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Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project, realized in an interactive installation that resembles a pristine tech store, offers a critical perspective on the commercialization of personal bio data harvested by devices such as smartwatches and in healthcare industries.
Photo: tom mesic
Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project, realized in an interactive installation that resembles a pristine tech store, offers a critical perspective on the commercialization of personal bio data harvested by devices such as smartwatches and in healthcare industries.
Photo: tom mesic
prototype for image analyzing algorithm for viscomm. color bar size = amount of times the color occurs in an image.
Foto: Roger Greco / www.boris-baldinger.com
Algorithmen bestimmen, was wir auf Social Media sehen und was nicht. Sie filtern unsere Sicht auf das Internet, auf Themen und Meinungen und damit auf die Welt. Gleichzeitig helfen sie zum Beispiel bei der Mustererkennung und vereinfachen Recherche und Analyse im Datenjournalismus. Zwei Expert*innen zeigen die Chancen und Gefahren auf, die Algorithmen heute bieten und beleuchten ethische Fragen.
Dr. Anna Mätzener ist Managing Director von AlgorithmWatch Schweiz. Sie erzählt anhand beispielhafter Studien, wie unsere Gesellschaft durch Algorithmen beeinflusst wird und warum dies unter Umständen ethisch bedenklich sein kann – insbesondere auf Social Media.
Tim Nonner ist Chief Data Scientist bei der TX Group. Er zeigt auf, wie die Journalist*innen bei 20 Minuten und co. dank Algorithmen ihre Rechercheprozesse beschleunigen konnten. Und wie sie gleichzeitig ihre SEO optimieren.
drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing
Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project, realized in an interactive installation that resembles a pristine tech store, offers a critical perspective on the commercialization of personal bio data harvested by devices such as smartwatches and in healthcare industries.
Photo: tom mesic
This is another atempt of creating my own dynamic range increasing algorithm using Python and PIL.
This time I tried to generate some kind of a map out of the 3 input images to mark which region and how much of this I want to have in my final image.
My script needs 3 parameters a Limit for black, a limit for white and a region of middletones.
With these values it creates such a map. Then the map gets blurred and the 3 input images get merged together exactly the way the map specifies.
I think there is still a lot to do, but this is probably the best idea I had so far and I think the results aren't that bad!
The script will be realesed under GNU/GPL on the-engine.at
I’m elated to share that a piece I wrote, commissioned by Dr. Chris Van Hof, will be premiered today at the 2018 International Trombone Festival in Iowa City, Iowa this afternoon at 2pm!
The piece, called “Make More Noise with this One Weird Trick”, features trombone and bass trombone playing a variety of extended techniques, virtuosic jazz-influenced lines, and repetitive techno-style complex rhythms. The piece is written in an electro style (remember Afrika Bambaataa’s “Planet Rock”? That’s electro). I used a variety of techniques to write the piece, everything from piano with pencil and paper, algorithmic coding using Tidal Cycles, and iPad apps run through heavy tube distortion. “Make More Noise…” also heavily features my homemade modular synthesizer; practically all the sounds aside from the trombones come from my synth. Read more details about the piece here: chrisbeckstrom.com/music/musical-projects/make-more-noise...
I’m grateful to Chris for thinking of me for this project, and wish Chris and Evan the best of luck today! If you happen to be in Iowa City today, check this out. It will be noisy, funky, and knowing these guys, expertly performed.
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(original: cbfish.es/b/3AD)
FFT used as a band-pass filter, signal written to a Hilbert Curve, quantized, normalized, colored by algorithms.
File: waiting_768,2560hz_08231655_0012d
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Homage to the Square.A pattern generated by an audio signal mapped to a Hilbert curve, reduced to 1-bit and colored using a flood fill algorithm in selections derived from Josef Albers’ Homage to the Square.
Swirl from light to dark, from red to green...
This function
srcirot90=: 13 : '(|.|:y)+(1 o. 9 o. y) j. 2 o. 11 o. y'
applied to the following matrix "mm" as different color planes:
mm=. (1 o. ang-%:dis) j. 2 o. dis+2p1|1.25*ang^1.25
where
'dis ang'=. |:c2pj&>1000 1000{.j.&>/~i:500
dis=. 0 4 scaleNums dis
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo.
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My websites:
Visit my portfolio sites:
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden