View allAll Photos Tagged Actually
actually, flies can be kinda impressive looking when they're not in your face or trying to get at your food
backyard capture in chesterfield
Actually, spring arrived late to the Midwest this year - so the early spring greenup came in late April.
Charles C. Deam Wilderness, Hoosier National Forest, Indiana.
The above poor-quality image was actually taken in 2004, as I was arriving on an early-morning flight into Heathrow. As we turned onto finals, I was disgusted to see the layer of smog and took this image, looking east over City Airport in the foreground, the Dartford Crossing mid-right and the Thames estuary beyond. It was not a bad day in terms of pollution!
Air pollution in London passed levels in Beijing this week (end of January 2017), with popular wood-burning stoves blamed for exacerbating the problem.
On Monday, 23 January 2017, Mayor Sadiq Khan issued the highest air pollution alert in London for the first time, and said on Tuesday that the capital’s ‘filthy air’ is now a ‘health crisis.’
Readings at 3 p.m. on Monday showed that air at locations in the capital were worse than in notoriously smoggy Beijing, hitting a peak 197 micrograms per cubic metre for particulate matter on the Air Quality Index. Pollution in the Chinese city only reached 190, which is still deemed ‘unhealthy.’
Although nitrogen dioxide levels in London rose higher than China in 2014, it is believed to be the first time particulate readings have exceeded those in the Far East.
Experts at King’s College London said the recent spell of unhealthy pollution was the worst since April 2011 in the capital and was being caused by cold, calm and settled conditions combined with ‘traffic pollution and air pollution from wood burning.’
Temperatures have fallen below zero overnight over the last few days, meaning householders are burning more fuel to keep warm. “This was the largest contribution from wood burning measured during the winter so far,” said a spokesman for King’s College.
Over the past few days, many parts of the capital have recorded double the legal limits of emissions. Some schools banned children from playing outdoors, and Public Health England warned people not to exercise outside.
The Mayor said the situation was becoming so toxic to children that hundreds of schools will now be audited to see whether gates and play areas can be moved away from busy roads.
‘No idling’ zones are likely to be implemented to prevent drivers leaving their engines running while waiting for children on the school run, while the most polluting vehicles may be banned entirely from driving up to entrances.
Schools will also be encouraged to plant hedges and bushes around their sites to provide barriers to block out fumes and children will be encouraged to walk and cycle to cut down on lifts.
This was actually the last look I had at a big outflow dominant HP supercell in SW Texas. It continued to be tornado warned for some time after but never looked very good if you wanted a tornado. Still a gorgeous storm though.
A 1990s vintage Sandi doll in a very good condition... Erm... Betty clone? A clone of a clone. Still, she is not a no-name manufacture.
Got this girlie last week. I did not have Barbie-like dolls back then in the 90s, so they are a novelty to me. The dress&necklace are not original.
So this is a first tentative photo to check up the lighting, and as it happens often, it is the one that has the most feeling in it. In all the other ones she looks more or less like THE F*CK I JUST READ =)))
Actually she was not alone. My good friend Kumu is patiently waiting till I was taking photos of the sunset. She is holding my camera bag. She could have put it on the bench.
Actually it's a carpet beetle! Anthrenus verbasci - the young feed on organic matter and textiles. Yikes - my new carpet.....
Actually, in my driveway, shifter in park. The wife had taken my van to Ohio, and I got to drive her car for the night out.
If only someone was riding with me, they could have taken in-motion photos (and got a good look at my legs as well...).
Despite the 'Sorry I am not in service' display, Stagecoach 47177 (YJ05 XMW) is in service, and operating route 34 for Ramsgate. It is seen along Minnis Road, Birchington, moments before pulling in at a stop where a possibly confused lady boarded the bus!
these are either 8.000 standing "thingies" or 4.000 seats, so called vario-seats.
And because they were rescued from another stadium they are blue.... (At least that's what I remember from the tour.)
The sad story of the decline and administration of Wrightbus.
As recently as five years ago, Wrightbus was still riding high. It was vying with Alexander Dennis Limited as market leader in the United Kingdom (UK) for buses and indeed in some years prior to that it had actually been market leader. Yet barely a few years later, it had suffered a rapid decline and crashed into administration in one of the most significant issues to affect the industry since the TransBus International debacle. So what happened?
Well like all sad stories it’s important to start at the beginning. Wrightbus was founded in 1946 as Robert Wright & Son Coachbuilders in Ballymena, Northern Ireland. In its early years it rebodied lorries for schools and for local authorities for accessible transport needs. In 1978, the company released its first aluminium-structured bus bodywork but it went barely noticed in mainland of the UK. During the 1980s Wright was not yet a major player in the UK bus market, and most of its sales continued to be to the welfare sector. To try and expand its presence, it designed a very stylish coach body, the Wright Contour. It was built between 1982 until 1987, with the first entering service with Whittles in 1983. Most were fitted to Bedford Y series, but others were seven Leyland Tigers for Ulsterbus, one Ford R1115 and one ACE Puma IV midicoach. The Contour was an attempt to break into the coach market, but only 37 Contours were built over 5 years, prompting Wright to withdraw from the coach market. It also dabbled with minibus building but it was fighting amongst more established players in the market and so while a few sales took place, there were but a drop in the ocean.
Wright's breakthrough into the mainstream bus bodybuilding sector in the UK came in the early 1990s wIth the Handybus. The Handybus was a midibus body offered on a variety of chassis but was probably most successful than some with bodies on the emerging Dennis Dart in attracting reasonably-sized orders from a variety of operators including London Buses, Go Ahead Northern, Ulsterbus and Citybus (Belfast). It was a very square design but unusually featured a recessed driver’s windscreen, angled towards the driver. London Buses went for the type in a big way and many compared the type to the famous London RF type of the 1950s.
This was followed by Wrights with a move into the full size single deck market with the Endeavour which was fitted to Dennis Javelin, Leyland Tiger and Scania K93 chassis, and enabled Wright to develop its highly successful Endurance body which competed with the Alexander Strider and Northern Counties Paladin for orders on Volvo B10B and Scania N113CRB chassis. It saw Wrightbus bodies appear in a variety of fleets.
It was during this period that a friendship was struck between William Wright, son of the original Robert Wright, and Moir Lockheed, Chief Executive of the expanding GRT Group. GRT was one of the embryonic groups forming at that time and had high expectations of increasing passenger comfort. It saw Wrightbus bodywork increasingly preferred for GRT companies. When GRT merged with Badgerline to form Firstbus, it saw Wrightbus become that organisation’s preferred supplier.
Other Wright products introduced in this period included two Mercedes-Benz-based products, the O405 based Cityranger and the OH1416 based Urbanranger. This was launched around the time bus operators in the UK began switching to low floor chassis. As a consequence the Urbanranger only attracted a handful of orders. The Cityranger appeared in some GRT fleets. However Wright had become well established in the bus bodybuilding sector by then and was more than able to exploit the opportunities the low-floor revolution would offer it from the mid-1990s onwards.
In 1993, the Pathfinder on low floor Dennis Lance SLF and Scania N113CRL chassis was unveiled. It saw Wrightbus selected by London’s Buses as the body supplier for the first mass trial of these accessible. buses. Wrightbus was seen as the market leader for low-floor vehicles. However the Dennis and Scania N113CRL buses were still expensive as well as quite compromised (by today’s standards) for accessibility and if they were to achieve market penetration, what was needed was a cheaper alternatives for cost conscious operator. Step forward Wrightbus again, this time with Scania’s help.
The snappily titled Axcess-Ultralow was introduced in 1995 and offered on the Scania L113 chassis. At this time it was selling in reasonable numbers to UK bus operators, but unlike other bodybuilders who could only offer the L113 with step-entrance bodies, Wright modified it by removing the middle section of the chassis and thus offered UK bus operators one of the first mainstream low-floor body/chassis combinations. A major customer for the Axcess-Ultralow was Firstbus taking approximately 240. Next up was the Volvo B10L based Liberator introduced at the end of 1995. A notable purchase came from National Express, who ordered 120 in 1997.
Next came the Renown body built on the Volvo B10BLE which went on to become the standard bus of the Blazefield Group and was also ordered by Go-Ahead Northern and Firstbus. However Renown production was stopped when the B10BLE was replaced by the Volvo B7L on the new Wright Eclipse (later Wright Eclipse Metro), which due to its vertical rear engine wasn't popular with many operators. However Wright did not lose custom and many operators including the likes of Ulsterbus simply switched to the incline-engined Scania L94UB, on a similar Wright Solar body. Another bodywork, which resembles the current Solar/Eclipse range is the Meridian, which was bodied on the MAN A22 full low-floor single-deck chassis. It was introduced as an alternative to the MAN 18.220 range which only really sold to Stagecoach, with Alexander/TransBus/Alexander Dennis bodies. It didn’t sell well, with only a handful of Meridians going to Newport Transport. Other body types offered in due course were the Cadet and Commander on DAF/VDL bus, which sold well to Arriva companies, which was hardly surprising given Arriva held the import franchise for DAF/VDL Bus at the time.
As Dennis became part of Mayflower Bus and Coach, the number of Dennis bodies built by Wrightbus declined. However, Wrightbus offered the only real competition to the all conquering Dennis Dart with its Cadet body on both the Volvo B6LE (later B6BLE) and DAF/VDL SB120. Volvo later dropped the B7L, having replaced it with the B7RLE, more to UK operators tastes, and Wrightbus updated its Eclipse bodywork body work to offer the B7RLE with the Eclipse Urban, to differentiate it from the now renamed Eclipse Metro to anyone who wanted the B7L still. Which no one did…..It also introduced its first articulated vehicles, initially on Volvo chassis and later on Scania. These were the Eclipse Fusion on Volvo chassis and Solar Fusion on Scania, most of which went to Firstbus. However you may have noticed one sector not covered - double deckers. Wrightbus rather oddly felt that articulated buses were the way to go and saw no need for a double decker. That was to change.
With the formation of TransBus, it meant that the majority of Volvo’s double-deckers would be bodied by a competitor. Despite claims by TransBus to the contrary, Volvo was worried that TransBus would try and persuade potential customers to buy its own buses instead of Volvo’s. Whilst East Lancs could build some, it worried about capacity. It needed another option. So, that and pressure from operators with similar concerns persuaded Wrightbus to design a new double-decker body - The Gemini.
The first Wright Eclipse Gemini double-decker was first built on the Volvo B7TL chassis in 2001. A similarly styled bus entered service with Arriva London in August 2003 as the Wright Pulsar Gemini on the VDL DB250 chassis. Apparently designs were produced for a Scania version (Solar Gemini?) but none were built. But the Gemini was a stylish, smart design and looked well ahead of the competing President and ALX400 designs from TransBus as it was then. Large operators of Gemini-bodied buses include Arriva, FirstGroup, Go-Ahead Group and National Express. Key customers won from TransBus were Lothian Buses as well as Metroline, although other companies dual sourced and bought both Gemini’s and other type. Only Stagecoach remained immune and didn’t order any until 2016, although it acquire some with purchases of other companies, such as Yorkshire Traction’s operations in Lincolnshire and part of First’s Manchester’s operation with the sale of its Wigan garage.
Wrightbus formed an increasingly close relationship with Volvo and through Volvo, it won major export orders for operators in Asia with the B10TL Super Olympian and then the B9TL when the B10TL was discontinued. With TransBus going through its own issues, Wrightbus overtook it to be the UK market-leader in bus bodywork.
You may notice the slight important difference there. Wrightbus was a bodybuilder at this stage. It didn’t build its own buses. That didn’t come until much later. However an unexpected and subsequent blow saw the B7TL banned from London due to noise issues, removing an important market for a while until Volvo introduced its B9TL replacement a few years later.
Following the TransBus implosion, successor Alexander Dennis began to recover some of the ground it lost under TransBus. It updated its range to include the very stylish Enviro 200 and 300 single-deckers and 400 double-decker. So to fight back, Wrightbus refreshed its range to produce the Cadet 2, Eclipse 2 and Gemini 2. These were mainly built on Volvo and VDL Bus chassis, Scania having decided to launch its own integral range.
From 2008, Hybrids were seen as the next big thing in the bus world. Volvo introduced the B5LH and Wright adapted its Gemini body accordingly for this new design. However the company also introduced its own Gemini Integral. This wasn’t quite as integral as you may think as it was actually built on an adapted VDL Bus chassis. But it showed that the company was beginning to think along these lines.
The next big issue was the New Routemaster. I’ve covered that bus and its merits in detail here:- flic.kr/p/2mB9qfd
However, the winning of this contract would have a major effect on Wrightbus and some say that this is where the decline of the company started. It changed the company from a bodybuilder into a complete vehicle builder. So in a fateful decision, it acquired extra premises near its current factory to build the New Routemasters.
At the same time Wrightbus wasn’t immune to the flaws in the New Routemaster - in that no one outside London would buy it - and with only 1000 on order over five years, it had this new chassis plant that needed to be kept busy. So it made the second fateful decision to introduce its own integral range of complete buses.
To be fair to Wrightbus, this wasn’t all down to them. Fuel consumption was becoming a major concern to bus operators and loud voices, such as Firstbus’s Moir Lockheed, were calling for lighter weight chassis to save diesel. Alexander Dennis was ahead of the curve in this regard as most of its chassis were lightweight chassis anyway and Volvo and other chassis makes with their heavyweight chassis were seen suddenly as old hat. So Wrightbus introduced its lightweight Streetlite and Streetdeck range.
The Streetdeck was an integral double-decker built on a Wrightbus designed chassis. It had a Mercedes-Benz engine and was designed to compete with the Enviro 400 and crucially the Volvo B9TL. A hybrid version was also available. The Streetlite was a single-decker and available in two variants - the WF (Wheel Forward) which had its entrance behind the front wheel. That variant was designed to compete with the similar design of the Optare Solo. The DF (door forward) variant as seen here by 63268 (SN14DYW) was designed to compete with the Enviro 200. Initially, both Streetlites were available with Cummins and Mercedes-Benz engines, but Cummins was dropped with the move to Euro VI.
However, the decision to launch its own range seems to have led to a breakdown in the relationship with Volvo. Suddenly Wrightbus was competing with Volvo - sounds familiar. So in a repeat of earlier TransBus days, it launched bodywork available by Egyptian company MCV and even allowed Alexander Dennis to build on its chassis, who had launched their frighteningly competent and stylish Enviro 400MMC double-decker.
Nothing daunted, Wrightbus announced it was moving to a new factory in Ballymena, a converted tobacco factory. This would hopefully enable savings to be made as the whole assembly would be under one roof, rather than separate bits built on various halls on the previous factory. All looked fine at this stage but as the New Routemaster contract ended in 2017, it now meant that chassis plant desperately needed more orders. To improve the appeal of its vehicles, it updated the styling of its Eclipse and Gemini bodies, introducing a more aggressive, angular styling known as the ‘stealth’ front, after the United States Air Force’s F117A NIghthawk fighter, known as the Stealth Bomber. It certainly was an acquired taste compared to the curves of the previous Gemini. It also announced it was entering the fledgling electric bus market with the StreetAir, which was an electric single-decker based on an adapted Streetdeck chassis with batteries on the roof.
Then the problems started in 2018. Quality issues began to manifest themselves with its new integral range. Reports of build quality issues, even collapsed floors on some vehicles, began to surface. Although its Streetdeck/Streetlite range was selling, it wasn’t selling well enough to keep the vast new factory busy. It’s Streetdeck range hasn’t achieved any real penetration in London, a crucial market for double-deckers with only Arriva ordering a small batch. The hybrid version of the Streetdeck had flopped, with only First West Yorkshire taking any for use on park and ride services around Leeds. It’s Streetlite range had been ordered by some operators but was being outsold multiple times over by Alexander Dennis’s Enviro 200 model.
On top of that, key customers such as Firstbus and Arriva weren’t ordering as many buses as before or were placing what business they did want elsewhere. Quality issues had seen operators such as Metroline, Lothian and Tower Transit place orders elsewhere. Lothian, which had been the first - and so for only - customer for the StreetAir had found them hopelessly unreliable and it was reported that this unreliability was a key reason that it’s next buses were ordered from Alexander Dennis. The company was caught in a perfect storm.
Then came probably the issues that in all likelihood doomed the company. To keep the new Ballymena factory busy, it took the decision to build an order for a Hong Kong operator in Northern Ireland rather than in China, where buses for the former colony were assembled from kits. It also built Streetdeck buses in anticipation of an order from Firstbus but without the contract signed. Whilst this kept the workers busy, it proved a very expensive decision when you factor in build costs here compared to China and shipping to Asia. Building buses in anticipation of an order is also not a good idea, especially when the order isn’t then confirmed. These were the straws that broke the camel’s back. In July 2019, the company announced it needed investment to support what was listed as ‘cash flow’ issue. Then in September 2019, the company crashed into administration.
However it was the scale of the subsequent job losses that surprised many. The administrators - who in fairness to them have to try and salvage something from the financial wreckage of the company - only retained 50 of the staff and made the remaining 1,200 redundant. Whilst any job losses are terrible news for those affected, the size of these losses suggested that the company’s problems were more severe than anyone out with the directors of Wrightbus were letting on. Then stories came to light of poor working conditions and some questionable donations being made to a religious charity run and set up by the Wright family members. In fairness these donations were made in the past when the company was very profitable but it didn’t look good given the then current circumstances.
It looked the company may not survive. However, the slimmed down business was bought by Joe Bamford, son of the owners of the JCB Company who looked to set the company up as a pioneer in the field of Hydrogen Buses. The pandemic stunted the recovery but the company - which is now known as the Bamford Bus Company but trades as Wrightbus - has begun the slow climb back up from its darkest hour. Former staff were recruited again, helped by large orders from Rotala and Translink. The Rotala order included the same buses that were actually built in anticipation of the Firstbus order, which explains why some brand new Rotala buses running about Greater Manchester featuring interiors designed for Firstbus routes in Leeds. However these welcome orders gave the company the breathing room it needed to innovate and launch new products. Whether it’ll ever return to the levels it was, time will no doubt tell.
Actually I didn't think of getting her, I only wanted to get Sora, but I'm glad that I decided to get the 2 of them in the end because Umi is really beautiful !
Actually it is Brazil night at the Globefest fireworks display. It just looked like something from Mars when it started to erupt.
Surprisingly, because the metals are such perfect expressions of archetypal energies, we can actually learn quite a bit about people by studying the properties of metals and the behavior of planets. That same correspondence exists in the human temperament. For instance, the leaden person is someone who has, like Saturn, lost their bid to become a star. They have accepted a mere physical existence and believe the created world is all that counts. The positive characteristics of the saturnine person are patience, responsibility, somberness, structure and realism, true knowledge of history and karma. The black messenger crows of Chronos bring black moods, depression and despair to us, but they also alert us to illusion and fakeness in our lives.
While we have already discussed the planetary archetypes, it is worth reminding ourselves at this point exactly how the alchemists looked on the relationship between the planet and its metal. They believed that the metals had the same “virtue” as the corresponding planet, that a single spirit infuses both the planet and the metal. In other words, the planet was a celestial manifestation and the metal a terrestrial manifestation of the same universal force. Therefore, the metals are the purest expression of the planetary energies in the mineral kingdom, which is the basis for material reality on earth. The next stage of evolution on our planet is the plant kingdom, and the alchemists assigned a metal and its corresponding planet to describe the characteristics of every known herb, flower, and plant. Similarly, on the next level in the evolution of matter in the animal kingdom, all creatures carry their own metallic or planetary signatures, which are expressed in their behavior. In human beings, the alchemists referred to the sum total of the cosmic signatures of the metals as a person’s “temperament.” Originally, that word referred to the metallurgical process of “tempering” or mixing different metals to produce certain characteristics in an alloy. Although the alchemists considered lead the lowest of the base metals, they treated it with a great deal of respect, as they did its corresponding planet Saturn. Lead was said to carry all the energy of its own transformation, and it was that hidden energy that the alchemists sought to free. To the alchemists, the ancient metal was a powerful “sleeping giant” with a dark and secret nature that encompassed both the beginning and end of the Great Work.
Lead is the heaviest of the seven metals; it is very tied to gravity, form, and manifested reality. It is also a very stubborn metal known for its durability and resistance to change. Lead products dating from 7000 BC are still intact, and lead water pipes installed by the Romans 1,500 years ago are still in use today. Alchemists depicted lead in their drawings as the god Saturn (a crippled old man with a sickle), Father Time, or a skeleton representing death itself. Any of these symbols in their manuscripts meant the alchemist was working with the metal lead in the laboratory or a leaden attitude in his accompanying meditation.Lead is a boundary of heaviness for matter. Metals of greater atomic weight are too heavy and disintegrate over time (by radioactive decay) to turn back into lead. So radioactive decay is really a Saturnic process that introduces a new characteristic in the metals – that of time. All the hyper-energetic metals beyond lead are trapped in time to inexorably return to lead. There is no natural process more unalterably exact than radioactive decay. Atomic clocks, the most precise timekeeping devices we have, are based on this leaden process. Geologists measure the age of radioactive rocks by how much lead they contain, and the age of the earth is estimated by taking lead isotope measurements. In many ways, lead carries the signature of Father Time.Native lead, which is lead metal found in a chemically uncombined state, is actually extremely rare. It is found in the earth's crust in a concentration of only about 13 parts per billion. Lead does not form crystals easily, and thus the pure mineral form is very rare and extremely valuable as rock specimens. Such elemental lead can also be found in very unusual “metamorphosed” limestone and marble formations that are equally rare.Surprisingly, lead is in the same group in the Periodic Table as gold, and when it occurs in nature, it is always found with gold and silver. In fact, the chemical symbol for lead (Pb) is from the Latin word plumbum, which means “liquid silver.” We derive our words “plumbing” and “plumb bob” from the use of lead in those applications. In the smelting of silver, lead plays an important role by forming a layer over the emerging molten silver and protecting it from combining with the air and splattering out. The volatile molten lead covering is gradually burnt away, until only the pure silver metal “peeks out” (in the smelter’s terminology) in a stabilized form. Thus, lead protects and even sacrifices itself for the nobler metals.The planet Saturn and its metal and the planet have the same symbol (L) in alchemy. The Hermetic interpretation is that the symbol is basically the cross of the elements that depicts the division between the Above and Below or spirit and matter. The lunar crescent of the soul is below the cross, representing the manifestation (or entrapment) of soul below in matter. Despite these associations with the noble metals, lead itself never makes it to such heights among the metals. The silvery luster of fresh cut lead quickly fades, as if it were “dying” before your eyes. Furthermore, alchemists considered lead to be “hydrophobic” or against the life nourishing archetype of water. Lead ores lack the slightest water content and tend to form machine-like structures.The most common ore of lead is galena, which also contains the noble metals silver and gold. Galena is lead sulfide, a favorite of rock collectors because of its distinctive cubic shapes, characteristic cleavage, and high density. In fact, the structure of galena is identical to that of natural table salt. The two minerals have exactly the same crystal shapes, symmetry and cleavage, although galena crystals are thousands of times larger. Some galena may contain up to 1% silver and often contains trace amounts of gold. The large volume of galena that is processed for lead produces enough silver as a by product to make galena the leading ore of silver as well Galena definitely has the signature of lead. Its color is silver gray with a bluish tint. The luster ranges from metallic to dull in the weathered faces, and the isometric crystals are opaque to light. The massive crystals of galena almost always take the form of a cube or octahedron, and the cleavage is perfect in four direction always forming cubes. Because of the perfect cleavage, fractures are rarely seen and the dark crystalline structure is nearly perfect.Lead is also found in other sulfuric minerals like calcite and dolomite, as well as lead oxidation minerals such as and anglesite and cerussite, which is found in the oxidation zone of lead deposits usually associated with galena. Some formations show cerussite crusts around a galena core as if the act of oxidation was frozen in time. Cerrussite is lead carbonate and also a favorite of rock hounds. Its very high luster is due mostly to the metallic lead content, and just as leaded crystal glass sparkles more brilliantly because of its lead content, so too does cerussite. Cerussite has one of the highest densities for a transparent mineral. It is over six and a half times as dense as water. Most rocks and minerals average only around three times the density of water. Cerussite is famous for its great sparkle and density, and its amazing twinned (or double) crystals. The mineral forms geometrically intricate structures and star shapes that simply amazing to behold – sometimes the twinned crystals form star shapes with six "rays" extending out from the star.When freed from its ores, lead metal has a bluish-white color and is very soft – capable of being scratched by a fingernail. With its dull metallic luster and high density, lead cannot easily be confused with any other metal. It is also malleable, ductile, and sectile – meaning it can be pounded into other shapes, stretched into a wire, and cut into slices. However, lead is a dark, sluggish, base metal. Of the seven metals, it is the slowest conductor of electricity and heat, the least lustrous or resonant. Its Saturnic signature of heaviness is expressed not only in its being the heaviest metal but also in its tendency to form inert and insoluble compounds. No other metal forms as many. Although it tarnishes upon exposure to air like silver, lead is extremely resistant to corrosion over time and seems to last forever. Lead pipes bearing the insignia of Roman emperors, used as drains from the baths, are still in service. The surface of lead is protected by a thin layer of lead oxide, and it does not react with water. The same process protects lead from the traditional “liquid fire” of the alchemists – sulfuric acid. In fact, lead bottles are still used to store the highly corrosive acid. Lead is so inalterable, that half of all the lead in the world today is simply recovered from scrap and formed directly into bullion for reuse.Lead is truly a destroyer of light. It is added to high-quality glassware (lead crystal) to absorb light reflections and make the glass clearer. Lead salts in glass are not changed by light but change light itself by absorbing it. Incoming light in lead crystal meets with high resistance, but once it is within the glass, light is immediately absorbed or dispersed without any reflected light escaping. Sheets of lead are also impermeable to all forms of light, even high energy X-rays and gamma rays, which makes lead the perfect shield against any form of radiation and is why it is used to transport and store radioactive materials.Lead is an extremely poor conductor of electricity and blocks all kinds of energy transmission. Indeed, one of the signatures of lead is its ability to “dampen” or absorb energy. Unlike other metals, when lead is struck, the vibrations are immediately absorbed and any tone is smothered in dullness. Lead is an effective sound proofing medium and tetraethyl lead is still used in some grades of gasoline as an antiknock compound to “quiet” the combustion of gasoline.Thin lead sheets are used extensively in the walls of high-rise buildings to block the transmission of sound, and thick pads of lead are used in the foundations to absorb the vibrations of street traffic and even minor earthquakes. Lead sheets are widely used in roofing to block solar rays, and lead foil is used to form lightproof enclosures in laboratory work. Ultimately, lead corresponds to the galactic Black Hole that absorbs all forms of radiation and light.Lead reacts with more chemicals than any other metal, however, instead of producing something new and useful, lead “kills” the combining substance by making it inert, insoluble and unable to enter into further chemical reactions. Its salts precipitate out of solutions heavily and copiously. Lead has the same effect in the plant kingdom. It accumulates in the roots and slows down the “breathing” process in plants. Young plants are adversely affected by even the smallest amount of lead in the soil.Lead is poisonous and accumulates over time in the bones of the human body, where it cannot be flushed out. It has also been found in high concentrations in gallstones and kidney stones. The old alchemical graphic for lead – a skeleton – was grotesquely appropriate. The symptoms of lead poisoning (known as “Saturnism”) are lack of energy, depression, blindness, dizziness, severe headaches at the back of the head, brain damage, attention deficit disorder, learning disabilities and mental retardation, antisocial behavior and anger, atrophy of muscular tissue and cramping, excess growth of connective tissue resulting in a rigid appearance, rapid aging, coma, and early death. Rats fed only 5 parts per million of lead had a lifespan 25% shorter than normal rats. Children are especially vulnerable to lead poisoning, and it is believed to be an important factor in stillborn fetuses. Children with more than just 0.3 parts per million of lead in their blood suffer a significant slowing of brain function and corresponding drop in IQ. Lead in paint has caused mental retardation and premature aging in hundreds of children who ingested old flaking paint from the walls of their homes. Lead paint was used extensively until the poisonous effects were documented in the 1960s. Because of its lasting durability, lead paint is still used outdoors in advertising and the yellow lines on highways and curbs. The subtly controlling aspect of those applications is another signature of lead and of “leaden” persons in general.Not surprisingly, lead has found use as an insecticide and was even once considered for use as a military weapon. Lead metal reacts violently with fluorine and chlorine to form the highly poisonous gases, lead fluoride and lead chloride. Lead is also used in all kinds of ammunition – another appropriate application of lead’s esoteric signature as Father Time and the Grim Reaper. There are many research studies linking lead exposure to anger and violence, especially in adolescents. One recent study of all counties in the United States conducted by Colorado State University revealed that the murder rate in counties with the highest lead levels were four times higher than in counties with the lowest levels of lead.More benevolent uses of lead are in storage batteries, covering for underground and transoceanic cables, waste plumbing, shielding around X-ray equipment and nuclear reactors, solder, pewter, fine lead crystal glass, and flint glass with a high refractive index for achromatic lenses.Even the elemental metal carries the seed of its own redemption. The alchemists knew that Fire is lord over lead, for the metal has a low melting point and is easily separated from its ore by roasting in an open flame, and the metal itself melts in a candle flame. Lead expands on heating and contracts on cooling more than any other solid heavy metal. (Silver is the opposite and is considered an antidote to lead.)Perhaps owing to its dual nature, lead carries deeply hidden within its structure the fire of its own transformation. Many lead salts reveal a whole rainbow of brilliant colors, with the solar colors of yellow, orange, and red predominating. This is why lead has been used in paints for so many centuries. Finely divided lead powder is pyrophoric (“fire containing”) and easily catches fire or erupts spontaneously in flames. When made into a fine powder, lead metal must be kept in a vacuum to keep from catching fire. Otherwise, it ignites and burns down to a bright yellow ash, revealing its deeply hidden solar signature. So, the wonder of lead is that hidden deep inside the gray, dead metal is a tiny, eternal spark that is the seed of its own resurrection. In the eyes of alchemists, this makes lead the most important metal despite its unattractive darkness. For dull lead and gleaming gold are really the same things, only at different stages of growth or maturity.The Secret Fire inside lead is really the alchemical basis for transforming lead into gold, and correspondingly, gives mankind hope for its own spiritual transformation. That tiny spark of light in the darkest part of matter makes resurrection part of the structure of the universe. So, deep down inside, the metal lead also yearns to be transformed. It wants to rise in the air and fly, leave matter and form behind, and be free as Fire. Lead unites two contrasting forces: rigid heaviness and revivifying inner fire. Archetypically, the lead process is concerned with death and resurrection. Greek myth says that after death our soul is put on a scale, and the weights of the scale are made from lead, the metal that carries Saturn's signature.Lead is used in magical rituals, spells, and amulets to promote contact with deep unconscious levels (the underworld), deep meditation, controlling negativity, breaking bad habits and addictions, protection, stability, grounding, solidity, perseverance, decisiveness, concentration, conservation, and material constructions (buildings). Pick up a hunk of lead and the first thing you notice is its weight – its connection to gravity. It is that connection to something beyond matter and light, the very form of the universe that is the physical basis for this experiment. During the winter months, preferably on some clear night in late January or early February, go outside and find the planet Saturn in the northern sky. Relax and try to focus all your attention on the golden sphere. Relax completely with an open and quiet mind. Become empty and let the planet influence you. Do this until you feel a real connection with the distant planet. Continue gazing upon Saturn and place a piece of lead metal in your hand. You should be able to feel a strange resonance building. That eerie, cold vibration is not your imagination. It is what alchemists refer to as the “call of lead.” You are experiencing the metal’s true signature or living correspondence with its planetary twin.The strange connection between lead and Saturn has been documented by modern scientists, who have shown that lead compounds react differently depending on Saturn’s position in the sky. For instance, solutions of lead nitrate produce the greatest weight of crystallization (or manifestation) during February, when Saturn rules the sky, and the least during June, when Saturn is barely visible. Lead compounds also exhibit different properties when Saturn aligns with other planets. For example, lead sulfate solution rises 60% higher on strips of filter paper during conjunctions of Saturn with Mars than at other times. It is also known that the ease of making lead solutions (the “solubility coefficient” of lead) varies with the position of Saturn relative to the other planets. NASA is even considering a series of astrochemical experiments to see if the Saturn-lead effects become more pronounced in outer space.Surprisingly, because the metals are such perfect expressions of archetypal energies, we can actually learn quite a bit about people by studying the properties of metals and the behavior of planets. That same correspondence exists in the human temperament. For instance, the leaden person is someone who has, like Saturn, lost their bid to become a star. They have accepted a mere physical existence and believe the created world is all that counts. The positive characteristics of the saturnine person are patience, responsibility, somberness, structure and realism, true knowledge of history and karma. The black messenger crows of Chronos bring black moods, depression and despair to us, but they also alert us to illusion and fakeness in our lives. Surprisingly, because the metals are such perfect expressions of archetypal energies, we can actually learn quite a bit about people by studying the properties of metals and the behavior of planets. That same correspondence exists in the human temperament. For instance, the leaden person is someone who has, like Saturn, lost their bid to become a star. They have accepted a mere physical existence and believe the created world is all that counts. The positive characteristics of the saturnine person are patience, responsibility, somberness, structure and realism, true knowledge of history and karma. The black messenger crows of Chronos bring black moods, depression and despair to us, but they also alert us to illusion and fakeness in our lives. Surprisingly, because the metals are such perfect expressions of archetypal energies, we can actually learn quite a bit about people by studying the properties of metals and the behavior of planets. That same correspondence exists in the human temperament. For instance, the leaden person is someone who has, like Saturn, lost their bid to become a star. They have accepted a mere physical existence and believe the created world is all that counts. The positive characteristics of the saturnine person are patience, responsibility, somberness, structure and realism, true knowledge of history and karma. The black messenger crows of Chronos bring black moods, depression and despair to us, but they also alert us to illusion and fakeness in our lives. Because the lusterless metal is so “dead” and resists interaction with other substances, it is used as containers for acids, like automobile batteries, and is used as a lining in pipes that carry corrosive substances. Similarly, the lead tempered person is like an acid-proof container that stores up caustic feelings and anger. Phrases like “acid tongued” and “vitriolic” have their origins in this alchemical process of storing negative emotional energy.On the psychological level, lead is symbolic of a person’s inertness and unwillingness to change. There is a denial of all higher or spiritual energies, and the alchemists often portrayed the leaden person as lying in an open grave or hopelessly chained to matter in some way. A feeling of being trapped in material reality is symptomatic of a leaden attitude. Leaden people are stubborn, unyielding, and often control other people by making them wait. They must always be right, rarely accept blame or admit to being in error, and have no real regard for the truth of a situation. They may be religious but not spiritual. They tend to be suspicious of genius and inspiration, which they will often attribute to fantasy, They feel threatened by freedom of thought and expression, and sometimes use ridicule or try to “push people’s buttons” to control it. They tend to be very uncreative, judgmental, and smug.On the other hand, leaden people are grounded, earthy, and practical. They are good friends during times of bereavement – a rock of support at funerals and deathbeds. Such people secretly crave stimulation, excitement, and new ideas. They gravitate to people who supply energy and entertainment in their lives. This craving for stimulation often makes them focus on nervous energy instead of higher inspiration. Therefore, Saturn’s children can be very reactive and excitable instead of lethargic, as they try to escape from their prison of matter.As soon as bright, fresh lead metal is exposed to air, it forms a dull-gray oxide layer called the “litharge” that resists any further chemical interaction. In alchemy, air is associated with spiritual energy, and lead reacts to it by instantly forming a barrier or blocking it. Likewise, one of the distinguishing characteristics of someone with a lead temperament is their lack of interest in spiritual ideas. There is also a general lack of interest in life in general, and leaden people often seem lazy, lethargic, or unresponsive.In the individual, lead absorbs the inner light or insight necessary for personal growth and blocks all outside “radiations,” such as attempts at spiritual instruction by others. Because psychological lead absorbs both the deeper vibrations of intuition and higher spiritual energies and aspirations, the person with a lead temperament is uninspired, unimaginative, and lacks that creative spark so necessary for positive change. Before long the lead person starts to feel trapped in his or her dull environment and seeks out excitement, death-defying feats, lively people, and challenging conversation. Their favorite color is often red, and unconsciously, they are seeking the alchemical element of Fire. Fire is one of the Four Elements that represents activity, energy, creative thinking, and transformation. Fire is the tool alchemists use to begin the transmutation of lead into gold as well as transform leaden consciousness into a golden awareness of higher reality. In the laboratory, the changes in the metal and in the alchemist take place simultaneously. Otherwise, there can be no real transformation. The alchemists transmuted the Lead temperament using the Fire operation of Calcination. Physically, lead and Saturn rule the bones, teeth, spleen, and slow chronic processes such as aging. The therapeutic effects are contracting, coagulating, drying, and mineralizing. Saturn-ruled plants enhance the structures of life. They give a sobriety of disposition, en-abling one to see limitations. These plants give steadiness, solidity of pur-pose, subtlety, diplomacy, patience, and an ability to work on the physical plane better.Saturnic or leaden energies are needed for those who have a hard time finishing pro-jects or for those with plenty of ideas but never realize them. Alchemists seeking to produce physical effects found in saturnine elixirs the essential vibratory rate that enabled materialization. Alchemists seeking to produce physical effects found in saturnine elixirs the essential vibratory rate that enabled materialization. Generally speaking, any other elixir mixed with a Saturn elixir will be earthed, which makes them of great value when working on physical plane phenomenon. Their physical therapeutic properties become refrigerant, anti-pyretic, sedative, styptic, and astringent.For instance, if one mixes a saturnine elixir with a mercurial one, the alchemists believed it would release knowledge contained in secret magical manuscripts or in ancient hermetic traditions, because the Saturn-Mercury vibration contains all hidden knowledge of an esoteric nature within it. Alchemical oils were mixed in the same way. For example, to treat leukemia, alchemists would prescribe an equal mixture of lead oil and gold oil. The alchemists made an Oil of Lead that was good for “growth of bones after breaking, strengthening the skeleton, osteoporosis and atrophy of the bones, stimulation of the spleen, drying tissue, reducing secretions and discharges, stopping bleeding, reducing fever, increasing patience, and stopping visions and an overactive imagination.” They also suggested it for hallucinations due to neurological disorders that have delirious after-effects such as encephalitis and post-traumatic stress syndrome. In the “like cures like” philosophy of homeopathy, lead is used to treat sclerosis, the hardening of bones and arteries, which is the hallmark of old age and signature of lead. The homeopathic name of lead is Plumbum metallicum. Native tin is known as stannum, which is the Latin word for tin and also gives the metal its chemical symbol (Sn). The alchemical symbol is K, which shows the lunar principle of soul above the cross of the elements or emerging from the darkness of matter.
Tin is a shiny, silvery-white metal that is malleable, somewhat ductile and sectile, and seems like a perfected form of lead to the casual observer. In fact, the Romans called tin Plumbum album or “white lead.” Tin resists weathering and does not oxidize, and tin utensils buried underground or lost at sea in sunken ships shone like new when rediscovered after hundreds of years. “Tinkers” were gypsy craftsmen who wandered from neighborhood to neighborhood in Europe repairing tin kettles and utensils or melting them down and recasting them. Native or elemental tin is extremely rare in nature and is found with gold and copper deposits. The metal was considered “semi-noble” in ancient times and was used for jewelry in Babylonia and Egypt. The Romans used it to make mirrors, and it was used as coinage in Europe at one time.
Tin has a highly crystalline structure, and due to the breaking of these crystals, a "cry" is heard when a tin bar is bent. Unlike lead, tin has pleasing acoustic effects and is used in the making of bells. The crystals in common grey tin have a cubic structure, but when heated or frozen it changes into white tin, which has a tetragonal structure. After further heating or freezing, white tin disintegrates into a powdery substance. This powder has the ability to “infect” other tin surfaces it comes in contact with by forming blisters that spread until all the metal “sickens” and disintegrates. This transformation is encouraged by impurities such as zinc and aluminum and can be prevented by adding small amounts of antimony or bismuth to the metal. The sickness of tin was called the “tin plague” and was the scourge of tin roofs during Europe’s frigid winters. The mysterious effect was first was first noticed as “growths” on organ pipes in European cathedrals, where it was thought to be the work of the devil to disfigure god’s work.Tin metal has only a few practical uses and most tin is used in alloys. Bronze is an alloy of 5% tin and 95% copper, and the development of bronze by humans marked a new age of advancement known as the Bronze Age. Most solder is a combination of tin and lead; pewter is also an alloy of tin and lead. Other tin alloys are used to make tin cans and tin roofs, and tin has significant use as a corrosion fighter in the protection of other metals. Tin resists distilled, sea and soft tap water, but is attacked by strong acids, alkalis, and acid salts. When heated in air, tin forms tin oxide, which is used to plate steel and make tin cans. Other uses are in type metal, fusible metal, Babbitt metal, and die casting alloys. Tin chloride is used as a reducing agent and mordant in calico printing. Tin salts sprayed onto glass are used to produce electrically conductive coatings, which are used for panel lighting and for frost-free windshields. Window glass is made by floating molten glass on molten tin to produce a flat surface. A crystalline tin-niobium alloy is superconductive at very low temperatures, and shoebox-sized electromagnets made of the wire produce magnetic fields comparable to conventional electromagnets weighing hundreds of tons.The distribution of tin on earth follows an ecliptic at an angle of 23.5 º to the equator that is an exact track of the orbit of Jupiter slicing through the planet. Even stranger, these jovian forces seem to form tin veins that zigzag through the rocks in a lightening bolt pattern. This is no haphazard effect, but an astonishing confirmation of Jupiter freeing the metals from their Saturnic prison on earth. Goethe was just one great alchemical philosopher who believed this. “A remarkable influence proceeds from the metal tin,” he wrote. “This has a differentiating influence, and opens a door through which a way is provided for different metals to be formed from primeval rocks.”Tin ore minerals include oxide minerals like cassiterite and a few sulfides such as franckerite. By far the most tin comes from cassiterite or tin oxide. Reduction of this ore in burning coal results in tin metal and was probably how tin was made by the ancients. Cassiterite is a black or reddish brown mineral that has ornately faceted specimens with a greasy, high luster. It is generally opaque, but its luster and multiple crystal faces cause a sparkling surface. Cassiterite has been an important ore of tin for thousands of years and is still the greatest source of tin today. Most aggregate specimens of cassiterite show crystal twins, with the typical twin bent at a near-60-degree angle to form a distinctive "Elbow Twin." Other crystalline forms include eight-sided prisms and four-sided pyramids. Cassiterite is sometimes found in nature associated with topaz and fluorite gemstones.Tin has a surprising affinity for silica and shares its crystalline structure. In the jovian ring on our planet where native tin is found, the metal lies in silica veins of quartz and granite. In the body, high concentrations of tin and silica are found in the boundary layer of the skin, and tin reacts with silica acid in many of the “shaping” processes of growth. In the Middle Ages, sick people were served food on a tin plate and drinks in a tin vessel to help them regenerate and recover their strength. Today, we know that tin acts as a bactericide and pesticide.Native tin is known as stannum, which is the Latin word for tin and also gives the metal its chemical symbol (Sn). The alchemical symbol is K, which shows the lunar principle of soul above the cross of the elements or emerging from the darkness of matter.
Tin is a shiny, silvery-white metal that is malleable, somewhat ductile and sectile, and seems like a perfected form of lead to the casual observer. In fact, the Romans called tin Plumbum album or “white lead.” Tin resists weathering and does not oxidize, and tin utensils buried underground or lost at sea in sunken ships shone like new when rediscovered after hundreds of years. “Tinkers” were gypsy craftsmen who wandered from neighborhood to neighborhood in Europe repairing tin kettles and utensils or melting them down and recasting them. Native or elemental tin is extremely rare in nature and is found with gold and copper deposits. The metal was considered “semi-noble” in ancient times and was used for jewelry in Babylonia and Egypt. The Romans used it to make mirrors, and it was used as coinage in Europe at one time.
Tin has a highly crystalline structure, and due to the breaking of these crystals, a "cry" is heard when a tin bar is bent. Unlike lead, tin has pleasing acoustic effects and is used in the making of bells. The crystals in common grey tin have a cubic structure, but when heated or frozen it changes into white tin, which has a tetragonal structure. After further heating or freezing, white tin disintegrates into a powdery substance. This powder has the ability to “infect” other tin surfaces it comes in contact with by forming blisters that spread until all the metal “sickens” and disintegrates. This transformation is encouraged by impurities such as zinc and aluminum and can be prevented by adding small amounts of antimony or bismuth to the metal. The sickness of tin was called the “tin plague” and was the scourge of tin roofs during Europe’s frigid winters. The mysterious effect was first was first noticed as “growths” on organ pipes in European cathedrals, where it was thought to be the work of the devil to disfigure god’s work.Tin metal has only a few practical uses and most tin is used in alloys. Bronze is an alloy of 5% tin and 95% copper, and the development of bronze by humans marked a new age of advancement known as the Bronze Age. Most solder is a combination of tin and lead; pewter is also an alloy of tin and lead. Other tin alloys are used to make tin cans and tin roofs, and tin has significant use as a corrosion fighter in the protection of other metals. Tin resists distilled, sea and soft tap water, but is attacked by strong acids, alkalis, and acid salts. When heated in air, tin forms tin oxide, which is used to plate steel and make tin cans. Other uses are in type metal, fusible metal, Babbitt metal, and die casting alloys. Tin chloride is used as a reducing agent and mordant in calico printing. Tin salts sprayed onto glass are used to produce electrically conductive coatings, which are used for panel lighting and for frost-free windshields. Window glass is made by floating molten glass on molten tin to produce a flat surface. A crystalline tin-niobium alloy is superconductive at very low temperatures, and shoebox-sized electromagnets made of the wire produce magnetic fields comparable to conventional electromagnets weighing hundreds of tons.The distribution of tin on earth follows an ecliptic at an angle of 23.5 º to the equator that is an exact track of the orbit of Jupiter slicing through the planet. Even stranger, these jovian forces seem to form tin veins that zigzag through the rocks in a lightening bolt pattern. This is no haphazard effect, but an astonishing confirmation of Jupiter freeing the metals from their Saturnic prison on earth. Goethe was just one great alchemical philosopher who believed this. “A remarkable influence proceeds from the metal tin,” he wrote. “This has a differentiating influence, and opens a door through which a way is provided for different metals to be formed from primeval rocks.”Tin ore minerals include oxide minerals like cassiterite and a few sulfides such as franckerite. By far the most tin comes from cassiterite or tin oxide. Reduction of this ore in burning coal results in tin metal and was probably how tin was made by the ancients. Cassiterite is a black or reddish brown mineral that has ornately faceted specimens with a greasy, high luster. It is generally opaque, but its luster and multiple crystal faces cause a sparkling surface. Cassiterite has been an important ore of tin for thousands of years and is still the greatest source of tin today. Most aggregate specimens of cassiterite show crystal twins, with the typical twin bent at a near-60-degree angle to form a distinctive "Elbow Twin." Other crystalline forms include eight-sided prisms and four-sided pyramids. Cassiterite is sometimes found in nature associated with topaz and fluorite gemstones.Tin has a surprising affinity for silica and shares its crystalline structure. In the jovian ring on our planet where native tin is found, the metal lies in silica veins of quartz and granite. In the body, high concentrations of tin and silica are found in the boundary layer of the skin, and tin reacts with silica acid in many of the “shaping” processes of growth. In the Middle Ages, sick people were served food on a tin plate and drinks in a tin vessel to help them regenerate and recover their strength. Today, we know that tin acts as a bactericide and pesticide.
Flowers last longer in tin vases, and food has been preserved in the tin cans (actually a thin layer of tin on iron) for over a century. Beer (ruled by the jovial Jupiter) is said to taste best from a tin mug. Jupiter rules growth, the metabolic system, the liver, and the enrichment of the blood from food. Jupiter therapeutic effects are anti-spasmodic and hepatic. Jupiter-ruled plants preserve the body and promote healthy growth and are the natural healing herbs of the planetary system. They af-fect the mind in such a way as to promote an understanding of ritual form from the highest point of view, and religious leaders, doctors, lawyers, etc. will find great benefit from jovian herb remedies. They also attune one to the wealth vibration and open up channels for growth and expansion, materi-ally as well as spiritually.Jupiter controls the circulation of blood in the human body. If mixed with a solar herbal eider, it will give the alchemist access to the highest plane. Jupiter-Mercury combinations produce insight into the philosophical principles of any system and their part in the cosmic scheme and provide an intuitive understanding of the great spiritual masters. This particular herbal mixture also produces a lightheartedness and gaiety, which can be very useful to those with a predisposition to depression or gloominess. The physical properties of such a mixture are anabolic and antispasmodic.The alchemists made an Oil of Tin that was used to treat the liver (jaundice, hepatitis, cirrhosis), certain types of eczema, liquid ovarian cysts, inflammatory effusions, pleurisies, acne, water retention, and certain types of obesity. This oil was said to be excellent for someone "loosing shape." The oil was also used as a sweat inducer, wormer, antispasmodic, cathartic, and laxative.The polar (opposite) metal to tin is mercury, and Oil of Tin was said to be an excellent antidote for mercury poisoning, and likewise mercury was said to balance the bad effects of tin. Tin and mercury oil combined are said to provide deep insight and cure lightheadedness and certain phases of manic-depressive syndrome.The homeopathic form of tin is called Stannum, a remedy which is said to strengthen and regenerate muscle and brain tissue. It is also a remedy for the joints and connective tissue of ligaments and cartilage. Stannum is allegedly beneficial in liver disease and is used for congestion, hardening, encephalitis, and other illnesses where the fluid balance is upset.During the early Spring, preferably sometime in March, go outside and find the red planet Mars in the night sky. Relax and try to focus all your attention on the tiny red sphere. Relax completely with an open and quiet mind. Become empty and let the planet influence you. Do this until you feel a real connection with the distant planet. Continue gazing upon Mars and place a piece of iron in your hand or a small cast iron pot or other object but not something of made of steel or chromed. You should be able to feel a resonance building. It is what alchemists refer to as the “call of iron.” You are experiencing the metal’s true signature or living correspondence with its planetary twin. See how your feelings compare to how the alchemists felt about this powerful metal.When mixed with solar herbs, iron herbs increase energy and activate the energetic potentials of other herbs. Martian elixirs release the action poten-tial of the soul of something. When mixed with other herbs, martian herbs acti-vate the potentialities of the other herbs to a great degree making them more forceful in applica-tion and generally more active. Mars herbs are wonderful tonics when mixed with Sun herbs. The combination gives great physical energy, tones the muscles, and increases sexual potency. They also provoke self-reliance, spontaneity, and indepen-dence of attitude. If the alchemist is involved in magical evocation, a mixture of a mars, moon, and mercurial elixirs will help produce the physical plane vehicle of manifestation.Copper is a reddish-brown metal with a bright metallic luster. It is in the same group in the Periodic Table as gold, and like gold, it is remarkably ductile. It is also very malleable and sectile (it can be pounded into other shapes and cut into slices) and is an excellent conductor of heat and electricity. Molten copper is a sea green color, and copper tarnishes with a green color and burns with a blue-green flame with flashes of red, and the alchemists sometimes described Venus, the metal’s archetypal planetary source, as dressed in a blue cloak over a red gown.Pick up a piece of copper and the first thing you notice is its surprising feeling of warmth and moisture. It is that connection to something archetypal and nourishing that makes up the signature of this metal. It is easy to connect with copper, just as its planet (Venus) is easy to see in the sky. It is so brilliant it is often mistaken for a bright star or even a UFO. The best time to see it is in the early evening or morning when it is close to the horizon. In fact, Venus has been called both the “Morning Star” and the “Evening Star” and is associated with magical energies. It is the “first star I see tonight” upon you make you wish that will come true with the sympathetic venusian energies. On some clear night or morning, go outside and find the planet Venus. Relax and try to focus all your attention on the brilliant white sphere. Relax completely with an open and quiet mind. Become empty and let the planet influence you. Do this until you feel a real connection with the distant planet. Continue gazing upon the planet and grab a piece of copper, a fistful of pennies, or even a copper cooking utensil. You should be able to feel a warm resonance building. That deep and soothing vibration is not your imagination. It is what alchemists refer to as the “call of copper.” You are experiencing the metal’s true signature or living correspondence with its planetary twin.The venusian signature gives refinement of senses and the ability to appreciate beauty. Artists, actors, and others in the public eye will find these elixirs a great aid to performing their work. Venus herbs also enhance the taste perceptions, promote affection, give an amiable disposition, and make one more psychically sensitive to astral influences. For those who feel a lack of charm, or some of the softer human qualities, a venusian elixir will stimulate the right vibration in your aura. Venusian elixirs also promote harmony and balance within our being and in our dealings with others. Venusian elixirs are said to give access to that realm of the astral that is intimately connected with the working and forces of the most intimate magic of nature. They are a great aid to alchemists who wish to make herbal alchemy their life work, as they open up the human consciousness to the secrets of the plant kingdom. Naturalists will find these elixirs most illuminating, as they will give conscious con-tact with the various “deities” of long past nature religions.Mercury is truly unique. It is the only metal that is liquid at room temperature and the heaviest natural liquid on the planet. According to alchemical theory, all the metals began in the liquid state on deep in the earth, but only mercury was able to retain it original innocence and life force and resist taking on a final form, and for that reason, the ancients called it Mercurius vivens (the “living mercury”). This silvery liquid metal (also known as “Quicksilver”) was known to ancient Chinese and Hindus before 2000 BC and has been found in sacred tubes in Egyptian tombs dated from 1500 BC. It was first used to form alloys with other metals around 500 BC. The Greeks applied germ-killing ability of mercury in healing ointments (to the benefit of those afflicted with wounds and skin infections), and in the Middle Ages, Paracelsus used it successfully to treat syphilis. However, the ancient Romans applied mercury compounds for long-term use in cosmetics, and many beautiful women eventually died of its cumulative poisonous effects. Today, many popular brands of eye makeup still contain low levels of mercury.In the East, metallic mercury was the main ingredient in most Tantric medicinal preparations. In his travels through India, Marco Polo observed that many people drank a concoction of mercury and sulfur twice monthly from early childhood with no observable ill effects. They believed the drink gave them longevity. Tantric alchemists in India still take metallic mercury in place of food as an elixir of life, although they caution that the body must be perfectly attuned and strengthened to tolerate the intense cosmic infusion of life force. In Indian alchemy, mercury is called rasa, which refers to the subtle essence that is the origin of all forms of matter. The cosmic chaos from which the universe sprang is called the Rasasara or “Sea of Mercury.” The craft of alchemy is referred to as Rasayana or “Knowledge of Mercury.” Go outside on the night of the full moon and gaze up at the silver orb. Relax and try to focus all your attention on the surface of the moon. Relax completely with an open and quiet mind. Become empty and let our closest planetary body influence you. Do this until you feel a real connection. Now, pick up piece of silver jewelry or dinnerware, and hold it in your left hand until it gets warm. You should be able to feel a liquid-like sensation of cool metallic energy. This is what alchemists refer to as the “call of silver.” You are experiencing the metal’s true signature or living correspondence with the moon itself. Try to remember how this feels in your body. Has the taste in your mouth changed? Has your eyesight altered? How does your skin feel.The alchemists prepared an Oil of Silver they used to treat disorders of the brain and cerebellum, reduce stress, balance emotions, improve memory, treat nervous disorders and epilepsy, improve both melancholia and mania. It was also used as a physical purgative and mental purifier. It was said to affect the subconscious mind, see into the past clearly, remove fears and blockages, allow one to unwind, produce “homey” feelings, give a feeling of grace and sensitivity, and enhanced imagination.Using elaborate mixing and heating techniques, Egyptian alchemists tried making gold by changing the proportions of the Four Elements in the base metals or by attempting to speed up natural growth of lesser metals into gold. Around 100 AD, Egyptian alchemist Maria Prophetissa used mercury and sulfur to try to make gold. Around 300 AD, the alchemist Zosimos, whose recipes often came to him in dreams, was working to transmute copper. “The soul of copper,” he wrote must be purified until it receives the sheen of gold and turns into the royal metal of the Sun." A technique known as "diplosis" (“doubling”) of gold became popular. One such recipe called for heating a mixture of two parts gold with one part each of silver and copper. After appropriate alchemical charging that brought the seed of gold alive, twice as much of a gold as originally added was produced. Egyptian alchemists believed that the gold acted as a seed in metals, especially copper and silver. According to their view, the seed of gold grew, eating the copper and silver as food, until the whole mixture was transformed into pure gold.Gold is a stubbornly pure metal when it comes to reacting or even associating with “lesser” elements. That signature explains a lot of the chemical characteristics of gold. Unlike nearly every other metal, there are no plants that contain even trace amounts of metallic gold. There are very few gold ores, because the noblest metal never alloys with the baser metals, but does alloy with the noble metal silver and makes an amalgam with mercury.Gold is extremely ductile, malleable, and sectile, and so soft it can be cut with a knife, which makes gold impractical to use for tools. It is also very heavy. A gold bar is twice as heavy as an equal-sized bar of lead. Furthermore, gold embodies an inner equilibrium of forces that make it pretty much indestructible. Gold never tarnishes like copper or silver or rust like iron and, whether found buried in the ground, at the bottom of the ocean, in an ancient tomb, or in the ring on your finger, it always looks the same. It cannot be damaged by heat and was considered completely inalterable until around 1100 AD, when alchemists concocted a mixture of nitric and hydrochloric acids known as Agua Regia (“Royal Water”) that could dissolve gold. The immortal metal is endlessly recycled, and all the gold known today is very nearly equal to all the gold that has ever been mined. One ounce of gold can be stretched into a single wire 35 miles long, or it can be beaten to just a few atoms thick. It is the most flexible, enduring, and beautiful of all metals.
Gold shows a distinct affinity for sulfur and forms an ore with a rare element called tellurium. It is one of the few elements gold easily bonds with. In fact, telluride is rarely found without gold. Gold also appears in minerals that are part of a group of tellurium sulfides called the tellurides. However, the amount of gold in these minerals is really miniscule next to the amount of gold found in its native metallic state. Native gold seems to like the company of the purest white quartz and is also found mixed with deposits of pyrite and a few other sulfide minerals. Gold is six times rarer than silver, and it takes about three tons of gold ore to extract an ounce of gold metal.Around the world, nearly every culture associated their supreme god or goddess with gold. For many centuries only the images of gods graced gold coins, until Alexander the Great began the trend of rulers’ images appearing on gold coins around 30 BC. Even the most primitive societies recognize the sacred properties of gold. For example, the Makuna tribes of modern Brazil believe that gold contains “the light of the sun and stars." The chemical symbol for gold (Au) comes from the Latin word aurum meaning "gold.” The alchemical cipher for gold is a rendition of the sun (A), and gold was considered a kind of congealed light. Sol is the King of alchemy, and his royal purple-red color is revealed in gold colloidal solutions, and red is his symbolic color. Sol Philosophorum was the name the alchemists gave to this living spirit of gold, which they saw as the refined essence of heat and fire. Gold was known and considered sacred from earliest times. Gold became popular because it reminded people of the sun with its warm, life-giving properties. Because of its imperishability, the ancient Chinese thought that gold conveyed immortality to its owners. Egyptian inscriptions dating back to 2600 BC describe these same associations with gold. Gold replaced bartering around 3500 BC when the people of Mesopotamia started using it as a kind of money because of it eternal value. By 2800 BC, gold was being fashioned into standardized weights in the form of rings. People started carried black stones called “touchstones” onto which they scraped a piece of gold to leave a streak. Depending on the brightness of the streak, one could estimate how much gold was in the sample. Around 1500 BC, Mesopotamian alchemists discovered a process for purifying gold known as "cuppellation," which involved heating impure gold in a porcelain cup called a “cuppel.” Impurities were absorbed by the porcelain, leaving a button of pure gold behind. Later alchemists used cuppels to test the quality of their transmutations.Using elaborate mixing and heating techniques, Egyptian alchemists tried making gold by changing the proportions of the Four Elements in the base metals or by attempting to speed up natural growth of lesser metals into gold. Around 100 AD, Egyptian alchemist Maria Prophetissa used mercury and sulfur to try to make gold. Around 300 AD, the alchemist Zosimos, whose recipes often came to him in dreams, was working to transmute copper. “The soul of copper,” he wrote must be purified until it receives the sheen of gold and turns into the royal metal of the Sun." A technique known as "diplosis" (“doubling”) of gold became popular. One such recipe called for heating a mixture of two parts gold with one part each of silver and copper. After appropriate alchemical charging that brought the seed of gold alive, twice as much of a gold as originally added was produced. Egyptian alchemists believed that the gold acted as a seed in metals, especially copper and silver. According to their view, the seed of gold grew, eating the copper and silver as food, until the whole mixture was transformed into pure gold.According to the medieval alchemists, Nature sought continually to create the perfection achieved in gold, and they looked at every metal as gold in the making. Alchemists also thought that the objective of every metal was to become gold, and every metal was tested for corrosion and strength and ranked as to how far it was from gold. Many alchemists felt that mercury was the closest metal to gold and that it could be transmuted directly into gold. Their intuition was correct, for mercury can indeed be turned into gold. Gold and mercury are next to each other on the Periodic Table. Mercury is element 80 (has 80 protons) and gold is element 79 (has 79 protons). In the 1960s, physicists were able to knock out a proton in mercury atoms using neutron particle accelerators, and thereby create minute quantities of gold.Gold is at the head of the metals, paired with what in the medieval mind was the strongest planet, the Sun. The alchemists were obsessed with gold’s signature of perfection. Medieval Italian alchemist Bernard Trevisan speculated, "Is not gold merely the Sun’s beams condensed into a solid yellow?" Seventeenth-century alchemist John French asked fervently: “Is there no sperm in gold? Is it not possible to exalt it for multiplication? Is there no universal spirit in the world? Is it not possible to find that collected in One Thing which is dispersed in all things? What is that which makes gold incorruptible? What induced the philosophers to examine gold for the matter of their medicine? Was not all gold once living? Is there none of this living gold, the matter of philosophers, to be had anymore?”Gold is highly valued in the everyday world too. It is used as coinage and is a standard for monetary systems in many countries. It is used to make jewelry and artwork, and also in dentistry, electronics, and plating. Since it is an excellent reflector of infrared energy (such as emerges from the sun), the metal is used to coat space satellites and interstellar probes. Chlorauric acid is used in photography for toning the silver image. It is also used in medicine to treat degenerative diseases such as arthritis and cancer.Chemist Lilly Kolisko performed experiments with gold chloride and showed its chemical behavior coincided with events that altered the strength of the sun, such as the weakening in solar forces during solar eclipses or their increase during the summer solstice. Moreover, she found that both silver and gold salts seemed to be equally influenced by the sun. In the case of silver, it was the forms or patterns that changed, whereas in the gold, it was the colors that changed. Silver shapes moved from jagged spikes to smooth rolling forms but the colors remained hues of grey, while the basic shape of gold patterns remained the same but the colors changed from brilliant yellows through violet to reddish-purple hues. This work presents an amazing confirmation of how the King and Queen, Sol and Luna, work together in creation, with the female principle representing soul and form and the male principle representing spirit and energy. Kolisko’s innovative work with the metals is presented in the Appendix. Her work has been duplicated by dozens of other chemists and has been confirmed many times.The signatures of gold are invoked in rituals, magical spells, and talismans concerning solar deities, the male force, authority, self-confidence, creativity, financial riches, investments, fortune, hope, health, and worldly and magical power. Gold talismans can be very expensive, but you can make one of gold colored cardboard or write the symbols on it with gold paint or plate an object with gold. Gold jewelry is said to improve self-confidence and inner strength. To charge water with the signature of gold, put a gold object in a glass of water and let sit in the sunlight for 6-10 hours.During sunrise or sunset, face the sun and try to feel it archetypal presence. If not too bright, gaze into the rising or setting sun and try to see the metallic solar disk of which the Egyptian alchemists spoke. Relax and try to focus all your attention on the golden sphere. Relax completely with an open and quiet mind. Become empty and let the presence at the center of our solar system influence you. Do this until you feel a real connection with the distant sun. Continue facing the sun as you pick up a piece of gold jewelry or a vial of pure gold flakes (such as sold in some novelty shops) into your right palm. You should be able to feel a electric warmth building. That eerie, warm vibration is not your imagination. It is what alchemists refer to as the “call of gold” – the resonation of the metal with its “planet.” You are experiencing the metal’s true signature or living correspondence, and for gold, this is the most perfect expression of all materials. If you can connect with this archetype, you will realize that it a very personal as well as divine presence. As Above, so Below. This is perfection on all levels of your mind, body, and soul resonating with the perfection inherent in the Whole Universe.For those with weaker wills or loss of contact with the divine presence, gold represents a psychological cure. The solar essences gives great ambition, courage, self-re-liance, dignity, authority, and the ability to manage oneself and others. The creative principle, no matter how small and insignificant it is within us can be enhanced to a great degree by tapping into the solar archetype. Just as the Sun represents the di-vine creative force in our immediate solar system, gold represents the same thing in our inner temperament. For lasting manifestation, the golden temperament needs to be firmly grounded in the world, and the danger at this phase of transformation is that the individual become too focused on the workings Above and forget his or her connection to the real world. Gold and the blazing Sun correspond to personal ambition, courage, and creative energy and vitality, but without a constant effort to remain pure and alive in the real world, the golden temperament can quickly transmute into the leaden qualities of despair, poor self esteem, lack of confidence, and impurity. Most important for the golden temperament, however, is to realize that once having reached this plateau, one has certain personal and karmic obligations. The golden attitude of this temperament is what brings the rewards of health, wealth, and happiness through synchonistic responses from the universe. Go against these archetypal powers at this level of achievement and even the slightest deviation from the golden path of righteousness and personal integrity can have disastrous and immediate consequences. The alchemists transmuted the Gold temperament using the operation of Coagulation.Chrysotherapy is the name given to healing with gold. The mystical metal has been used for both spiritual and medical purposes as far back as ancient Egypt. Over 5,000 years ago, the Egyptians used gold in dentistry and ingested it for mental, bodily, and spiritual purification. The ancients believed that gold in the body worked by stimulating the life force and raising the level of vibration on all levels. In Alexandria, alchemists developed a powerful elixir known as “liquid gold,” which reportedly had the ability to restore youth and perfect health. In ancient Rome, gold salves were used for the treatment of skin ulcers, and today, gold leaf plays an important role in the treatment of chronic skin ulcers. The great alchemist and founder of modern medicine, Paracelsus, developed many highly successful medicines from metallic minerals including gold. In medieval Europe, gold-coated pills and “gold waters” were extremely popular. Alchemists mixed powdered gold into drinks to "comfort sore limbs," and today, it is widely used in the treatment of rheumatoid arthritis. In the 1900s, surgeons implanted a $5.00 gold piece under the skin near an inflamed joint, such as a knee or elbow. In China, peasants still cook their rice with a gold coin in order to help replenish gold in their bodies, and fancy Chinese restaurants put 24-karat gold-leaf in their food preparations.The alchemists believed that gold represented the perfection of matter, and that its presence in the body would enliven, rejuvenate, and cure a multitude of “dis-eases.” Gold is never corrodes or even tarnishes, is completely non-toxic, and exhibits no interactions with other drugs. Gold is the only heavy metal that has a right-hand atomic spin and is therefore easily tolerated by the body.The alchemists believed that gold represented the perfection of matter, and that its presence in the body would enliven, rejuvenate, and cure a multitude of “dis-eases.” Gold is never corrodes or even tarnishes, is completely non-toxic, and exhibits no interactions with other drugs. Gold is the only heavy metal that has a right-hand atomic spin and is therefore easily tolerated by the body.Sun-ruled plants affect the soul in its positive phase of manifestation, which manifests on the personal level as our idea of ourselves as a progressive unified entity. Solar herbs help us realize our evolutionary epoch as an individual among many other individuals, helping to synthesize and synchronize our goals with those of the macrocosm. In this sense they are ego fortifiers, but with a divine purpose.Solar herbs heal inferiority complexes, bolstering people and giving them a sense of purpose beyond the norm. The Sun represents the Christ and Osiris consciousness in man, as well as Hercules in his monumental strength. For those with weaker wills, Sun ruled herbs will provide the springboard for more posi-tive action; they also bestow the quality of generosity to our souls. Solar plants, when alchemically charged, will reveal the divine purpose of our solar system, and will let you be-come aware of the will of God in manifestation. Solar essences give great ambition.
normally i dont shoot stuff like this. nor would i post it. but, this is a part of a project i'm working
Actually, the path is a kind of boardwalk between our hotel and the sea, and I asked Nitza to walk up and down a few times for the capture. The overhead spacey looking lights are probably from another hotel.
Our 3-day holiday was wonderful, all too short ;-)
This has actually been built for a while; I just never photographed and posted it. Nothing like a little social distancing to help find things to do.
The concept is simple: I wanted to contextualize the mini modular buildings that my partner and I have been designing and building, and I wanted it to be an equally modular and expansive system to keep up with out growing mini city, as well as simple and inexpensive to build large amounts of. Here's what I came up with! They connect with a pair of Technic pins on each side, just like the modulars.
I thought that I wasn't scheduled to work this day, but then I got called in with less than an hour to get ready. Once I had my makeup on I had very little time to select an outfit.
Sometimes stress actually makes things work better and this was an example of that. I think the outfit I so hurriedly chose works pretty well!
Actually this is a LP640 with SV body kit, manual gearbox, awesome paintjob and Mr. Balboni as driver!
NEW Facebook Page!
It actually was snowing quite hard when I took this shot and snowflakes made a mess of the background. I edited most of them out and added a texture overlay. It seems that whenever it snows at it's worst, both the male and female show up at this overturned soda bottle feeder. It has become my studio this winter and I'll snap a photo of a cardinal any chance I get.
Thanks and recognition goes to Sterling Silverr where I found the free texture Caressing_Me for the texture overlay used in my photo.
more of my photos on Darkr here
Actually, it's all about the PH of the soil. These are planted under tall lob lolly pines so the soil is very acidic. Nice recipe for deep blues. Thanks for the visit and have a great evening.
- actually it's indoors; I'd wanted to photograph the web strung across the garden path, but it was blowing about too much in the breeze.
I actually didn't plan to take a monochrome shot here and honestly I never shoot in black and white. Any recent monochrome shots are converted in post processing because I feel the scene just lends itself better to that look. But in this case I actually shot this image this way...totally by accident! I honestly still don't know what sequence I touched to change my camera's settings on the fly between shots but somehow I did...and I don't hate this.
Anyway, after bringing local B722 west from Framingham and leaving it in the storage track to become Q427 for Selkirk later that night the power cut off at CP46 and is returning to the yard. The brace of four big GEs (an ES40DC, an ES44AH, and two AC4400s) is seen here crossing over at CP45 to enter the west end of the yard. Looking on behind the units is long closed New Haven tower SSM334 dating from the 1911 grade separation project and track configuration when the Boston and Albany built Union Station and reconfigured the trackage in the area in conjunction with tenants New Haven and Boston and Maine. That arrived from the south and north respectively.
Worcester, Massachusetts
Wednesday March 3, 2021
Actually, they are plumeria to me. Busy packing for another long absence. I took the camera out yesterday to see what plumeria I could find. There won't be many left by the time I return.
«What is, actually, an aura? A strange interweaving of place and time: a unique sensation was given, no matter how close the subject in question is. To glance during the summer midday rest along the mountain ridge on the horizon or branch, in the shadow of which rested, while the moment or hour is involved in their appearance, is to breathe the aura of these mountains, this branch. The desire to bring things closer to themselves, or rather, to the masses, is the same passionate desire of modern people, as well as overcoming the unique in any situation through its reproduction. From day to day, the need to own an object in its immediate vicinity in its depiction, rather in reproduction, is becoming increasingly overwhelming.»
A Brief History of Photography Benjamin Walter
Ah, there's a better photo of the fitting room, as in *the* fitting room for the entire store! Guess I didn't get much closer due to all the intimate apparel around it...
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Fred's, 1988?-built, Hwy. 70 near Green Lee St., Arlington TN
Its actually a difficult to believe that this is an abandonement but it's surly is. The door was broken and it has stood like this for several years according to my source. There was a telephone catalouge from 84/85 laying on a table and a dead bird on the floor. The other rooms in this house was in much worse condition. Even if there was family photos everywhere it seems like the old person that used to live here probably died or moved to another location leaving everything behind with no one else to clean it up and take care of the place.
Swedish tour 2014 together with Juha and OlavXO. Total mileage on this trip was about 2500 km.
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Actually a zoo guest. I was with a group of staff; this young woman was interested in the animal we were watching. Happy Fence Friday, everyone!
Another build influenced by Skyrim, the windmill is based off of the typical windmills seen in game. I also tried to replicate the tundra look that is common in many regions of Skyrim. This was my entry to the 2017 Brickstory contest , for the Early Middle Age category. The model features working windmill blades and grindstone, both simultaneously operated by a crank on the back of the windmill.
Glorfindel and Dedan visit the windmill in Holt to speak with Jarl Arfast.
More pictures on brickbuilt.