View allAll Photos Tagged ADOX
Antirrhinum barrelieri - directly enlarged blossoms onto Adox MCC 110
Mordançage of a lith redevelopment: etch-bleach, redev. with Catechol
Made in Germany
Dust, I Cleaned it, But not good enough as you can see.
Handheld
Tonemapped
cropped
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A bit of an experiment with this film, I took (a now) usual wander around town.
Taken with Hasselblad 501cm with Planar 80m f2.8 *t CB lens, on Ilford HP5 Plus at 400asa, developed in Adox Rodinal at 23+1000 for 13:30 minutes, scanned on Epson v550 with SilverFast®8 at 3200ppi.
Test of the Red (IR) Adox Snap-on gelatine filter. Adox says it has filter factor of 2, but I reckon it is closer to 4 (2 stops). I cannot find much IR effect.
Camera: Pentax 67II
Lens: smc Pentax 67 165mm f:2.8 - IR (Factor 2) Adox Snap-on filter
Exposure: 1/60 @ F/8
Film: Fomapan 200 Creative home developed in Fomapan Excel 1+1
22-Jul-2023 15:20
Adox CHS100 II ISO 100 rated @ EI 100
Ebony 45SU
Rodenstock APO Sironar S 210mm f5.6
Developed in 510Pyro 1+100 for 8 mins (N) @ 20C
Pre-Wash 7mins
Inversions first 30 sec then every 30 sec
Two water Stop Baths - 1 min each
John Finch Alkali Fixer (1+4) for 4 mins
Bed Tilt : 80 deg forward
Front Tilt 5 deg back
Mid tone LV = 11
Highlight = 13
Shadow = 10
Bellows Extension (300mm for the 210)
Guessed at +1 stop which was correct in retrospection
Filters : None
Final LV=10
Reciprocity : 4 sec goes to 8 Sec
8 sec @ f64
Dunes on Adox 20:
This is an even more sandy area than the usual sand around here. I've been there 2 years ago. This time wasn't so good, heavy rains the days before somehow spoiled the surface.
01-Apr-2022 16:45
Adox CHS100 ISO100 rated @ EI 100
Ebony 45SU
Schneider 110mm f/5.6 Super-Symmar XL
Developed in ID11 1:1 for 8 mins @ 20C
Bed Tilt : 20 deg forward
Front Tilt : 1 deg down
Mid tone LV = 12
Highlight = 15
Shadow = 10
No Filters
LV=12
Shutter speed 1/8s @ f22
Kingston upon Hull, one Sunday morning mid September 2020.
Taken with Nikon FM2 and Nikkor 50mm f1.8 lens. On Fomapan 100 Classic, developed in Adox Rodinal (1:25) for 4 minutes. Scanned on Epson V550 with Silverfast software.
Incident metering. Adox HR-50 developed in Rodinal 1+100.
Total time 32 minutes, initial agitation: 1 minute, two tilts after each 3 minutes. 22°C
Camera: Intrepid 8x10
Film: Adox CHS II ISO100 8x10 black and white negative sheet film
Lens: Schneider-Kreuznach Symmar 300mm f=5.6.
Filmholder: Chamonix
Shutter: Prontor Professional 3
Exposure: ISO100 at f5,6 1/15s.
Light:
Natural light
Development: Rodinal in a Stearman Press developing tank at 8 minutes. No stopbath but water. Ilford fixer for 5 minutes. Increased agitation to make the scene more contrasty.
Scanner: Epson Perfection V700. Scanned at 900 dpi in two segments and stiched together digitally
From thedailylumenbox.com
Adox CMS 20II shot with TTArtisan 28mm f/5.6 on Leica Ic. Developed in Adotech IV for 6 minutes at 78°F.
Rolleicord V , adox chs25art, 18mins in rodinal. Bright sunny day under central pier blackpool. View large, the rollei has a nice schneider lens
contax g2
45mm f/2
adox CMS 20 @ 12
adotech II 1+29, 8,5 min
I love this film so much, but it is really hard for me to handle. It attracts incredible amount of dust.
Adox MCC in SE2 Warm, bleached back (copper bleach), redeveloped with EasyLith 1+1+1000 and Siena (Glycine) each 1min
From thedailylumenbox.com Adox CMS 20 II, shot at ISO 12 with Voigtlander 15mm Super Wide Heliar on Leica Ic. Developed in Adotech IV for 10 minutes at 74°F.
As some of you know, microfilm requires special developers to make it accessible for normal photography. The advantage of these films is the high resolution, so that even with 35 mm film you can reach the performance limits of the lenses.
I have now photographed some years with the microfilm ADOX CMS 20II. It can be developed in a special developer "Adotech" but also in Caffenol. The results are good, but you can still see the film's origin, because it reacts very sensitively to incorrect exposure and can get very steep then.
By chance I heard about the POTA developer, which is very simply composed: 1.5 g phenidone and 35 g sodium sulfite per 1 liter of water. That's all.
This developer was used to expose very large contrast ranges on film, from nuclear explosions to aerial photography to astrophotography. 15 to 20 f-stops contrast range can be compressed with it.
Pre-exposure of film with zone II
Exposure: ISO 12
Development in POTA: 20°C, semistand 13:30 minutes. The film has to be pre-watered to avoid streaks!
The developer only lasts for 1-2 hours and 250ml of self-made
developer cost less than 20 cent. Within this time you can develop as many films in it as you like.