View allAll Photos Tagged ADOX
Adox Golf 45 produced by Adox Fotowerke, Wiesbaden, Germany, between 1954-59. Uses 120 roll film 120 (picture size is 6x6cm) It has a coated Adoxar 1:4.5 f=75mm lens
This shot with Canon Eos 5 (analog)
Canon EF 135 mm f/2L USM
Ilford PAN F Plus @ 50 ISO, ID-11 1+3 15min
CanoScan 9000F Mark II
One of my first real large format photos.
2011-11-26, Malmö, Sweden
Schneider-Kreuznach Symmar 150mm/5.6 @ f/16, 6", ADOX CHS25
12 minutes in 1+80 diluted APH09
Slight warm toning in post process
4x5_CHS25_0004
Adox HR-50-speed boost @ ISO 50
Rodinal 1+25, 10 minutes at 22 °C
Initial: 30 seconds
1x tilt to the 5th minute
All zones are cleanly where I had calibrated them.
The higher resolution of the film (285 lp/mm) is very noticeable in the shadows.
Great combination.
Equipment: Canon EOS 3, Carl Zeiss Distagon 4 / 18mm, tripod.
View at maximum size.
Aw, look at what I did for the grainy film-loving masses. I did your homework for you. Here is an exposure test of ADOX's new 'Color Implosion Film'.
The new ADOX 'COLOR IMPLOSION' film I heard is defective AGFA aerial film without a red filter in the emulsion. And is it grainy! But regardless, for those times when you want a grainy, vintage look it might fit the bill. It was originally 800 ASA film, but being its defective, suppose that's why ADOX recommends to shot in the 200 asa range. I suspect the Lomo/hipster crowd will gravitate toward that 100 ASA exposure. They love 'dem some yellow skies!
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Glenveagh National Park, Donegal, Ireland
Adox Color Mission 200
Canon EOS 3000V
🔎Canon EF 50 mm f/1.8 II
🍜Rollei Colorchem C-41 kit@45c 2:00
I will be using this camera in week 333 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
ADOX CHS 100 II
Olympus OM-2
Zuiko 28mm f/3.5
HC110 dilution B
Ion Slides2PC 35mm scanner
Affinity Photo 2
ASD stand developer is a metol-hydroquinone developer
www.etsy.com/listing/723979955/negative-developer-asd-lon...
dil. 1+17, 90 minutes
Initial agitation 5 mts. remaing time stand. One tilt at half-time.
• Adox Silvermax 100
• Simax Dev (1+29) 11m @ 20˚
• Asahi Pentax Spotmatic SPII
• Carl Zeiss Jena DDR MC Flektogon 2.4/35
• VanJam, Lincoln, 2019
ADOX CHS 100ii @200iso
Minolta X-700
Minolta MD 50mm f/1.7
Developed in Zone Imaging 510 Pyro
Digitised with Nikon D700
Tamron Adaptall 2 90mm f/2.5 Macro
Affinity Photo 2
Adox HR-50-speed boost @ ISO 50
Rodinal 1+25, 10 minutes at 22 °C
Initial: 30 seconds
1x tilt to the 5th minute
All zones are cleanly where I had calibrated them.
The higher resolution of the film (285 lp/mm) is very noticeable in the shadows.
Great combination.
Equipment: Canon EOS 3, Carl Zeiss Distagon 4 / 18mm, tripod.