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Zune introduces Zune-Originals customization
Customers will have the opportunity to customize the back plate of their new players (Zune 4 & 8, 80) selecting among 27 original works from 18 artists. The customization offered includes size, color, illustration and up to four lines of text.
902 Arch Street Philadelphia Henri Matisse Style Wall Painting Mural by African American Street Artist Cocktail Party with The Magic Flute by Eubil Snow Puerto Rico UB in the Forest with Alan Ginsberg Sept 13 1993
Valentina tem prática em edição, em montagem audiovisual e em design gráfico. É roteirista e editora do curta Willa, adaptado do conto de Stephen King. Trabalha como assistente de coordenação de pós produção na produtora A Fábrica.
vfmportfolio.weebly.com
Valentina has experience in editing, audiovisual editing and graphic design. He is a screenwriter and editor of the short film Willa, adapted from Stephen King's short story. He works as a post-production coordination assistant at the production company A Fábrica.
Artist / 江松霖 杉山兩兩 四分衛阿山 Elisa Lin 林依霖 體熊專科。Major in Body Bear Photo credit / Oliver J. Photography(使用照片請註名，感謝) Place / 小地方展演空間
Zune introduces Zune-Originals customization
Customers will have the opportunity to customize the back plate of their new players (Zune 4 & 8, 80) selecting among 27 original works from 18 artists. The customization offered includes size, color, illustration and up to four lines of text.
Yeah i'm not really proud of this one, it's not what i envisioned it to be.
Photoshop could probably tweak it slightly better but yeah everyone knows i am too dumb to use that complicated software, lol yeah. I might try when i have the time tho..
And yes. That is my best friend. She has nice hands.
//post-processed
Illustrator & Artist Catalina Carvajal preparing her artwork in the studio for the evenings exhibition.
hots from the 2023 SMASH! event at ICC Sydney Exhibition Centre, photographed by Charlie Faleolo.
Instagram: @Charliiebrownphotography
Easter weekend girlies drawing on Nana's sidewalk with chalk. They are growing up too quick... dust in the wind...
a visual dialogue between people in a space, and within that space emerge relationships, roles and power constructs. My performance work explores these relationships by actively engaging the audience in an activity.
I am incarcerated within a masking-tape cocoon while onlookers become playful torturers and smother my body in wet clay. All the while viewers are watched by a live video stream of my eyes from inside a monitor. For the duration of the performance, audience and artist become intertwined in the process of art making.