View allAll Photos Tagged ADOX

Adox Golf 45 produced by Adox Fotowerke, Wiesbaden, Germany, between 1954-59. Uses 120 roll film 120 (picture size is 6x6cm) It has a coated Adoxar 1:4.5 f=75mm lens

 

This shot with Canon Eos 5 (analog)

Canon EF 135 mm f/2L USM

Ilford PAN F Plus @ 50 ISO, ID-11 1+3 15min

CanoScan 9000F Mark II

Adox Messgolf - Fuji Neopan 400 (exp. 04/2002) in Rodinal - Negativscan

One of my first real large format photos.

 

2011-11-26, Malmö, Sweden

Schneider-Kreuznach Symmar 150mm/5.6 @ f/16, 6", ADOX CHS25

12 minutes in 1+80 diluted APH09

Slight warm toning in post process

 

4x5_CHS25_0004

Adox 66

Kodak T-Max ISO 100 (expired 7/2008)

Kodak D-76, 21°C, 11min

Adox HR-50-speed boost @ ISO 50

Rodinal 1+25, 10 minutes at 22 °C

Initial: 30 seconds

1x tilt to the 5th minute

All zones are cleanly where I had calibrated them.

The higher resolution of the film (285 lp/mm) is very noticeable in the shadows.

Great combination.

Equipment: Canon EOS 3, Carl Zeiss Distagon 4 / 18mm, tripod.

Adox Golf, 07/2017

Adox Golf + exp. Ilford Delta 3200

 

04/2020

ADOX CMS20II developed with Adotech III.

Adox CMS20 in Adotech, Hexar AF

Olympus XA

Adox Color Implosion film

 

Greenwich, NY

Nikon F3HP | Nikon Ai Nikkor 85mmf2 | Kodak Super Gold 400

Adox Silvermax 100 reversed in PQ Universal and scanned with Plustek 7600i Ai.

Adox SilverMax & FM3A.

Scanned with GT-X980.

View at maximum size.

 

Aw, look at what I did for the grainy film-loving masses. I did your homework for you. Here is an exposure test of ADOX's new 'Color Implosion Film'.

 

The new ADOX 'COLOR IMPLOSION' film I heard is defective AGFA aerial film without a red filter in the emulsion. And is it grainy! But regardless, for those times when you want a grainy, vintage look it might fit the bill. It was originally 800 ASA film, but being its defective, suppose that's why ADOX recommends to shot in the 200 asa range. I suspect the Lomo/hipster crowd will gravitate toward that 100 ASA exposure. They love 'dem some yellow skies!

 

© All Rights Reserved. Do Not Copy Or Re-Distribute Without Explicit Consent or Authorization -

 

Glenveagh National Park, Donegal, Ireland

 

Adox Color Mission 200

Canon EOS 3000V

🔎Canon EF 50 mm f/1.8 II

🍜Rollei Colorchem C-41 kit@45c 2:00

 

My Links

Konica Autoreflex TC

ADOX Color Implosion

Adox Color Implosion film

Most likely taken with Kiev 4M camera

Hasselblad SWC/M ⎟ Adox CHS 100 ⎟ Original slide lost in the environment ⎟ Epson V700

Adox Messgolf - Fuji Reala - Negativscan

Fort Galle Southern province Sri Lanka. Adox Colormission

Leica iiif, Voigtlander Color-skopar 21mm, f4

Leica MP * Leica Elmarit 2.8/28 Asph II * Adox CHS 100 II * Adox Adonal 1+50 * Nikon Coolscan V ED

One of the coolest cameras I use. What an eccentric beast.

I will be using this camera in week 333 of my 52 film cameras in 52 weeks project:

52cameras.blogspot.com/

www.flickr.com/photos/tony_kemplen/collections/72157623113584240

 

ADOX CHS 100 II

Olympus OM-2

Zuiko 28mm f/3.5

HC110 dilution B

Ion Slides2PC 35mm scanner

Affinity Photo 2

Leica Ⅲg + VIsoflexⅡ + Elmar65mm f3.5

Adox Silvermax / Silvermax developer

en tardes de duelo

y reprimendas futuras.

Leica M6 Elmar 9cm, Adox film

ASD stand developer is a metol-hydroquinone developer

www.etsy.com/listing/723979955/negative-developer-asd-lon...

dil. 1+17, 90 minutes

Initial agitation 5 mts. remaing time stand. One tilt at half-time.

 

• Adox Silvermax 100

• Simax Dev (1+29) 11m @ 20˚

• Asahi Pentax Spotmatic SPII

• Carl Zeiss Jena DDR MC Flektogon 2.4/35

• VanJam, Lincoln, 2019

ADOX CMS 20

85L Wide Open

 

ADOX CHS 100ii @200iso

Minolta X-700

Minolta MD 50mm f/1.7

Developed in Zone Imaging 510 Pyro

Digitised with Nikon D700

Tamron Adaptall 2 90mm f/2.5 Macro

Affinity Photo 2

Leica iiif, Voigtlander Color-skopar 21mm, f4

MPP Mk VII 4x5 camera, Adox chs 25, R09 stand dev.

 

ADOX Silvermax-100

Silvermax-Developer 1+29 10:30min.

Adox HR-50-speed boost @ ISO 50

Rodinal 1+25, 10 minutes at 22 °C

Initial: 30 seconds

1x tilt to the 5th minute

All zones are cleanly where I had calibrated them.

The higher resolution of the film (285 lp/mm) is very noticeable in the shadows.

Great combination.

Equipment: Canon EOS 3, Carl Zeiss Distagon 4 / 18mm, tripod.

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