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Adox CMS 20
Adox Adotech III: 1:100
Rodinal: 1:400
Temperature: 24 degree C,
Time: 30 minutes.
Nikon F601 and AF-D Nikkor 50mm F1.8.
Polomat 1 is a 35mm viewfinder camera Pronto-LK shutter B,15-500 speed with Radionar f2.8/45mm lens, Made in Germany by Adox c1960
Estudio Número 2.
Será algo muy dulce naufragar aquí, a tu lado, cuando cambie el viento y nos empuje esa tormenta. Estoy demasiado acostumbrado a hundirme solo en mis propios charcos.
At the start of the summer I bought some Adox Silvermax 100 film to try out. The plan was to shoot it quickly, develop it myself in the dedicated Silvermax developer, then scan it using my Plustek scanner. We all know what happens to the best laid plans. During the summer, due to family illness I had no time for photography at all so the film travelled north to Skye a few days ago where I quickly used it up. Unfortunately I completely forgot to bring all my developing gear so the film was sent to my usual lab to see what they could make of it.
Here are some of the results. Looking at the negatives I thought they looked quite contrasty and this was backed up when I started to work on the computer. In a lot of them the highlights were blown out. I'm sure my exposures were correct because I use a hand held meter so it must be a combination of what the lab used as a developer and the scanning process. I have read online that even using the Silvermax developer the film speed should more accurately be set at ISO 200 at least to avoid the highlights blocking up. When I get back down the road I'm going to try shooting at ISO 100, 200 and 400 and will develop it in the Silvermax developer following the manufacturers instructions to see what comes out.
These are all crops to a greater or lesser extent but at first glance the claims to be a fine grained film certainly stack up.
adox color implosion @ iso 100, no compensation, nikon F4s matrix metering, frontier scan without any editing in post.
lens: vivitar 19mm
Adox CMS 20II got pre-exposed with zone I exposure for better shadow details. Film got developed in POTA. 10 mts. semistand.
ATTENTION: You need to pre-water this film with a 1% of washing soda solution for 1 to 2 mts. to get rid of the antihal. layer. Otherwise stripes. Wash with water then prior to development.
ADOX CHS 100 II
Olympus OM-2
Sun 80-200mm f/4.5
HC110 dilution B
Ion Slides2PC 35mm scanner
Affinity Photo 2
Ruediger Hartung
Adox CMS 20II @ ISO 10 dev. in POTA
Dahner Felsenland, Germany
Adox CMS 20II was exposed @ ISO 10 and got developed in POTA developer.
Printed on Fomatone MG Classic 132
Moersch Easy Lith 30-15-1000 / Moersch Catechol 1+50 two-bath
Announcement of the Adox Polo 35mm camera , in a Dutch photomagazine . " Overwhelming Miniature News" .
Norfolk Southern's BH66 local has just removed a car from Carb Rite in Schneider, Indiana. This stub of track, known locally as the Danville, once extended to Cairo, Illinois. This train will head home to Kankakee from here.
February 28, 2024.
GnC film41, 120 Adox Color NC17 196x, Tetenal ergoline C41 22C 18min
One of the few Adox Color NC 17 rolls, much thicker base than Agfacolor, color reproduction is a bit different as well.
The story of this film: www.flickr.com/groups/fossilised_film/discuss/72157632280...
I think having the larger negatives helped out with this combination a lot. While yes, when working with Rodinal, you have to embrace the grain, I am rather pleased with these results. A bit more contrast and excellent sharpness are good things when the price is a bit more visible grain.
Watch the full Review Online: www.youtube.com/watch?v=ZOj8C7tnz5I
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 - Adox CHS 100 II @ ASA-80
Adox Rodinal (1+50) 11:15 @ 20C (Constant Rotation)
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Taken with an Adox Sport folding camera from around 1952 with its Steinheil Cassar 105mm f4.5 built in lens, at the Tatton Park Classic Car Show in Cheshire, England, on 30th May 2015
1/100 sec @ f16
From thedailylumenbox.com Adox CMS 20II shot with Leica Ic and
Voigtlander (Cosina) 12mm Ultra-Wide Heliar at ISO 25. Developed in Adotech IV.
New growth. Shot on Adox HR50 with the Canon EOS 5 and 85mm L series lens. Film was developed in Xtol.
Fujica GW690
Ilford FP4 plus (expired 1998)
Adox Rodinal (1:24) 20 minutes at 20c (developed at asa400)
Epson v550 @ 4800dpi, 16 bit greyscale
I will be using this camera in week 333 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Adox CMS 20II got pre-exposed with zone I exposure for better shadow details. Film got developed in POTA. 10 mts. semistand.
ATTENTION: You need to pre-water this film with a 1% of washing soda solution for 1 to 2 mts. to get rid of the antihal. layer. Otherwise stripes. Wash with water then prior to development.
Efke IR820 in Finol
Lithprint onto Adox MCC
SE5 Lith two tray: Lith 1+20 6 mins and Lith 1+10 1 mins - MT9 Gold Toner 2 mins
Laaksum, Friesland. Smallest sea harbor in Europe.....and very nice and quite. Lithprint on Fomatone Mg classic paper. Agfa apx 400 film in Adox Hr dev developer. Print in Moersch lith.
Penblokeshire, Wales UK
Looking towards Church Rock
Following the Bosherston Lily Ponds trail
Camera Canonet 28
Film ADOX Scala 50
These work, but I'm not 100% a fan of them; I find them a little too contrasty and dark. I probably could have gone with a slight over-exposure. But you have plenty of contrast, sharpness and an increase in visible grain. But overall, not a favourite, but not a bad combination if that's all you have. These might do better with a long stand-development.
You can read the review online.
www.alexluyckx.com/blog/index.php/2022/09/16/classic-film...
Minolta Maxxum 9 - Minolta Maxxum AF 24mm 1:2.8 (Yellow-12) - Kodak Plus-X Aerecon II 3404 @ ASA-100
Adox Rodinal (1+50) 9:30 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC