View allAll Photos Tagged Adolphe
French postcard. Théâtre du Chatelet, Paris. Le Tour du Monde en 80 jours. 3rd. tableau. Le Steamer le Mongolia - La sortie du port. Play by Adolphe and D'Ennery and Jules Verne, after Verne's eponymous novel, written in 1873-1874, and first performed 7 November 1874 at the Théâtre de la Porte-Saint-Martin in Paris. Despite the enormous investments, even a real elephant was involved, the play was a giant success. People were queuing around the block to see how one could travel the whole world in eighty days, and in the case of the play, within the time span of just a few hours. From 1874 to the start of WWII, the play was constantly restaged and with great success. The version of this card must date from the early 1900s, while he first staging at the Châtelet dates of 1887, where it remained a crowd-puller for years.
Maker: Adolphe Louis Donnadieu (1840–1911)
Born: France
Active: France
Medium: photocollographie par MM Thvoz et Cie
Size: 6 1/2" x 9 3/4"
Location:
Object No. 2016.645p
Shelf: B-40
Publication: A. L. Donnadieu - Traite Photographie Stereoscopique, Theorie et Pratique,Atlas, 1892, Pl XI
Other Collections:
Provenance:
Notes:
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Maker: A.A.E. Disderi (1819-1889)
Born: France
Active: France
Medium: albumen print from wet plate collodion negative
Size: 2.25" x 4"
Location: France
Object No. 2014.278
Shelf: B-2
Publication: Elizabeth Anne McCauley, A.A.E. Disderi and the Carte de Visite Portrait Photography, Yale University Press, New Haven, 1985, fig 73 (similar).
Other Collections: Victoria and Albert Museum
Provenance: Vintage Works Ltd
Rank: 140
Notes: Disderi Studio stamp on verso. Also a stamp affixed with following publisher information: "Breton, Boulev. des Italiens, Necessaires, Bronzes, Fantaisie, Jouets d'enfants. Paris" (Breton, Boulevard of Italians, necessities, Bronzes, Fantasy, children's toys. Paris). Ristori poses with her two children in a scene from Medee by Ernest Legouve, which premiered in Paris in 1856.
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Princess Lointaine is a character from Medieval romances who is 'an ideal but unattainable woman' and also the romantic interests of many knights.
Satan's Office. Tissue view series made by Adolphe Block, signed by Hennetier. France, 1870s. {converted to anaglyph)
Dato / Date: ukjent / unknown
Sted / Place: Frankrike, Paris
Fotograf / Photographer: André-Adolphe-Eugène Disdéri
Digital kopi av original / Digital copy of original: sv/hv papirpositiv, visittkortportrett
Eier / Owner Institution: Nasjonalbiblioteket / National Library of Norway
Lenke / Link: www.nb.no
Bildesignatur / Image Number: blds_08677
A French Chateau near Dreux built from 1547 to 1552 for Diane de Poitiers, the mistress of Henry II of France.
The Chateau was used as a location in the 1965 James Bond film Thunderball
This was just a quick photo stop on our tour group, so we didn't go in. Took lots of shots and we were on our way towards Chartres.
The Château d'Anet is a French château near Dreux built by Philibert de l'Orme from 1547 to 1552 for Diane de Poitiers, the mistress of Henry II of France. It was a gift from the king and was built on the former château at the center of the domains of Diane's deceased husband, Louis de Brézé, seigneur d'Anet, Marshal of Normandy and Master of the Hunt. The château is especially noted for its exterior, notably the statues of Diane de Poitiers as Diana, goddess of the hunt, by Jean Goujon and the relief by Benvenuto Cellini over the portal. Anet was the site of one of the first Italianate parterre gardens centered on the building's facade in France; the garden-designer in charge was Jacques Mollet, who trained his son at Anet, Claude Mollet, destined to become royal gardener to three French kings. Anet today The château was built partly upon the foundations and cellar vaults of a feudal castle that had been dismantled by Charles V and was subsequently rebuilt as a Late Gothic manor of brick and stone. The château was not pillaged during the French Revolution, but Diane de Poitiers' remains were removed to a pauper's ditch in the parish cemetery and the rich contents of the château, which were the property of King Louis XVI's cousin, Louis Jean Marie de Bourbon, duc de Penthièvre, were sold at auction as biens nationals. A large part of the château was subsequently demolished, but only after Alexandre Lenoir was able to salvage some architectural elements for his Musée des monuments français ( presently situated in the École des Beaux-Arts in Paris). The elements were reinstalled at Anet after World War II. The restoration of the château itself, in pitiable condition, was due to comte Adolphe de Caraman, who purchased it in 1840 and undertook a colossal program of restoration. In 1851, the minister of the interior granted Anet the status of a monument historique. Under financial duress, Caraman sold the château in 1860 to Ferdinand Moreau, who continued the restoration, purchasing furnishings and works of art that were thought to be originally from the château. The portal The free-standing chapel of Anet, built to the left of the cour d'honneur in 1549-1552, is designed on a centralized Greek cross floor plan under a diagonally-coffered dome. Its facade has a porch of widely-spaced paired Ionic columns between towers crowned by pyramidal spires.In 1581, Henri III and his mother Catherine de' Medici came to the chapel to attend the baptism of the infant son of Charles, duc d'Aumale. There is also the mortuary chapel, built according to Diane de Poitiers' last wishes to contain her tomb, commissioned from Claude de Foucques by Diane's daughter, the Duchesse d'Aumale. The property belonged to many of louis XIV's descendants; Louise-Françoise de Bourbon died here in 1743, she was a daughter of the famous illegitimate son of Louis XIV the Louis-Auguste de Bourbon, duc du Maine. His sons the princes des Dombes and comte d'Eu lived here when away from Versailles. It was later owned by the fabulously wealthy duc de Penthièvre, first cousin of prince and the comte. The castle was used as a filming location in the 1965 James Bond film Thunderball.
Adolphe Bridge (Luxembourgish: Adolphe-Bréck, French: Pont Adolphe, German: Adolphe-Brücke) is an arch bridge in Luxembourg City, in southern Luxembourg. The bridge takes road traffic across the Pétrusse, connecting Boulevard Royal, in Ville Haute, to Avenue de la Liberté, in Gare. At 17.2 m wide, it carries four lanes of road traffic, three to Gare and a bus lane to Ville Haute, and has two footpaths for pedestrians.
Adolphe Bridge has become an unofficial national symbol of sorts, representing Luxembourg's independence, and has become one of Luxembourg City's main tourist attractions. The bridge was designed by Paul Séjourné, a Frenchman, and Albert Rodange, a Luxembourger, and was built between 1900 and 1903. Its design was copied in the construction of Walnut Lane Bridge in Philadelphia, the United States.
The bridge was named after Grand Duke Adolphe, who reigned Luxembourg from 1890 until 1905, and was the first monarch to hold the title not in personal union with another. Although it is now over 100 years old, it is also known as the New Bridge (Luxembourgish: Nei Bréck, French: Nouveau pont, German: Neue Brücke) by people from Luxembourg City. The 'old bridge' in this comparison is the Passerelle, which was built between 1859 and 1861.
Maybe Adolphe was the coach driver and Doris was the tour guide? Doris looks very stylish in a uniform with cap, which she is holding.
Her British clients would expect nothing less, as a holiday here in 1959 would be for the 'well off' only.
The coach has a registration beginning LU and a logo above the radiator (neither of which I recognise). The windscreen wipers are an unusual feature being fitted into the glass, not the bodywork.
According to the Interweb Pallanza is in Northern Italy, but seems to be referred to a Verbania?
"Verbania-Pallanza railway station serves the city and commune of Verbania, in the Piedmont region, northwestern Italy".
A purchased photograph, part of an album.
Item:
Title: King's House, Spanishtown
Photographer: from a daguerreotype by Adolphe Duperly ca 1845
Publisher: J. Jacottet
Publisher#:
Year: 1846-47
Height: 6.5 in
Width: 9.5 in
Media: lithograph
Color: b/w
Country: Jamaica
Town: Spanishtown
Notes: No. from Adolphe Duperly's very scarce folio 'Daguerrian Excursions in Jamaica. Being a Collection of Views of the Most Strking Scemery.... Taken on the Spot with the Daguerreotype, by A. Duperly and Lithographed...In Paris' Paris:Thierry Bros.
[A. Duperly. Lithograph by J. Jacottet.]
[Kingston, Jamaica, 1846-47.]
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1879 by William Adolphe Bouguereau
One of the most celebrated academic painters of his time, Bouguereau underscores the moral virtues of the Italian peasants in this painting by depicting the dome of St. Peter's in the distance. The idealized figures and their triangular grouping recall the Holy Family paintings by Renaissance Master Rafael 400 years earlier. The painting was purchased directly from the artist by Cleveland banker and philanthropist Hinman B. Hurlbut in July 1879.
A French Chateau near Dreux built from 1547 to 1552 for Diane de Poitiers, the mistress of Henry II of France.
The Chateau was used as a location in the 1965 James Bond film Thunderball
This was just a quick photo stop on our tour group, so we didn't go in. Took lots of shots and we were on our way towards Chartres.
The Château d'Anet is a French château near Dreux built by Philibert de l'Orme from 1547 to 1552 for Diane de Poitiers, the mistress of Henry II of France. It was a gift from the king and was built on the former château at the center of the domains of Diane's deceased husband, Louis de Brézé, seigneur d'Anet, Marshal of Normandy and Master of the Hunt. The château is especially noted for its exterior, notably the statues of Diane de Poitiers as Diana, goddess of the hunt, by Jean Goujon and the relief by Benvenuto Cellini over the portal. Anet was the site of one of the first Italianate parterre gardens centered on the building's facade in France; the garden-designer in charge was Jacques Mollet, who trained his son at Anet, Claude Mollet, destined to become royal gardener to three French kings. Anet today The château was built partly upon the foundations and cellar vaults of a feudal castle that had been dismantled by Charles V and was subsequently rebuilt as a Late Gothic manor of brick and stone. The château was not pillaged during the French Revolution, but Diane de Poitiers' remains were removed to a pauper's ditch in the parish cemetery and the rich contents of the château, which were the property of King Louis XVI's cousin, Louis Jean Marie de Bourbon, duc de Penthièvre, were sold at auction as biens nationals. A large part of the château was subsequently demolished, but only after Alexandre Lenoir was able to salvage some architectural elements for his Musée des monuments français ( presently situated in the École des Beaux-Arts in Paris). The elements were reinstalled at Anet after World War II. The restoration of the château itself, in pitiable condition, was due to comte Adolphe de Caraman, who purchased it in 1840 and undertook a colossal program of restoration. In 1851, the minister of the interior granted Anet the status of a monument historique. Under financial duress, Caraman sold the château in 1860 to Ferdinand Moreau, who continued the restoration, purchasing furnishings and works of art that were thought to be originally from the château. The portal The free-standing chapel of Anet, built to the left of the cour d'honneur in 1549-1552, is designed on a centralized Greek cross floor plan under a diagonally-coffered dome. Its facade has a porch of widely-spaced paired Ionic columns between towers crowned by pyramidal spires.In 1581, Henri III and his mother Catherine de' Medici came to the chapel to attend the baptism of the infant son of Charles, duc d'Aumale. There is also the mortuary chapel, built according to Diane de Poitiers' last wishes to contain her tomb, commissioned from Claude de Foucques by Diane's daughter, the Duchesse d'Aumale. The property belonged to many of louis XIV's descendants; Louise-Françoise de Bourbon died here in 1743, she was a daughter of the famous illegitimate son of Louis XIV the Louis-Auguste de Bourbon, duc du Maine. His sons the princes des Dombes and comte d'Eu lived here when away from Versailles. It was later owned by the fabulously wealthy duc de Penthièvre, first cousin of prince and the comte. The castle was used as a filming location in the 1965 James Bond film Thunderball.
Week 8 Women’s Hats 3 Id 787
William-Adolphe Bouguereau French 185-1905
Washerwomen of Fouesnant , 1869
Oil on canvas
Like many of his contemporaries, Bouguereau viewed scenes of peasants performing their daily chores as a modern-day counterpart to the rustic figures of antiquity so beloved in historical paintings. He found the characters and occupations that would prove his source material for years to come in the small Breton village of Fouesnant, located in the far west of France.
Bouguereau was an important teacher as well as a staunch supporter of the academic training system at a time when it was criticized for stifling originality and nurturing mediocrity. With the advent of modernism, his work was ridiculed by many Impressionist and post-impressionist artists as representative of everything the new movements opposed: high technical finish, narrative content, sentimentality, and a reliance on tradition.
Bertha Buswell Bequest, 55.61
From the placard: Memorial Art Gallery, Rochester NY
.
en.wikipedia.org/wiki/William-Adolphe_Bouguereau
www.museumsyndicate.com/artist.php?artist=19
www.musee-orsay.fr/en/collections/works-in-focus/search/c...
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 4.1' X 2.5'
Location: France
Object No. 2014.830
Shelf: B-2
Publication: Francois Boisjoly, Repertoire de Photographies Parisiens du XiXe Siecle, Les Editions de L'Amateur, Paris, 2009, p 101
Other Collections:
Notes: TBAL
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker:
Born: France
Active: France
Medium: engraving
Size: 4 1/8 in x 7 7/8 in
Location:
Object No. 2021.111h
Shelf: ART-1877
Publication: Collection de s.a. le duc de Berwick et d'Albe. Tableaux par Velazquez, Murillo, Rubens. 75 tapisseries de premier ordre en partie tissées d'or et d'argent. 4.000 gravures anciennes et modernes. Paris, Hotel Drouot, du samedi 7 avril au vendredi 20 avril 1877.
Other Collections:
Notes: From an early illustrated auction catalog descriptions of 422 objects including important paintings by Velazquez, Rubens, etc. and a rich collection of 75 tapestries. Includes both engravings and Goupil gravures of the paintings and Goupil gravures of the tapestries.
Adolphe Lalauze (8 October 1838 – 18 October 1906)[1] was a prolific French etcher who made the illustrations for many books. He won various awards and was made a knight of the Legion of Honour.
Daughter of Luis Méndez de Haro Guzmán y Sotomayor, 6th Marquis of Carpio; married Gaspar Juan Pérez de Guzmán el Bueno, 10th Duke of Medina Sidonia;
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Item:
Title: A view of Kingston Church
Photographer: from a daguerreotype by Adolphe Duperly ca 1845
Publisher: J. Jacottet
Publisher#:
Year: 1846-47
Height: 6.5 in
Width: 9.5 in
Media: lithograph
Color: b/w
Country: Jamaica
Town:
Notes: No. from Adolphe Duperly's very scarce folio 'Daguerrian Excursions in Jamaica. Being a Collection of Views of the Most Strking Scenery.... Taken on the Spot with the Daguerreotype, by A. Duperly and Lithographed...In Paris' Paris:Thierry Bros.
[A. Duperly. Lithograph by J. Jacottet.]
[Kingston, Jamaica, 1846-47.]
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE CARIBBEAN PHOTO ARCHIVE
Tu n'aimes déjà plus ta robe de jadis,
Soyeuse et longue ainsi qu'un irréel iris.
Mais moi je l'aime et je la veux et je la garde.
Pour moi, le passé reste et l'autrefois s'attarde.
J'adore ces chers plis du voile transparent
Qui n'enveloppe plus ton corps indifférent.
Garde-moi, parfumée ainsi qu'une momie,
Ta robe des beaux jours passés, ô mon amie!
Renée Vivien
Steel plate engraving of Horatio Nelson - 1st Viscount Nelson.
Thier’s Consulate and Empire 1845.
The history of the French Consulate and Empire under Napoleon, written by Adolphe Thiers.
Thiers condensed history adapted from his original 16 Volume set, translated from the original French.
M.J.L. Adolphe Thiers ( 1797-1877) was a French politician and historian, and the first President of the Third Republic ( 1871-1873)..
Published by A. Fullarton, London (1845). 3 volumes, half leather binding.
Item:
Title: Market Falmouth
Photographer: from a daguerreotype by Adolphe Duperly ca 1845
Publisher: J. Jacottet
Publisher#:
Year: 1846-47
Height: 6.5 in
Width: 9.5 in
Media: lithograph
Color: b/w
Country: Jamaica
Town:
Notes: No. from Adolphe Duperly's very scarce folio 'Daguerrian Excursions in Jamaica. Being a Collection of Views of the Most Strking Scenery.... Taken on the Spot with the Daguerreotype, by A. Duperly and Lithographed...In Paris' Paris:Thierry Bros.
[A. Duperly. Lithograph by J. Jacottet.]
[Kingston, Jamaica, 1846-47.]
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE CARIBBEAN PHOTO ARCHIVE
Item:
Title: King's House, Spanishtown
Photographer: from a daguerreotype by Adolphe Duperly ca 1845
Publisher: J. Jacottet
Publisher#:
Year: 1846-47
Height: 6.5 in
Width: 9.5 in
Media: lithograph
Color: b/w
Country: Jamaica
Town: Spanishtown
Notes: No. 11 from Adolphe Duperly's very scarce folio 'Daguerrian Excursions in Jamaica. Being a Collection of Views of the Most Strking Scemery.... Taken on the Spot with the Daguerreotype, by A. Duperly and Lithographed...In Paris' Paris:Thierry Bros.
[A. Duperly. Lithograph by J. Jacottet.]
[Kingston, Jamaica, 1846-47.]
Depicts the King's House, which was located in the centre of Spanish Town and served as the Governor's residence until 1872 when the capital of the island was transferred to Kingston. It was built from stone from the Hope River and the magnificent columns were made from Portland stone. A large ball room ran the length of the house and many social functions were held there.
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE CARIBBEAN PHOTO ARCHIVE
Maker: Adolphe Louis Donnadieu (1840–1911)
Born: France
Active: France
Medium: photocollographie par MM Thvoz et Cie
Size: 6 1/2" x 9 3/4"
Location:
Object No. 2016.645u
Shelf: B-40
Publication: A. L. Donnadieu - Traite Photographie Stereoscopique, Theorie et Pratique,Atlas, 1892, Pl XII
Other Collections:
Provenance:
Notes:
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 4 1/8 in X 2 1/2 in
Location: France
Object No. 2014.838
Shelf: J-12
Publication:
Other Collections:
Notes:
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
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Item:
Title:
Photographer: Adolphe Duperly ca 1845
Publisher: J. Jacottet
Publisher#:
Year: 1846-47
Height: 6.5 in
Width: 9.5 in
Media: lithograph
Color: b/w
Country: Jamaica
Town:
Notes: Title page from from Adolphe Duperly's very scarce folio 'Daguerrian Excursions in Jamaica. Being a Collection of Views of the Most Strking Scenery.... Taken on the Spot with the Daguerreotype, by A. Duperly and Lithographed...In Paris' Paris:Thierry Bros. [A. Duperly. Lithograph by J. Jacottet.]
[Kingston, Jamaica, 1846-47.]. A rare early work this being the first section published. Only 24 plates were ever published.
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE CARIBBEAN PHOTO ARCHIVE
Soprano Saxophone in B-flat, Adolphe Sax & Cie, Paris, 1882.
Alto Saxophone in E-flat, Adolphe Sax, Paris, ca 1855. Brass, 17 keys. Compared to the modern alto saxophone, this early type still has low chimneys and a wide bell.
Metropolitan Museum of Art, New York, NY.
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Timother ADOLPHE, Guide Jeffrey JOHN, FRA, Athletisme, 100m - T11 à Rio 2016 Paralympic Games, Brazil
Maker: Adolphe Braun (1812-1877)
Born: France
Active: France
Medium: albumen print
Size: 3.5" x 7"
Location: Egypt
Object No. 2011.204
Shelf: E-14-BRAU
Publication:
Other Collections:
Notes: TBAL
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE