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FFT used as a band-pass filter, signal written to a Hilbert Curve, quantized, normalized, colored by algorithms.
File: waiting_768,2560hz_08231655_0012d
Homage to the Square.A pattern generated by an audio signal mapped to a Hilbert curve, reduced to 1-bit and colored using a flood fill algorithm in selections derived from Josef Albers’ Homage to the Square.
Swirl from light to dark, from red to green...
This function
srcirot90=: 13 : '(|.|:y)+(1 o. 9 o. y) j. 2 o. 11 o. y'
applied to the following matrix "mm" as different color planes:
mm=. (1 o. ang-%:dis) j. 2 o. dis+2p1|1.25*ang^1.25
where
'dis ang'=. |:c2pj&>1000 1000{.j.&>/~i:500
dis=. 0 4 scaleNums dis
ACV (Algorithmic Cultural Vandalism) by Pietro Lugaro (IT), Alessandro Mac-Nelly (DE) (MA Design & Computation, Technical University Berlin (DE)) received The Grand Prize at Campus Award Ceremony 2024
Photo showing: Pietro Lugaro, Alessandro Mac-Nelly
Photo: flap
Homage to the Square.A pattern generated by an audio signal mapped to a Hilbert curve, reduced to 1-bit and colored using a flood fill algorithm in selections derived from Josef Albers’ Homage to the Square.
Hemina / The Algorithm / Voyager.Voyager - Ghost Mile album launch.Oxford Art Factory, Sydney.2017.05.21
Do Algorithms Care? is a collaboration between artist Amanda Bennetts and data scientist Johanna Einsiedler. The project, realized in an interactive installation that resembles a pristine tech store, offers a critical perspective on the commercialization of personal bio data harvested by devices such as smartwatches and in healthcare industries.
Photo showing: Amanda Bennetts
Photo: tom mesic
Bryan Sivak points out that we might currently be information-rich while being analysis/algorithm-poor.
Intentions
are panned like dirt in streams
Feeding on my whims,
a strange science predicts
my future.
Hungry for language that proves
I'm precious
Collectible.
I want ink on paper
signed with love and real
Artiface.
The Algorithm (métal progressif / electro, France), festival Prog Frog, 31 mars 2017, KIFF, Aarau (Suisse).
Photo: Stéphane Gallay, sous licence Creative Commons (CC-BY)