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Boulevard Adolphe Max
Maker: Adolphe Block (1829-1903)
Born: France
Active: France
Medium: albumen print
Size: 3 1/2 in x 7 in
Location: France
Object No. 2021.044
Shelf: E-14-B
Publication:
Other Collections:
Provenance: Bartko-Reher
Rank: 26
Notes: Adolphe Block (1829 - 1918) was a studio photographer and from 1863, a publisher of stereoscopic views that he signed with the letters B.K. In 1868, he succeeded Segoffin then took over the collections of François Benjamin Lamiche and Louis Augé. In 1876, he bought the holdings of Jean Andrieu then that of Jules Marinier. He ceased activity in 1915.
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Maker: André Adolphe-Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: caption
Size: 7 7/8 x 9 1/8 in
Location:
Object No. 2016.391b
Shelf: B-2
Publication:
Provenance: Photography: The First 80 Years, Christies On-Line, April 21, 2016, Lot 64
Other Collections:
Notes: numbered '14891' in ink (recto); numbered '14891' in blue crayon/pencil and annotated 'M. de Reddement' in ink (verso); titled, dated and numbered '14891' in ink on enclosed original label
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Maker: Adolphe Braun (1812-1877)
Born: France
Active: France
Medium: carbon print
Size 10.75 in x 16.25 in
Location: France
Object No. 2010.245
Shelf: L-12
Publication:
Other Collections:
Notes: aka Venus de Milo
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12th August 2013 at Red Lion, Isleworth, Middlesex.
The Saxophone was invented in 1841 by Adolphe Sax from the Belgium. It consists of a single reed mouthpiece and a conical metal tube, with keys which open and close by pressing buttons with the fingers.
The Soprano Saxophone is usually straight and has a higher pitch than most other members of the Saxophone family (there are Sopranino and Soprillo instruments with higher pitches, but these are much less common).
The photo shows the mouthpiece of the instrument including the reed
Saxophones are assigned the number 422.212 in the Hornbostel-Sachs classification of musical instruments ( en.wikipedia.org/wiki/Hornbostel-Sachs ), indicating:
4 = Aerophones. Sound is primarily produced by vibrating air. The instrument itself does not vibrate, and there are no vibrating strings or membranes.
42 = Non-free aerophones. The vibrating air is contained within the instrument.
422 = Reed Instruments. The player's breath is directed against a lamella or pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion.
422.2 = Single Reed Instruments or Clarinets. The pipe has a single 'reed' consisting of a percussion lamella
422.21 = Single Clarinets [as opposed to sets of Clarinets].
422.212 = With conical bore.
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 4.1' X 2.5'
Location: France
Object No. 2014.628
Shelf: E-16-NAPO
Publication: Elizabeth Anne McCauley, A.A.E. Disderi and the Carte de Visite Portrait Photography, Yale University Press, New Haven, 1985, fig 46 (variant).
Alison Gernsheim, Fashion and Reality, 1840-1914, Faber and Faber, London, 1963, fig 58
Other Collections:
Notes: NPG
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Steel engraving from History of the French Consulate and Empire by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 685 pages 26cm x 17.5cm.
Steel engraving from History of the French Revolution by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 790 pages 26cm x 17.5cm.
Toute reproduction sur un support imprimé ou publication sur internet devra faire l'objet d'une demande expresse auprès du service communication de la Fédération Française Handisport.
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Toute utilisation ainsi autorisée devra mentionner le crédit photo (voir nom du fichier ci-dessus : “©…” ou métadonnées de la photo dans sa taille originale).
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Contact : photos [at] handisport.org
French postcard. Théâtre du Châtelet, Paris. Le Tour du Monde en 80 jours. 6th tableau. Les funerailles d'un rajah.
Play by Adolphe and D'Ennery and Jules Verne, after Verne's eponymous novel, written in 1873-1874, and first performed 7 November 1874 at the Théâtre de la Porte-Saint-Martin in Paris. Despite the enormous investments, even a real elephant was involved, the play was a giant success. People were queuing around the block to see how one could travel the whole world in eighty days, and in the case of the play, within the time span of just a few hours. From 1874 to the start of WWII, the play was constantly restaged and with great success. The version of this card must date from the early 1900s, while he first staging at the Châtelet dates of 1887, where it remained a crowd-puller for years.
Adolphe Willette (1857-1926)
fr.wikipedia.org/wiki/Adolphe_L%C3%A9on_Willette
- Chat sur une demi-lune, maquette, 1882
Artist: William Adolphe Bouguereau, 1882
Collection, Detroit Institute of Arts
Included in the gallery: Aug K 2012: www.flickr.com/photos/48890031@N05/galleries/721576312984...
Best seen on black: press L to view.
Adolphe Sax (1814 - 1894) hat das Saxophon erfunden. In seinem Geburtsort Dinant, in den belgischen Ardennen an der Maas gelegen, hat er sich "zur Ruhe" gesetzt.
Foto vom 18.10.2006
Wikipedia "Adolphe Sax"
‘Young Priestess’ William-Adolphe Bouguereau 1902
Devoid of narrative and almost sculptural in quality, Young Priestess is an artistic exploration of pure form, line and color. The fluid fabrics of the priestess’s garments and the drapery behind her contrasts sharply with her pale flesh and the stone mosaic of the floor. The priestess, both life-size and life-like, gazes directly at the viewer and is an example of the photo-idealism that permeated Bouguereau’s work throughtout his long career.
Bouguereau painted Young Priestess at the age of 77, only three years before his death in 1905. His traditional painting style and choice of subject matter, reliant on classical, religious and genre themes, was rooted in the French academy and is the antithesis of Impressionism and modernism. His work was frequently derided by contemporary critics, to whom he responded: “ A new art! But what for? Art is eternal…our art is the same as the art of all other times. One shouldn’t believe in all those so-called innovations. There is only one nature and one way to see it.”
From the placard: Memorial Art Gallery
Adolphe Willette (1857 - 1926) "à la pensée" A shop sign for the Maison Henry, haberdashery - gloves - perfume, formerly in the rue du Faubourg-Sainte-Honoré.
Map of the Napoleonic wars 1811.
Steel engraving from History of the French Consulate and Empire by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead and Hume Greenfield.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 685 pages 26cm x 17.5cm.
William Adolphe Bouguereau
French, 1825-1905
A Young Girl Defending Herself against Eros, c. 1880
J. Paul Getty Museum
Los Angeles, CA
Maker: Adolphe Braun (1812-1877)
Born: France
Active: France
Medium: albumen print
Size: 3.5" x 7"
Location: France
Object No. 2010.195
Shelf: E-14-BRAU
Publication:
Other Collections:
Notes: TBAL
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Maker: A.A.E. Disderi (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2.25" x 4"
Location: France
Object No. 2015.648
Shelf: E-16-NAPO
Publication: Walter Guadagnini, Photography, The Origins, 1839-1890, Skira Editore, Milan, 2010, fig pg 152 (variant)
Other Collections: NPG
Notes: NAPOLEON III (Louis Napoleon Bonaparte, 1808-1873, Emperor of the French, Nephew of Napoleon I) with his wife EUGÉNIE (née Montijo, 1826-1920) & their son LOUIS (Eugene Jean Joseph, 1856-1879, Prince Imperial. First as president and then as emperor of France, Napoleon took full advantage of his prestige as nephew of Napoleon I. Napoleon III gave France two decades of prosperity under an authoritarian regime.
Disderi devised the carte d'visite format in 1854 but it didn't take off until 1859, partly due to the popularity of this series of photos of Emperor Napoleon III as a carte d-visite
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