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Sand Dunes on a mild windy day at South Padre Island, TX

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Abstract acrylic painting.

11x14 canvas board.

Multicoloured.

OLYMPUS DIGITAL CAMERA

Abstract contour patterns on beached driftwood. Jordan River, Vancouver Island, BC.

Digital painting, 2016

Abstract Photo in one of the shopping Malls in Frankfurt. I intentionally under-exposed the image to enhance the contrast. It took me one hour exploring the building before I got this shot.

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I zoomed in close with my 70-300mm for this abstract shot of a wave crashing. The sunrise worked out just right to give the nice yellow/green/blue gradient across the wave!

I found this at a junk yard of a factory near my place. I don't know what this is. Maybe a part of some kind of filter. It's broken & abandoned.

At the Motor Transport Museum in Campo, CA.

 

www.motortransportmuseum.org

polarized photomicrograph of polycrystalline 4,4'-dibromobiphenyl.

NCF Plan Apo 4x - CF PL 2.5x - D800E / Optiphot-POL

I thought this landscape looked good on its side.

Available as prints and skins for iphones, ipads and macbooks at society6.com/kasperjj/PatternCubes1_Print

pic of a net from my library..

I love abstract patterns - I find them so intriguing. I always try to work out how they were put together. I like to follow each line and see how all the lines join effortlessly together forming a beautiful pattern.

 

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Taken in the forest on the Bush Creek Track, Arrowtown.

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At Fort Williams Park, Cape Elizabeth, Maine

palm frond in mono

 

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All of my images are under protection of all applicable copyright laws. Unauthorized use and/or duplication of this material without express and written permission from myself is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to dK.i Photography and Edward Kreis with appropriate and specific direction to the original content (website). I can be contacted through the contact link provided on this website.

Jean Hélion (1904-1987) oil on canvas at the Tate Modern in London. Written near the painting: Hélion saw himself as belonging to the second generation of abstract artists in Paris, after pioneers such as Piet Mondrian and Theo Van Doesburg. He was an energetic promoter of abstract or non-figurative art, and helped to found international groups such as Art Concret and Abstraction-Création. He believed that abstract art, however radical, shared timeless values of balance, rhythm and composition with the great art of the past. In this small painting he creates a compositional unity through the visual resolution of vertical and horizontal forms and color relationships. Accepted by HM Government in lieu of inheritance tax and allocated to Tate in 2002.

40 x 30cm shallow canvas. Originally made for "In Rust We Trust" exhibition, Sept 2012.

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