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John Lapsley Business Card, Animation

Pocket Stories – Das Gestaltungs-Tool in der Hosentasche

Animations-Workshop mit LWZ und Sebastian Pataki

 

Smartphones und Tablets sind weit verbreitet und teils günstig zu haben. Sie erlauben es an jedem Ort digitale Inhalte im Netz zu konsumieren und im vorgegebenen Rahmen Inhalte zu erzeugen. Likes, Shares, Rezensionen, Foreneinträge – aber ist da vielleicht noch mehr möglich? Nutzen wir das volle Potential dieses kleinen Werkzeugs?

 

Im Workshop werden die Funktion des Smartphones als Gestaltungs- und Animations Tool ausgenutzt. Wir lernen einfache, clevere Do-It-Yourself-Lösungen für professionelle Animationsfilme kennen. Wir gehen kreativ mit selbst erzeugten oder gefundenen Inhalten um. Und wir spannen den Bogen von formalen oder technischen Experimenten zum Erzählen von Stories und Aussenden von Botschaften.

 

Photo by Martin Url

 

Short timelapse showing the transit of Ganymede in front of its parent planet over the course of an hour and a half. 57 frames, stacking and processing in Autostakkert!2 + Registax 6, animation made in Photoshop.

 

Skywatcher Mak 103/1200 on eq2 + Canon 60D

 

Open at original resolution to see the animation.

This is what it as like.

Stills from sequences made in 2006 for ARTBOX, a stok image a stock image agency in Florida - US.

3 shot animation of miner bee. See original size here www.flickr.com/photos/lordv/16908013608/sizes/o/ for animation

Seamlessly Looping Background Animation Of Travel Mattes For Use As Creative Mixing. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch

Full animation here : www.youtube.com/watch?v=wUwD5DohpwI

 

The set is mostly made out of shaped and rolled out plasticine. The fence is cardboard, and the flower pot and stick were found props. The whole set was built into a cut up cardboard box.

character animation for "jooose Energy Drink"

 

title animation for graduation project in 2004

inspired from a resident evil character plus my impression.

Brina Palencia (Black Cat - One Piece), Greg Cipes (Teen Titans, Ben 10)

A showreel of the animations I've done through 2021 and 2022 so far that I like the most.

Crédit: Photo Passion Ploumagoar

Crédit: Photo Passion Ploumagoar

Incept Art is Mumbai based animation studio and production company, creating sustainable solutions for creative, engaging and improved storytelling. Set out in 2012 as a story-boarding company, our eccentric team of storytellers and artists partnered with film-makers and creatives, to showcase their idea’s full potential by delivering the most compelling visual experience possible. inceptart.com/

Bill Farmer (Goofy), Brina Palencia (Black Cat - One Piece), Greg Cipes (Teen Titans, Ben 10)

2nd year animation film

Bezalel academy of art and design

 

co-op with Koby Hadour

Magfest 2023 - Western Animation

Shown here is an animation made within Solidworks to give the viewer a better idea of how the device works and the extent of its capabilities.

Seamlessly Looping Background Animation Of Sentient Beings Manipulating Time and Space. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch

When Lego comes alive.

Seamlessly Looping Background Animation Of Slow And Subtle Abstract Art In Motion. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch

The pencil tester all the way at the end of the room

at the Walt Disney Family Museum

Crédit: Photo Passion Ploumagoar

sonic animation played the set left vacant by a sick mylo.

vimeo.com/10753138

 

My friend Josh and I just finished this animation based on my promo book C'mon Go! Cheg it oot! Thanks!

www.enhanced-dimensions.com/wordpress/?page_id=2827

 

RockCandy offers nearly 20 minutes of unique and exclusive 3D video, comprised of over 40 Royalty Free, stereoscopic 3d pre-rendered animations designed for use as stock media in music related productions. Each animation is supplied fully pre-rendered ready for use, but with flexibility for more experienced motion graphic experts to easily adapt text on title plates, adjust the parallax point to suit the deployment screen size or to layer additional elements over the animations.

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