts. The internal skeleton consists of the skull bones (except for the roofing bones of the head, which are really part of the external skeleton), the vertebral column, and the fin supports (fin rays). The fin supports are derived from the external skeleton but will be treated here because of their close functional relationship to the internal skeleton. The internal skeleton of cyclostomes, sharks, and rays is of cartilage; that of many fossil groups and some primitive living fishes is mostly of cartilage but may include some bone. In place of the vertebral column, the earliest vertebrates had a fully developed notochord, a flexible stiff rod of viscous cells surrounded by a strong fibrous sheath. During the evolution of modern fishes the rod was replaced in part by cartilage and then by ossified cartilage. Sharks and rays retain a cartilaginous vertebral column; bony fishes have spool-shaped vertebrae that in the more primitive living forms only partially replace the notochord. The skull, including the gill arches and jaws of bony fishes, is fully, or at least partially, ossified. That of sharks and rays remains cartilaginous, at times partially replaced by calcium deposits but never by true bone.
The supportive elements of the fins (basal or radial bones or both) have changed greatly during fish evolution. Some of these changes are described in the section below (Evolution and paleontology). Most fishes possess a single dorsal fin on the midline of the back. Many have two and a few have three dorsal fins. The other fins are the single tail and anal fins and paired pelvic and pectoral fins. A small fin, the adipose fin, with hairlike fin rays, occurs in many of the relatively primitive teleosts (such as trout) on the back near the base of the caudal fin.
The skin of a fish must serve many functions. It aids in maintaining the osmotic balance, provides physical protection for the body, is the site of coloration, contains sensory receptors, and, in some fishes, functions in respiration. Mucous glands, which aid in maintaining the water balance and offer protection from bacteria, are extremely numerous in fish skin, especially in cyclostomes and teleosts. Since mucous glands are present in the modern lampreys, it is reasonable to assume that they were present in primitive fishes, such as the ancient Silurian and Devonian agnathans. Protection from abrasion and predation is another function of the fish skin, and dermal (skin) bone arose early in fish evolution in response to this need. It is thought that bone first evolved in skin and only later invaded the cartilaginous areas of the fish’s body, to provide additional support and protection. There is some argument as to which came first, cartilage or bone, and fossil evidence does not settle the question. In any event, dermal bone has played an important part in fish evolution and has different characteristics in different groups of fishes. Several groups are characterized at least in part by the kind of bony scales they possess.
Scales have played an important part in the evolution of fishes. Primitive fishes usually had thick bony plates or thick scales in several layers of bone, enamel, and related substances. Modern teleost fishes have scales of bone, which, while still protective, allow much more freedom of motion in the body. A few modern teleosts (some catfishes, sticklebacks, and others) have secondarily acquired bony plates in the skin. Modern and early sharks possessed placoid scales, a relatively primitive type of scale with a toothlike structure, consisting of an outside layer of enamel-like substance (vitrodentine), an inner layer of dentine, and a pulp cavity containing nerves and blood vessels. Primitive bony fishes had thick scales of either the ganoid or the cosmoid type. Cosmoid scales have a hard, enamel-like outer layer, an inner layer of cosmine (a form of dentine), and then a layer of vascular bone (isopedine). In ganoid scales the hard outer layer is different chemically and is called ganoin. Under this is a cosminelike layer and then a vascular bony layer. The thin, translucent bony scales of modern fishes, called cycloid and ctenoid (the latter distinguished by serrations at the edges), lack enameloid and dentine layers.
Skin has several other functions in fishes. It is well supplied with nerve endings and presumably receives tactile, thermal, and pain stimuli. Skin is also well supplied with blood vessels. Some fishes breathe in part through the skin, by the exchange of oxygen and carbon dioxide between the surrounding water and numerous small blood vessels near the skin surface.
Skin serves as protection through the control of coloration. Fishes exhibit an almost limitless range of colours. The colours often blend closely with the surroundings, effectively hiding the animal. Many fishes use bright colours for territorial advertisement or as recognition marks for other members of their own species, or sometimes for members of other species. Many fishes can change their colour to a greater or lesser degree, by movement of pigment within the pigment cells (chromatophores). Black pigment cells (melanophores), of almost universal occurrence in fishes, are often juxtaposed with other pigment cells. When placed beneath iridocytes or leucophores (bearing the silvery or white pigment guanine), melanophores produce structural colours of blue and green. These colours are often extremely intense, because they are formed by refraction of light through the needlelike crystals of guanine. The blue and green refracted colours are often relatively pure, lacking the red and yellow rays, which have been absorbed by the black pigment (melanin) of the melanophores. Yellow, orange, and red colours are produced by erythrophores, cells containing the appropriate carotenoid pigments. Other colours are produced by combinations of melanophores, erythrophores, and iridocytes.
The major portion of the body of most fishes consists of muscles. Most of the mass is trunk musculature, the fin muscles usually being relatively small. The caudal fin is usually the most powerful fin, being moved by the trunk musculature. The body musculature is usually arranged in rows of chevron-shaped segments on each side. Contractions of these segments, each attached to adjacent vertebrae and vertebral processes, bends the body on the vertebral joint, producing successive undulations of the body, passing from the head to the tail, and producing driving strokes of the tail. It is the latter that provides the strong forward movement for most fishes.
The digestive system, in a functional sense, starts at the mouth, with the teeth used to capture prey or collect plant foods. Mouth shape and tooth structure vary greatly in fishes, depending on the kind of food normally eaten. Most fishes are predacious, feeding on small invertebrates or other fishes and have simple conical teeth on the jaws, on at least some of the bones of the roof of the mouth, and on special gill arch structures just in front of the esophagus. The latter are throat teeth. Most predacious fishes swallow their prey whole, and the teeth are used for grasping and holding prey, for orienting prey to be swallowed (head first) and for working the prey toward the esophagus. There are a variety of tooth types in fishes. Some fishes, such as sharks and piranhas, have cutting teeth for biting chunks out of their victims. A shark’s tooth, although superficially like that of a piranha, appears in many respects to be a modified scale, while that of the piranha is like that of other bony fishes, consisting of dentine and enamel. Parrot fishes have beaklike mouths with short incisor-like teeth for breaking off coral and have heavy pavementlike throat teeth for crushing the coral. Some catfishes have small brushlike teeth, arranged in rows on the jaws, for scraping plant and animal growth from rocks. Many fishes (such as the Cyprinidae or minnows) have no jaw teeth at all but have very strong throat teeth.
Some fishes gather planktonic food by straining it from their gill cavities with numerous elongate stiff rods (gill rakers) anchored by one end to the gill bars. The food collected on these rods is passed to the throat, where it is swallowed. Most fishes have only short gill rakers that help keep food particles from escaping out the mouth cavity into the gill chamber.
Once reaching the throat, food enters a short, often greatly distensible esophagus, a simple tube with a muscular wall leading into a stomach. The stomach varies greatly in fishes, depending upon the diet. In most predacious fishes it is a simple straight or curved tube or pouch with a muscular wall and a glandular lining. Food is largely digested there and leaves the stomach in liquid form.
Between the stomach and the intestine, ducts enter the digestive tube from the liver and pancreas. The liver is a large, clearly defined organ. The pancreas may be embedded in it, diffused through it, or broken into small parts spread along some of the intestine. The junction between the stomach and the intestine is marked by a muscular valve. Pyloric ceca (blind sacs) occur in some fishes at this junction and have a digestive or absorptive function or both.
The intestine itself is quite variable in length, depending upon the fish’s diet. It is short in predacious forms, sometimes no longer than the body cavity, but long in herbivorous forms, being coiled and several times longer than the entire length of the fish in some species of South American catfishes. The intestine is primarily an organ for absorbing nutrients into the bloodstream. The larger its internal surface, the greater its absorptive efficiency, and a spiral valve is one method of increasing its absorption surface.
Sharks, rays, chimaeras, lungfishes, surviving chondrosteans, holosteans, and even a few of the more primitive teleosts have a spiral valve or at least traces of it in the intestine. Most modern teleosts have increased the area of the intestinal walls by having numerous folds and villi (fingerlike projections) somewhat like those in humans. Undigested substances are passed to the exterior through the anus in most teleost fishes. In lungfishes, sharks, and rays, it is first passed through the cloaca, a common cavity receiving the intestinal opening and the ducts from the urogenital system.
Oxygen and carbon dioxide dissolve in water, and most fishes exchange dissolved oxygen and carbon dioxide in water by means of the gills. The gills lie behind and to the side of the mouth cavity and consist of fleshy filaments supported by the gill arches and filled with blood vessels, which give gills a bright red colour. Water taken in continuously through the mouth passes backward between the gill bars and over the gill filaments, where the exchange of gases takes place. The gills are protected by a gill cover in teleosts and many other fishes but by flaps of skin in sharks, rays, and some of the older fossil fish groups. The blood capillaries in the gill filaments are close to the gill surface to take up oxygen from the water and to give up excess carbon dioxide to the water.
Most modern fishes have a hydrostatic (ballast) organ, called the swim bladder, that lies in the body cavity just below the kidney and above the stomach and intestine. It originated as a diverticulum of the digestive canal. In advanced teleosts, especially the acanthopterygians, the bladder has lost its connection with the digestive tract, a condition called physoclistic. The connection has been retained (physostomous) by many relatively primitive teleosts. In several unrelated lines of fishes, the bladder has become specialized as a lung or, at least, as a highly vascularized accessory breathing organ. Some fishes with such accessory organs are obligate air breathers and will drown if denied access to the surface, even in well-oxygenated water. Fishes with a hydrostatic form of swim bladder can control their depth by regulating the amount of gas in the bladder. The gas, mostly oxygen, is secreted into the bladder by special glands, rendering the fish more buoyant; the gas is absorbed into the bloodstream by another special organ, reducing the overall buoyancy and allowing the fish to sink. Some deep-sea fishes may have oils, rather than gas, in the bladder. Other deep-sea and some bottom-living forms have much-reduced swim bladders or have lost the organ entirely.
The swim bladder of fishes follows the same developmental pattern as the lungs of land vertebrates. There is no doubt that the two structures have the same historical origin in primitive fishes. More or less intermediate forms still survive among the more primitive types of fishes, such as the lungfishes Lepidosiren and Protopterus.
The circulatory, or blood vascular, system consists of the heart, the arteries, the capillaries, and the veins. It is in the capillaries that the interchange of oxygen, carbon dioxide, nutrients, and other substances such as hormones and waste products takes place. The capillaries lead to the veins, which return the venous blood with its waste products to the heart, kidneys, and gills. There are two kinds of capillary beds: those in the gills and those in the rest of the body. The heart, a folded continuous muscular tube with three or four saclike enlargements, undergoes rhythmic contractions and receives venous blood in a sinus venosus. It passes the blood to an auricle and then into a thick muscular pump, the ventricle. From the ventricle the blood goes to a bulbous structure at the base of a ventral aorta just below the gills. The blood passes to the afferent (receiving) arteries of the gill arches and then to the gill capillaries. There waste gases are given off to the environment, and oxygen is absorbed. The oxygenated blood enters efferent (exuant) arteries of the gill arches and then flows into the dorsal aorta. From there blood is distributed to the tissues and organs of the body. One-way valves prevent backflow. The circulation of fishes thus differs from that of the reptiles, birds, and mammals in that oxygenated blood is not returned to the heart prior to distribution to the other parts of the body.
The primary excretory organ in fishes, as in other vertebrates, is the kidney. In fishes some excretion also takes place in the digestive tract, skin, and especially the gills (where ammonia is given off). Compared with land vertebrates, fishes have a special problem in maintaining their internal environment at a constant concentration of water and dissolved substances, such as salts. Proper balance of the internal environment (homeostasis) of a fish is in a great part maintained by the excretory system, especially the kidney.
The kidney, gills, and skin play an important role in maintaining a fish’s internal environment and checking the effects of osmosis. Marine fishes live in an environment in which the water around them has a greater concentration of salts than they can have inside their body and still maintain life. Freshwater fishes, on the other hand, live in water with a much lower concentration of salts than they require inside their bodies. Osmosis tends to promote the loss of water from the body of a marine fish and absorption of water by that of a freshwater fish. Mucus in the skin tends to slow the process but is not a sufficient barrier to prevent the movement of fluids through the permeable skin. When solutions on two sides of a permeable membrane have different concentrations of dissolved substances, water will pass through the membrane into the more concentrated solution, while the dissolved chemicals move into the area of lower concentration (diffusion).
The kidney of freshwater fishes is often larger in relation to body weight than that of marine fishes. In both groups the kidney excretes wastes from the body, but the kidney of freshwater fishes also excretes large amounts of water, counteracting the water absorbed through the skin. Freshwater fishes tend to lose salt to the environment and must replace it. They get some salt from their food, but the gills and skin inside the mouth actively absorb salt from water passed through the mouth. This absorption is performed by special cells capable of moving salts against the diffusion gradient. Freshwater fishes drink very little water and take in little water with their food.
Marine fishes must conserve water, and therefore their kidneys excrete little water. To maintain their water balance, marine fishes drink large quantities of seawater, retaining most of the water and excreting the salt. Most nitrogenous waste in marine fishes appears to be secreted by the gills as ammonia. Marine fishes can excrete salt by clusters of special cells (chloride cells) in the gills.
There are several teleosts—for example, the salmon—that travel between fresh water and seawater and must adjust to the reversal of osmotic gradients. They adjust their physiological processes by spending time (often surprisingly little time) in the intermediate brackish environment.
Marine hagfishes, sharks, and rays have osmotic concentrations in their blood about equal to that of seawater and so do not have to drink water nor perform much physiological work to maintain their osmotic balance. In sharks and rays the osmotic concentration is kept high by retention of urea in the blood. Freshwater sharks have a lowered concentration of urea in the blood.
Endocrine glands secrete their products into the bloodstream and body tissues and, along with the central nervous system, control and regulate many kinds of body functions. Cyclostomes have a well-developed endocrine system, and presumably it was well developed in the early Agnatha, ancestral to modern fishes. Although the endocrine system in fishes is similar to that of higher vertebrates, there are numerous differences in detail. The pituitary, the thyroid, the suprarenals, the adrenals, the pancreatic islets, the sex glands (ovaries and testes), the inner wall of the intestine, and the bodies of the ultimobranchial gland make up the endocrine system in fishes. There are some others whose function is not well understood. These organs regulate sexual activity and reproduction, growth, osmotic pressure, general metabolic activities such as the storage of fat and the utilization of foodstuffs, blood pressure, and certain aspects of skin colour. Many of these activities are also controlled in part by the central nervous system, which works with the endocrine system in maintaining the life of a fish. Some parts of the endocrine system are developmentally, and undoubtedly evolutionarily, derived from the nervous system.
As in all vertebrates, the nervous system of fishes is the primary mechanism coordinating body activities, as well as integrating these activities in the appropriate manner with stimuli from the environment. The central nervous system, consisting of the brain and spinal cord, is the primary integrating mechanism. The peripheral nervous system, consisting of nerves that connect the brain and spinal cord to various body organs, carries sensory information from special receptor organs such as the eyes, internal ears, nares (sense of smell), taste glands, and others to the integrating centres of the brain and spinal cord. The peripheral nervous system also carries information via different nerve cells from the integrating centres of the brain and spinal cord. This coded information is carried to the various organs and body systems, such as the skeletal muscular system, for appropriate action in response to the original external or internal stimulus. Another branch of the nervous system, the autonomic nervous system, helps to coordinate the activities of many glands and organs and is itself closely connected to the integrating centres of the brain.
The brain of the fish is divided into several anatomical and functional parts, all closely interconnected but each serving as the primary centre of integrating particular kinds of responses and activities. Several of these centres or parts are primarily associated with one type of sensory perception, such as sight, hearing, or smell (olfaction).
The sense of smell is important in almost all fishes. Certain eels with tiny eyes depend mostly on smell for location of food. The olfactory, or nasal, organ of fishes is located on the dorsal surface of the snout. The lining of the nasal organ has special sensory cells that perceive chemicals dissolved in the water, such as substances from food material, and send sensory information to the brain by way of the first cranial nerve. Odour also serves as an alarm system. Many fishes, especially various species of freshwater minnows, react with alarm to a chemical released from the skin of an injured member of their own species.
Many fishes have a well-developed sense of taste, and tiny pitlike taste buds or organs are located not only within their mouth cavities but also over their heads and parts of their body. Catfishes, which often have poor vision, have barbels (“whiskers”) that serve as supplementary taste organs, those around the mouth being actively used to search out food on the bottom. Some species of naturally blind cave fishes are especially well supplied with taste buds, which often cover most of their body surface.
Sight is extremely important in most fishes. The eye of a fish is basically like that of all other vertebrates, but the eyes of fishes are extremely varied in structure and adaptation. In general, fishes living in dark and dim water habitats have large eyes, unless they have specialized in some compensatory way so that another sense (such as smell) is dominant, in which case the eyes will often be reduced. Fishes living in brightly lighted shallow waters often will have relatively small but efficient eyes. Cyclostomes have somewhat less elaborate eyes than other fishes, with skin stretched over the eyeball perhaps making their vision somewhat less effective. Most fishes have a spherical lens and accommodate their vision to far or near subjects by moving the lens within the eyeball. A few sharks accommodate by changing the shape of the lens, as in land vertebrates. Those fishes that are heavily dependent upon the eyes have especially strong muscles for accommodation. Most fishes see well, despite the restrictions imposed by frequent turbidity of the water and by light refraction.
Fossil evidence suggests that colour vision evolved in fishes more than 300 million years ago, but not all living fishes have retained this ability. Experimental evidence indicates that many shallow-water fishes, if not all, have colour vision and see some colours especially well, but some bottom-dwelling shore fishes live in areas where the water is sufficiently deep to filter out most if not all colours, and these fishes apparently never see colours. When tested in shallow water, they apparently are unable to respond to colour differences.
Sound perception and balance are intimately associated senses in a fish. The organs of hearing are entirely internal, located within the skull, on each side of the brain and somewhat behind the eyes. Sound waves, especially those of low frequencies, travel readily through water and impinge directly upon the bones and fluids of the head and body, to be transmitted to the hearing organs. Fishes readily respond to sound; for example, a trout conditioned to escape by the approach of fishermen will take flight upon perceiving footsteps on a stream bank even if it cannot see a fisherman. Compared with humans, however, the range of sound frequencies heard by fishes is greatly restricted. Many fishes communicate with each other by producing sounds in their swim bladders, in their throats by rasping their teeth, and in other ways.
A fish or other vertebrate seldom has to rely on a single type of sensory information to determine the nature of the environment around it. A catfish uses taste and touch when examining a food object with its oral barbels. Like most other animals, fishes have many touch receptors over their body surface. Pain and temperature receptors also are present in fishes and presumably produce the same kind of information to a fish as to humans. Fishes react in a negative fashion to stimuli that would be painful to human beings, suggesting that they feel a sensation of pain.
An important sensory system in fishes that is absent in other vertebrates (except some amphibians) is the lateral line system. This consists of a series of heavily innervated small canals located in the skin and bone around the eyes, along the lower jaw, over the head, and down the mid-side of the body, where it is associated with the scales. Intermittently along these canals are located tiny sensory organs (pit organs) that apparently detect changes in pressure. The system allows a fish to sense changes in water currents and pressure, thereby helping the fish to orient itself to the various changes that occur in the physical environment.
Although a great many fossil fishes have been found and described, they represent a tiny portion of the long and complex evolution of fishes, and knowledge of fish evolution remains relatively fragmentary. In the classification presented in this article, fishlike vertebrates are divided into seven categories, the members of each having a different basic structural organization and different physical and physiological adaptations for the problems presented by the environment. The broad basic pattern has been one of successive replacement of older groups by newer, better-adapted groups. One or a few members of a group evolved a basically more efficient means of feeding, breathing, or swimming or several better ways of living. These better-adapted groups then forced the extinction of members of the older group with which they competed for available food, breeding places, or other necessities of life. As the new fishes became well established, some of them evolved further and adapted to other habitats, where they continued to replace members of the old group already there. The process was repeated until all or almost all members of the old group in a variety of habitats had been replaced by members of the newer evolutionary line.
The earliest vertebrate fossils of certain relationships are fragments of dermal armour of jawless fishes (superclass Agnatha, order Heterostraci) from the Upper Ordovician Period in North America, about 450 million years in age. Early Ordovician toothlike fragments from the former Soviet Union are less certainly remains of agnathans. It is uncertain whether the North American jawless fishes inhabited shallow coastal marine waters, where their remains became fossilized, or were freshwater vertebrates washed into coastal deposits by stream action.
Jawless fishes probably arose from ancient, small, soft-bodied filter-feeding organisms much like and probably also ancestral to the modern sand-dwelling filter feeders, the Cephalochordata (Amphioxus and its relatives). The body in the ancestral animals was probably stiffened by a notochord. Although a vertebrate origin in fresh water is much debated by paleontologists, it is possible that mobility of the body and protection provided by dermal armour arose in response to streamflow in the freshwater environment and to the need to escape from and resist the clawed invertebrate eurypterids that lived in the same waters. Because of the marine distribution of the surviving primitive chordates, however, many paleontologists doubt that the vertebrates arose in fresh water.
Heterostracan remains are next found in what appear to be delta deposits in two North American localities of Silurian age. By the close of the Silurian, about 416 million years ago, European heterostracan remains are found in what appear to be delta or coastal deposits. In the Late Silurian of the Baltic area, lagoon or freshwater deposits yield jawless fishes of the order Osteostraci. Somewhat later in the Silurian from the same region, layers contain fragments of jawed acanthodians, the earliest group of jawed vertebrates, and of jawless fishes. These layers lie between marine beds but appear to be washed out from fresh waters of a coastal region.
It is evident, therefore, that by the end of the Silurian both jawed and jawless vertebrates were well established and already must have had a long history of development. Yet paleontologists have remains only of specialized forms that cannot have been the ancestors of the placoderms and bony fishes that appear in the next period, the Devonian. No fossils are known of the more primitive ancestors of the agnathans and acanthodians. The extensive marine beds of the Silurian and those of the Ordovician are essentially void of vertebrate history. It is believed that the ancestors of fishlike vertebrates evolved in upland fresh waters, where whatever few and relatively small fossil beds were made probably have been long since eroded away. Remains of the earliest vertebrates may never be found.
By the close of the Silurian, all known orders of jawless vertebrates had evolved, except perhaps the modern cyclostomes, which are without the hard parts that ordinarily are preserved as fossils. Cyclostomes were unknown as fossils until 1968, when a lamprey of modern body structure was reported from the Middle Pennsylvanian of Illinois, in deposits more than 300 million years old. Fossil evidence of the four orders of armoured jawless vertebrates is absent from deposits later than the Devonian. Presumably, these vertebrates became extinct at that time, being replaced by the more efficient and probably more aggressive placoderms, acanthodians, selachians (sharks and relatives), and by early bony fishes. Cyclostomes survived probably because early on they evolved from anaspid agnathans and developed a rasping tonguelike structure and a sucking mouth, enabling them to prey on other fishes. With this way of life they apparently had no competition from other fish groups. Cyclostomes, the hagfishes and lampreys, were once thought to be closely related because of the similarity in their suctorial mouths, but it is now understood that the hagfishes, order Myxiniformes, are the most primitive living chordates, and they are classified separately from the lampreys, order Petromyzontiformes.
Early jawless vertebrates probably fed on tiny organisms by filter feeding, as do the larvae of their descendants, the modern lampreys. The gill cavity of the early agnathans was large. It is thought that small organisms taken from the bottom by a nibbling action of the mouth, or more certainly by a sucking action through the mouth, were passed into the gill cavity along with water for breathing. Small organisms then were strained out by the gill apparatus and directed to the food canal. The gill apparatus thus evolved as a feeding, as well as a breathing, structure. The head and gills in the agnathans were protected by a heavy dermal armour; the tail region was free, allowing motion for swimming.
Most important for the evolution of fishes and vertebrates in general was the early appearance of bone, cartilage, and enamel-like substance. These materials became modified in later fishes, enabling them to adapt to many aquatic environments and finally even to land. Other basic organs and tissues of the vertebrates—such as the central nervous system, heart, liver, digestive tract, kidney, and circulatory system— undoubtedly were present in the ancestors of the agnathans. In many ways, bone, both external and internal, was the key to vertebrate evolution.
The next class of fishes to appear was the Acanthodii, containing the earliest known jawed vertebrates, which arose in the Late Silurian, more than 416 million years ago. The acanthodians declined after the Devonian but lasted into the Early Permian, a little less than 280 million years ago. The first complete specimens appear in Lower Devonian freshwater deposits, but later in the Devonian and Permian some members appear to have been marine. Most were small fishes, not more than 75 cm (approximately 30 inches) in length.
We know nothing of the ancestors of the acanthodians. They must have arisen from some jawless vertebrate, probably in fresh water. They appear to have been active swimmers with almost no head armour but with large eyes, indicating that they depended heavily on vision. Perhaps they preyed on invertebrates. The rows of spines and spinelike fins between the pectoral and pelvic fins give some credence to the idea that paired fins arose from “fin folds” along the body sides.
The relationships of the acanthodians to other jawed vertebrates are obscure. They possess features found in both sharks and bony fishes. They are like early bony fishes in possessing ganoidlike scales and a partially ossified internal skeleton. Certain aspects of the jaw appear to be more like those of bony fishes than sharks, but the bony fin spines and certain aspects of the gill apparatus would seem to favour relationships with early sharks. Acanthodians do not seem particularly close to the Placodermi, although, like the placoderms, they apparently possessed less efficient tooth replacement and tooth structure than the sharks and the bony fishes, possibly one reason for their subsequent extinction.
"You'll scramble your brains!" shouted Roger's mother. Resistance was unknown to Roger however when it came to riding the paint shaker at the Sherwin Williams store. Later in life he had to undergo reverse oscillation therapy to regain his equillibrium and complete his degree in applied kinetic sciences.
The smallest such horse in Wiltshire, the Marlborough horse was cut in 1804 by boys at Mr Greasley's Academy, also called the High Street Academy, a school in the Marlborough High Street which occupied the building now The Ivy House Hotel. This was not the present-day Marlborough College, which is only a short distance away. The horse was designed and marked out on the hill by a boy called William Canning, whose family owned the Manor House at Ogbourne St George. From then onwards, it was "scoured", or cleaned up, every year, this becoming a tradition at the school marked by revelry.
Greasley died about 1830, and the school was closed, leading to the horse being neglected for some years, but by 1860 it was back in good condition and can be seen in a photograph taken that year at a cricket match. In 1873 a Captain Reed, an old boy of Greasley's Academy who had taken part in the horse's creation, saw to a new scouring.
The horse is 62 feet long by 47 high, and it has got thinner since the early twentieth century. It was restored again in September 2001, when it was re-chalked with pure chalk mixed with water and applied with a stiff brush, but by the late summer of 2002 it already had grass growing on much of its surface.
A verse of the Marlborough College school song refers to the horse:
"And when to Marlborough old and worn we shall creep back like ghosts,
And see youngsters yet unborn run in between the posts,
Ah, then we'll cry, thank God, my lads, the Kennett's running still,
And see, the old White Horse still pads up there on Granham Hill."
For a while in 1969, the horse was not the only hill figure in Marlborough, as the Scout logo was cut into a nearby hill, commemorating the Marlborough Group's Diamond Jubilee. As no permission was granted for the figure to be permanent, the land's owners replanted plants on it later in the year.
SN/NC: Tabebuia Roseo-alba, Bignoniaceae Family
The common name "roble" is sometimes found in English. Tabebuias have been called "trumpet trees", but this name is usually applied to other trees and has become a source of confusion and misidentification.
Tabebuia consists almost entirely of trees, but a few are often large shrubs. A few species produce timber, but the genus is mostly known for those that are cultivated as flowering trees.
Tabebuia is native to the American tropics and subtropics from Mexico and the Caribbean to Argentina. Most of the species are from Cuba and Hispaniola. It is commonly cultivated and often naturalized or adventive beyond its natural range. It easily escapes cultivation because of its numerous, wind-borne seeds.
In 1992, a revision of Tabebuia described 99 species and one hybrid.Phylogenetic studies of DNA sequences later showed that Tabebuia, as then circumscribed, was polyphyletic. In 2007, it was divided into three separate genera.Primavera (Roseodendron donnell-smithii) and a related species with no unique common name (Roseodendron chryseum) were transferred to Roseodendron. Those species known as ipê and pau d'arco (in Portuguese) or poui were transferred to Handroanthus. Sixty-seven species remained in Tabebuia. The former genus and polyphyletic group of 99 species described by Gentry in 1992 is now usually referred to as "Tabebuia sensu lato".
O nome comum "roble" é por vezes encontrado em inglês. As tabebuias são chamadas de "árvores-de-trombeta", mas este nome é geralmente aplicado a outras árvores e tornou-se uma fonte de confusão e identificação incorreta. A espécie Tabebuia é composta quase inteiramente por árvores, mas algumas são frequentemente arbustos grandes. Algumas espécies produzem madeira, mas o género é mais conhecido pelas que são cultivadas como árvores ornamentais. A Tabebuia é nativa dos trópicos e subtrópicos americanos, do México e do Caribe até à Argentina. A maioria das espécies é de Cuba e Hispaniola. É comumente cultivada e muitas vezes naturalizada ou adventícia além da sua área de distribuição natural. Escapa facilmente ao cultivo devido às suas numerosas sementes transportadas pelo vento. Em 1992, uma revisão do género Tabebuia descreveu 99 espécies e um híbrido. Estudos filogenéticos de sequências de ADN mostraram mais tarde que a Tabebuia, conforme foi circunscrita na época, era polifilética. Em 2007, foi dividida em três géneros separados. A Primavera (Roseodendron donnell-smithii) e uma espécie relacionada sem nome comum único (Roseodendron chryseum) foram transferidas para o género Roseodendron. As espécies conhecidas como ipê e pau d'arco (em português) ou poui foram transferidas para o género Handroanthus. Sessenta e sete espécies permaneceram em Tabebuia. O antigo género e grupo polifilético de 99 espécies descrito por Gentry em 1992 é agora geralmente referido como " Tabebuia sensu lato ".
Ipê-branco (Tabebuia roseoalba) é uma árvore brasileira, descrita inicialmente em 1890 como Bignonia roseo-alba. Seus nomes, tanto científico quanto popular, vêm do tupi-guarani: ipê significa "árvore de casca grossa" e tabebuia é "pau" ou "madeira que flutua".
É uma árvore usada como ornamental, nativa do cerrado e pantanal brasileiros. É conhecida como planta do mel no Brasil e Argentina.
El nombre común "roble" a veces se encuentra en inglés. A los Tabebuia se les ha llamado "árboles de trompeta", pero este nombre generalmente se aplica a otros árboles y se ha convertido en una fuente de confusión e identificación errónea. Tabebuia consiste casi en su totalidad en árboles, pero algunos a menudo son arbustos grandes. Algunas especies producen madera, pero el género es más conocido por aquellas que se cultivan como árboles florecidos. Tabebuia es nativa de los trópicos y subtrópicos americanos, desde México y el Caribe hasta Argentina. La mayoría de las especies son de Cuba y La Española. Se cultiva comúnmente y a menudo se naturaliza o adventicia más allá de su área de distribución natural. Escapa fácilmente del cultivo debido a sus numerosas semillas transportadas por el viento. En 1992, una revisión de Tabebuia describió 99 especies y un híbrido. Estudios filogenéticos de secuencias de ADN mostraron más tarde que Tabebuia, tal como estaba circunscrita en ese entonces, era polifilética. En 2007, se dividió en tres géneros separados. La Primavera (Roseodendron donnell-smithii) y una especie relacionada sin nombre común único (Roseodendron chryseum) fueron transferidas a Roseodendron. Aquellas especies conocidas como ipê y pau d'arco (en portugués) o poui fueron transferidas a Handroanthus. Sesenta y siete especies permanecieron en Tabebuia. El antiguo género y grupo polifilético de 99 especies descrito por Gentry en 1992 ahora se conoce generalmente como " Tabebuia sensu lato ".
Tabebuia es un género que comprende alrededor de un centenar de especies de árboles nativos de la zona intertropical de América, extendidas desde México, Perú y el Caribe —donde se encuentra la mayoría de las especies— hasta el centro-norte de Argentina y Paraguay. En 1970 un nuevo género (Handroanthus) fue creado para situar muchas de las espécies de Tabebuia. Es el árbol nacional del Paraguay, donde se lo denomina "tajy".
Il nome comune "roble" a volte si trova in inglese. I Tabebuia sono stati chiamati "alberi della tromba", ma questo nome viene solitamente applicato ad altri alberi ed è diventato una fonte di confusione e errata identificazione. Il genere Tabebuia è composto quasi interamente da alberi, ma alcuni sono spesso grandi arbusti. Alcune specie producono legname, ma il genere è principalmente noto per quelle coltivate come alberi da fiore. Tabebuia è originaria delle regioni tropicali e subtropicali americane, dal Messico e dai Caraibi all'Argentina. La maggior parte delle specie proviene da Cuba e Hispaniola. È comunemente coltivata e spesso naturalizzata o avventizia al di fuori del suo areale naturale. Fugge facilmente alla coltivazione a causa dei suoi numerosi semi trasportati dal vento. Nel 1992, una revisione di Tabebuia descrisse 99 specie e un ibrido. Successivamente, studi filogenetici sulle sequenze di DNA hanno dimostrato che Tabebuia, così come era circoscritta all'epoca, era polifiletica. Nel 2007, è stata divisa in tre generi separati. La Primavera (Roseodendron donnell-smithii) e una specie correlata senza un nome comune unico (Roseodendron chryseum) furono trasferite a Roseodendron. Quelle specie conosciute come ipê e pau d'arco (in portoghese) o poui furono trasferite a Handroanthus. Sessantasette specie rimasero in Tabebuia. L'ex genere e gruppo polifiletico di 99 specie descritto da Gentry nel 1992 è ora generalmente indicato come " Tabebuia sensu lato ".
Le nom commun « roble » se trouve parfois en anglais. Les Tabebuia ont été appelés « arbres à trompettes », mais ce nom est généralement appliqué à d'autres arbres et est devenu une source de confusion et de mauvaise identification. Le genre Tabebuia se compose presque entièrement d'arbres, mais quelques-uns sont souvent de grands arbustes. Quelques espèces produisent du bois, mais le genre est surtout connu pour celles qui sont cultivées comme arbres à fleurs. Tabebuia est originaire des tropiques et subtropiques américains, du Mexique et des Caraïbes jusqu'à l'Argentine. La plupart des espèces proviennent de Cuba et d'Hispaniola. Il est couramment cultivé et souvent naturalisé ou adventice au-delà de son aire de répartition naturelle. Il s'échappe facilement de la culture en raison de ses nombreuses graines disséminées par le vent. En 1992, une révision de Tabebuia a décrit 99 espèces et un hybride. Des études phylogénétiques de séquences d'ADN ont ensuite montré que Tabebuia, tel que circonscrit à l'époque, était polyphylétique. En 2007, il a été divisé en trois genres distincts. Le Primavera (Roseodendron donnell-smithii) et une espèce apparentée sans nom commun unique (Roseodendron chryseum) ont été transférés à Roseodendron. Les espèces connues sous le nom d'ipê et de pau d'arco (en portugais) ou poui ont été transférées à Handroanthus. Soixante-sept espèces sont restées dans Tabebuia. L'ancien genre et groupe polyphylétique de 99 espèces décrit par Gentry en 1992 est maintenant généralement appelé « Tabebuia sensu lato ».
De algemene naam "roble" wordt soms in het Engels aangetroffen. Tabebuia's worden "trompetbomen" genoemd, maar deze naam wordt meestal voor andere bomen gebruikt en is een bron van verwarring en verkeerde identificatie geworden. Tabebuia bestaat bijna volledig uit bomen, maar een paar zijn vaak grote struiken. Enkele soorten produceren timmerhout, maar het geslacht is vooral bekend om de soorten die als bloeiende bomen worden gekweekt. Tabebuia is inheems in de Amerikaanse tropen en subtropen, van Mexico en het Caribisch gebied tot Argentinië. De meeste soorten komen uit Cuba en Hispaniola. Het wordt algemeen gekweekt en is vaak genaturaliseerd of adventief buiten zijn natuurlijke verspreidingsgebied. Het ontsnapt gemakkelijk uit cultivatie vanwege zijn talrijke, door de wind verspreide zaden. In 1992 beschreef een revisie van Tabebuia 99 soorten en één hybride. Fylogenetische studies van DNA-sequenties toonden later aan dat Tabebuia, zoals het toen werd omschreven, polyfyletisch was. In 2007 werd het verdeeld in drie aparte geslachten. Primavera (Roseodendron donnell-smithii) en een verwante soort zonder unieke algemene naam (Roseodendron chryseum) werden overgebracht naar Roseodendron. Soorten die bekend staan als ipê en pau d'arco (in het Portugees) of poui werden overgebracht naar Handroanthus. Zevenenzestig soorten bleven in Tabebuia. Het voormalige geslacht en polyfyletische groep van 99 soorten die in 1992 door Gentry werden beschreven, wordt nu gewoonlijk " Tabebuia sensu lato " genoemd.
Der gebräuchliche Name "Roble" ist manchmal im Englischen zu finden. Tabebuia wurden "Trompetenbäume" genannt, aber dieser Name wird normalerweise für andere Bäume verwendet und ist zu einer Quelle von Verwirrung und Fehlidentifizierung geworden. Tabebuia besteht fast ausschließlich aus Bäumen, aber einige sind oft große Sträucher. Einige Arten liefern Nutzholz, aber die Gattung ist hauptsächlich für diejenigen bekannt, die als Zierbäume kultiviert werden. Tabebuia ist in den amerikanischen Tropen und Subtropen von Mexiko und der Karibik bis Argentinien beheimatet. Die meisten Arten stammen aus Kuba und Hispaniola. Sie wird häufig kultiviert und oft über ihr natürliches Verbreitungsgebiet hinaus eingebürgert oder adventiv. Sie entgeht leicht der Kultivierung aufgrund ihrer zahlreichen, windverbreiteten Samen. Im Jahr 1992 beschrieb eine Revision von Tabebuia 99 Arten und einen Hybriden. Phylogenetische Studien von DNA-Sequenzen zeigten später, dass Tabebuia, wie es damals umschrieben wurde, polyphyletisch war. Im Jahr 2007 wurde es in drei separate Gattungen aufgeteilt. Primavera (Roseodendron donnell-smithii) und eine verwandte Art ohne eindeutigen gebräuchlichen Namen (Roseodendron chryseum) wurden zu Roseodendron transferiert. Jene Arten, die als Ipê und Pau d'arco (auf Portugiesisch) oder Poui bekannt sind, wurden zu Handroanthus transferiert. Siebenundsechzig Arten verblieben in Tabebuia. Die ehemalige Gattung und polyphyletische Gruppe von 99 Arten, die 1992 von Gentry beschrieben wurde, wird jetzt通常als " Tabebuia sensu lato " bezeichnet.
一般的な名称「ロブル（roble）」は、英語で時折見られる。タベブイア属は「トランペットツリー」と呼ばれてきたが、この名前は通常他の樹木に適用され、混乱と誤同定の原因となっている。 タベブイア属はほとんどが高木であるが、いくつかはしばしば大きな低木となる。いくつかの種は材木を産するが、この属は主に花を観賞するために栽培される種で知られている。 タベブイア属はメキシコとカリブ海からアルゼンチンに至るアメリカ大陸の熱帯および亜熱帯地域が原産である。大部分の種はキューバとヒスパニョーラ島（ハイチとドミニカ共和国）に由来する。一般的に栽培され、しばしば自然分布範囲を超えて帰化または外来種化している。風で運ばれる多数の種子のため、容易に栽培から逸脱する。 1992年、タベブイア属の改訂により99種と1雑種が記載された。後のDNA配列の系統解析により、当時規定されていたタベブイア属が多系統群であることが示された。2007年、それは3つの別々の属に分割された。プリマベラ（Roseodendron donnell-smithii）と固有の一般名を持たない近縁種（Roseodendron chryseum）はロセオデンドロン属（Roseodendron）に移された。イペ（ipê）やパウ・ダルコ（pau d'arco）（ポルトガル語）またはプイ（poui）として知られる種はハンドロアンサス属（Handroanthus）に移された。67種がタベブイア属に残った。1992年にジェントリーによって記載された99種の旧属および多系統群は、現在通常「Tabebuia sensu lato（広義のタベブイア属）」と呼ばれる。
英文中有时会出现"roble"这一通用名称。Tabebuia 属植物曾被称为"喇叭树"，但该名称通常用于其他树木，并已成为混淆和错误识别的来源。 Tabebuia 属几乎全是乔木，但也有少数通常为大型灌木。少数物种生产木材，但该属主要以作为开花观赏树而闻名。 Tabebuia 原产于美洲热带和亚热带地区，从墨西哥和加勒比海地区直至阿根廷。大部分物种来自古巴和伊斯帕尼奥拉岛（海地岛）。它常被栽培，并经常在其自然分布范围之外归化或成为外来种。由于其数量众多、借助风力传播的种子，它很容易逃逸栽培。 1992年，对 Tabebuia 属的一次修订描述了99个物种和1个杂交种。后来的DNA序列系统发育研究表明，当时界定的 Tabebuia 属是多系群。2007年，它被划分为三个独立的属。Primavera（Roseodendron donnell-smithii）和一个没有独特通用名的相关物种（Roseodendron chryseum）被转移到 Roseodendron 属。那些在葡萄牙语中被称为 ipê 和 pau d'arco 或 poui 的物种被转移到 Handroanthus 属。六十七个物种保留在 Tabebuia 属中。由Gentry于1992年描述的包含99个物种的旧属及多系群，现在通常被称为"Tabebuia sensu lato"（广义的 Tabebuia 属）。
يُوجد الاسم الشائع "roble" أحيانًا في اللغة الإنجليزية. لقد سُميت أنواع التابيبويا "أشجار البوق"، لكن هذا الاسم يُطبق عادةً على أشجار أخرى وأصبح مصدرًا للارتباك والتحديد الخاطئ. تتكون التابيبويا بالكامل تقريبًا من أشجار، لكن القليل منها غالبًا ما يكون شجيرات كبيرة. تنتج بعض الأنواع أخشابًا، لكن الجنس معروف mostly بالأشجار التي تُزرع لأزهارها. التابيبويا موطنها الأصلي المناطق الاستوائية وشبه الاستوائية الأمريكية من المكسيك ومنطقة البحر الكاريبي إلى الأرجنتين. معظم الأنواع من كوبا وهيسبانيولا. يتم زراعتها بشكل شائع وغالبًا ما تت naturalized أو تصبح دخيلة beyond نطاقها الطبيعي. تهرب بسهولة من الزراعة بسبب بذورها الكثيرة التي تنقلها الرياح. في عام 1992، وصفت مراجعة للتابيبويا 99 نوعًا وهجينًا واحدًا. أظهرت الدراسات التطورية اللاحقة لتسلسلات الحمض النووي لاحقًا أن التابيبويا، كما تم تحديدها في ذلك الوقت، كانت متعددة العرق (polyphyletic). في عام 2007، تم تقسيمها إلى ثلاثة أجناس منفصلة. تم نقل Primavera (Roseodendron donnell-smithii) ونوع ذي صلة بدون اسم شائع فريد (Roseodendron chryseum) إلى جنس Roseodendron. تم نقل تلك الأنواع المعروفة باسم ipê و pau d'arco (بالبرتغالية) أو poui إلى جنس Handroanthus. بقي سبعة وستون نوعًا في التابيبويا. يُشار الآن إلى الجنس السابق والمجموعة متعددة العرق المكونة من 99 نوعًا التي وصفها Gentry في عام 1992 عادةً باسم "Tabebuia sensu lato" (تابيبويا بالمعنى الواسع).
Kwekerij / Topiary
"Topiary is the horticultural practice of training live perennial plants by clipping the foliage and twigs of trees, shrubs and subshrubs to develop and maintain clearly defined shapes, whether geometric or fanciful. The term also refers to plants which have been shaped in this way. As an art form it is a type of living sculpture. The word derives from the Latin word for an ornamental landscape gardener, topiarius, a creator of topia or "places", a Greek word that Romans also applied to fictive indoor landscapes executed in fresco.
The plants used in topiary are evergreen, mostly woody, have small leaves or needles, produce dense foliage, and have compact and/or columnar (e.g., fastigiate) growth habits. Common species chosen for topiary include cultivars of European box (Buxus sempervirens), arborvitae (Thuja species), bay laurel (Laurus nobilis), holly (Ilex species), myrtle (Eugenia or Myrtus species), yew (Taxus species), and privet (Ligustrum species). Shaped wire cages are sometimes employed in modern topiary to guide untutored shears, but traditional topiary depends on patience and a steady hand; small-leaved ivy can be used to cover a cage and give the look of topiary in a few months. The hedge is a simple form of topiary used to create boundaries, walls or screens."
Source: wikipedia.org
Alexander, Amanda CAFNR – Hospitality Management, Associate Teaching Professor, Division of Applied Social Sciences
False Colour (Not true) - adjustments applied in Photoshop CC 2017 (Enlarged)
[ Original Image Caption / NASA ]
"The brightly reflective moon Enceladus appears before Saturn's rings while the larger moon Titan looms in the distance.
Enceladus (313 miles, or 504 kilometers across) is in the center of the image. Titan (3,200 miles, or 5,150 kilometers across) can faintly be seen in the background beyond the rings. This view looks toward the anti-Saturn side of Enceladus and the Saturn-facing side of Titan. The northern, sunlit side of the rings is seen from just above the ringplane"
After numerous meetings about the problems and successes of Wayne Enterprises I finally managed to get down to applied sciences to see Fox. There he informed me that he had ensured that all of the necessary equipment was sent back to the Manor. Good job I tipped him off that a search of all departments would be carried out today in response to my comments to Uncle Marcus. By all accounts Uncle Marcus only asked for a search of applied sciences. I guess only applied sciences deals with this type of exo-suit so the thief most likely resides in that department. I’ll need to check the staff list for applied sciences when I get back to the cave to see who would have the need to sell the prototype equipment. Whilst at applied sciences I inform Fox about how effective his suit is with how much trouble it gave me. He seems somewhat pleased by this. I then inform him of the problems that have persisted through the use of the bat-suit. If there’s one way to tempt Fox to commit to a difficult task, it’s to mention flaws with his work. His desire for perfection will not allow him to repeat the same mistake, perfect for creating my new suit. If I am to be able to deal with more opponents such as the one in the exo-suit I’ll need a less cumbersome suit. Rather than take a punch head on I’d prefer to avoid it all together, and hopefully the new suit will allow that.
As I leave Wayne Tower I notice spit on Uncle Marcus’ car. I guess Alfred has been waiting a bit if he’s had time to show his dislike of Uncle Marcus. I enter the car and we head back to the Manor. I enquire with Alfred as to how long he’s been waiting for me. He gives his infamous ‘long enough to do what I needed line’ basically confessing he spat on the car. He’s had a haircut whilst I was in my meetings. Good. He has a habit of letting these things pass him by whilst he’s helping me whilst I’m out on the streets. This crusade I’ve undertaken has consumed my life, the last thing I want is for it to consume Alfred’s also. No one deserves that.
Back at the Manor I notice the large shipping crates. The crates are ambiguous. No Wayne Enterprises markings on them and they’re sealed tightly shut. Good. If it were ever to be revealed that Bruce Wayne and Batman are one in the same, the last thing I would want is for Wayne Enterprises to be ruined as a result. My Father built that company, and the last thing I want is to ruin it. There would be no greater disgrace to his memory. Perhaps that’s why I choose to allow Uncle Marcus to run the company, because I secretly know that I am not the person to ensure this company survives. I can stay on the streets and attempt to clean them up in the name of my Father but at the end of the day my Father’s legacy will be Wayne Enterprises, not the Batman.
Alfred has the crates brought down to the cave and I open them all. In every crate there is a different item. It reminds me of those early Christmas’. The joys of opening up presents not knowing whether it would be the latest remote control car model, or a plastic toy gun. Looking at it now, the gifts haven’t really changed beyond simply being repurposed for my quest to save Gotham. In the largest crate there is the new prototype engine Fox had been developing for one of Wayne Enterprise’s military contracts. The perfect heart for what I plan to build. The engine is electric and is designed to generate electricity whilst it moves and store a reserve in the event that the generators fail as well as to ensure that the car will start. I fire the engine up and it’s silent. Perfect.
The second crate contains dozens of the new cowl designs. They appear identical to the ones I have worn previously in terms of structure, but in terms of composition they are far from that. According to Fox it is made from a specially designed polymer that contains traces of lead to help strengthen the cowl thus ensuring that it will not shatter as easily as my previous cowls have. According to Fox I could simply fight crime by head butting every criminal I encounter on the streets and the cowl would still be in tact. A tempting prospect, but one that I shall probably never need to test. My moves are focused more around using my arms and legs are both my sword and also my shield.
The remaining crates contain a variety of new gadgets Fox has created. It’s amazing what his mind can create if it’s allowed to run free. In one of the boxes there is a gun. I’m not one to use guns but Fox knows this, so when I pull the trigger a deafening screech emits from the gun and most of the bats in the cave fly off in fear. A sonic cannon. Interesting. Not sure what I can use it for, but I’m certain that a need will come. Another houses what appear to be a new version of my gauntlets? Fox wouldn’t of given me these without having some form of twist to them. What could he have done?
I place the gauntlets on top of my suit and as I’m putting on them a note falls out of the left gauntlet from Lucius. ‘I’d use these on a practice dummy to see how they work. Just point and press the inside button’. What have you gotten up to in your spare time Lucius? Sure enough I head over to the training area and I line a practice dummy up before pressing the button. Immediately a taser launches out of the gauntlet and shocks the practice dummy. This will certainly be useful.
With all these new toys I was very keen to hit the streets and try them out. So I swiftly suited up and as the clock struck 10 pm the Dark Knight headed into Gotham…
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Gandhara is the name given to an ancient region or province invaded in 326 B.C. by Alexander the Great, who took Charsadda (ancient Puskalavati) near present-day Peshawar (ancient Purusapura) and then marched eastward across the Indus into the Punjab as far as the Beas river (ancient Vipasa). Gandhara constituted the undulating plains, irrigated by the Kabul River from the Khyber Pass area, the contemporary boundary between Pakistan and Afganistan, down to the Indus River and southward towards the Murree hills and Taxila (ancient Taksasila), near Pakistan"s present capital, Islamabad. Its art, however, during the first centuries of the Christian era, had adopted a substantially larger area, together with the upper stretches of the Kabul River, the valley of Kabul itself, and ancient Kapisa, as well as Swat and Buner towards the north.
A great deal of Gandhara sculptures has survived dating from the first to probably as late as the sixth or even the seventh century but in a remarkably homogeneous style. Most of the arts were almost always in a blue-gray mica schist, though sometimes in a green phyllite or in stucco, or very rarely in terracotta. Because of the appeal of its Western classical aesthetic for the British rulers of India, schooled to admire all things Greek and Roman, a great deal found its way into private hands or the shelter of museums.
Gandhara sculpture primarily comprised Buddhist monastic establishments. These monasteries provided a never-ending gallery for sculptured reliefs of the Buddha and Bodhisattvas. The Gandhara stupas were comparatively magnified and more intricate, but the most remarkable feature, which distinguished the Gandhara stupas from the pervious styles were hugely tiered umbrellas at its peak, almost soaring over the total structure. The abundance of Gandharan sculpture was an art, which originated with foreign artisans.
In the excavation among the varied miscellany of small bronze figures, though not often like Alexandrian imports, four or five Buddhist bronzes are very late in date. These further illustrate the aura of the Gandhara art. Relics of mural paintings though have been discovered, yet the only substantial body of painting, in Bamiyan, is moderately late, and much of it belongs to an Iranian or central Asian rather than an Indian context. Non-narrative themes and architectural ornament were omnipresent at that time. Mythical figures and animals such as atlantes, tritons, dragons, and sea serpents derive from the same source, although there is the occasional high-backed, stylized creature associated with the Central Asian animal style. Moldings and cornices are decorated mostly with acanthus, laurel, and vine, though sometimes with motifs of Indian, and occasionally ultimately western Asian, origin: stepped merlons, lion heads, vedikas, and lotus petals. It is worth noting that architectural elements such as pillars, gable ends, and domes as represented in the reliefs tend to follow the Indian forms
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Gandhara became roughly a Holy Land of Buddhism and excluding a handful of Hindu images, sculpture took the form either of Buddhist sect objects, Buddha and Bodhisattvas, or of architectural embellishment for Buddhist monasteries. The more metaphorical kinds are demonstrated by small votive stupas, and bases teeming with stucco images and figurines that have lasted at Jaulian and Mora Moradu, outpost monasteries in the hills around Taxila. Hadda, near the present town of Jalalabad, has created some groups in stucco of an almost rococo while more latest works of art in baked clay, with strong Hellenistic influence, have been revealed there, in what sums up as tiny chapels. It is not known exactly why stucco, an imported Alexandrian modus operandi, was used. It is true that grey schist is not found near Taxila, however other stones are available, and in opposition to the ease of operating with stucco, predominantly the artistic effects which can be achieved, must be set with its impermanence- fresh deposits frequently had to be applied. Excluding possibly at Taxila, its use emerges to have been a late expansion.
Architectural fundamentals of the Gandhara art, like pillars, gable ends and domes as showcased in the reliefs, were inclined to follow Indian outlines, but the pilaster with capital of Corinthian type, abounds and in one-palace scene Persepolitan columns go along with Roman coffered ceilings. The so-called Shrine of the Double-Headed Eagle at Sirkap, in actuality a stupa pedestal, well demonstrates this enlightening eclecticism- the double-headed bird on top of the chaitya arch is an insignia of Scythian origin, which appears as a Byzantine motif and materialises much later in South India as the ga1J.qa-bheru1J.qa in addition to atop European armorial bearings.
In Gandhara art the descriptive friezes were all but invariably Buddhist, and hence Indian in substance- one depicted a horse on wheels nearing a doorway, which might have represented the Trojan horse affair, but this is under scan. The Dioscuri, Castor and Pollux, familiar from the previous Greek-based coinage of the region, appeared once or twice as standing figurines, presumably because as a pair, they tallied an Indian mithuna couple. There were also female statuettes, corresponding to city goddesses. Though figures from Butkara, near Saidan Sharif in Swat, were noticeably more Indian in physical type, and Indian motifs were in abundance there. Sculpture was, in the main, Hellenistic or Roman, and the art of Gandhara was indeed "the easternmost appearance of the art of the Roman Empire, especially in its late and provincial manifestations". Furthermore, naturalistic portrait heads, one of the high-points of Roman sculpture, were all but missing in Gandhara, in spite of the episodic separated head, probably that of a donor, with a discernible feeling of uniqueness. Some constitutions and poses matched those from western Asia and the Roman world; like the manner in which a figure in a recurrently instanced scene from the Dipankara jataka had prostrated himself before the future Buddha, is reverberated in the pose of the defeated before the defeater on a Trojanic frieze on the Arch of Constantine and in later illustrations of the admiration of the divinised emperor. One singular recurrently occurring muscular male figure, hand on sword, witnessed in three-quarters view from the backside, has been adopted from western classical sculpture. On occasions standing figures, even the Buddha, deceived the elusive stylistic actions of the Roman sculptor, seeking to express majestas. The drapery was fundamentally Western- the folds and volume of dangling garments were carved with realness and gusto- but it was mainly the persistent endeavours at illusionism, though frequently obscured by unrefined carving, which earmarked the Gandhara sculpture as based on a western classical visual impact.
The distinguishing Gandhara sculpture, of which hundreds if not thousands of instances have outlived, is the standing or seated Buddha. This flawlessly reproduces the necessary nature of Gandhara art, in which a religious and an artistic constituent, drawn from widely varied cultures have been bonded. The iconography is purely Indian. The seated Buddha is mostly cross-legged in the established Indian manner. However, forthcoming generations, habituated to think of the Buddha as a monk, and unable to picture him ever possessing long hair or donning a turban, came to deduce the chigon as a "cranial protuberance", singular to Buddha. But Buddha is never depicted with a shaved head, as are the Sangha, the monks; his short hair is clothed either in waves or in taut curls over his whole head. The extended ears are merely due to the downward thrust of the heavy ear-rings worn by a prince or magnate; the distortion of the ear-lobes is especially visible in Buddha, who, in Gandhara, never wore ear-rings or ornaments of any kind. As Foucher puts it, the Gandhara Buddha is at a time a monk without shaving and a prince stripped off jewellery.
The western classical factor rests in the style, in the handling of the robe, and in the physiognomy of Buddha. The cloak, which covers all but the appendages (though the right shoulder is often bared), is dealt like in Greek and Roman sculptures; the heavy folds are given a plastic flair of their own, and only in poorer or later works do they deteriorate into indented lines, fairly a return to standard Indian practice. The "western" treatment has caused Buddha"s garment to be misidentified for a toga; but a toga is semicircular, while, Buddha wore a basic, rectangular piece of cloth, i.e., the samghiifi, a monk"s upper garment. The head gradually swerves towards a hieratic stylisation, but at its best, it is naturalistic and almost positively based on the Greek Apollo, undoubtedly in Hellenistic or Roman copies.
Gandhara art also had developed at least two species of image, i.e. not part of the frieze, in which Buddha is the fundamental figure of an event in his life, distinguished by accompanying figures and a detailed mise-en-scene. Perhaps the most remarkable amongst these is the Visit to the Indrasala Cave, of which the supreme example is dated in the year 89, almost unquestionably of the Kanishka period. Indra and his harpist are depicted on their visit in it. The small statuettes of the visitors emerge below, an elephant describing Indra. The more general among these detailed images, of which approximately 30 instances are known, is presumably related with the Great Miracle of Sravasti. In one such example, one of the adjoining Bodhisattvas is distinguished as Avalokiteshwara by the tiny seated Buddha in his headgear. Other features of these images include the unreal species of tree above Buddha, the spiky lotus upon which he sits, and the effortlessly identifiable figurines of Indra and Brahma on both sides.
Another important aspect of the Gandhara art was the coins of the Graeco-Bactrians. The coins of the Graeco-Bactrians - on the Greek metrological standard, equals the finest Attic examples and of the Indo-Greek kings, which have until lately served as the only instances of Greek art found in the subcontinent. The legendary silver double decadrachmas of Amyntas, possibly a remembrance issue, are the biggest "Greek" coins ever minted, the largest cast in gold, is the exceptional decadrachma of the same king in the Bibliotheque Nationale, with the Dioscuri on the inverse. Otherwise, there was scanty evidence until recently of Greek or Hellenistic influences in Gandhara. A manifestation of Greek metropolitan planning is furnished by the rectilinear layouts of two cities of the 1st centuries B.C./A.D.--Sirkap at Taxila and Shaikhan Pheri at Charsadda. Remains of the temple at Jandial, also at Taxila and presumably dating back to 1st century B.C., also includes Greek characteristics- remarkably the huge base mouldings and the Ionic capitals of the colossal portico and antechamber columns. In contrast, the columns or pilasters on the immeasurable Gandhara friezes (when they are not in a Indian style), are consistently coronated by Indo-Corinthian capitals, the local version of the Corinthian capital- a certain sign of a comparatively later date.
The notable Begram hoard confirms articulately to the number and multiplicity of origin of the foreign artefacts imported into Gandhara. This further illustrates the foreign influence in the Gandhara art. Parallel hoards have been found in peninsular India, especially in Kolhapur in Maharashtra, but the imported wares are sternly from the Roman world. At Begram the ancient Kapisa, near Kabul, there are bronzes, possibly of Alexandrian manufacture, in close proximity with emblemata (plaster discs, certainly meant as moulds for local silversmiths), bearing reliefs in the purest classical vein, Chinese lacquers and Roman glass. The hoard was possibly sealed in mid-3rd century, when some of the subjects may have been approximately 200 years old "antiques", frequently themselves replicates of classical Greek objects. The plentiful ivories, consisting in the central of chest and throne facings, engraved in a number of varied relief techniques, were credibly developed somewhere between Mathura and coastal Andhra. Some are of unrivalled beauty. Even though a few secluded instances of early Indian ivory carving have outlived, including the legendary mirror handle from Pompeii, the Begram ivories are the only substantial collection known until moderately in present times of what must always have been a widespread craft. Other sites, particularly Taxila, have generated great many instances of such imports, some from India, some, like the appealing tiny bronze figure of Harpocrates, undoubtedly from Alexandria. Further cultural influences are authenticated by the Scytho Sarmatian jewellery, with its characteristic high-backed carnivores, and by a statue of St. Peter. But all this should not cloud the all-important truth that the immediately identifiable Gandhara style was the prevailing form of artistic manifestation throughout the expanse for several centuries, and the magnitude of its influence on the art of central Asia and China and as far as Japan, allows no doubt about its integrity and vitality.
In the Gandhara art early Buddhist iconography drew heavily on traditional sources, incorporating Hindu gods and goddesses into a Buddhist pantheon and adapting old folk tales to Buddhist religious purposes. Kubera and Harm are probably the best-known examples of this process.
Five dated idols from Gandhara art though exist, however the hitch remains that the era is never distinguished. The dates are in figures under 100 or else in 300s. Moreover one of the higher numbers are debatable, besides, the image upon which it is engraved is not in the conventional Andhra style. The two low-number-dated idols are the most sophisticated and the least injured. Their pattern is classical Gandhara. The most undemanding rendition of their dates relates them to Kanishka and 78 A.D. is assumed as the commencement of his era. They both fall in the second half of the 2nd century A.D. and equally later, if a later date is necessitated for the beginning of Kanishka`s time. This calculation nearly parallels numismatics and archaeological evidences. The application of other eras, like the Vikrama (base date- 58 B.C.) and the Saka (base date- 78 A.D.), would place them much later. The badly battered figurines portray standing Buddhas, without a head of its own, but both on original figured plinths. They come to view as depicting the classical Gandhara style; decision regarding where to place these two dated Buddhas, both standing, must remain knotty till more evidence comes out as to how late the classical Gandhara panache had continued.
Methodical study of the Gandhara art, and specifically about its origins and expansion, is befuddled with numerous problems, not at least of which is the inordinately complex history and culture of the province. It is one of the great ethnical crossroads of the world simultaneously being in the path of all the intrusions of India for over three millennia. Bussagli has rightly remarked, `More than any other Indian region, Gandhara was a participant in the political and cultural events that concerned the rest of the Asian continent`.
However, Systematic study of the art of Gandhara, and particularly of its origins and development, is bedeviled by many problems, not the least of which is the extraordinarily complex history and culture of the region.
In spite of the labours of many scholars over the past hundred and fifty years, the answers to some of the most important questions, such as the number of centuries spanned by the art of Gandhara, still await, fresh archaeological, inscriptional, or numismatic evidence.
No camera. High AC voltage applied to the key resting on the exposure side of a sheet of Fuji Instax wide film on a grounded plate. UV light from corona discharge exposes the film.
Buckley’s Hole Conservation Park at Bribie Island
Bongaree, Queensland, Australia,
Melaleuca is a genus of nearly 300 species of plants in the myrtle family, Myrtaceae, commonly known as paperbarks, honey-myrtles or tea-trees (although the last name is also applied to species of Leptospermum)]: They range in size from small shrubs that rarely grow to more than 16 m (52 ft) high, to trees up to 35 m (115 ft). Their flowers generally occur in groups, forming a "head" or "spike" resembling a brush used for cleaning bottles, containing up to 80 individual flowers.
Brief History of Mt Gambier – the second city of SA after Adelaide (region population nearly 35,000, urban 28,000).
Lieutenant James Grant aboard the Lady Nelson sighted and named Mt Gambier in 1800 after a Lord of the Admiralty. The first white man to traverse the area was Stephen Henty of Portland in 1839 when he sighted the Blue Lake. He returned with cattle and stockmen in 1841. He later claimed that had he known the lake and volcano he had discovered in 1839 was in SA he would have immediately applied for an 1839 Special Survey. But Henty thought he was squatting on land in NSW and he was not an official SA settler so the government ordered him off the land in 1844. Thus the first official white settler of the South East and the Mt Gambier district became Evelyn Sturt, brother to Captain Charles Sturt, who took up an occupational license in March 1844 and a property he named Compton just north of the present city. In April 1844 Governor Grey and a party of assistants including the Assistant Surveyor General Thomas Burr and artist George French Angas explored the South East naming Robe and doing the first surveys. Evelyn Sturt became the first to have an occupational license to squat and the first purchase freehold land near Mt Gambier which he did in 1847- a section of 77 acres when 80 acres was the norm. He left the district in 1854 selling his freehold land to Hastings Cunningham who in 1855 subdivided some of this land thus creating the town of Gambierton. The town lands were adjacent to the site of the first police station selected near what is now Cave Gardens by the government in 1845. A small bush inn also operated at this spot. The first streets were named after early locals such as Evelyn Sturt, Compton, Ferrers and Crouch (built the first general store before the town was created) etc. The town grew quickly because of the mild climate, fertile soils, plentiful water and the influx of settlers from across the border in what was to become the colony of Victoria. Cunningham himself was a great benefactor and donated land for the first school in 1856. In 1861 the town name was changed by act of parliament to Mt Gambier. The Hundred of Mt Gambier (along with three other hundreds) was declared in 1858 and began the closer settlement of the South East.
Unlike other areas of SA the South East was seen as paradise for pastoralists and the optimistic pastoralists flocked to the area with their flocks in 1845. The large runs locked up the land and prevented farmers from settling in the region except for the fertile lands around Mount Gambier. Here small scale farmers had small properties and grew potatoes, hops, and later had dairy cows as well as growing wheat and oats. Land acts in the early 1870s designed to break up the big runs only partially succeeded in the South East where most station owners bought up their lands freehold. It was after 1905 before the big pastoral estates were really broken up for farmers and closer settlement, except for near Mt Gambier. Apart from Evelyn Sturt the other early white settlers of the South East in 1845 were Alexander Cameron at Penola, John Robertson at Struan, William Macintosh and George Ormerod at Naracoorte, the Austin brothers at Yallum Park (later John Riddoch), the Arthur brothers (nephews of Governor Arthur of Van Diemen’s Land) at Mt Schanck( now Mt Schank) and the Leake brothers at Glencoe. In fact in 1845 nineteen leasehold runs were taken up in the South East with a further thirty runs in 1846 and most had several 80 acres sections of freehold land near the main homestead. Most had got to the South East from Casterton and Portland in Victoria as the swamps near the coast were too difficult to traverse except for the country near Robe. Many of the estates were huge. Evelyn Sturt on the Compton/Mt Gambier run had 85 square miles as well as his freehold land; Robertson had 135 square miles at Struan; George Glen (and William Vansittart) of Mayurra had 110 square miles; the SA Company had 159 square miles on the Benara run; the Leake brothers had 194 square miles on Glencoe; Hunter had 56 square miles on Kalangadoo; Neil Black of Noorat Victoria had 45 square miles on Kongorong run and 101 square miles at Port MacDonnell and the Arthur brothers had a huge run at Mt Schanck. By 1851 almost 5,000 square miles of the South East was occupied by Occupational License and most licenses were converted to 14 year leases in that year. A third of all leasehold land in SA was taken up in the South East because of its higher rainfall and suitability for pastoralism and a third of all sheep in the colony were in the South East. When Hundreds were declared in the South East in the late 1850s and early 1860s pastoralists bought up the land. In one case John Riddoch of Yallum Park owned the entire Hundred of Monbulla. Another pastoralist W. Clarke who had purchased Mt Schancke station from the Arthur brothers in 1861 owned SA land valued at £1.25 million when he died in 1874 and he had 120,000 acres freehold in Victoria, 75,000 acres freehold in SA( Mt Schank) and 50,000 acres freehold in each of NSW and Tasmania! Mt Schanck was changed in Schank in 1917 when German place names in SA were changed as Schank without the second “c” is an old English name!
In the 1850s Mt Gambier was a shanty village as the South East was a region of large pastoral estates and little agricultural farming and very low population numbers. It was far from Adelaide and remote and it was only after the Princeland episode in 1862 with the threat of possible secession to a new state that the Adelaide government began to invest in the South East and really encourage settlement there. The Border Watch newspaper was established in 1861, the Mt Gambier Hotel opened in 1862 and the Mt Gambier Council was formed in 1863.By the early 1860s Mt Gambier had almost 1,000 residents making it one of the largest towns in SA after the copper mining centres of Burra, Kadina and Moonta. By the 1881 SA census Mt Gambier had 2,500 residents making it the biggest town outside of Adelaide. In 1865 four iconic historic buildings were erected-the Courthouse, the Gaol, Christ Church Anglican and the Post Office and Telegraph Station. The flourmill which later became the Oat Mill opened in 1867 as wheat farmers had now taken up lands around the Mount. Mt Gambier was growing into a fine prosperous looking town with churches, stores, banks, hotels and fine residences. In the 1870s the rural population increased dramatically with tenant potato farmers on Browne’s Moorak estate and intensive hop growing in several localities such as Yahl and OB Flat and Glenburnie etc. Also in 1876 the first commercial forestry was started at the behest of George Goyder. A tree nursery was established on the edge of Leg of Mutton Lake in 1876 on a site selected by George Goyder himself. A stone cottage for the first nurseryman Charles Beale was constructed and it survived until demolished in 1969 but the nursery closed in 1929. The nursery propagated eucalypts, Oak, Elm, Ash, Sycamore, and North American pines. Pinus radiata was first grown at Leg of Mutton Lake and was being dispersed to other areas by 1878. Pinus canariensis was also grown in the 1880s. Pinus radiata is now the most commonly grown commercial forest tree in SA and Australia. Also in the 1870s the first hospital was erected and Dr Wehl, the town’s doctor for many years was in residence.
In the mid 1880s the first rail line was laid as the railway lines pushed out from Mt Gambier to Naracoorte. The service to Naracoorte began in 1887 and connected on with the line to Bordertown and Adelaide. By 1897 a railway connected Mt Gambier to Millicent and the port at Beachport. The railway line across the border to Heywood and Melbourne was not completed until 1917 as the SA government resisted a line that would take goods and passengers from Mt Gambier to Port Melbourne rather than to Port Adelaide. Mt Gambier railway station used to be a hive of activity with daily trains to Adelaide and an overnight sleeper services several times a week. Passenger trains to Mt Gambier from Adelaide stopped in 1990 after Australian National took over the SA railway network. Freight services stopped in 1995 and the railway line and station was formally closed. The railyards and other buildings were cleared in 2013.
The Buandik Aboriginal People.
The Buandik people are commemorated in a city street but by little else. Yet they were resilient and determined fighters opposed to the white settlement of the South East. Their occupation of the Mt Gambier district stretches back to around 20,000+ years but their dated occupation from archaeological sites goes back to about 11,000 years with their myths and legends including stories about volcanic activity at Mt Gambier. The last volcanic explosions were about 4,000 years ago. Both Mt Schank and Mt Gambier were important places to the Buandik for ceremonies, hunting, access to water and stone implement making. A government report in 1867 noted that the Buandik people in government care were few in number mainly sickly and elderly. The younger people had presumably moved out into the white community. But back in the 1840s the Buandik were a force to be reckoned with. There are no common stories of Aboriginal massacres but white pastoralists certainly retaliated when sheep were stolen. On Mt Schank station the Buandik were so troublesome that shepherds would not venture out to care for sheep alone and the Arthur brothers gave this trouble as their reason for them selling the run in 1845. In 1845 the government established a police station at Mt Gambier, which the Protector of Aboriginals visited, to ensure that pastoralists did not massacre the Buandik.
William Vansittart and Vansittart Park.
Vansittart Park has been a focal point of Mt Gambier since 1884 for activities such as family picnics, political rallies and speeches, bike racing, band rotunda concerts, bowling greens, sport oval, grandstand (1927) and Anzac memorial services. But who was William Vansittart? He was an Anglican reverend from England (Vansittart is a noble and political Anglo-Irish family in the UK) who arrived in SA in 1847 as a young bachelor. He was never licensed as a minister in SA but he developed his passions for making money and horse racing here. He mixed with the elite of Adelaide like Sir Samuel Davenport, the Governor and was a friend of Hurtle Fisher and he was Master of the Hounds. In 1850 he purchased 35 acres at Beaumont where he built Tower House and 80 acres at Mt Gambier. He imported a thoroughbred horse from Hobart called Lucifer. Ironic that a minister of religion would have a horse called Lucifer! His horses raced in Adelaide, Salisbury, Gawler, Brighton and Clare as well as in Mt Gambier and Penola. In 1851 he also took over the 110 square mile 14 year lease of Mayurra run with George Glen of Millicent. In 1852 he returned to England for a short time and on his return he purchased more freehold land bringing his estate to around 800 acres. Not long after in 1854 his horse shied, he was thrown against a tree and died of head injuries but he died intestate with an estate worth over £10,000. Glen bought out his share of Mayurra; the Beaumont house and property was sold in 1867 as were his race horses and his brother Captain Spencer Vansittart eventually inherited the Mt Gambier property. In accordance with William’s wishes 115 acres were set aside to provide income for a scholarship for boarders at St Peters Boys College which happened from 1859. Later in 1883 Spencer Vansittart offered 20 acres to the Mt Gambier Council for a memorial park at the “nominal” sum of £400 which hardly seems “nominal”. The Council raised a loan and purchased the land and the park is still enjoyed by the city’s residents and visitors. Captain Spencer’s widow sold the last package of 300 acres of land in 1912 thus ending the Vansittart links with Mt Gambier. The Vansittart scholarship is still available for boarders from the South East and is operated by a group of College trustees.
Some Historic Buildings in Mt Gambier and a town walk.
Your town walk is basically straight ahead along Penola Road towards the Mount itself which becomes Bay Road( the bay is at Port MacDonnell) once you cross Commercial Street which is the Main Street. There are just a few diversions to the left as you face the Mount. The coach will collect you at the Mount end of the walk near the Old Courthouse.
If you a good walker check out the fine houses in Jardine Street at numbers 1, 7, 9, 11, 12, 17 and 22. They range from cottages to Gothic and turreted mansions including the home of Jens the hotelier. This detour will add another 10 minutes to the walk if you elect to do it.
1.Catholic Covent. Sisters of Mercy setup a convent school in 1880. This wonderful convent was not built until 1908 in local dolomite stone & limestone quoins. Note the fine stone gables with small niches for statuary, the well proportioned arched colonnades and upstairs oriel windows – the projecting bay windows with stone supports. This is one of the finest buildings in Mt Gambier. The convent closed in 1986. Now Auspine.
2.Wesleyan Methodist Church Hall/Sunday School. Across the street is pink dolomite neo-classical style Wesleyan Methodist Sunday School Hall. Hundreds of children attended Sunday School in those days. It opened in 1904. It is now commercial offices. (If you want to walk up Wyatt Street beside the Sunday School and turn right at second street which is at Gray you will see the old two storey Methodist Manse at 101 Gray St. It was built in 1868 and sold 1941. As you turn into Gray Street the Salvation Army Hall is on your left. Allow 10 minutes for this detour before returning to Penola Road).
3.Methodist Church now Liberty Church. A Gothic large church built in 1862 by the Wesleyans. Opened by minister from Portland. Additions made 1877 with new entrance. The old lecture hall and Sunday School was beneath the church. Note the buttress on corners and sides. Became Uniting Church 1977 and closed 1994 when services moved to St Andrews Presbyterian Church. Behind the church (walk through the car park) in Colhurst Place is LLandovery two storey mansion now a B&B. Built 1878 for a flour and oat miller who had his mill in Percy Street.
4.St Paul’s Catholic Church. This impressive Gothic church with huge tower with crenulations was opened in 1884 and will be open today. There are 1966 extensions to the rear of it. The Presbytery is behind the church facing Alexander St. it was built in 1901 when the church was free of building debt. The first thatched bush church was built in another location in 1855. From 1857 the priest was Father Julian Tenison Woods, explorer, academic, horseman etc. A second church opened in 1861 in Sturt St and is now demolished. It closed in 1885 as this church opened. The bells came from Dublin. The church fence and gates built 1936.
5.The Mount Gambier Club. Across the street is the Club. It was built in 1904 for a local distiller as chambers for lease. The wealthy pastoralists of the South East formed an exclusive men only club in 1913 and it has used the upper floor of Engelbrecht’s chambers ever since. They purchased the whole building in 1920. The Club is a beautifully proportioned classical style building with pediments, balustrades, window entablature, and perfect symmetry. Look down the sides and you can see it is made of Mt Gambier limestone blocks.
6.Mt Gambier Caledonian Hall. Next door is the Scots Club. Its prominence signifies the Scottish links of many Gambier residents. The hall was opened in 1914 and opened by the former Prime Minister Sir George Reid, another Scot. It has classical features but is rather ugly and neglected these days. It is now a night club.
7.The Trustees Building. Next to the Caledonian is the Trustee Building erected in 1958. Its blue and bone tiled façade is typical of 1950s architecture yet the rectangular appearance has a slight classical look about it. It is on the SA Heritage Register. Accountants now occupy it.
8.Turn left into Percy Street and go along here beyond KFC for one town block to the next corner for the Oatmills (now a coffee shop and cinemas). Milling and brewing were two of Mt Gambier’s prime 19th century industries. The 4 storey complex here was started in 1867 for Welsh Thomas Williams who eventually had five flour mills. His mill was called Commercial Flourmills. A new owner converted the mill from wheat milling to oat milling. A new oatmill was built in 1901 and operated until 1975 producing Scottish porridge oats. The mill has now been restored with café, shops and cinemas. Return to Penola Rd.
9. Mt Gambier Hotel. No hotel could have a more remarkable origin than the Mt Gambier. An African American John Byng built a weatherboard hotel near here in 1847. The third licensee Alexander Mitchell, another Scot, took it over and moved the hotel to this corner site in 1862 as an impressive two storey hotel which was unusual at that time. The western wing was added in 1883 and balconies affixed in 1902.
10.Cross towards the Mount with the traffic lights then turn left into Commercial Street East.
11.Mt Gambier Town Hall. Marked as the Riddoch Gallery this fine Venetian Gothic style building is impressive with its coloured stone work contrasting well with cement rendered horizontal lines and vertical panels around windows and doors. The upper windows are mullioned with stone divisions between the glass. It was built in 1882 with the clock tower added in 1883 after a donation. The first Council meeting was in 1863 with Dr Wehl as chairman held in a hotel. Later the Council hired a room at the Foresters Hall and then they purchased this site in 1868 with a weatherboard room. This was used until 1882.
12.Mt Gambier old Institute. The Literary Institute was formed in 1862 and a foundation stone laid for a reading room/hall in 1868 by John Riddoch. The single storey institute opened in 1869. The upper floor was added in 1887, so that it would match the new Town Hall. It is built in a similar style- Venetian Romanesque as the windows and rounded and not arched as with a gothic structure.
13.Captain Gardiner Memorial Fountain 1884. The fountain was presented by Captain Robert Gardiner the grandfather of Sir Robert Helpman (his name was originally Helpmann). The fountain was made in Melbourne .Gardiner was also a benefactor of St Andrew’s Presbyterian -he donated the pipe organ in 1885.
14.Jens Hotel. After demolishing an earlier hotel (the 1847 hotel of John Byng) Johannes Jens had the first section of his Jens Hotel built on this corner in 1884. An almost identical eastern wing was erected in 1904 and the Spanish Art Deco section in 1927. Turn right here and go behind the Town hall to the Cave Gardens.
15.Cave Gardens. This spot was an early water supply. A garden was created in 1893 and then improved and reconstructed in 1925. This sink hole has recently been upgraded again and it is lit at night.
16.Post Office. This important communications centre was erected in 1865 as a telegraph office/post office. This is till one of the finest buildings in Mt Gambier and a rare example of the Georgian style for the city. . The single storey side wings were added in 1906 in a sympathetic style. It is still the main city Post Office.
17.Norris Agency Building. This superb Italianate building was completed in 1900 as chambers for businessmen. Owner was Alexander Norris who died in 1917. The façade is pink dolomite with cement quoins and unusual lined decoration work above the windows and door each contained within a triangular classical pediment.
18.Farmers Union Building. Another classical style building built when this style was out of fashion in 1914.Erected for Farmers Union as a large two storey building. It has none of the grace of the Norris building next door. FU was formed in 1888 in Jamestown by Thomas Mitchell, a Scot and others to provide cheap rates for grains, seeds and superphosphate but in the early 1900s they branched into products for dairy farmers and the marketing of milk products. The Mt Gambier district had plenty of dairy farmers. It is now owned by a Japanese company Kirin but it still markets its chocolate milk drinks as Farmers Union. Upper floor has double pilasters (flattened pillars) with top volutes but little other decoration.
19.Savings Bank Building on the corner. The former Savings Bank in Gothic style is unusual for commercial premises in Mt Gambier. It is constructed of weathered local limestone and was built in 1906. Note the different cut stone for the foundations, simulated turrets on the corners and by the door to break the façade appearance and the stone line above the lower window which then divides the façade into equal thirds.
20.Macs Hotel. This hotel was built in 1864 and is largely unchanged except that the upper floor was added in 1881. The first licensee was a Scot named John MacDonald. The double veranda supports are very elegant.
21.Roller flourmill now a painted hardware store. Built 1885 as a steam flourmill in pink dolomite. Note the small 12 paned windows set in much larger indented niches in the walls on the northern wall. (Sturt St.)
22.Christ Church Anglican Church and hall. Dr Browne of Moorak donated half the money for the construction of Christ Church in pink dolomite and with an unusual gabled tower. Church and tower completed in 1866. Adjacent is the Jubilee Hall built in 1915, destroyed by fire in 1951, and rebuilt exactly the same in weathered local limestone blocks with the original foundation stone still in place. It has the single Gothic window in the street facing gable and a crenulated square tower. Adjoining it is the 1869 Sunday School with the narrow double pointed Gothic windows. It was extended in 1892. The lychgate is more recent as a memorial to a regular church goer, Margaret French who died in 1927.
23.The old railway station just visible along the rail lines to your right. The first rail line was to Beachport in 1879 and the second to Naracoorte (and so to Adelaide) in 1887. Portland and Melbourne line opened 1917. A spur line to Glencoe was completed in 1904. First station was erected in 1879. It was demolished for the erection of the current station in 1918 which is similar in design to those in Tailem Bend, Bordertown, Moonta etc. Bluebird rail cars started on the Mt Gambier run in 1953 when the old 3’6” gauge line to Wolseley was converted to 5’3”. The last passenger service to Adelaide finished in 1990 and the station closed for freight in 1995. The railyards were cleared in 2013 and the future of the station is bleak. The rail lines to Beachport and Glencoe closed in 1956/57.
24.The Old Courthouse, 42 Bay Rd. It has a great low wall suitable for sitting on. This well designed Georgian style Courthouse opened in 1865 and the similarly styled side wings were added in 1877. The front veranda, which is not Georgian in style, was added in 1880. In 1975 the Courthouse was granted to the National Trust for a museum. The adjoining new Courthouse opened in 1975 at the same time. Note the “blind” windows to the façade but the same rounded Georgian shaped, 16 paned windows on the sides.
The Blue Lake, Mt Schank and Volcanoes.
The jewel in the crown of Mt Gambier is undoubtedly the volcanic cone, the crater lakes especially the Blue Lake and the surrounding Botanic Gardens and parklands. The Botanic Garden on the north side was approved in 1872 but nothing happened about plantings and care until 1882. The first pleasure road through the saddle between the Blue Lake and the Valley Lake was created in the 1861 as a more direct road to the then newly created international port named Port MacDonnell. That is why the road is called the Bay road. Surveyor General George Goyder explored the lake surrounds himself in 1876 when he selected the site for the government tree nursery. Later the government established the first sawmill on the edge of the crater reserve near Moorak homestead in the early 1920s. The Centenary Tower was initiated in 1900 to celebrate the centenary of Captain Grant sighting Mt Gambier. It took several years to complete and was opened by the Chief Justice of SA Sir Samuel Way in 1907 but it was completed in 1904. The whole complex is a maar geomorphological formation which originated during a volcanic era about 28,000 years ago but in a second phase of volcanic activity 4,000 to 6,000 years ago the cones and lakes of Mt Gambier were created along with the cones of Mt Schank and Mt Burr near Millicent. Mt Gambier was the most recent volcanic explosion in Australia. The crater lakes are: Blue Lake, Valley Lake, Leg of Mutton Lake and Browne’s Lake (dry). The Blue Lake is linked to the aquifers beneath the deep layers of limestone which underlay the entire South East. Blue Lake is about 72 metres deep and some of the water in it is estimated to be about 500 years old but it is mixed with rain runoff each year as well. The Lake provides the water supply for Mt Gambier. Deep in the lake are examples of the oldest living organisms on earth- stromatalites. The lake changes colour from grey to vivid blue each November and reverts in the following April. The change in colour is related to the position of the sun and reflected light from suspended particles in the lake which reflect blue green light rather than brown grey light. Secondly the suspended matter only occurs because the water near the surface rises in temperature in the spring and it is this which causes the particles to precipitate out of the water. The precipitated matter settles on the bottom of the lake ready for a new cycle the following spring. Like the Blue Lake various sink holes in the district have linkages to the underlying aquifer through the layers of limestone too and they include Cave Gardens, Umpherstone, Piccaninni Ponds, etc.
Moorak Station and Tenison Woods College.
Moorak station as originally known as Mount Gambier Station established by George Glen in the 1840s. The leasehold was later taken over by David Power who in turn sold it to Fisher and Rochford who in turn sold the estate as freehold to the Scottish Dr William Browne who had established Booborowie run with his brother in 1843 north of Burra. The Browne brothers dissolved their partnership around 1865 and John went to live at Buckland Park and William took up residence at Moorak. William had purchased Moorak Station in 1862 and built the grand Moorak homestead in impressive Georgian style onto a smaller house there. William died in 1894 and the Moorak Estate passed to his son Colonel Percival Browne who was to disappear on the ill-fated voyage of the new steamer the Waratah in 1909 which disappeared during a storm off Durban, South Africa. Also on that voyage was Mrs. Agnes Hay (nee Gosse) of Mt Breckan Victor Harbor and Linden Park Estate Adelaide and some 200 other poor souls. Around 1909 the Moorak Station was subdivided for closer settlement and in the 1920s the Marist Brothers purchased the homestead with a little land for their and monastery and opened the Marist Brothers Agricultural College for boys in 1931. That college in turn merged with the Mater Christi College in 1972 to become Tenison College. (Mater Christi College had been formed in 1952 by the merger of the St Josephs Convent School (1880) and St Peters Parish School but the primary section of St Peters broke away in 1969 from Mater Christi College and formed a separate St Peters Primary School. This primary school in turn merged with Tenison College in 2001 to form Tenison Woods College!) The College name commemorates the work of Father Julian Tenison Woods who arrived in Mt Gambier in 1857 to work in Penola and Mt Gambier. It was he who encouraged Mary MacKillop to take her vows and establish her Sisters of St Joseph.
Dr Browne’s manager of Moorak Estate in 1868 introduced hops as a viable crop in the South East and large quantities were grown for about 20 years. Other early experimental crops grown included tobacco, cotton and flax. Dr Browne and Moorak were also important in the potato industry. Dr Browne leased around 830 acres to 20 tenants for the express purpose of growing potatoes. He was keen to emulate the British aristocracy although he was a good Scot with being a manorial style landlord with tenant farmers. Potatoes were also grown from the early years at Yahl, OB Flat and Compton near Mt Gambier. The potatoes were carted down to Port MacDonnell and shipped to Adelaide for consumers. As one of the major wool producers of Australia William Browne contributed roughly half of the funds for the erection of Christ Church Anglican in Mt Gambier. The Moorak estate consisted of around 11,000 acres of the most fertile volcanic soil in SA with another 2,000 acres in a nearby property, German Creek near Carpenter’s Rocks. Dr Browne ran Silky Lincolns on Moorak for their wool as Merinos did not fare well on the damp South East pastures. About 2,000 acres was in wheat, about 2,500 acres was tenanted to other farmers and around 4,000 acres were in lucerne, clover, rye and other pasture grasses. William Browne returned to live in England in 1866 so his sons could attend Eton and military training colleges there. He made regular trips to SA about every second year to oversee his many pastoral properties here. When he died in 1894 he left 100,000 acres of freehold land in SA to his children who all resided here as well as leasehold land. He was an extremely wealthy man. Son Percival took control of Moorak. Before Percival’s death Moorak Estate was partly purchased by the SA government in 1904 for closer settlement when they acquired around 1,000 acres. After Percival’s death a further 6,300 acres was acquired for closer settlement and the remainder of the estate was sold to other farmers. The government paid between £10 and £31 per acre for the land. Percival Browne was highly respected in Mt Gambier and a reserve around the Blue Lake is named after him. The fourth of the crater lakes of Mt Gambier is also named Browne’s Lake after the family but it has been dry for decades. In 1900 Colonel Browne planted the ring of English Oaks around what was to become the oval of the Marist Brothers College.
Moorak.
There is a memorial by the station to William Browne as founder of the Coriadale Sheep Stud. The great Moorak woolshed was demolished in 1939. The Union church which opened in 1920 was used by the Methodists and the Anglicans. It is now a private residence. Moorak hall was opened in 1926. New classrooms were added to the Moorak School in 1928 and the first rooms opened in 1913. The cheese factory in Moorak opened in 1913 as a cooperative and was sold to Farmers Union in 1949. They closed the factory in 1979. Most of the cheese produced at Moorak went to the Melbourne market. The first cheese maker at Moorak was trained at Lauterbach’s cheese factory at Woodside. Moorak was one of a circle of settlements around Mt Gambier that had butter/cheese factories. These towns were: Kongorong; Glencoe East; Glencoe West; Suttontown; Glenburnie; Mil Lel; Yahl; OB Flat; Moorak; Mt Schank; and Eight Mile Creek.
Yahl.
In the 1860s this tiny settlement was a tobacco, hop and potato growing district and it persisted with potatoes up until recent times. Today Yahl is little more than a suburban village of Mt Gambier with a Primary school with approx 120 students. The old government school was erected in 1879. It had a Methodist church built in 1880 which operated as a church until 1977 and it had a large butter factory which had opened in 1888. The butter and cheese factory was taken over by the OB Flat cheese factory in 1939 and the two operated in conjunction with each other. The OB Flat cheese factory closed in 1950 and all production moved to Yahl. The factory finally closed in 1971. The township of Yahl also had a General Store and a Salvation Army Hall which was built in 1919.
Sink Holes: Umpherston Gardens and Cave Gardens.
James Umpherston purchased land near Mt Gambier in 1864 which included a large sink hole or collapsed cavern with a lake in the bottom. He was born in Scotland in 1812 and came to SA in the 1850s with his brother William. William purchased his first land at Yahl in 1859. James Umpherston was a civic minded chap being a local councilor, a parliamentarian in Adelaide for two years and President of the Mt Gambier Agricultural and Horticultural Society for 13 years. When he retired from civic life and farming in 1884 he decided to create a garden in his sinkhole. He beautified it and encouraged visitors and even provided a boat in the lake for boat rides. Access was gained by steps and a path carved into the sinkhole walls. However after he died in 1900 the garden was ignored, became overgrown and was largely forgotten in 1949 when the Woods and Forests Department obtained the land for a new sawmill at Mt Gambier. By then the lake had dried up as the water table had fallen over the decades. In 1976 staff, rather than the government, decided to restore the Umpherstone gardens. The cleared out the rubbish that had been dumped in the sinkhole, restored the path access, trimmed the ivy and replanted the hydrangeas and tree ferns. In 1994 the Woos and Forests Department handed over the land around the sinkhole to the City of Mt Gambier. It was added to the SA Heritage Register in 1995.
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"It was the 1950’s and the racism tea was piping hot. The Civil Rights movement was picking up steam and many Black Americans were struggling to find equal opportunities in housing, education, and employment. The most important jobs were held by—you guessed it—white men. The aviation industry was no exception to these racial shortcomings.
Ruth Carol Taylor, a New York City nurse, applied to a Flight Attendant (then called Airline Stewardess) position with Trans World Airline (TWA) and was swiftly rejected for not meeting the airline’s “physical standards”. At the time, that just meant because she was Black. The aviation pioneer didn’t give up and instead, she filed a discrimination complaint with the New York State Commission and continued to apply to other airlines.
Shortly after, regional carrier Mohawk Airlines announced that they were recruiting Black flight attendants. Out of 800 eager applicants, Taylor was hired. When asked about being the only Black hire, Ruth spoke up saying that she believes it was due to nearly white-passing skin and features. A few months later, TWA made their first Black hire, too.
Within 6 months Ruth was fired on yet another discriminatory practice by airlines of the day—marriage. A cruel marriage ban was commonplace that didn’t allow FA’s to be married or pregnant. She continued breaking barriers and in 1963, she covered the March on Washington as a journalist for a British magazine, Flamingo. By 1977, Ruth Taylor was back in the nursing game and deep into her work as an activist. She co-founded the Institute for Inter-Racial Harmony Inc. in 1982, for which she developed testing designed to measure racial bias in educational, commercial, and social settings."
I dreamed about a human being is is part of a project exploring the use of artificial intelligence as applied to photography by using online open source code and data.
More information at fransimo.info/?p=1100
ID:7cb820b8297c3f400080c2a9a9851e61
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Decals applied to my new minifig kit. After appling the face I decided to change the mustache and eyebrows to a more redish brown color.
M. Grillo
Oil on canvas
CORSO DI DISEGNO E PITTURA
miminadecorazioni.blogspot.com/
Menlo School's Applied Science Research students test their weather balloon equipment for launch. Photo by Pete Zivkov.
Part of the campus of the Ogden-Weber Applied Technology College (ATC). Mount Ben Lomand is in the background