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Hey Kiddies!
I got to be a make-up artist for a new opera that debuted in Winnipeg, called "No Masque for Good Measure". A friend was supposed to do it, but as soon as he heard that the main characters are drag queens, he suggested that I would be better suited for the job. I also got to supply the wigs. The costume designer had some headpieces for the performance, but when she saw the big wigs, she scraped them in favour of big wiggery! Everyone was very pleased with my work and I was inundated with compliments. It was a GREAT experience!
Grace Hartigan, a second-generation Abstract Expressionist whose gestural, intensely colored paintings often incorporated images drawn from popular culture, leading some critics to see in them prefigurings of Pop Art, died November 18, 2008 at age 86.
Ms. Hartigan, a friend and disciple of Jackson Pollock and Willem de Kooning, subscribed to the Abstract Expressionist notion of the painterly brushstroke as existential act and cri de coeur but, like de Kooning, she never broke entirely with the figurative tradition. Determined to stake out her own artistic ground, she turned outward from the interior world sanctified by the Abstract Expressionists and embraced the visual swirl of contemporary American life.
at the Artists for SL gallery, at my wall set. Thanks to the amazing Jim Slater
With Ivoni Miles, Jett Aldrin and Mind Vision
Taken at Artists for SL, Rainbow Park Island (225, 32, 1036)
Broken twill pattern, woven on a 4-harness floor loom. Less than 1 skein of Fleece Artist merino sock yarn in the Renaissance color.
Mykyta Storozhkov holds one from his paintings. Storozhkov, ukrainian art brut artist with cerebral palsy. He uses 1500 gel pencils for his art per year
During the COVID 19 pandemic, many Vancouver businesses were forced to close. To protect their businesses from theft, sheets of plywood covered the windows. Artists covered these boards with colours, paintings and hope.
The same process can also be used to make artist trading cards to exchange within the group. Remember to sign the back and include a date.
Mural Location:
Karlsruhe,Combo HipHop Kulturzentrum, Haid-und-Neu-Straße 165
Artists Homepage:
musa71.net
harrybones.com
Hello everyone, I am bringing the new release for Access round (Feb 12th to March 8th)
New items part of a artist set that will look awesome in that special spot at your house or for your photo shoots♥ Have fun!
Created with fd's Flickr Toys.
To see more of my work, behind the scenes video sessions and other info about me, please visit my site, sollang.com.
This is a caberet/ nightclub in Montmartre , which was a favorite spot at the turn of the 20 th century for struggling artists and writers, including Picasso, Modigliani, Apollinaire, and Utrillo.
About a month ago i was contacted on doing a short tutorial on making simple stylised clouds, since this would be my very first time of actually making a tutorial it seemed like something i could not pass on.
The illo above was the end result in where I wanted the clouds to act in a more magical/mythical kind of setting. Basically it was just me having fun.
This tutorial and more is in the latest issue of digital artist magazine available to buy now at your local newsagent or other places (including newsstand).
Lavinia Fontana -
Ritratto di Costanza Alidosi [~1595] -
Washington NMWA - GAP
Lavinia Fontana depicted the Bolognese noblewoman Costanza Alidosi seated in a sparsely, yet luxuriously, furnished interior. In the upper left, a courtyard and two open doorways are visible, giving the painting depth and perspective.
The life-size figure of Alidosi occupies the entire height of the painting. Fontana angled Alidosi’s body toward the viewer, simultaneously giving the portrait a sense of intimacy and power. The artist, known for her skill at rendering fabric and jewelry, portrays Alidosi’s dress meticulously, particularly the details of the gold embroidery on the skirt and bodice. Fontana’s talent for depicting textures is evident in the fringe on the red velvet chair and the sitter’s lace collar.
Alidosi was married in 1571 to the nobleman Ridolfo Isolani. As a senator and an associate of the Medici family in Florence, he was often away from home, leaving his wife to attend to business in Bologna. It was most likely during one of these absences that Alidosi commissioned Fontana to paint her portrait, possibly as a display of her power and autonomy. Ridolfo is referenced obliquely: both the dog on Alidosi’s lap and the juniper blossoms tucked in her bodice likely symbolize her fidelity to her husband.
Washington NMWA