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We're figuring out which animations are necessary for our Vertical Slice milestone, the final prototype before we go into ful production.
animation of changes to soil after IDD examination of dust ripple. Taken by Opportunity Apr 12-19, 2007 ( sol 1143-1150)
My company: www.thirdplacemedia.com - Research, content development and communications strategy focused on transit, walkability, placemaking and environment issues
My blog: likeafishinwater.com
Location: Central, Hong Kong
This kind of 'capture the moment' image is something I really want to replicate more in my photography. Hong Kong is a web of contradictions: she seems to be coming and going simultaneously; she seems both at odds with the world around her and in harmony with it. The bags on both the ends of her shoulders symbolize the weight of modern life.
Done in 2010,
A demo of a web site completed using Adobe Flash CS4 and ActionScript 3.0. This animation was screen captured and exported as a 320x240 resolution Quicktime movie.
Seamlessly Looping Background Animation Of Three Dimensional Particle Systems. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
Pocket Stories – Das Gestaltungs-Tool in der Hosentasche
Animations-Workshop mit LWZ und Sebastian Pataki
Smartphones und Tablets sind weit verbreitet und teils günstig zu haben. Sie erlauben es an jedem Ort digitale Inhalte im Netz zu konsumieren und im vorgegebenen Rahmen Inhalte zu erzeugen. Likes, Shares, Rezensionen, Foreneinträge – aber ist da vielleicht noch mehr möglich? Nutzen wir das volle Potential dieses kleinen Werkzeugs?
Im Workshop werden die Funktion des Smartphones als Gestaltungs- und Animations Tool ausgenutzt. Wir lernen einfache, clevere Do-It-Yourself-Lösungen für professionelle Animationsfilme kennen. Wir gehen kreativ mit selbst erzeugten oder gefundenen Inhalten um. Und wir spannen den Bogen von formalen oder technischen Experimenten zum Erzählen von Stories und Aussenden von Botschaften.
Photo by Martin Url
Send me a message on Facebook or LinkedIn if you want me to do some design work for you!
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My animation can be found at:
www.youtube.com/watch?v=E9XfUwIaoyY
This is my final animation. I am pleased with the end result and I tried to make the movements seem as realistic as possible using the principles of animation. I feel there is a clear sense of weight, especially regarding the props. There should be more exaggeration and follow through though, things which i couldn't work on better due to poor planning of the rig before this step. There were certain controls i should have added, especially for using FK on the arms. I therefore had to animate the movement of the arms using IK, and that resulted in a more mechanical, unrealistic look. The skinning was also not the best, and I obviously need to improve on that a lot.
It was my first time animating a 3D character and I found it really straightforward and enjoyable. Despite all the problems I encountered, I did gain a lot of experience and i look forward to future projects such as this one.
2. Practical Training
Alex Johnson, founding father of animation company Apprentice, is going to be teaching, delivering, assessing and marking the sensible area of the course. All of our students will receive a personal login at world wide web.animationapprentice.org, giving accessibility whole site, and can study alongside other Animation Apprentice students.
How can students connect to the learning materials?
A lot of students possess a unique personal login to Blackboard at Dollars New College, where one can connect to the teaching materials. The MA has five modules:
DA701 - Animation Mechanics
DA702 - Character Performance
DA703 - Creatures and Creatures
DA704 - Demo Reel and Final Project
DA705 - Dissertation.
The very first four Modules run consecutively with the year and carefully mirror the information at Animation Apprentice. The final module, DA705, is entirely academic anyway and it is trained usually by Fil.
All of the modules could be utilized through Blackboard. Once you have logged in, the initial place to appear would be to look for Bulletins, after which open the Module Guide, which sets out week by week what's in every module, whenever your deadlines are, and how much.
Also click the Assignments tab in Bb to obtain the detail in your approaching assignments.
Do students get graded on everything they need to submit?
No. A lot of the program is delivered through what we should call formative feedback. For the weekly submission through animation company Apprentice, you'll send us a brief bit of animation which we'll review using a recorded, personalised feedback video. Students aren't graded, but they are helped to enhance their animation.
What exactly work really will get graded?
In the finish of every module a bit of practical jobs are due (begin to see the Module Guide for details) that will get a grade - that will count towards one last award. Each Module includes a brief bit of academic writing, that also counts towards one last degree. Again, begin to see the Module Guide for details.
Let's say I've questions? Whom must i contact?
For questions about the educational content, contact Fil. For general queries about the delivery of internet courses at Dollars, contact Peter Brown. For anything related to the delivery of Animation Apprentice, and also the delivery of practical content, get in touch, Alex Johnson at animation company Apprentice. A good option to get this done would be to publish an issue at our Facebook Group - a closed group where students can publish the work they do for casual review, inquire, get help (especially tech help), meet other students, which help each other out.
Pocket Stories – Das Gestaltungs-Tool in der Hosentasche
Animations-Workshop mit LWZ und Sebastian Pataki
Smartphones und Tablets sind weit verbreitet und teils günstig zu haben. Sie erlauben es an jedem Ort digitale Inhalte im Netz zu konsumieren und im vorgegebenen Rahmen Inhalte zu erzeugen. Likes, Shares, Rezensionen, Foreneinträge – aber ist da vielleicht noch mehr möglich? Nutzen wir das volle Potential dieses kleinen Werkzeugs?
Im Workshop werden die Funktion des Smartphones als Gestaltungs- und Animations Tool ausgenutzt. Wir lernen einfache, clevere Do-It-Yourself-Lösungen für professionelle Animationsfilme kennen. Wir gehen kreativ mit selbst erzeugten oder gefundenen Inhalten um. Und wir spannen den Bogen von formalen oder technischen Experimenten zum Erzählen von Stories und Aussenden von Botschaften.
Photo by Martin Url
Executive Producers Lauren Montgomery and Joaquim Dos Santos seen at DreamWorks Animation "Voltron: Legendary Defender" Wondercon Presentation at Los Angeles Convention Center on Friday, March 25, 2016, in Los Angeles, CA. (Photo by Eric Charbonneau/Invision for DWA/AP Images)
With my dope sheet completed I begin on the extreme pass, I've set up the animation default in as linear and the default out as stepped.
This means that at the moment there is no animation between set keys, this is to establish poses without worrying about the animation between those poses.
It's clear to see some issues with the animation at the moment, the head moves a little to much and there is some clipping of geometry between the neck and shirt.
I have a while before this animation is any where near to being finished but I will now begin working on the breakdown pass as well as cleaning up some of the extreme pass.
With all this being said I'm happy with the result so far, I was rather nervous about animation since I've never properly touched on it but I'm fighting on and taking on new challenges.
(Please note lighting has not been properly started on for the animation hence why it looks very dark)
Animation created in my graphic design studio. I took a semester off from architecture to explore graphic design. The squares can represent individuals (of information, people, resources, etc.)
I used flash (my limited knowledge) to make this.
That's right, the animation for Legando is done! The film will take some time to edit, though. Sadly, I have 2 more days to do this. Better get started!
TRAINING SESSION: CONSTRUYENDO EL PLAN DE NEGOCIOS: FINANCIACIÓN Y DISTRIBUCIÓN.
Karen Vermeulen: Head of Global Distribution & Co-Production – Cloudco Entertainment (UK).
Fotógrafx: Damaris Hidalgo.
Animation Vegetation is an interactive statement of artist Ben Hagenaars facilitated by KUS. He aims to create more green spaces in the city of Heerlen. Anyone who wanted could participate by 'growing and nurturing' the grass-man. On thursday the 27th of August all the grass-men ran away from their foster parents and conquered the city of Heerlen.
This grass-man climbed the very top of Schunck.
Seamlessly Looping Background Animation Of Fluids And Liquified Substances With A Modern Edge. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
Seamlessly Looping Background Animation Of Live Performance Video For Visual Artists Part 6. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
Seamlessly Looping Background Animation Of Religious Video Backgrounds For Sermons. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch