View allAll Photos Tagged Adolphe
Maker: Adolphe Louis Donnadieu (1840–1911)
Born: France
Active: France
Medium: photocollographie par MM Thvoz et Cie
Size: 6 1/2" x 9 3/4"
Location:
Object No. 2016.645m
Shelf: B-40
Publication: A. L. Donnadieu - Traite Photographie Stereoscopique, Theorie et Pratique,Atlas, 1892, Pl III
Other Collections:
Provenance:
Notes:
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Created For MII#2~
www.flickr.com/groups/makeitinteresting/discuss/721576250...
Original Source~My Own~
www.flickr.com/photos/rubyblossom/3461945141/
Girls~
en.wikipedia.org/wiki/William-Adolphe_Bouguereau
Cat~Eve123~no link
Another crazy idea from Adolphe Sax. Each horn has one pitch. Apparently, it produced an almost perfect sound.
Map of the Napoleonic wars - Battle of Albuera 16th May 1811.
Steel engraving from History of the French Consulate and Empire by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead and Hume Greenfield.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 685 pages 26cm x 17.5cm.
A Young Girl Defending Herself against Eros. Oil on canvas, by William Adolphe Bouguereau. A nude girl playfully struggles with Eros (Cupid) to avoid love's arrow. French, from about 1880. At the Getty Center.
The Getty Center is an art museum located about 15 miles (24 km) west of downtown Los Angeles, California. It houses Western European art dating from 1300 to 1900. Items from before 400 AD are housed in a companion museum, the Getty Villa, elsewhere in Los Angeles. I returned to the Getty Center on June 21, 2015, because there was much I had not seen during my visit of the previous day.
Una Chica Joven Se Defiende contra Eros. Óleo sobre lienzo, por William Adolphe Bouguereau. Una chica desnuda lucha juguetonamente con Eros (Cupido) para evitar la flecha de amor. Francesa, de alrededor de 1880. En el Centro Getty.
El Centro Getty es un museo de arte situado como a 15 millas (24 km) al oeste del centro de Los Ángeles, California. Alberga arte de Europa occidental que data de 1300 al 1900. Artículos de antes del año 400 se encuentran en un museo asociado, la Villa Getty, en otro lugar de Los Ángeles. Regresé al Centro Getty el 21 de junio de 2015, porque había mucho que no había visto durante mi visita del día anterior.
Catalog #: 09_00996
Title: Adolphe Heri DuBois Special Collection Photo
Additional Information: Control car of N.S. 11 airship, Adolphe Heri DuBois served during World War I,
Corporation Name: N.S. (North Sea) class
Tags: Adolphe Heri DuBois Special Collection Photo, N.S. (North Sea) class
Repository: San Diego Air and Space Museum Archive
Maker: Adolphe Bilordeaux (1807-1872)
Born: France
Active: France
Medium: photolithograph
Size: 7.5" x 9.5"
Location: France
Object No. 2015.244l
Shelf: N-4
Publication: Histoire Générale de Paris. La Seine. I. Le Bassin Parisien aux âges antéhistoriques par E. Belgrand, Inspecteur général des Ponts et Chaussées, Directeur des Eaux et des Egouts de la ville de Paris. Planche de Paléontologie, Paris, 1889, pl 59
Other Collections:
Provenance: Yann Le Mouel, Photographies, Paris, March 18, 2015
Notes: TBAL
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Heading into Parc de la Tête d'Or in Lyon. The entrance is near the corner of Avenue de Grande Bretagne and Boulevard des Belges.
You enter via an impressive gate.
Parc de la Tête d'Or ("Park of the Golden Head"), in Lyon, is a large urban park in France with an area of approximately 117 hectares (290 acres). Located in the 6th arrondissement, it features a lake on which boating takes place during the summer months. Due to the relatively small number of other parks in Lyon, it receives a huge number of visitors over summer, and is a frequent destination for joggers and cyclists. In the central part of the park, there is a small zoo, with giraffes, elephants, deer, reptiles, primates, and other animals. There are also sports facilities, such as a velodrome, boules court, mini-golf, horse riding, and a miniature train.
Monument des enfants du Rhône
Monument of the children of the Rhone
To the children of the Rhone defenders of the Homeland commonly called Monument of the children of the Rhone is a monument to the dead dedicated to the soldiers of Lyons who died during the Franco-German War of 1870 . It is located at Place du Général-Leclerc at the entrance of the Parc de la Tête d'Or called "Porte des Enfants du Rhone" in Lyon , France . The sculpture was made by the sculptor Étienne Pagny and was inaugurated on 30 October 1887.
The monument consists of a hemicycle of stone in front of which stands the bronze statue composed of a woman with a flag, a trumpet bell, a lion's head ready with the inscription " pro patria " . The lion breaking a sword was made by Charles Textor. The architect is Adolphe Coquet . The founders are the Thiébaut brothers. The monument was financed by a public subscription. At the inauguration of the representatives of the city of Belfort, defended by the children of the Rhone, were present.
Types Modernes.
Collection B.K.
Handtinted stereoview published by Adolphe Block from Paris.
[converted to anaglyph]
Maker: Adolphe Braun (1812-1877)
Born: France
Active: France
Medium: albumen print
Size: 3.5" x 7"
Location: UK
Object No. 2018.0172
Shelf: E-14-PARIS
Publication:
Other Collections:
Provenance: mpjhs278
Rank: 13
Notes: Shows the fleche (spire) under construction that that rebuilt by Violet Le Duc. It was begun in 1853 and unveiled on August 18, 1853.
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Les Bretonnes au Pardon
Pascal-Adolphe-Jean Dagnan-Bouveret (1852-1929)
France, 1887
Oil on canvas
In the late 1880s, naturalism reached the height of its popularity. The interest surrounding themes associated with the detailed depiction of the rural world explains the enormous success achieved by this objective composition at the 1889 Salon, where it received an award.
An ethnographic representation of pious customs, the painting evokes the ceremony of the Pardon, an indulgence granted by the Church to the faithful, and serves as a pretext for casting an analytical gaze at a world struggling to resist the changes of the end of the century. At the time, Brittany was the focus of particular attention from artists working in various movements and one of the most stimulating counterpoints to this painting was created by Gauguin.
Photographs taken by Dagnan-Bouveret in Rumengol and successive attempts at creating portraits of isolated models contributed to the end result of the painting. The final work, brought together by the painter in his studio, is therefore the result of a considerable amount of prior effort and a complex process of scenic arrangement.
Museu Calouste Gulbenkian ● Calouste Gulbenkian Museum
Lisbon, Portugal
20171112_083050
The Royal Ballet: Giselle 2021 (Osipova & Clarke)
The most famous ballet of the Romantic era and a significant work in The Royal Ballet’s repertory: Peter Wright’s hallmark production of Giselle returns to the Royal Opera House 4 Nov - 3 Dec 2021 with a special digital stream on 3 Dec and on demand for 30 days.
Company: The Royal Ballet
Choreography: Marius Petipa after Jean Coralli
Music: Adolphe Adam Edited by Lars Payne
Scenario: Théophile Gautier after Heinrich Heine
Production: Peter Wright
Additional choreography: Peter Wright
Designer: John Macfarlane
Original lighting: Jennifer Tipton
Lighting re-created by David Finn
Cast
Giselle: Natalia Osipova
Albrecht: Reece Clarke
Queen of the Willis: Mayara Magri
photo © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
By kind permission of the Royal Opera House
Legion of Honor. The Broken Pitcher by William-Adolphe Bouguereau. For close up of painting, see here: www.flickr.com/gp/129915483@N03/P6TBMw
One of my favorite pieces. A great study on how to paint lifelike flesh tones and hands and feet. The girl in the shot looks like she's appreciating the painting, but she was actually occupied with her phone the entire time I was in the gallery. Shot with Fuji 23mm lens in classic chrome.
Maker: Auguste-Adolphe Bertsch (1813-1871)
Born: France
Active: France
Medium: salted paper print from a wet collodion negative
Size: 5 1/2 in x 5 1/2 in
Location:
Object No. 2021.265
Shelf: B-39
Publication:
Other Collections:
Provenance: Robert Hershkowitz, 1999, Gary Edwards Gallery, 2021
Rank: 750
Notes: Auguste Adolphe Bertsch (1813-1871) was a Paris optician, pioneer photographer and exponent of microphotography. In 1851, he improved the collodion process invented that year in England by Frederick Scott Archer, and using a solar microscope, began photographing lice, antennae of flies and crystals. Two years later he presented his photomicrographic research to the French Academy of Science. He was a founding member of the Société française de photographie in 1854. In 1861 he invented the first sub-miniature camera called the Chambre Automatique de Bertsch which featured a fixed focus lens with a view of less than 1 inch in diameter and used 1 1/2 inch wet collodion plate. He was killed in the Paris Commune of 1871.
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The French painter and illustrator Camille Adolphe Rogier (1810-1896) studied drawing and engraving in Toulouse. He exhibited his works in the yearly Salon of Paris from 1833 to 1848. In 1835, he illustrated an edition of Boccaccio and thus became established as a vignettist.
In 1837 Rogier travelled to Italy, where he stayed for three years. He then moved to Istanbul, and lived in that city from 1840 to 1843. This was the same period when other French artists and intellectuals, more or less close to Rogier, such as Gérard de Nerval, Théophile Gautier, Maxime du Camp and Gustave Flaubert were also in Istanbul. The artist later travelled to Izmir and Asia Minor. Following his return to Paris, he was appointed official illustrator of “L'Illustration” journal. Later on, Rogier held the position of post director at Beirut.
Rogier is considered one of the first French Orientalist painters of the 19th century to depict human types and snapshots from everyday social and private life in the East. He published lithographs, aquarelles and drawings. He is mostly known for his oriental themed lithographs and for the illustration of the works of well-known French authors such as René de Chateaubriand and Victor Hugo.
Rogier's album “La Turquie...”, which includes fifty lithographs and opens with an introductory note by Théophile Gautier, was republished several times. The present edition contains only a few of the plates which make up the complete work.
Théophile Gautier (1811-1872) was a prolific French wirter, poet, journalist and art critic. The son of a government official, Gautier lived in Paris from a very early age. He was a close friend of Romantic writer G. de Nerval. Passionate about Victor Hugo‘s work, Gautier became involved in the Romantic movement and published his first poems in the years 1831-32.
Gautier was acquainted with Baudelaire, Victor Hugo, Balzac, Flaubert, Delacroix and other artists of the era. He lived in an eccentric and provocative fashion and was a member of the literary societies that determined intellectual life in 19th century France, such as the Parnassians.
In 1836, following a request by Honoré de Balzac, Gautier started writing art criticism for “La Chronique de Paris”, and in the following thirty years contributed more than two thousand articles to the journal “La Presse”. He wrote numerous collections of poetry and theatre plays, as well as the memoirs of his travels to the Pyrenees in 1840. His travels to Algeria (1845), Italy (1850), Greece (1852), Turkey (1852), Russia (1858) and Egypt (1869) provided Gautier with material for his publications.
Gautier travelled simply, without escorts, and tried to become familiar with local people and their culture. He became director of the “Revue De Paris” and contributed articles to “Le Moniteur”. Gautier was very productive and tirelessly contributed articles to various reviews and wrote biographies (including that of Balzac), articles on art, novels, ballet librettos such as “Giselle”, and texts on musicians such as Berlioz, Gounaud and Wagner.
Gautier was elected president of the Société Nationale Des Beaux-Arts and thus met the most eminent artists of his era: Delacroix, Manet, Doré etc. He was awarded the Légion d'Honneur and was married to Ernestina Grisi, sister of the ballet dancer who interpreted Giselle for the first time. He practiced boxing and swimming and was passionately fond of cats.
Gautier’s style is elaborate, rich and engaging. His descriptions of Istanbul (the monuments, the cafés, bazaars, dervishes, palaces, the Bosporus etc.) show the fascination this city held for travellers. He manages to convey to his readers images that almost acquire the status of artistic paintings.
Plethoric in his life as well as in his discourse, Gautier wrote in a clear, agile and vivid language and his work is the most representative of the literary and artistic life of his era, and has not ceased to be appreciated. To him belong sayings as “Imagination is the first weapon against Reality” and “Art for Art”.
Written by Ioli Vingopoulou
Fransız asıllı ressam ve desinatör Camille Adolphe Rogier (1810-1896) (okunuş: Kamiy Adolf Rojie) Toulouse şehrinde çizim ve gravür sanatı eğitimi görür. 1833'den 1848'e dek Paris'te her yıl gerçekleşen "Salon" fuarında eserlerini sergiler. 1835 yılında yayınlanan Boccaccio (Bokaçyo) kitabının resimlenmesini üstlenen Rogier, bundan sonra küçük dekoratif konuların (vinyet) desinatörü sıfatını alır. 1837 yılında İtalya'ya seyahat edip burada 3 yıl kalır. Daha sonra 1840'dan 1843'e kadar İstanbul'da yaşar. Aynı devirde G. de Nerval, Th. Gautier, M. du Camp ve G. Flaubert gibi Rogier ile uzak yada yakın arkadaş olan başka Fransız entelektüeller de İstanbul'a seyahat etmişti. Rogier, İzmir ve Anadolu'yu gezer, Paris'e döndüğünde ise “L'Illustration” dergisinin resmî desinatörü olarak atanır. Daha sonra ise Beyrut postanesi müdürü görevinde bulunur.
19. yüzyılda Doğu'ya ilişkin konuları resmeden ilk Fransız oryantalist ressamlar arasında Rogier, çeşitli insan tiplerine ve halkın günlük özel ve kamu yaşamından sahnelere odaklanması açısından dikkati çekmektedir. Taş baskı gravürler, akuarel ve eskizler yayınlamıştır. Doğu'dan konular sergileyen gravürleri ve R. Chateubriand, V. Hugo v.s. gibi ünlü Fransız yazarların kitaplarına yaptığı resimlerle tanınmıştır.
Rogier'nin 50 tane gravür ve Th. Gautier'nin bir giriş yazısını içeren “La Turquie…” başlıklı Albümü birçok yeni baskı yapmıştır. Burada sözkonusu olan baskı, eserin tamamını süsleyen tabloların sadece birkaçını içermektedir.
Çok üretken bir yazar, şair, gazeteci ve sanat eleştirmeni olan Fransız asıllı Théophile Gautier (1811-1872) (okunuş: Teofil Gotie) bir devlet memurunun oğlu olarak küçük yaştan beri Paris'te yaşar. Victor Hugo'ya tutkuyla bağlı olan Gautier romantik sanat akımına katılıp ilk şiirlerini 1831-32'de yayınlar. Romantik yazar G. de Nerval'in yakın dostu olan Gautier, Baudelaire, Hugo, Balzac, Flaubert, Delacrois gibi sanatçılarla da ilişki kurar; yerleşik ahlâk kurallarına göre eksantrik ve kışkırtıcı bir biçimde yaşar; 19. yüzyılın düşünsel akımlarını belirleyici biçimde etkilemiş olan "Parnasistler" grubu gibi çeşitli edebiyat kulüplerine katılır.
1836 yılında Honoré de Balzac'ın tembihi üzerine La Chronique de Paris dergisinde sanat eleştirmeni olarak yazmaya başlar. Otuz yıl boyunca La Presse dergisinde 2 bine yakın makale yazar. Sanat eleştirmenliğini şiir, tiyatro eseri ve seyahatname (1840'ta Pireneler'den anılar) türlerinde yoğun bir üretim izler. Cezayir (1845), İtalya (1850), Yunanistan (1852), Türkiye (1852), Rusya (1858) ve Mısır'a (1869) yaptığı yolculuklarla daha sonra yazacağı birçok kitap için malzeme sağlar. Gautier, sade bir biçimde, refakatsız seyahat edip karşılaştığı insanları ve uygarlıklarını tanımaya gayret göstermekteydi. Revue de Paris dergisinde müdür olur, Le Moniteur'de köşe yazarlığı yapar ve hiç ara vermeden dergilerde makaleler, biyografiler (Honoré de Balzac'ın biyografisi dahil), sanat üzerine yazılar, romanlar, bale metinleri (örneğin "Giselle"), hatta Berlioz, Gounod, Wagner v.s. gibi besteciler hakkında makaleler yayınlar. Société Nationale Des Beaux-Arts'ın başkanı seçilince zamanının en tanınmış sanatçılarını tanıma fırsatını bulur (E. Delacrois, E. Manet, G. Doré). Légion d' honneur unvanına lâyık görülür, Ernestine Grisi ("Giselle" balesinin birinci balerininin kardeşi) ile evlenir; güreş ve kürek sporuyla uğraşır ve tutkulu bir biçimde kedi sever.
Yazı dilinin mükemmelliği, metnindeki estetik öğeler ve akıcı dil Gautier'nin eserlerinin temel unsurlarını oluşturmaktadır. İstanbul hakkında yaptığı betimlemeler (anıtlar, kahvehaneler, pazaryerleri, dervişler, saraylar, Boğaziçi v.s.) kentin gezginler üzerindeki cazibesini öne çıkarıp okurun gözünde hemen hemen resim tablolarına dönüşen görüntüler yaratmayı başarıyor. Yaşamı gibi yazma uslubu da taşkın olan Gautier yazılarında yalın, esnek ve diri bir dil kullanmakla zamanının sanat ve edebiyatının en tipik yazar örneği olmuştur. Eserleri bugüne dek takdir görmektedir. "Düşgücü gerçeğe karşı yapılan savaşta en güçlü silâhtır" ve " Sanat için sanat" özdeyişleri ona aittir.
Yazan: İoli Vingopoulou
Portrait photograph of Adolphe-Basile Routhier (1839-1920).
Date: [between 1895 and 1904]
Photographer: E. Livernois, Quebec
Reference code: P556
Maker: Adolphe Louis Donnadieu (1840–1911)
Born: France
Active: France
Medium: photocollographie par MM Thvoz et Cie
Size: 6 1/2" x 9 3/4"
Location:
Object No. 2016.645i
Shelf: B-40
Publication: A. L. Donnadieu - Traite Photographie Stereoscopique, Theorie et Pratique,Atlas, 1892
Other Collections:
Provenance:
Notes:
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
A French Chateau near Dreux built from 1547 to 1552 for Diane de Poitiers, the mistress of Henry II of France.
The Chateau was used as a location in the 1965 James Bond film Thunderball
This was just a quick photo stop on our tour group, so we didn't go in. Took lots of shots and we were on our way towards Chartres.
The Château d'Anet is a French château near Dreux built by Philibert de l'Orme from 1547 to 1552 for Diane de Poitiers, the mistress of Henry II of France. It was a gift from the king and was built on the former château at the center of the domains of Diane's deceased husband, Louis de Brézé, seigneur d'Anet, Marshal of Normandy and Master of the Hunt. The château is especially noted for its exterior, notably the statues of Diane de Poitiers as Diana, goddess of the hunt, by Jean Goujon and the relief by Benvenuto Cellini over the portal. Anet was the site of one of the first Italianate parterre gardens centered on the building's facade in France; the garden-designer in charge was Jacques Mollet, who trained his son at Anet, Claude Mollet, destined to become royal gardener to three French kings. Anet today The château was built partly upon the foundations and cellar vaults of a feudal castle that had been dismantled by Charles V and was subsequently rebuilt as a Late Gothic manor of brick and stone. The château was not pillaged during the French Revolution, but Diane de Poitiers' remains were removed to a pauper's ditch in the parish cemetery and the rich contents of the château, which were the property of King Louis XVI's cousin, Louis Jean Marie de Bourbon, duc de Penthièvre, were sold at auction as biens nationals. A large part of the château was subsequently demolished, but only after Alexandre Lenoir was able to salvage some architectural elements for his Musée des monuments français ( presently situated in the École des Beaux-Arts in Paris). The elements were reinstalled at Anet after World War II. The restoration of the château itself, in pitiable condition, was due to comte Adolphe de Caraman, who purchased it in 1840 and undertook a colossal program of restoration. In 1851, the minister of the interior granted Anet the status of a monument historique. Under financial duress, Caraman sold the château in 1860 to Ferdinand Moreau, who continued the restoration, purchasing furnishings and works of art that were thought to be originally from the château. The portal The free-standing chapel of Anet, built to the left of the cour d'honneur in 1549-1552, is designed on a centralized Greek cross floor plan under a diagonally-coffered dome. Its facade has a porch of widely-spaced paired Ionic columns between towers crowned by pyramidal spires.In 1581, Henri III and his mother Catherine de' Medici came to the chapel to attend the baptism of the infant son of Charles, duc d'Aumale. There is also the mortuary chapel, built according to Diane de Poitiers' last wishes to contain her tomb, commissioned from Claude de Foucques by Diane's daughter, the Duchesse d'Aumale. The property belonged to many of louis XIV's descendants; Louise-Françoise de Bourbon died here in 1743, she was a daughter of the famous illegitimate son of Louis XIV the Louis-Auguste de Bourbon, duc du Maine. His sons the princes des Dombes and comte d'Eu lived here when away from Versailles. It was later owned by the fabulously wealthy duc de Penthièvre, first cousin of prince and the comte. The castle was used as a filming location in the 1965 James Bond film Thunderball.
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
William-Adolphe Bouguereau
This painting is one of the most sensitive single figures ever painted. Hauntingly enigmatic, but kind and beautiful, this young peasant girl’s childhood innocence blends seamlessly with the emerging woman who rivets your eyes to hers. She stares directly at you with a serene kindness imbued with goodness and trust. Inherent is the moral imperative not to betray that trust. This is a prime example of Bouguereau’s unique ability to capture ever subtle nuances of personality and mood.
Symbolically she sits by “The Edge of the River”. She sits at perhaps the greatest crossroads in life. Her hands and legs are crossed to accentuate that symbolism as are the trunks of the trees behind and to the viewer's right. She wears a humanistic halo of vibrant red flowers alluding to the spirituality inherent in youth.
Europe Europa
Belgique België Belgium Belgien Belgica
Bruxelles Brussel Brussels Brüssel Bruxelas
Boulevard Adolphe Max
Italian postcard by Unione Cinematografica Italiana, series Teodora, no. 12. Photo: Ambrosio Film. Adolfo Trouché as centurion Marcello/Marcellus in Teodora/Theodora (Leopoldo Carlucci, 1921). The - original - intertitles of the existing print of Teodora state that Adolphe Trouché played general Belisarius, but many sources state that he played the centurion Marcellus. Yet, according to the credits of the film print, Marcellus was played by Mariano Bottino. More research is needed.
Adolfo/Adolphe Trouché (1892-1956) was an Italian forzuto who played in several Italian silent epics.
Adolphe Trouché was born in Vietri sul Mare (Salerno) on 21 February 1892. When he started in film around 1916, in Milan, he was selected for his physical capacities in almost all films produced by the capital of Lombardy, in competition with Rome and Turin. Yet, it was only after L'olmo e l'edera (Emilio Graziani-Walter, 1918) - with Trouché being the Wolf, the elm=olmo, and she was Dolly Morgan, who swirled around him like ivy=edera) - that Graziani-Walter decided to turn him into a real cinematic strongman. So he interpreted the title role in L'ultima fatica di Ercole (Hercules final tour de force, Walter-Graziani 1918), where he could show off his hairy chest and his beautiful boldness. Afterwards he played in one film after another: Buffalo e Bill (1920) by Graziani-Walter, Teodora (1921/22), Messalina (as Apollonius, 1923), again as Hercules in Nerone (1922) by Gordon Edwards, the wild Friday in Le avventure di Robinson Crusoe (1923) by Mario Gargiulo. In 1924 he produced and co-acted with Rina De Liguoro the hot-blooded In Maremma (Salvatore Aversano, 1924). After his performance in Viaggio di nozze in sette (Leopoldo Carlucci, 1928), acting as an improbable Ganymede, he left the cinema. Adolphe Trouché died in Bologna on 16 February 1956.
Source: Vittorio Martinelli. Mario Quargnolo, Maciste & Co., pp. 49-50.
The "Adolphe" was a French four-masted barque, steel, 3204/2676 tons. Built and reg. at Dunkirk, 1902. Lbd 296.7 x 44.9 x 26 ft. Inward bound from Antwerp, lost on the Oyster Bank, Newcastle, 30 September 1904. As she was being towed through the entrance, the tugs "Hero" and "Victoria" could not hold her and she was swept on to the wreck of the "Colonist", then battered by giant waves. The lifeboat hurried to the scene and within two hours all 32 of the crew had been taken off. The northern breakwater of the entrance to the port of Newcastle was extended after the loss of the "Adolphe". The French consul made an official visit to Newcastle to recognise the efforts of the lifeboat crew.
When the breakwater was extended in 1906 and reached the remains of the "Adolphe", her remaining two masts and jib-boom were removed for safety reasons; she is actually resting across the remains of S.S. "Wendouree", wrecked in 1898, and S.S. "Lindus", lost in 1899.
Information thanks to the Encyclopedia of Australian Shipwrecks oceans1.customer.netspace.net.au/newcastle-main.html
This image was scanned from the original glass positive. It is from a collection of glass lantern slides of Newcastle and coastal shipping, c.1870-c.1940, and was presented by Mr. E. Braggett to the University of Newcastle on October, 1975. It is held by Cultural Collections at the University of Newcastle, NSW, Australia.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
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Young Girl Defending Herself Against Eros by William Adolphe Bouguereau (1880) at the Getty Center Museum, Los Angeles; January 2014
Canon G1X
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: paper negative
Size: 6 in x 4 3/4 in
Location:
Object No. 2022.734
Shelf: A-45
Publication:
Other Collections:
Provenance: Succession François Lepage, Photographies du XIX et XX siècle, Millon, Paris, November 10, 2022, Lot 65
Rank: 1682
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
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Photographer:André-Adolphe-Eugène Disdéri (1819-1889) the father of CDV photos (see en.wikipedia.org/wiki/Andr%C3%A9-Adolphe-Eug%C3%A8ne_Disd...)
Date: 1859-1861
Location: Paris
The portrayed: Adelaide Ristori (1822-1906) famous Italian tragedienne, possibly as Mary Stuart
( see en.wikipedia.org/wiki/Adelaide_Ristori )
Format: CDV
See other Disdéri CDV's:
(see www.luminous-lint.com/s01/photographer/Andre_Adolphe-Euge... )
Item:
Title: Young Couple
Photographer: A. Duperly & Sons
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Color: B/W
Country: Jamaica
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For information about licensing this image, visit: THE CARIBBEAN PHOTO ARCHIVE
Pieta , 1876 / William-Adolphe Bouguereau / French Artist / Angels praying.
I have a new camera , Canon Powershot sd 780 is...:)
Map of the Napoleonic wars. The sieges of Badajoz on the border of Spain and Portugal 1811 & 1812.
Steel engraving from History of the French Consulate and Empire by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead and Hume Greenfield.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 685 pages 26cm x 17.5cm.
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Oil on canvas
53 x 33 (134.6 x 83.8 cm)
The Broken Pitcher - William-Adolphe Bouguereau 1891
Fine Arts Museums of San Francisco
The Legion of Honor
legionofhonor.famsf.org
Lincoln Park | 100 34th Avenue | San Francisco, California 94121 USA
By William Adolphe Bouguereau
French, 1825-1905
These paintings are from a series of eight works that Bouguereau painted for a Parisian home decorated in the style inspired by ancient Roman wall paintings found at Pompeii.
The ancient Greek poet Arion escaped pirates by fleeing on the back of a sea creature attracted by the poet's singing. In the companion picture, a bacchante, a female follower of the Roman god Bacchus, rides a panther and carries a pinecone-tipped spear called a thyrsus. The figures are silhouetted against a gold honeycomb-patterned background evoking ancient Roman mosaics Bouguereau had studied in Italy. The soft, waxy flesh tones and glimmering gold leaf were calculated to come to life when viewed under the mansion's gas lighting.
Bequest of Noah L. Butkin
That's Jean-Pierre Schmitt. He's conducting a 200 year celebration Adolphe Sax(father of the saxophone) at Carnegie Hall on June 4th.
The Easter Day Parade and Bonnet Festival has been taking place on new York's 5th avenue since the 1870s. It's an informal and unorganized event with little religious significance. People are mainly there to show off their finest threads.
A big thanks to Slow Little Photo for helping me out!