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Algorithmically-generated: some variant of "plus dot times".

Resultados de la variacion de los parámetros del algoritmo genético mediante una serie de experimentos, orientados a entender el comportamiento del mismo en la resolución de una base genetica artificial de 15 secuencias de 500 nucleótidos

In the Art and Technology Exhibition, Quantum Tunnel, December 1 -2, 2011. Hopkins Hall, Ohio State University

Evolution of a circular network periodically disturbed by repulsive forces

Luminance HDR 2.2.0 tonemapping parameters:

Operator: Mantiuk06

Parameters:

Contrast Mapping factor: 0.1

Saturation Factor: 1.21

Detail Factor: 1

------

PreGamma: 1

 

Proceso de masillado, antes de la pintura

Boceto en cartón gris junto con las piezas terminadas.

 

Ph. Delia

 

Charla sobre la bitácora de trabajo.

 

Ph. Delia

Evolution of a circular network periodically disturbed by repulsive forces

VHS magnetic tape on aluminium

H 42cm. W 36cm. (each piece)

drawing on canvas with trear physics tendrils using texones creative computing framework which is based on processing

Experiments with repulsive and attractive entities

Recording the movement of Traer Physics T3ndrils and rendering it with Sunflow

Rehearsing Amedeo Casella's piece for disklavier and snare drum

Proceso de masillado, antes de la pintura

From a suite of 128 transforms of a concentric circle pattern, following a space-filling curve (Hilbert curve).

Charla sobre la bitácora de trabajo.

 

Ph. Delia

Algorithmic composition. A zoomable image can be found here.

 

Algorithmic worlds

Blog

This is the filled polygon view about 90% into the reconstruction process. Notice the holes that have developed on the surface. Those holes are mostly filled in by a very quick later pass using a larger ball size.

Risonances from the disklavier

Space Filling Curve Art 2004-2014 wide format

Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.

 

Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.

 

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Generated by a high frequency signal written to a Hilbert Curve, run through various colorization algorithms, hand-tooled in Photoshop. File ref: square08_14151639_0040a

Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.

 

Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.

 

Please follow, like and leave a comment for more exiting future notifications.

 

My websites:

www.asarstudios.com

springsofeden.com

 

Visit my portfolio sites:

celestial-images.pixels.com

www.saatchiart.com/celestialart

society6.com/asarstudios

www.redbubble.com/people/Motionage/shop

500px.com/p/asarstudios

ahmet-asar.pixels.com

eastern-accents.pixels.com

artistic-panda.pixels.com

springsofeden.com

www.etsy.com/people/troygift

www.ebay.com/usr/troygiftshop

 

FOLLOW ME:

twitter.com/asarstudios

instagram.com/asarstudios

www.facebook.com/asarstudios/

www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden

www.pinterest.com/freedomonk

Two bugs in my empirical mode decomposition implementation cause some repetition, symmetry, and irregularity.

Umesh Subramanian

Chief Technology Officer, Citadel

 

Michael Zeltkevic

Managing Partner, Global Head of Capabilities, Oliver Wyman

simple Genetic Algorithm workshop - Laptop Music

iMAL, Brussels, www.imal.org

Photo by DVDV, equinimod.over-blog.com

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