View allAll Photos Tagged Add

Believed to be in Public Domain. From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?

______________________

 

For information from Creative Commons on proper licensing for images believed to already be in the public domain please-- click here. By using this image from this site, you are acknowledging that you have read all the information in this description and accept responsibility for any use by you or your representatives. You are accepting responsibility for conducting any additional due diligence that may be necessary to ensure your proper use of this image.

________________

 

Based on information from the source, this image is believe to be in the public domain. It is up to the user to make their own determination. Additional information is provided below, usually the entire online file, to assist you in doing so. Public domain images SHOULD NOT BE ATTRIBUTED TO PINGNEWS. Please attribute the repository and the originator. If you can add "via pingnews" or a link back to this site it is appreciated. While it may appear with this image, the attribution license does not apply to pingnews in this instance as we are neither the creator of nor the archive for this work.

_________________________

 

Public Domain. Additional source description and credit info from the Library of Congress:

 

TITLE: New York Stock Exchange, Broad Street

 

CALL NUMBER: LOT 3788, box 6 [item] [P&P]

Check for an online group record (may link to related items)

 

REPRODUCTION NUMBER: LC-USZ62-124933 (b&w film copy neg.)

 

MEDIUM: 1 photographic print.

 

CREATED/PUBLISHED: c1908.

 

CREATOR:

 

Underhill, Irving, d. 1960, photographer.

 

NOTES:

 

H111802 U.S. Copyright Office.

 

No. C 6612.

 

Copyright by Irving Underhill, N.Y.

 

SUBJECTS:

 

New York Stock Exchange--Buildings--New York (State)--New York--1900-1910.

Stock exchanges--New York (State)--New York--1900-1910.

Pediments--New York (State)--New York--1900-1910.

 

FORMAT:

 

Photographic prints 1900-1910.

 

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

 

DIGITAL ID: (b&w film copy neg.) cph 3c24933 hdl.loc.gov/loc.pnp/cph.3c24933

 

CONTROL #: 00650325

 

Abby keeps the baton moving ahead fast.

Ai cũng có một công việc, công việc ấy đôi khi khiến người ta mệt mỏi vô cùng. Nhưng những mệt mỏi ấy khiến họ kiếm được tiền , tiền phần nào mua được những phút giây hạnh phúc. Chắc đó là lí do họ bỏ qua cái mệt mỏi , chỉ để mua hạnh phúc cho bản thân mình

Tôi cũng thế , nhưng tôi không đi làm, cũng chả kiếm tiền. Chỉ là tôi cũng đang tự nhận lấy những điều mệt mỏi vô cùng , áp lực vô cùng . Nhưng đổi lại , tôi lại có những giây phút thoải mái , vui vẻ nhất có thể sau những mệt mỏi ấy....

Giống như việc tôi phải đi làm kiếm tiền và mua hạnh phúc thôi đúng không. Ở đời có cái sung sướng nào cho không ?

Both John LaBonte and Joe Maurer will set personal records. 19:02 for John, and 19:04 for Joe.

I added a new camera to my beloved Canon S3-IS. It is the Canon 400D with a 17 - 85 mm lens. I know it is like an entry level SLR but I still have a whole new learning experience ahead of me. I love my S3-IS and it will be used for so many photo types. I wanted the new one more for panoramas and landscapes as the wider angle and better clarity in landscape photography would appeal to me.

 

However mine has some spots coming out on the photos which you can see a little in the top left area on the lighter images so it means something is wrong with the sensor I believe. Currently it is Hong Kong to be looked at. I only took around 550 photos with it in a week, but realise I need to learn more about it. The first hundred or something had the light metering only in the centre instead of the 12 points or something to give more accurate readings.

 

I don't for one moment post these as good images. They are in the first 22 I took and I am trying to learn how to use the camera and the settings. Those of you who have a Rebel/400D or SLR will hopefully see things wrong with them and I am REALLY happy that you tell me. I want to improve. Maybe I am wrong but my first mistake might be in thinking you should use the highest aperture possible - I try to use f16 and f22 nearly all the time. However I notice the time gets much slower than on the S3 and I have had a tendency to blur shots or they are not as sharp as I am hoping for. Any reason but slightly dull shots as in sharp focus?

 

Today I offer 6 photos. The first is taken on the beach at Newell Beach a bit past Mossman on the way to Cape Tribulation. The other 5 are from Rocky Point a bit further on.

Helicopter tour of Ocean City, MD area

19 May 2016

 

Ocean City, MD

Nina crosses in 14.58, her best accurate timed 100.

Andrea and Katrina are the only athletes to have also run the 1600.

The DASH high school girls team: Zipporah Caspers, Hannah Schein, Amelie Kemmann, Renee Walters, Andrea Beck, Kristin Ulfeng.

Fashion Model Asif Ekbal

   

is an award winning international model from Bangladesh.

   

His achievements including being ranked as the number one model

uhhh im pretty sure she is dead.

Kayla leading the pack.

Katrina stays easy with 2 laps to go.

The camera lady keeps clicking while the team keeps posing.

Add another feather in between each. Trace all the lines with a black permanent marker. Add V-shaped crayon lines. Paint over all with watercolor.

Adding borders to my queen sized "Turning Twenty" quilt.

 

I did the flowers & Jesus-Fish approx. a year ago & the client fresh out of A.I.T. came in to add the "Assist ,Protect ,Defend" to her hip.

(while we were there I did a bit of relinen' & tightening up of the color to boost her Tattoo.

1964. Hungary, my 12 years old husband on vacation by the river Tisza. I love those shadows.

Thanks so much Andreja for the tutorial. Can you tell the difference in the before and after photos? I have no idea what I did though, I won't remember how to do this again! LOL.

(the right photo has an added texure layer on the background/grass).

1 2 ••• 29 30 32 34 35 ••• 79 80