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Artist: The Dillinger Escape Plan
Where: Soundwave Festival, RNA Showgrounds, Brisbane, Australia
When: 21/02/09
search "21/02/09" to find more photos from this show
Love Street Live event at Serendipity 181 in Downtown Midland Wed evening. OM-D EM-5, MZD 45 f1.8 @ f1.8
I've always been interested in Alberto Giacometti's work, there photographs were taken at various galleries in Switzerland. Basel, Zurich and Chur.
Method Furniture had their official debut collection launch on Saturday 19th June. I was invited along with a very talented tattoo artist Alex Rattray to collaborate with Method Furniture to create artwork for their "CUBE."A very simple yet versatile piece of furniture that can be hung on the wall, act as a bedside table or what ever else you can thing of using it for in your home.
This is my "CUBE" which is a run of 10. That's right there are ten of these available. not like me I know but there is a twist that will have sure that each one will be unique. The stencil work is combined with brush work mixed with splatters and drips, techniques that I continue to play and experiment with in my studio and really enjoy.
The cube itself is a large piece with each side scaling at 40 x 40.
The collaboration with myself, Alex and Method is a good combination as all of us have a passion for detail and the finish on the furniture is no exception. I highly recommend check out the Method Furniture Website.
Any enquiries regarding the "CUBE" should be made directly with Method Furniture.
Various Artists
Wednesday 6 November, 7:00pm - 9:00pm
George Orwell
168 Perth Road
Dundee, DD1 4JS
Join us for a curated evening of Artist short films from around the globe. Based on this year’s festival theme REACT; NEoN has selected a series of films covering topics such as gender, environment and immigration.
Featuring work by BOM Fellow Emily Mulenga and other artists Georgie Roxby Smith, Jenny odell, Elaine Hoey, Chloé Galibert-Laîné, Shelley Lake, John Butler, Kevin B Lee, shawné michaelain holloway, Jennifer Chan, Shelly Lake and Greg Bath.
Full screening notes:
Max Almy, Perfect leader, (1983), 4 mins. 15 secs.
A satire of the political television spot, Perfect Leader shows that ideology is the product and power is the payoff. The process of political image making and the marketing of a candidate is revealed, as an omnipotent computer manufactures the perfect candidate, offering up three political types: Mr. Nice Guy, an evangelist, and an Orwellian Big Brother. Behind the candidates, symbols of political promises quickly degenerate into icons of oppression and nuclear war.
Greg Barth, Epic Fail, (2017), 5 mins. 32 secs.
Epic Fail is an avant-garde essay that questions what happens when political discourse fails to connect with voters, and truth is impacted by fake news. Based on the political events that shook 2016, the film imagines a reality that is both forged and blurred depending on how we perceive it; using existential currents inspired by Jean Paul Sartre’s Nausea.
The result is a surreal political satire that revolves around a vote for world peace that has dramatic consequences.
John Butler, Xerox’s Paradox, (2018), 2 mins.
A new workwear collection for the age of intelligent supertasking. Xerox’s fear of a paperless office led to the GUI, which, in turn, led to an explosion in the amount of printed matter. Xerox’s Paradox is about technology’s broken promises. The more we automate, the harder we must work.
Jennifer Chan, *A Total Jizzfest*, (2012), 3 mins. 22 secs.
A sample of the richest, sexiest men in computer and internet history.
Chloé Galibert-Laîné, My Crush was a Superstar, (2017), 12 mins. 30 secs.
This desktop documentary follows an ISIS fighter through a trail of messages, videos and postings to uncover his existence in both social media and reality. Part of Bottled Songs, a series of video letters investigating desire, power and terrorism in online and social media. The videos, recorded from the researchers’ desktops, depict and interrogate their subjects’ compulsive engagement in the production of everyday myths and fictions about themselves and others.
Elaine Hoey, Animated Positions, (2019), 9 mins. 47 secs.
This work draws reference from 19th century European nationalist paintings and explores the role of art in the portrayal of jingoistic patriotic ideals that have become culturally symbolic in the formation of the nation state. This piece re-animates the war like stances and positions of bodies found within these paintings, using character animation taken from the video game Call of Duty. The work challenges notions of nostalgia for the nation state, creating a contemporary critique of the underlying violence that underpins much of todays nationalistic ideologies.
Shawné Michaelain Holloway, GEAR-REVIEW(1)__BEGINNERS-VEST.MP4, (2016), 1 min. 55 secs.
GEAR-REVIEW(1)__BEGINNERS-VEST.MP4 is a response to internet’s “Gear Review” video genre. Using a video sourced from Youtube’s preparedness community alongside a video of the artist performing live for her leather community, this work asks questions about the ways we get to know, use, and care for our objects. Whether them for war, for sex, or both, we’re obsessed with function and feature, forcing fetish into the realm of the domestic and accessible.
Shelley Lake, Polly Gone, (1988), 3 min. 9 secs.
A day in the life of a robot.
Kevin B. Lee, The Spokesman, (2018), 12 mins. 30 secs.
The Spokesman investigates the online traces of John Cantlie, a British news reporter who was kidnapped in 2012 and later appeared in several Islamic State propaganda videos. Responding to Cantlie’s videos, Kevin analyzes Cantlie’s British accent and professional composure, constructed over many years of media appearances. Part of Bottled Songs, a series of video letters investigating desire, power and terrorism in online and social media. The videos, recorded from the researchers’ desktops, depict and interrogate their subjects’ compulsive engagement in the production of everyday myths and fictions about themselves and others.
Emily Mulenga, Now that we know the world is ending soon…what are you gonna wear?, (2019), 4 mins. 5 secs
Religious imagery and symbols of capitalist excess intertwine under the ever-watchful eye of CCTV cameras. Loneliness occurs even in the most crowded, noisy and colourful of rooms. Fractured identities span the online and offline worlds. Late-stage capitalism has left us with a disconnect from others and from a spiritual centre, and consumerism purports to fill the void; but never truly satisfies. There’s a condition of perpetual information overload in an oversaturated, neon, dystopian cityscape. There’s also a rabbit.
Jenny Odell, Polly Returns, (2017), 3 mins. 2 secs.
Polly Returns is based on Shelley Lake’s 1988 computer animation, Polly Gone, which features an isolated female robot doing everyday tasks inside a futuristic dome house. In my version, the robot has returned in 2017. The soundtrack is inspired by the original from Polly Gone, which itself was based on the soundtrack from The Day the Earth Stood Still.
Georgie Roxby Smith, Lara Croft Domestic Goddess I & II, (2013), 2 mins. 14 secs.
Georgie Roxby Smith’s hacked Lara Croft Tomb Raider video game shows the familiar icon for violent femme fatale bad-assery in the throes of orgasmic housekeeping, a scene that could be read as neo-Friedan, with her “domestic goddess” subject trapped between the banally physical and the extraordinarily virtual. The value judgments are unclear, the equation destabilized, as Croft joyfully irons shirts with a bow and arrow slung over her back, letting out cries that are undiscernibly battle grunts or orgiastic moans.
Photography Kathryn Rattray
via WordPress ift.tt/2HnJEQ2
CBS The First 50 Years (1998)
01 – See it Now with Edward R. Murrow – Edward R. Murrow (2:55)
02 – I Love Lucy – E. Daniel & H. Adamson (1:00)
03 – The Jackie Gleason Show – Jackie Gleason (2:01)
04 – The Ed Sullivan Show – Robert Arthur, Raymond A. Bloch & Minna Lewis (0:53)
05 – The Red Skelton Show – David Rose & Sammy Gallop (0:55)
06 – Captain Kangaroo – Edward White (0:50)
07 – Rex Koury & Glenn Spencer – Gunsmoke (1:36)
08 – Rawhide – Frankie Laine – D. Tiomkin & N. Washington (0:51)
09 – Wild Wild West – Richard Markowitz (1:25)
10 – Alfred Hitchcock Presents – A. Gounod (0:58)
11 – Perry Mason – Fred Steiner (1:10)
12 – Route 66 – Nelson Riddle (1:10)
13 – The Twilight Zone – Marius Constant (0:29)
14 – Leave it to Beaver – David Kahn, Melvyn Leonard & Mort Greene (1:23)
15 – The Many Loves of Dobie Gillis – Max Shulman & Lionel Newman (1:16)
16 – The Andy Griffith Show – Earle Hagen (0:54)
17 – The Dick Van Dyke Show – Earle Hagen (0:41)
18 – First Half-Hour News Broadcast – Walter Cronkite (0:54)
19 – The Beverly Hillbillies – Earle Hagen (1:33)
20 – Gilligan’s Island – Sherward Schwartz & George Wyle (1:34)
21 – Green Acres – Eddie Albert and Eva Gabor – Green Acres (1:06)
22 – Hogan’s Heroes – Jerry Fielding (0:44)
23 – Frank DeVol – My Three Sons (1:02)
24 – Lost In Space – John Williams (0:58)
25 – Mission Impossible – Lalo Schifrin (0:53)
26 – Mannix – Lalo Schifrin (1:27)
27 – Hawaii Five-O – Mort Stevens (0:58)
28 – Barnaby Jones – Jerry Goldsmith (0:55)
29 – The First 60 Minues – 60 Minutes (0:17)
30 – Apollo 11 Coverage – Walter Cronkite (1:31)
31 – The Waltons – Jerry Goldsmith (1:04)
32 – The Carol Burnett Show – Joe Hamilton (0:49)
33 – Dan Rather in Vietnam – Dan Rather (0:34)
34 – Walter Cronkite Editorial on Vietnam – Walter Cronkite (3:20)
35 – MASH – Johnny Mandel (0:55)
36 – All in the Family – Carroll O’Connor & Jean Stapleton – Lee Adams & Charles Strous (1:24)
37 – The Mary Tyler Moore Show – Sonny Curtis (0:57)
38 – The Bob Newhart Show – Lorenzo Music & Henrietta Music (1:05)
39 – Good Times – Dave Grusin, Alan Bergman & Marilyn Bergman (0:50)
40 – The Jeffersons – Jeff Barry & Janet Dubois (1:10)
41 – One Day at a Time – Jeff Barry & Nancy Barry (0:53)
42 – WKRP in Cincinnati – Tom Wells & Hugh Wilson (0:44)
43 – Alice – Alan Bergman, Marilyn Bergman & David Shire (1:01)
44 – The Dukes of Hazzard – Waylon Jennings (1:02)
45 – Dallas – Jerrold Immel (1:15)
46 – Knots Landing – Jerrold Immel (1:36)
47 – Walter Cronite’s Final Broadcast – Walter Cronkite (1:08)
48 – Cagney & Lacey – Bill Conti (1:17)
49 – Murder, She Wrote – John Addison (0:48)
50 – Murphy Brown – Stephen Dorff (0:28)
51 – Northern Exposure – David Schwartz (0:46)
52 – Chicago Hope – Mark Isham (0:52)
53 – Promised Land – Marc Lichtman (0:44)
54 – Walker, Texas Ranger – Stuart Wilder III & Chuck Norris (0:43)
55 – Everybody Loves Raymond – Rick Marotta & Terry Trotter (0:44)
56 – Cosby – William H. Cosby & Terry Trotter (0:42)
57 – Late Show with David Letterman – Paul Schaffer (1:23)
58 – William Paley Speaks About His Enthusiasm – William Paley (0:58)
This LP is donated by denyspr
Various Artists published first on soundwizreview.tumblr.com/
These two local artists were singing and i could not ignore them. My brother and self stood and listened to them for a while. He had a voice with a very good earthly touch, difficult to find these days.
Biographie artistique
SORIN EMMANUEL
Professeur de danse et choregraphe
Directeur et fondateur L'Académie de Danse J.E.S.S -B.H.P(Ballet Haïtien de Paris).
Concepteur et créateur des Ballets, face a la mecque, l'illusion,haiti 200 ans
SORIN a créé plus d'une trantaine de choregraphies portant sur des themes varies.
Il a egalement mis sur point la technique Emmece, conçue pour faciliter la maitrice du corps et
l'appentissage rapide de la danse afro Haitien, afro Jazz, Hip-Hop jazz.
Né à Port -au -Prince Haïti, dès son plus jeune âge il se passionne pour la danse et la musique, Sa carrière a débuté à l'âge de 10 ans avec un petit troupe nommé AZAKA un peu de temps il a trouvé un bouse pour les plus connus d'école de danse en Haïti suivant assidûment les cours des Académies de danse de Port au Prince, dont :« Institut de danse Viviane GAUTHIER» « Haïti an American Academy » « R. M. T. Académie» Régine Mont-Rozier Trouillot.
Formé en danse folklorique Haitienne par Viviane GAUTHIER, en ballet jazz et la danse moderne par Nathalie Trouillot, il a également étudié avec Nicole LUMARQUE, fondatrice et directrice artistique du Ballet folklorique haïtien, (B.F.H.).
Compagnie de danse de L'institut français Haïti tchaka, avec Christine DUPUIS, joué et tournée avec la Compagnie, (Bahamas, Martinique, la France et l'Espagne).
Il a joué avec la R.T.M. et La Compagnie des Jeunes de la danse comprennant : Bal de graduation, Don Quichotte, la Petite Sirène.
SORIN Emmanuel, joué avec Eddy Toussaint qui a été le fondateur et directeur artistique de G.B.H. (Grand Ballet d'Haïti) et Les Grands Ballets du Canada.
IL a été comme danseur Invité par institut de dance lynn william Rouzier.
Remarqué lors de différentes manifestations de danse pour ses talents évidents de danseur mais aussi de chorégraphe, il obtient en 1988 une bourse d’étude.
Il perfectionne sa technique d’Afro jazz, Afro haïtienne, à différentes écoles de danse, à la Jamaïque puis à New York.
A la Jamaïque (Kingston), il se perfectionne dans les danses traditionnelles caraïbéennes à l'école des beaux arts Edna Manley (Edna Manley College of the Visual and performing Arts).
A New York, à l'école des beaux arts de l'Université de New York (Tisch School of the arts), SORIN se perfectionne dans la danse contemporaine post-moderne et, à ce titre, interprète les œuvres de célèbres chorégraphes tels David Dorfman, Ronald K.
Toujours à New York, à l'école de danse contemporaine Martha Graham, SORIN suit le programme indépendant dans lequel il se perfectionne dans la technique Graham. Dans le cadre de ce programme, il performe une de ses chorégraphies, Dèy (deuil), à Cape May (New Jersey) lors d'un spectacle de danse animé par les danseurs du Martha Graham Ensemble, la compagnie Martha Graham junior.
Ses études lui laissent le temps d’enseigner le Afro-jazz, Afro Haitien, Hip Hop jazz en France et en Haïti.
SORIN Emmanuel assure la chorégraphie et danse sur un thème moderne et AFRO. Les compagnies et les écoles de danse d’Haïti font souvent appel à lui pour enseigner, monter des chorégraphies et danser dans des spectacles dont le dernier « Roi Christophe » en décembre 1997 à Port au Prince avec le ballet Folklorique d’Haïti.(B.F.H) Au Ritz Kînam II il a dansé « Nég Marron » un extrait du ballet Toussaint Louverture en décembre 2000.
Sélectionné parmi les meilleurs danseurs en afro Haitien à Paris. On le remarque au Casino de Paris, en 2004 pour ses talents de danse afro Haitien dans : « let move the Haitian rate/rhythm » sur une chorégraphie de NAGO. Similaire à Arès dans la mythologie grecque, Ogou, dieu de la guerre, est puissant, fort et vaillant. Il confère le courage et la force à ceux qui luttent et est plus particulièrement reconnu pour avoir implanté l'idée de la révolte chez les esclaves d'Haïti et leur avoir transmis le pouvoir qui les a mené à la liberté.
Referans des Concept
Wutao Emmece Zoa (W.E.Z)
Eveillez l'âme du corps
Le Wutao Emmece Zoa ( W.E.Z ) est né au cours de l’année 2000 du métissage des expériences de SORIN EMMANUEL : Afro Haitien, Afro jazz, Hip-Hop, Qi Gong, Danse, et Bio-énergie occidentale, le tout revisité et réinventé à travers l’exploration du mouvement.
En chinois, Wutao s’écrit avec deux idéogrammes : « Wu » signifiant « danse » et « Tao » « voie, chemin ». Ainsi Wutao pourrait-il être traduit par « la Voie de la danse de la vie ».
La pratique se concentre sur le déploiement d’une onde déclenchée par le relâchement du bassin, à partir de laquelle se décline tout un ensemble de mouvements réalisés dans un profond respect de l’être et de sa corporalité. Les principes du Emmece Wutao Zoa restent au plus près de la sensibilité du sentiment pour insuffler de l’émotion à notre gestuelle. Car la douceur et la sensibilité sont les qualités que notre organisme accueille le plus efficacement.
Les différentes étapes de progression du Emmece Wutao Zoa:
This wonderful theatre opened in 1927, and was built by UA studio founders Charlie Chaplin, Douglas Fairbanks, and Mary Pickford.
It fell under disrepair for years, but was restored by Reverend Gene Scott's congregation. He has since passed away, but the theatre remains a chapel for his church, now run by his wife Melissa.
Concours Gymnastique artistique (GAM/GAF) de la Fête Cantonale Vaudoise de Gymnastique, 19.06.2022. ©Serge Widmann
www.recyclart.org/2015/10/recycled-art-interview-1-christ...
We wanted to hand over to you, readers, so we start a new series of posts interviewing "recycled art" crafters & artists. We start with one of our best contributor: Christina Cole from Urban Veggie. If you think you deserve to be featured in the next interview, please, drop us an email.
Tell us a little more about you? Who you are? Where are you from?
Hello! My name is Christy. I am the Artist behind Urban Veggie, LLC. I am a Registered Nurse and health enthusiast by day, and a contemporary mixed media artist by night that lives in Colorado Springs, Colorado.
Why do you craft?
I craft because I love to create new designs; I have always found joy in the organic process of creation. I have also found immense pleasure in designing a line that promotes the "greater good", a better tomorrow. Although Urban Veggie initially began as an upcycled artistic line-- it has evolved into a product line, and wellness blog that is committed to creating a beautiful, sustainable, healthy, kind planet. This line has provided a creative outlet that supports my hippie, eco-friendly heart, AND implements my background as a nurse and personal trainer to deliver wellness for the mind, body, and spirit.
How did you learn?
As a child, I crafted to make my loved ones happy with a unique, personalized, one-of-a-kind gifts... I loved watching people's eyes light up from something that I made with my own two hands. As I got older, I took various art courses throughout high school and college. I studied sculpture, woodwork, metals, pottery, jewelry and many other art mediums.
Since when are you working with recycled & upcycled materials?
I have been working with upcycled, discarded, antique, or thrifted material since my first sculpture course in college (circa 2007) when my instructor Matt had us make a project with "found objects"--one assignment, and I was hooked. As cliché as it might be, I love the idea of making someone else's trash into a new treasure.
What are your can’t-live-without essentials?
In no particular order: Leggings, Sweaters, Music, Camera, Coffee, Apples, Peanut Butter, Salad, Hummus, Cross training shoes, and a pair of Toms.
How would you describe your style? Are there any crafters/artists/designers that you particularly look up to?
I suppose I would describe my style as "Upcycled-Modern-Hipster with a Vintage Twist". I find inspiration in MANY artists, crafters, and designers--the inception of Etsy, Pinterest, Instagram, and social media as a whole has opened my eyes to many talented individuals--I feel that it would be unfair to only name a handful, when there are so many creative personalities out there just waiting to be discovered.
How is your workspace, how do you make it inspiring?
My workspace consists of a spare bedroom in our house that has been converted into an art studio. I have designed the space in a way that incorporates some of my art, and is conducive to jamming out to whatever tunes might be inspiring my little heart at the moment. On occasion I have also been known to take my crafting out to the little park behind my house to breathe some fresh air, and bask in my friend Mister Sun.
What sorts of things are inspiring you right now? Where do you look for inspiration?
I find inspiration in stories, individuals, movements, products, and companies that think "outside of the box" and fight for a "better tomorrow". As my recent inspirational obsession Mr. Kid President stated, "Love changes everything, so fill the world with it". I think that it all boils down to the golden rule that we all were taught back in kindergarten, "Treat others the way you want to be treated". I believe that if you put good into the world, that it will come back to you. It is basic karma folks. With that mentality in mind, lately I have been slightly obsessed with finding/supporting organizations that are using their product or service to "make the world a better place". I find these stories via word of mouth, the news, blogs, Instagram, Pinterest, Facebook etc…
When do you feel the most creative?
I feel the most creative in the morning while spending time out in Mother Nature, or sipping on a hot cup of coffee after a nice yoga session.
We live in such a mass-produced, buy-it-now society. Why should people continue to make things by hand?
Life gives you hands, so why not make handmade? There is something to be said for quality, handcrafted artistry--something that was made with heart and soul. Mass-produced is boring... You were born and original, don't die a copy.
What is your favorite medium to work in?
I love to play with mixed media--woods, metals, papercraft, photography...pretty much anything but paint!
To complete the previous question, we saw that you work mainly with all kinds of bike parts, could you tell us a little more about this choice of materials?
My bike inspired line initially began as a wife (me) trying to create something nice for her bike enthusiast husband (Alex). What started as an attempted sentimental gift out of discarded bike parts became a calling. I was ecstatic to find a versatile, aesthetically appealing medium that conveyed a message about sustainable living. As an old Native American proverb states, "we do not inherit the Earth from our ancestors, we borrow it from our children".
What are your tips for people who'd like to start crafting?
Don't be afraid. Play with different mediums, and just have fun! But if you can't take it lightly, just think--next time will be better. After all, "failure is the opportunityto begin again more intelligently" - Henry Ford.
What is your guilty pleasure?
Rocky Mountain Chocolate Factory "Baby Bear" Apple (A granny smith apple that is covered in a sweet caramel dip that is then coated with milk chocolate, and then drizzled with white confection!)
What is your favorite thing to do (other than crafting)?
In my free time I love to spend time with friends, family, coworkers, and my rock--aka my wonderful hubby Alex. I love to spend time outdoors biking, hiking, and relaxing on the patio watching a good old fashioned sunset. I whole-heartedly enjoy traveling, live music, “mom and pop” coffee shops, snuggling up to a good movie, the smell after it rains, group exercise classes, yoga, documentaries, and creating new dishes in my kitchen.
Anything else you would like to tell to the "recycling community"?
Be kind to EVERYTHING that lives--we are all responsible for taking care of one another, for taking care of our planet. So let’s promote a beautiful healthy balance of mind, body, and spirit by "Going Green" together and doing our best to; Reduce, Reuse, Repurpose, and Upcycle! "unless someone like you cares a whole awful lot, nothing is going to get better. It's not" -Dr. Seuss, The Lorax.
To finish, we've seen that you have an active blog. Since how many times are you blogging? Is that a full time job or just a hobby to share your personal creations & moods? Any websites that our readers should not miss?
Blogging is a "part-time" venture for me to provide a creative outlet that supports my hippie, eco-friendly heart, AND implements my background as a nurse and personal trainer to deliver wellness for the mind, body, and spirit. My thoughts, articles, recipes, blogs, tips, and tricks are available at: http://urbanveggie.weebly.com, my daily artistic musings are on Instagram (instagram.com/urbanveggie.llc), and my artistic designs are available on Etsy (www.etsy.com/shop/UrbanVeggie).
Other websites/companies that I love include, but are not limited to: Story of Stuff, Steal Time Back, Operation Illumination, Krochet Kids, United By Blue, Feed, Giving Keys, and Sevenly. These companies spread kindness like sprinkles, and participate in practices that serve the well being of the planet. These organizations realize that eventually everything connects--"The environment is in us, not outside of us. The trees are our lungs, the rivers our bloodstream. We are all interconnected. and what you do to the environment, ultimately you do to yourself"-Ian Somerhalder.
Thanks a lot Christina for this interview! :)
To see all posts by Christina:
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Sofonisba Anguissola -
Johanna (Juana) of Austria (princess of Portugal) & a young girl [1561] -
Boston, MA, Isabella Stewart Gardner Museum
Sofonisba Anguissola was born into a minor aristocratic family in Cremona, and studied painting under Bernardino Campi. In 1560, she was appointed painter to the new queen of Spain, Isabel de Valois (1546–1568), who had become Philip II’s third wife. She taught the young queen drawing and made numerous portraits of the royal family and members of the court.
The subject of the portrait, Juana of Austria (1535–1573), was a formidable politician and patron of the arts. Daughter of Charles V (she wears a cameo of the emperor in this painting), Juana married Prince Juan of Portugal. After just two years of marriage, Juan died and Juana returned to Spain to become regent while her brother Philip II was in England. Although she was celebrated for her ability in state affairs, Juana thereafter devoted her energies to religious life. In 1557, she founded a monastery, the Descalzas Reales, which became an important center of artistic patronage. This portrait was painted in 1561 for the pope, and was thus meant to show Juana’s religious devotion. The child by her side is probably a young aristocrat under her protection who is being prepared to enter the religious order.
Source: Alan Chong, "Portrait of Juana of Austria with a Young Girl," in Eye of the Beholder, edited by Alan Chong et al. (Boston: ISGM and Beacon Press, 2003): 91.
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Taika is about to graduate from the Academy of Fine Arts. She made a series of three masks shown in the Exhibition Laboratory in Helsinki.
Come closer
Open your nerve endings
Receive the mask
I tried the mask, too, it felt like a soft, aromatic caress.
Photo Series 1590 - WOMAN ARTIST - @annalisa model Part 3
Hi, my name is Annalisa and I am a model. So far I worked for many photographers. My pictures appeared on various magazines, book covers, advertising banners as well as online publications. I am available for indoor & outdoor shooting, workshops and any related modelling activities. I am also very fond of sports which I practice in my spare time, such as snowboarding, trekking, horse riding and motorbike.
Area: Northeast Italy ( Friuli V.G., Veneto, Austria Carinziana e Slovenija Carsica )
For any further info or request please feel free to contact me at the this address.
between the data of my profile you will find the link on my web site which describes me better than any words, enjoy!
info@annalisamodel.it
A.P.J.ABDULKALAM - HERO of GREEN INDIA - A Golden Chance to meet him in 35th CHENNAI BOOK FAIR - 2012 - Golden moments in my life Journey - Thanks a lot to our honorable Great Scientist and ex-President KALAMJI and Thanks a lot to PAPASI to arrange this great event - Artist Anikartick,Chennai,Tamilnadu,India
Here I want to say something about me and my carreer...,
I studied my school time 7th Std to 10th Std in my Native place govt high school,then I finished my Higher secondary at Aundipatti Govt.Hr.Sec.School and I Finished my school studies I worked in Madurai as a Sign board Artist then I came to Chennai and I joined as a 2d Animation Trainee at Nest Communication,Valluvarkottam through my well wisher Mr.Nangaiappan and Preethi Paul ( Head of Nest Animation Studio ) and I developed my Anatomy Drawing skills through our Animation Head of Nest Animation Studios Mr.Siju Thomas Phoenix and One of my Best Friend MuthuKumarasamy.Later I developed my Animation skill through Millitoon Animations Studio - A Branch of Millimages,France,TIL Animation Studios in Chennai and DataQuest Animation Studio,Gameshastra in Hyderabad,Bluemoon studio,Aura Animation Studio,Shemanoor Animation Studio,I Power Animation Studio,Design works,Minveli Media works and Pyramid Animation Studio in Chennai.
In Animation Field I started my career as a In-between Artist,then Clean-up Artist,Asst.Animator,Animator, Animation Supervisor and Director from step by step.So now I am a Freelancing Animation Artist and Painter,Illustrator,Designer etc,
And Argentina Famous Animation Director and One of the Creator of Nickelodeon Animation Series Director and Supervisor Mr.Jaime Diaz appreciated my art and animation skill and he gave his one greeting card and he wrote on that 'A GREAT TALENT from TIL STUDIOS' and ALL THE BEST to KARTICK to me.And one more memorable is Skaramoose AAnimation Studios Creative People also appreciate my Animation level and Our Millitoon Team and Millimages team got BAFTA AWARDS for TV Serials and also Dataquest Animation Studio in Hyderabad,And our Team got National Award for SFX Visual Effects and Animations for ABHAY (ALAVANDAN Tamil and Hindi Version Movie}
So in my career Many of my friends and my teachers,parents and family members helped and helping till now to achieve my goals...Thanks a lot and I know this is not enough to them.So I dedicate my all works to them and also my Inspiration Artists of Famous Tamil Illustrators and Mr.Maruthi,Mr.Jayaraj,Mr.K.Madhavan,Mr.R.Natarajan,Mr.Gopulu,Mr.Ramu,M r.Maniam and his son Mr.Ma.Se.Mr.Silpi,Mr.Sivakumar (Popular Actor and Artist)Mr.Adhimoolam,Mr.Chandru,Mr.Trotsky Marudu,Mr.Chellam,Mr.Shyam,Mr.Shankar,Mr.Vinu,Mr.Latha,Mr.Umapathy,Mr. Madhan(cartoonist) Mr.Pathy,Mr.Maali,Mr.Karo,Mr.RaviVarma,Mr.Raju,Mr.KondalRaj,Mr.Murugak ani and my School drawing Master P.K.Kamatchi and my Father N.Alagarsamy and my elder Sisters R.Leelavathy,A.Dhanalaxmi,R.Rani,G.Dhavamani and my elder brother A.Jayachandran,A.Soundararajan and my friends Mr.S.Thangavel (T.Subbulapuram),V.Rajasekar and G.Paulpandi (Aundipatti) Mr.N.Tamilselvan,Mr.A.Sachithanandan,Mr.Naveen,Mr.SriKanta,Mr.G.Senthi lkumar,Mr.Suresh,Mr.Jay Kay,Mr.R.Anand,Mr.Saravanan and Mr.Muthu,Mr.Janakiraman,( Villivakkam,Chennai) Mr.Gudu,Mr.Sridhar and Mr.Paramasivam,Mr.Chandru and Mr.Balaji,Mr.Senthil,Mr.Munivel and Mr. Nithyanandan etc....etc and Also Art G of Madurai Mr.Venkatachalam my elder brother and his sons Mr.Ganesh,Mr.Senthil,Mr.Kumar and mr.Mani everyone is there in my way of Art life and I couldn't mention all here at this time and till now I learn a lot from lot of Inspiration Artists and great Artists through internet and books collections of our libraries..,
"Thanks a lot to all....!!!" - Artist Anikartick.BSc.Viscom ( Vasu engira Karthikeyan )
I have this artifact in my living room now.
This man was selling a few of his carvings.
I feel like I should have bought all of them.
Various Artists
Wednesday 6 November, 7:00pm - 9:00pm
George Orwell
168 Perth Road
Dundee, DD1 4JS
Join us for a curated evening of Artist short films from around the globe. Based on this year’s festival theme REACT; NEoN has selected a series of films covering topics such as gender, environment and immigration.
Featuring work by BOM Fellow Emily Mulenga and other artists Georgie Roxby Smith, Jenny odell, Elaine Hoey, Chloé Galibert-Laîné, Shelley Lake, John Butler, Kevin B Lee, shawné michaelain holloway, Jennifer Chan, Shelly Lake and Greg Bath.
Full screening notes:
Max Almy, Perfect leader, (1983), 4 mins. 15 secs.
A satire of the political television spot, Perfect Leader shows that ideology is the product and power is the payoff. The process of political image making and the marketing of a candidate is revealed, as an omnipotent computer manufactures the perfect candidate, offering up three political types: Mr. Nice Guy, an evangelist, and an Orwellian Big Brother. Behind the candidates, symbols of political promises quickly degenerate into icons of oppression and nuclear war.
Greg Barth, Epic Fail, (2017), 5 mins. 32 secs.
Epic Fail is an avant-garde essay that questions what happens when political discourse fails to connect with voters, and truth is impacted by fake news. Based on the political events that shook 2016, the film imagines a reality that is both forged and blurred depending on how we perceive it; using existential currents inspired by Jean Paul Sartre’s Nausea.
The result is a surreal political satire that revolves around a vote for world peace that has dramatic consequences.
John Butler, Xerox’s Paradox, (2018), 2 mins.
A new workwear collection for the age of intelligent supertasking. Xerox’s fear of a paperless office led to the GUI, which, in turn, led to an explosion in the amount of printed matter. Xerox’s Paradox is about technology’s broken promises. The more we automate, the harder we must work.
Jennifer Chan, *A Total Jizzfest*, (2012), 3 mins. 22 secs.
A sample of the richest, sexiest men in computer and internet history.
Chloé Galibert-Laîné, My Crush was a Superstar, (2017), 12 mins. 30 secs.
This desktop documentary follows an ISIS fighter through a trail of messages, videos and postings to uncover his existence in both social media and reality. Part of Bottled Songs, a series of video letters investigating desire, power and terrorism in online and social media. The videos, recorded from the researchers’ desktops, depict and interrogate their subjects’ compulsive engagement in the production of everyday myths and fictions about themselves and others.
Elaine Hoey, Animated Positions, (2019), 9 mins. 47 secs.
This work draws reference from 19th century European nationalist paintings and explores the role of art in the portrayal of jingoistic patriotic ideals that have become culturally symbolic in the formation of the nation state. This piece re-animates the war like stances and positions of bodies found within these paintings, using character animation taken from the video game Call of Duty. The work challenges notions of nostalgia for the nation state, creating a contemporary critique of the underlying violence that underpins much of todays nationalistic ideologies.
Shawné Michaelain Holloway, GEAR-REVIEW(1)__BEGINNERS-VEST.MP4, (2016), 1 min. 55 secs.
GEAR-REVIEW(1)__BEGINNERS-VEST.MP4 is a response to internet’s “Gear Review” video genre. Using a video sourced from Youtube’s preparedness community alongside a video of the artist performing live for her leather community, this work asks questions about the ways we get to know, use, and care for our objects. Whether them for war, for sex, or both, we’re obsessed with function and feature, forcing fetish into the realm of the domestic and accessible.
Shelley Lake, Polly Gone, (1988), 3 min. 9 secs.
A day in the life of a robot.
Kevin B. Lee, The Spokesman, (2018), 12 mins. 30 secs.
The Spokesman investigates the online traces of John Cantlie, a British news reporter who was kidnapped in 2012 and later appeared in several Islamic State propaganda videos. Responding to Cantlie’s videos, Kevin analyzes Cantlie’s British accent and professional composure, constructed over many years of media appearances. Part of Bottled Songs, a series of video letters investigating desire, power and terrorism in online and social media. The videos, recorded from the researchers’ desktops, depict and interrogate their subjects’ compulsive engagement in the production of everyday myths and fictions about themselves and others.
Emily Mulenga, Now that we know the world is ending soon…what are you gonna wear?, (2019), 4 mins. 5 secs
Religious imagery and symbols of capitalist excess intertwine under the ever-watchful eye of CCTV cameras. Loneliness occurs even in the most crowded, noisy and colourful of rooms. Fractured identities span the online and offline worlds. Late-stage capitalism has left us with a disconnect from others and from a spiritual centre, and consumerism purports to fill the void; but never truly satisfies. There’s a condition of perpetual information overload in an oversaturated, neon, dystopian cityscape. There’s also a rabbit.
Jenny Odell, Polly Returns, (2017), 3 mins. 2 secs.
Polly Returns is based on Shelley Lake’s 1988 computer animation, Polly Gone, which features an isolated female robot doing everyday tasks inside a futuristic dome house. In my version, the robot has returned in 2017. The soundtrack is inspired by the original from Polly Gone, which itself was based on the soundtrack from The Day the Earth Stood Still.
Georgie Roxby Smith, Lara Croft Domestic Goddess I & II, (2013), 2 mins. 14 secs.
Georgie Roxby Smith’s hacked Lara Croft Tomb Raider video game shows the familiar icon for violent femme fatale bad-assery in the throes of orgasmic housekeeping, a scene that could be read as neo-Friedan, with her “domestic goddess” subject trapped between the banally physical and the extraordinarily virtual. The value judgments are unclear, the equation destabilized, as Croft joyfully irons shirts with a bow and arrow slung over her back, letting out cries that are undiscernibly battle grunts or orgiastic moans.
Photography Kathryn Rattray
Various Artists
Wednesday 6 November, 7:00pm - 9:00pm
George Orwell
168 Perth Road
Dundee, DD1 4JS
Join us for a curated evening of Artist short films from around the globe. Based on this year’s festival theme REACT; NEoN has selected a series of films covering topics such as gender, environment and immigration.
Featuring work by BOM Fellow Emily Mulenga and other artists Georgie Roxby Smith, Jenny odell, Elaine Hoey, Chloé Galibert-Laîné, Shelley Lake, John Butler, Kevin B Lee, shawné michaelain holloway, Jennifer Chan, Shelly Lake and Greg Bath.
Full screening notes:
Max Almy, Perfect leader, (1983), 4 mins. 15 secs.
A satire of the political television spot, Perfect Leader shows that ideology is the product and power is the payoff. The process of political image making and the marketing of a candidate is revealed, as an omnipotent computer manufactures the perfect candidate, offering up three political types: Mr. Nice Guy, an evangelist, and an Orwellian Big Brother. Behind the candidates, symbols of political promises quickly degenerate into icons of oppression and nuclear war.
Greg Barth, Epic Fail, (2017), 5 mins. 32 secs.
Epic Fail is an avant-garde essay that questions what happens when political discourse fails to connect with voters, and truth is impacted by fake news. Based on the political events that shook 2016, the film imagines a reality that is both forged and blurred depending on how we perceive it; using existential currents inspired by Jean Paul Sartre’s Nausea.
The result is a surreal political satire that revolves around a vote for world peace that has dramatic consequences.
John Butler, Xerox’s Paradox, (2018), 2 mins.
A new workwear collection for the age of intelligent supertasking. Xerox’s fear of a paperless office led to the GUI, which, in turn, led to an explosion in the amount of printed matter. Xerox’s Paradox is about technology’s broken promises. The more we automate, the harder we must work.
Jennifer Chan, *A Total Jizzfest*, (2012), 3 mins. 22 secs.
A sample of the richest, sexiest men in computer and internet history.
Chloé Galibert-Laîné, My Crush was a Superstar, (2017), 12 mins. 30 secs.
This desktop documentary follows an ISIS fighter through a trail of messages, videos and postings to uncover his existence in both social media and reality. Part of Bottled Songs, a series of video letters investigating desire, power and terrorism in online and social media. The videos, recorded from the researchers’ desktops, depict and interrogate their subjects’ compulsive engagement in the production of everyday myths and fictions about themselves and others.
Elaine Hoey, Animated Positions, (2019), 9 mins. 47 secs.
This work draws reference from 19th century European nationalist paintings and explores the role of art in the portrayal of jingoistic patriotic ideals that have become culturally symbolic in the formation of the nation state. This piece re-animates the war like stances and positions of bodies found within these paintings, using character animation taken from the video game Call of Duty. The work challenges notions of nostalgia for the nation state, creating a contemporary critique of the underlying violence that underpins much of todays nationalistic ideologies.
Shawné Michaelain Holloway, GEAR-REVIEW(1)__BEGINNERS-VEST.MP4, (2016), 1 min. 55 secs.
GEAR-REVIEW(1)__BEGINNERS-VEST.MP4 is a response to internet’s “Gear Review” video genre. Using a video sourced from Youtube’s preparedness community alongside a video of the artist performing live for her leather community, this work asks questions about the ways we get to know, use, and care for our objects. Whether them for war, for sex, or both, we’re obsessed with function and feature, forcing fetish into the realm of the domestic and accessible.
Shelley Lake, Polly Gone, (1988), 3 min. 9 secs.
A day in the life of a robot.
Kevin B. Lee, The Spokesman, (2018), 12 mins. 30 secs.
The Spokesman investigates the online traces of John Cantlie, a British news reporter who was kidnapped in 2012 and later appeared in several Islamic State propaganda videos. Responding to Cantlie’s videos, Kevin analyzes Cantlie’s British accent and professional composure, constructed over many years of media appearances. Part of Bottled Songs, a series of video letters investigating desire, power and terrorism in online and social media. The videos, recorded from the researchers’ desktops, depict and interrogate their subjects’ compulsive engagement in the production of everyday myths and fictions about themselves and others.
Emily Mulenga, Now that we know the world is ending soon…what are you gonna wear?, (2019), 4 mins. 5 secs
Religious imagery and symbols of capitalist excess intertwine under the ever-watchful eye of CCTV cameras. Loneliness occurs even in the most crowded, noisy and colourful of rooms. Fractured identities span the online and offline worlds. Late-stage capitalism has left us with a disconnect from others and from a spiritual centre, and consumerism purports to fill the void; but never truly satisfies. There’s a condition of perpetual information overload in an oversaturated, neon, dystopian cityscape. There’s also a rabbit.
Jenny Odell, Polly Returns, (2017), 3 mins. 2 secs.
Polly Returns is based on Shelley Lake’s 1988 computer animation, Polly Gone, which features an isolated female robot doing everyday tasks inside a futuristic dome house. In my version, the robot has returned in 2017. The soundtrack is inspired by the original from Polly Gone, which itself was based on the soundtrack from The Day the Earth Stood Still.
Georgie Roxby Smith, Lara Croft Domestic Goddess I & II, (2013), 2 mins. 14 secs.
Georgie Roxby Smith’s hacked Lara Croft Tomb Raider video game shows the familiar icon for violent femme fatale bad-assery in the throes of orgasmic housekeeping, a scene that could be read as neo-Friedan, with her “domestic goddess” subject trapped between the banally physical and the extraordinarily virtual. The value judgments are unclear, the equation destabilized, as Croft joyfully irons shirts with a bow and arrow slung over her back, letting out cries that are undiscernibly battle grunts or orgiastic moans.
Photography Kathryn Rattray
Various Artists
Wednesday 6 November, 7:00pm - 9:00pm
George Orwell
168 Perth Road
Dundee, DD1 4JS
Join us for a curated evening of Artist short films from around the globe. Based on this year’s festival theme REACT; NEoN has selected a series of films covering topics such as gender, environment and immigration.
Featuring work by BOM Fellow Emily Mulenga and other artists Georgie Roxby Smith, Jenny odell, Elaine Hoey, Chloé Galibert-Laîné, Shelley Lake, John Butler, Kevin B Lee, shawné michaelain holloway, Jennifer Chan, Shelly Lake and Greg Bath.
Full screening notes:
Max Almy, Perfect leader, (1983), 4 mins. 15 secs.
A satire of the political television spot, Perfect Leader shows that ideology is the product and power is the payoff. The process of political image making and the marketing of a candidate is revealed, as an omnipotent computer manufactures the perfect candidate, offering up three political types: Mr. Nice Guy, an evangelist, and an Orwellian Big Brother. Behind the candidates, symbols of political promises quickly degenerate into icons of oppression and nuclear war.
Greg Barth, Epic Fail, (2017), 5 mins. 32 secs.
Epic Fail is an avant-garde essay that questions what happens when political discourse fails to connect with voters, and truth is impacted by fake news. Based on the political events that shook 2016, the film imagines a reality that is both forged and blurred depending on how we perceive it; using existential currents inspired by Jean Paul Sartre’s Nausea.
The result is a surreal political satire that revolves around a vote for world peace that has dramatic consequences.
John Butler, Xerox’s Paradox, (2018), 2 mins.
A new workwear collection for the age of intelligent supertasking. Xerox’s fear of a paperless office led to the GUI, which, in turn, led to an explosion in the amount of printed matter. Xerox’s Paradox is about technology’s broken promises. The more we automate, the harder we must work.
Jennifer Chan, *A Total Jizzfest*, (2012), 3 mins. 22 secs.
A sample of the richest, sexiest men in computer and internet history.
Chloé Galibert-Laîné, My Crush was a Superstar, (2017), 12 mins. 30 secs.
This desktop documentary follows an ISIS fighter through a trail of messages, videos and postings to uncover his existence in both social media and reality. Part of Bottled Songs, a series of video letters investigating desire, power and terrorism in online and social media. The videos, recorded from the researchers’ desktops, depict and interrogate their subjects’ compulsive engagement in the production of everyday myths and fictions about themselves and others.
Elaine Hoey, Animated Positions, (2019), 9 mins. 47 secs.
This work draws reference from 19th century European nationalist paintings and explores the role of art in the portrayal of jingoistic patriotic ideals that have become culturally symbolic in the formation of the nation state. This piece re-animates the war like stances and positions of bodies found within these paintings, using character animation taken from the video game Call of Duty. The work challenges notions of nostalgia for the nation state, creating a contemporary critique of the underlying violence that underpins much of todays nationalistic ideologies.
Shawné Michaelain Holloway, GEAR-REVIEW(1)__BEGINNERS-VEST.MP4, (2016), 1 min. 55 secs.
GEAR-REVIEW(1)__BEGINNERS-VEST.MP4 is a response to internet’s “Gear Review” video genre. Using a video sourced from Youtube’s preparedness community alongside a video of the artist performing live for her leather community, this work asks questions about the ways we get to know, use, and care for our objects. Whether them for war, for sex, or both, we’re obsessed with function and feature, forcing fetish into the realm of the domestic and accessible.
Shelley Lake, Polly Gone, (1988), 3 min. 9 secs.
A day in the life of a robot.
Kevin B. Lee, The Spokesman, (2018), 12 mins. 30 secs.
The Spokesman investigates the online traces of John Cantlie, a British news reporter who was kidnapped in 2012 and later appeared in several Islamic State propaganda videos. Responding to Cantlie’s videos, Kevin analyzes Cantlie’s British accent and professional composure, constructed over many years of media appearances. Part of Bottled Songs, a series of video letters investigating desire, power and terrorism in online and social media. The videos, recorded from the researchers’ desktops, depict and interrogate their subjects’ compulsive engagement in the production of everyday myths and fictions about themselves and others.
Emily Mulenga, Now that we know the world is ending soon…what are you gonna wear?, (2019), 4 mins. 5 secs
Religious imagery and symbols of capitalist excess intertwine under the ever-watchful eye of CCTV cameras. Loneliness occurs even in the most crowded, noisy and colourful of rooms. Fractured identities span the online and offline worlds. Late-stage capitalism has left us with a disconnect from others and from a spiritual centre, and consumerism purports to fill the void; but never truly satisfies. There’s a condition of perpetual information overload in an oversaturated, neon, dystopian cityscape. There’s also a rabbit.
Jenny Odell, Polly Returns, (2017), 3 mins. 2 secs.
Polly Returns is based on Shelley Lake’s 1988 computer animation, Polly Gone, which features an isolated female robot doing everyday tasks inside a futuristic dome house. In my version, the robot has returned in 2017. The soundtrack is inspired by the original from Polly Gone, which itself was based on the soundtrack from The Day the Earth Stood Still.
Georgie Roxby Smith, Lara Croft Domestic Goddess I & II, (2013), 2 mins. 14 secs.
Georgie Roxby Smith’s hacked Lara Croft Tomb Raider video game shows the familiar icon for violent femme fatale bad-assery in the throes of orgasmic housekeeping, a scene that could be read as neo-Friedan, with her “domestic goddess” subject trapped between the banally physical and the extraordinarily virtual. The value judgments are unclear, the equation destabilized, as Croft joyfully irons shirts with a bow and arrow slung over her back, letting out cries that are undiscernibly battle grunts or orgiastic moans.
Photography Kathryn Rattray