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All images taken with iPhone 6 attached to 8" telescope. More detailed info in my blog post: canadianastronomy.wordpress.com/2015/04/23/jupiter-shadow...
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Is a realistic singing animation created by Plastic Girls. This animation was inspired from TikTok challenge. Repeat this challenge and make this video as beautiful and touching as you can!)
Animation available on SL Marketplace:
marketplace.secondlife.com/p/Porcelain-Singing-Animation/...
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Follow me on:
▫️ Instagram:
www.instagram.com/girls_in_the_simcity/?igshid=oefuw9syp0zk
▫️ Tiktok
▫️YouTube:
www.youtube.com/channel/UCpTeNk8gyksrioTDysXZ6Hg
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Is a realistic challenge animation created by Plastic Girls. This animation was inspired from TikTok challenge. Repeat this challenge and make this video as beautiful and touching as you can!)
Animation available on SL Marketplace:
marketplace.secondlife.com/p/Mashup-Challenge-Animation/2...
Watch the animation here:
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Discover more animations on my SL Marketplace: marketplace.secondlife.com/es-ES/stores/233895
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Follow me on:
▫️ Instagram:
www.instagram.com/girls_in_the_simcity/?igshid=oefuw9syp0zk
▫️ Tiktok
www.tiktok.com/@girls_in_the_simcity?_d=secCgYIASAHKAESMg...
▫️YouTube:
www.youtube.com/channel/UCpTeNk8gyksrioTDysXZ6Hg
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CW Andrea Dress
comes in eBody Reborn, Waifu, Legacy Classic, Perky, LaraX
SURPLUS MOTORS, The Gritzner is ready for the GTFO! cargo game. This is a fun transport game. More info on sl-gtfo.com/
Features on your Gritzner include:
-Projectors lights (advanced light settings only)
-16 preset colors, possibility to add your own
-License plate change
-RL sounds
-Re-size
-Smoother driving
-Multiple driver and passenger animations
-Multiple shift styles
-Exhaust smoke
-Adjustable seating
-Automatic/Manual Transmission
-Unlock/Lock
-Alarm
-Eject
-Working lights
-Opening doors
....And more features to boot!
LM TO WIP EVENT: maps.secondlife.com/secondlife/WIP/127/196/1501
RAMA Marlyn
LaraX
RAWR! Wren necklace
KC Sheila Shoes
Lyrium Yuzi 1 Curvy Static
A still frame from a short stop motion animation called corneal shadow made by Alex Poulin and Gina Dione
Watch the animation on Vimeo
Listen to my Techno DJ Set
A great 1940s guide to animation by Preston Blair, who was married to the wonderful artist Mary Blair.
Wizards (1977) - Ralph Bakshi
Mutant Soldiers in Blackwolf's Army.
Infamous "They Killed Fritz!" Sequence.
This Cell is Available in the Bakshi Shop (3/4/08)
Uploaded by www.RalphBakshi.com
All Rights Reserved
To see animation
check here www.flickr.com/photos/rebfoto/34316401884/sizes/o/
taken Mar 2016
Thanks for your visits, faves, invites and comments ... (c)rebfoto
French postcard by Editions Superluxe, Paris, no. 13. Picture: Walt Disney Productions. Publicity still for Cinderella (Clyde Geronimi, Wilfred Jackson, Hamilton Luske, 1950). Caption: With a cup of her magic wand, the good fairy transforms a pumpkin into a magnificent coach.
Cinderella (Clyde Geronimi, Wilfred Jackson, Hamilton Luske, 1950) is seen as both an end and beginning for different eras of the Disney animation studio. The 1930s and early 1940s produced the most critically acclaimed of the Disney animated films, often groundbreaking and experimental in nature, though several of them were commercial flops. The rest of the 1940s involved the release of cheaper package films, films consisting of several short films combined into one. Cinderella was arguably the last product of Disney's 'golden age' and was the first of a new series of lavishly produced full-length feature films. The Disney animated films of the 1950s were in general less artistic and experimental, more commercial in nature. Most of them were box office hits but their critical evaluation often places them below their predecessors. Made on the cusp between the two eras, Cinderella is representative of both eras.
Cinderella (1950) is an adaptation of Charles Perrault's classic fairy-tale from 1697, and the film remains faithful to its origins. Cinderella, the beautiful and kind-hearted daughter, sees her world turn upside down when her beloved mother dies, and her pained father remarries another woman, the wicked Lady Tremaine. She has two equally cruel daughters, the jealous Anastasia and Drizella. But, once more, things will go from bad to worse, When Cinderella's father, too, dies, leaving her all alone in the Lady's clutches to serve as her maid-of-all-work. When her cruel stepmother prevents the shabby and neglected Cinderella from attending the Royal Ball, she gets some unexpected help from the lovable mice Gus and Jaq, and from her Fairy Godmother who has quite a few tricks up her sleeve. Will she find peace and her Prince Charming?
Among the artists responsible for the 'look' of Cinderella (1950), was Mary Blair, whose inspired use of color was greatly admired by Disney. Her elegant French-period backgrounds add tremendously to the quality of the film. But, most important of all' are the believable characters - from Cinderella, right down to Lucifer, the stepmother's deliciously evil black cat. They bring both life and vibrancy to the often-told story, something very difficult to create in an animated film. Disney gave the mice a big role in the main storyline, and this was the key to providing all the humor and suspense needed to spice up the predictable story. The leading mice, Gus and Jaq are delightful creations and the valiant band of mice is given amusing bits of business. A highlight is the 'Cinderella Work Song' in which the mice make a dress for the mistreated Cinderella, full of inventive comic touches and accompanied by the intricate blend of song and animation.
Source: IMDb.
And, please check out our blog European Film Star Postcards.
Animator putting the finishing touches to Figaro on a big screen as guests watch, learn and draw during a Festival of the Arts Animation Academy class inside the Odyssey Festival Showplace in Epcot at Walt Disney World, Orlando, Florida.
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
You would like to do your own animation? Check out my latest video about the software, you might need: www.youtube.com/watch?v=zCARZlOhCIk
VISTA ANIMATIONS AD (as seen on THE BEST OF SL MAGAZINE )
photographer: Julie Hastings
modeling / concept: Frolic Mills & me
The animation is below in the 1st comment box..............but Flickr likes to close this up, you may have to click it to open it.
Dance Animations - Sophia Bento Dances
NEW Girls Release "SOPHIA" OUT NOW!
20% Discount on the MOVE Dancehud with a PACK
Visit the Store
All rights belong to the artist.
Music Rude - Magic!
♥
This Helsinki streetcar was advertising and upcoming production of Leoš Janáček's opera The Cunning Little Vixen, also known (by whom?) as Adventures of Vixen Sharp-Ears.
About the Finnish National Opera:
The Finnish National Opera (Finnish: Suomen Kansallisooppera; Swedish: Finlands Nationalopera) is a Finnish opera company based in Helsinki. Its home base is the Opera House on Töölönlahti bay in Töölö, which opened in 1993, and is state-owned through Senate Properties. The Opera House features two auditoriums, the main auditorium with 1,350, seats and a smaller studio auditorium with 300-500 seats.
Regular opera performances began in Finland in 1873 with the founding of the Finnish Opera by Kaarlo Bergbom.
Prior to that, opera had been performed in Finland sporadically by touring companies, and on occasion by Finnish amateurs, the first such production being The Barber of Seville in 1849.
However, the Finnish Opera company soon plunged into a financial crisis and folded in 1879. During its six year's of operation, Bergbom’s opera company had given 450 performances of a total of 26 operas, and the company had managed to demonstrate that opera can be sung in Finnish too.
After the disbandment of the Finnish Opera, the opera audiences of Helsinki had to confine themselves to performances of visiting opera companies and occasional opera productions at the Finnish National Theatre.
The reincarnation of the Finnish opera institution took place about 30 years later. A group of notable social and cultural figures, led by the international star soprano Aino Ackté, founded the Domestic Opera in 1911.
From the very beginning, the opera decided to engage both foreign and Finnish artists. A few years later the Domestic Opera was renamed the Finnish Opera in 1914.
In 1956, the Finnish Opera was, in turn, taken over by the Foundation of the Finnish National Opera, and acquired its present name.
Between 1918 and 1993 the home of the opera was the Alexander Theater, which had been assigned to the company on a permanent basis. The home was inaugurated with an opening performance of Verdi’s Aida.
When the first dedicated opera house in Finland was finally completed and inaugurated in 1993, the old opera house was given back its original name, the Alexander Theater, after the Tsar Alexander II.
The Finnish National Opera has some 30 permanently engaged solo singers, a professional choir of 60 singers and its own orchestra of 120 members. The Ballet has 90 dancers from 17 countries. All together, the opera has a staff of 735.
en.wikipedia.org/wiki/Finnish_National_Opera
About The Cunning Little Vixen:
The Cunning Little Vixen (Czech: Příhody lišky Bystroušky, lit. 'Adventures of the vixen known as Sharp-Ears', and, until the 1970s, generally referred to in English as Adventures of Vixen Sharp-Ears) is a Czech language opera by Leoš Janáček, composed 1921 to 1923.
Its libretto was adapted by the composer from a serialized novella (daily comic) by Rudolf Těsnohlídek and Stanislav Lolek, which was first published in the newspaper Lidové noviny.
The opera incorporates Moravian folk music and rhythms as it recounts the life of a clever (i.e. sharp-eared, in a pun) fox and accompanying wildlife, as well as a few humans, and their small adventures while traversing their lifecycles.
Described as a comic opera, it has nonetheless been noted to contain a serious theme. Interpretations of the work remain varied, ranging from children's entertainment to a tragedy.
Title translation difficulty:
Broken down from the original Czech, the title is
Příhody = Tales (or Adventures),
lišky = of Vixen (i.e. genitive case, one fox, female),
Bystroušky = Sharp-Ears (double meaning: pointed [ears], clever, sly).
There is no mention in the Czech of a diminutive ("little"), although this idea is included in both the German (Das schlaue Füchslein) and recent (since 1980s) English versions of the opera's name.
It was probably the German name, used for the 1965 Felsenstein film, that established the English "cunning little", ignoring the important double meaning in "Sharp-Ears."
The first three audio recordings, all from the Czech company Supraphon (Neumann 1957, Gregor 1972, Neumann 1980) used, naturally, the original Czech name. Then Decca recorded the opera with the Vienna Philharmonic in 1981, and this widely circulated release made The Cunning Little Vixen the international, if inaccurate, standard.
When Janáček discovered Těsnohlídek's comic-strip-inspired story and decided to turn it into an opera, he began work by meeting with the author and beginning a study of animals.
With this understanding of the characters involved, his own 70 years of life experience, and an undying, unrequited love for the much younger, married Kamila Stösslová, he began work on the opera.
He transformed the originally comedic cartoon into a philosophical reflection on the cycle of life and death by including the death of the vixen. As with other operas by older composers, this late opera shows a deep understanding of life leading to a return to simplicity.
It was given its premiere performance on 6 November 1924 in National Theatre Brno conducted by František Neumann, with Ota Zítek as director and Eduard Milén as stage designer.
The opera received its Italian premiere at La Scala in 1958 with Mariella Adani in the title role.
The work was first staged in England in 1961 by the Sadler's Wells Opera Company (now the English National Opera) under the direction of Colin Graham, with conductor Colin Davis, and with scenery and costume designs by Barry Kay.
In 1981, the New York City Opera mounted a production in English based on images created by Maurice Sendak and conducted by Michael Tilson Thomas in his company debut.
It starred soprano Gianna Rolandi as Vixen Sharp-Ears and baritone Richard Cross as the Forester.
Glyndebourne Festival Opera staged it in 2012, directed by Melly Still, and a revival is included in the Glyndebourne Festival for 2016 with Christopher Purves as the Forester and Elena Tsallagova as the Vixen, conductor Jakub Hrůša and the London Philharmonic Orchestra.
In May 2014 the Cleveland Orchestra, conducted by Franz Welser-Möst performed an innovative version directed by Yuval Sharon. This production returned the opera to its roots by utilizing animation and hand drawn video sets by the artists Bill Barminski and Christopher Louie of Walter Robot Studios. The production featured the use of hole-in-the-wall carnival cutouts to place the singers heads on the animated bodies of the animal characters.
Three wavelength animation in white, calcium and hydrogen alpha light. TS155mm refractor.
Click the link to start the animation:
clouds // painted hands // final animation
this animation is supposed to be on a loop, if it was in an art gallery it would be looped over and over, so the public can view all of my work.
My starting point for this idea was from looking at the natural world, I looked at a few photographers work and started looking into the work of Lee Pengelly.
I started to look into other options i had for my final outcome, and started playing with the idea of hands and body parts. After a while I couldn't chose what I wanted to do as my final piece, so I decided to mash the two ideas together
This is my final outcome!
(More in depth evaluation in my sketch book)
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
In this animation, i decided to use some type of sexy emotion on the rocket character. The rocket in the animation starts by raising his eyebrows in front of the screen, to the viewer( especially the ladies) which shows that he's about to do something sexy or demonstrate something with "style" on something on which he is an expert. He continues by warming up, rotating his wings and moving his head left and right to prepare to fly. He goes of screen after launching off and flies on the other side of the screen and again the same thing but from the other side. That kind of idea with the warming up, i got it from some old cartoons i used to watch when i was younger. There are characters who are experts on some things such as diving, or cutting trees and they always warm up like rubbing their hands or hopping up and down. They want to do it with style, show some struggle on what they do just to impress other characters and even the viewers who are watching them
Very poor GIF quality. Suggestion and tip on how to improve this is welcome.
farm9.staticflickr.com/8654/16140650974_0dd4854401_o.gif
A GIF animation showing the molting process of a huntsman spider. Close to 20 minutes from the first shot till the last shot.