View allAll Photos Tagged Adolphe
The SS Adolphe ran aground in Newcastle harbour in 1904. The Stockton breakwall later incorporated it in its construction.
Full title: Sunset
Artist: Adolphe Monticelli
Date made: about 1882-4
Source: www.nationalgalleryimages.co.uk/
Contact: picture.library@nationalgallery.co.uk
Copyright © The National Gallery, London
Mark Donfried with The Hon. Adolphe Rukenkanya, Minister of Youth, Sports and Culture of Burundi, and the Hon. Minister Dr. Cirino Hiteng Ofuho, Minister of Culture, Youth & Sports of South Sudan, at the Symposium on Cultural Diplomacy & Human Rights.
(Berlin, 30th May 2013)
The Center for Cultural Diplomacy Studies Publications
www.ccds-berlin.org - The Institute for Cultural Diplomacy — in Berlin.
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: Book with tipped in albumen prints
Size: 5 7/8 x 4 1/2 x 1 in
Location: France
Object No. 2024.1134
Shelf: J-5.5
Publication:
Other Collections:
Provenance: Catawiki
Rank: 333
Notes: According to McCauley Galerie des contemporains could either be purchased in volumes of 25 biographies or assembled by subscribers. Disdéri reached an agreement with the editor Zacharias Dollingen in which Dollingen hired journalists to provide the biographical notices which would accompany Disdéri's photographs.
André-Adolphe-Eugène Disdéri (1819 - 1889) a self-taught daguerreotypist, researched and improved upon the existing collodion-on-glass negative process, which he outlined in his first publication, Manuel Opératoire de Photographie sur Collodion Instantané, 1853. That same year, he returned to Paris and opened the largest studio in Paris, which spread across two floors. It was there that he introduced his carte-de-visite portraits which were a great financial success. For the 1855 Paris Exposition Universelle, he formed the Société du Palais de l'Industrie and obtained the rights to photograph all the products and works of art exhibited at the Exposition. Eder writes "Disdéri was considered the outstanding portrait photographer of his time in Paris. Napoleon III appointed him court photographer. In 1861, he instructed French officers in photography under orders from the minister of war. Disdéri's popularity is best shown by the fact that his character was introduced in 1861 as a star attraction on the stage of a small vaudeville theater in Paris by a realistic representation featuring his bald head and tremendous beard."
(Source: Andrew. Cahan)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: Adolphe Block (1829-1903)
Born: France
Active: France
Medium: simili verre print
Size: 3 1/2 in x 7 in
Location: France
Object No. 2024.160
Shelf: E-2-B
Publication:
Other Collections:
Provenance:
Rank: 50
Notes: "Simili Verre" is a special process intended to
provide glass-like look to tissue views
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: Pierre Adolphe Hennetier [Sculptor] (French, 1828 - 1888) and Adolphe Block [Publisher] (French, 1829 - 1903)
Title: Les Pompiers de L'Enfer (The Firemen of Hell), Number 54 from the series Les Diableries
Date: ca. 1860
Medium: Hand-colored stereoview
Maker: Adolphe Block (1829-1903)
Born: France
Active: France
Medium: simili verre print
Size: 3 1/2 in x 7 in
Location: France
Object No. 2024.159
Shelf: E-2-B
Publication:
Other Collections:
Notes: "Simili Verre" is a special process intended to
provide glass-like look to tissue views
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Adolphe Braun
Little Matterhorn, 1858-1877
Stereographic photograph
© Albertina - On permanent loan from the Austrian Federal Education and Research Institute for Graphics (Höhere Graphische Bundes-, Lehr- und Versuchsans
Timothee Adolphe and his guide Charles Renard and Jeffrey Lami win and celebrate their Silver Medal in Para Athletics Men's 100m T11 and 400m T11 during the Medal Party of the Paralympic Games Paris 2024, at Club France, La Grande Halle de la Villette, in Paris, France, on September 05, 2024, Photo Vincent Curutchet / KMSP || 001887_0096 SPORT ATHLETISME CELEBRATION GAMES JEUX PARIS 2024 PARALYMPICS 2024
William Adolphe Bouguereau's "The Nut Gathers" at the Partridge Creek Mall.
Part of an outdoor exhibition put on by the Detroit Institute of Art (DIA) to celebrate their 125th anniversary.
Architect - Adolphe Staatje Date - 1933
fr.wikipedia.org/wiki/Adolphe_Staatje
Not sure how reliable this info is as there is no source reference for it on the wikipedia page
HEUREUX CEUX
QUI ONT LE COEUR PUR
CAR ILS VERRONT DIEU
ST. MATTH. V.*.
Philip Gustave Adolphe TAYLOR
Rank: Second Lieutenant
Date of Death: 25/07/1917 Age: 30
Regiment/Service: Royal Engineers 171st Coy.
Grave Reference: II. E. 26.
Cemetery: POPERINGHE NEW MILITARY CEMETERY
Additional Information: Son of Paul and Marguerite Picket Taylor, of 61, Chemin du Velemly, Algiers. Was a mining engineer in Algeria. Born Passagem, Brazil.
www.cwgc.org/find-war-dead/casualty/139586/TAYLOR,%20PHIL...
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
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