View allAll Photos Tagged ADOX
Adox HR-50 at iso 50
Minolta X-700
Minolta MD 50mm f/1.7
Kood IR720nm Filter
HC-110 dilution H 9 mins at 20 celcius
Scanned with Ion Slides2PC 35mm Scanner
processed with Affinity Photo
China. Shanghai. 2017. Scene of old city，Girls .
Shot on Kodak 5222 film with Leica Summilux 35 pre-asph lens. Developed with Rodinal 1:50 for 11 mins. Scan BW film on Unis FS7200ice scanner. No edit. (徕卡MP相机， Kodak 5222电影胶卷拍摄，雷电露1:50显影11分钟，紫光fs7200扫描，用48位彩色模式扫描黑白底片，无任何后期)
Kentmere 400 in 2nd used adox aerotech iv. Supposed to be a one shot Dev but it’s expensive. 11 minutes 80f . Negatives were good, little dense.
It took me a few years to finish photographing with the last of about a dozen rolls of the discontinued Adox Silvermax film. Even though I try not to 'waste' film, I am also generous with my use of it. I worked especially hard to ensure that the images I made with this dead film would honor that legacy. I won't claim that the resulting photographs have anything 'extra special' about them, other than to try and make them worth of each other.
Birches ( Adox 100 ):
Yes, I know, we all did that and do it ever again, trunks of birches. I wanted to try this before the new foilage comes out (which will be soon, hopefully!) using the ADOX 100 Film and a R60 red filter to tune down the blue sky in the background. It worked resonably well, although I underestimated how fast it gets darker in the afternoon, still, so the (infamous) Minolta 5.6/100-200 struggeld with the light. (The wider frames are with the 58/1.4) I needed to underexpose some even more than I wanted to. (Used a Minolta SRT - and again fell in love with the simple match needle metering. Why cant anybody make something like this, it's intuitive, fast, analog ...)
I like some of the shots although many are not as sharp, because of shake / Focus / depth. But moody they are.
Farmland on Film ( Adox 50 ).
I learned the Adox 50 film has enhanced red sensivity and some IR capabilities. SO I thought it might be a good match for a 630nm filer. This is not really a IR filter, but something really dark red. I exposed at ISO 64, still the negatives are quite dense, I think I easily could have used ISO 100! These are all taken with a 50mm f/1.4 lens, mostly open. Sometimes I missed focus quite a bit, I'm afraid. The sky is not as dark as I thought it would come out. I do own an even stronger 665nm filter, I think i'll try it a some point, there really seems to be enough sensitivity to shoot without problems on a bright day.
I have one more roll of that, but no time to scan, now.
Adox Variotone in Eco4812
alkaline fixer > wash 20 mins
weak MT3 & strong MT1
MT3 Vario Schwefeltoner. bleach 1+200 1 min, toner 25+7+500ml > wash 4 mins
MT1 Selenium 1+10 2:45 > final wash 15 mins
ADOX CHS 100 II
Olympus OM-2
Sun 80-200mm f/4.5
HC110 dilution B
Ion Slides2PC 35mm scanner
Affinity Photo 2
This historical marker details about the man who founded Eldorado, Illinois.
Taken with my ninety-first camera. It was almost impossible to get to use this camera. Film is no longer made for it by anyone and nobody even makes the special "J" battery it takes. But I said almost impossible. I happened to have an old, empty instant film cartridge these used and was able to put some cut-down 120 film into it and get it to work. The things we photographers have to do sometimes!
Camera: Kodak Handle No. 2 (made in 1977)
Film: Holga 400 B&W, cut down 120 (expired 02/2018)
Date: May 2nd, 2023, 1.15 p.m.
Location: Eldorado, Illinois, U.S.A.
Developing chemicals at 68 degrees F
Adox Adonal – 11 minutes (1:50 – 2 tsps. of Adonal and 500 ml. of water)
Water rinse – 1 minute (to keep the chemicals clean)
Ilford Ilfostop stopbath - 1 minute
Water rinse - 1 minute
Kodak Kodafix fixer - 9 minute
Water rinse – 1 minute
Handle-2 Holga 400 2023 01ef
scanned with Pentax K30 + Schneider-Kreuznach Componon-S 50mm, HDR Scan with HDR Projects Platin, FixFoto
Press L (+)
Eltville mit Kurfürstlicher Burg (Hesse, Germany) April 2019 --- Minox 35 GT --- Agfa APX 100, Adox Atomal 49 ---
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ADOX Silvermax 100 shot at EI 100
Black and white negative film in 35mm format
Large version at: emulsive.org/photography/35mm-format/coiled-adox-silverma...
Filed under: #35mmformat #Photography #2016November #35MmFormatFilm #ADOX #ADOXSilverMax100 #BlackAndWhiteNegativeFilm #EI100 #EMULSIVEDailyPhoto #ISO100
Łódź
eos650,ef50/1,8 silvermax, hc110
You can see the rest of my photos on my second Flickr account : www.flickr.com/photos/169407696@N06
Ein Nachteil dieser Kamera ist der Auslöser. Er lässt sich nur schwer niederdrücken, die Handhabung ist unpraktisch. Die Programmautomatik und die Belichtungsmessung funktionieren noch gut. Die Kamera macht qualitativ gute Aufnahmen, wenn sie denn nicht verwackelt sind (Auslöser).
Techn. Daten:
35mm Kompaktkamera mit eingebautem Selenbelichtungsmesser
Galilei-Sucher mit eingespiegelten Bildfeld- und Parallaxmarken
Objektiv: Adoxon 45mm 1:2,8
Sucher: mit eingespiegeltem Bildfeld- und Parallaxenmarken
Objektiv: Adoxon 1:2,8/45 mm
Fokussierung: manuell
Verschluss: Prontor
Zeiten: 1/30 - 1/250 s "B"
Belichtungsmesser: Selen, gekoppelt, grün/rot Anzeige im Sucher eingespiegelt
Blitz: Hot shoe
Filmtransport: Schnelltransporthebel am Kameraboden.
Adox Silvermax
Diafine 4+4
Silvermax has really the widest dynamic range. You can catch in one pic all details in shadows and lights. You will have them on negative BUT you will not be able to extract all tonality.
I made the picture from two scans. One renders all details in light but tunnel was absolutely black. And vice versa, another shows all details in darkness of tunnel and bright white spot instead people at background. 10 mins in Photoshop and I managed to combine them manually.
You can compare with my best direct scan on Nikon Coolscan V on the next picture.