Sponsored images from 
View allAll Photos Tagged Algorithms
SAN FRANCISCO, CALIFORNIA - SEPTEMBER 20: TechCrunch Industry Stage during TechCrunch Disrupt 2023 at Moscone Center on September 20, 2023 in San Francisco, California. M. Reinerston/The Photo Group for TechCrunch
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Shift Scan, 89 x 256 pixel gaps between 512, 1024, 2048, 4096 and 8192 pixel shapes mapped to a HIlbert Curve.
Homage to the Square.A pattern generated by an audio signal mapped to a Hilbert curve, reduced to 1-bit and colored using a flood fill algorithm in selections derived from Josef Albers’ Homage to the Square.
In this series I use a face reduction algorithm. A percentage defines the strength of reduction. 0 %, no reduction. 100 %, total reduction. Each stage is created mathematically, a process over which I have not the slightest control.
Reusing objects from other series from the exhibition is first and foremost a play on memory, but especially a way of illustrating the surprising versatility of 3D. The objects constructed can be endlessly reused, seen from other angles, and rendered with other materials.
------------------------------------------------
Dans cette série j'utilise un algorithme de réduction du nombre de faces. Un pourcentage définit la force de la réduction. 0 %, pas de réduction. 100 %, réduction totale. Chaque étape est créée mathématiquement sans que j'aie le moindre contrôle.
Le fait de réutiliser des objets issus d'autres séries de l'exposition est tout d'abord un jeu sur la mémoire, mais surtout une façon d'illustrer l'étonnante versatilité de la 3d. Les objets construits peuvent être réutilisés à l'infini, vus sous d'autres angles, rendus avec d'autres matières.
----------------------------------------------
more info : www.hugoarcier.com
© All Rights Reserved
Generated by a high frequency signal written to a Hilbert Curve, run through various colorization algorithms, hand-tooled in Photoshop. File ref: square09_16102022_0007a
Image generated by writing an audio signal to a space-filling curve using GlitchSort (my glitching app)..File reference: unison_3330_25182753_0072a
The Algorithm (synthwave, France) en concert aux Docks de Lausanne, le 9 octobre 2019.
Photo: Stéphane Gallay, sous licence Creative Commons (CC-BY)
Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project, realized in an interactive installation that resembles a pristine tech store, offers a critical perspective on the commercialization of personal bio data harvested by devices such as smartwatches and in healthcare industries.
Photo: tom mesic
Longlive Rockfest
Transbordeur
Lyon - 08/05/2015
www.kymmo.com / kymmo ©
All rights reserved /// Photo non libre de droit. (c) Kymmo
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo.
Please follow, like and leave a comment.
My websites:
Visit my portfolio sites:
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden