View allAll Photos Tagged 41:
boston, massachusetts
1972
nick
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
boston, massachusetts
1972
michio kushi
macrobiotics lecture
(en.wikipedia.org/wiki/Michio_Kushi)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
boston, massachusetts
1972
"movement sound light in concert"
martha baird dance company
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
boston, massachusetts
1972
unidentified bar
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
boston, massachusetts
1972
michio kushi
macrobiotics lecture
(en.wikipedia.org/wiki/Michio_Kushi)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Sum 41
Don’t Call It a Sum-Back World Tour 2017
29th january 2017
This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.
for info and photos visit my website www.robertofinizio.it
Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
per info e materiale fotografico visita il mio sito www.robertofinizio.it
boston, massachusetts
1972
michio kushi
macrobiotics lecture
(en.wikipedia.org/wiki/Michio_Kushi)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Close up of a German FlaK 41 88mm anit-aircraft gun. Front view of a German FlaK 41 88mm anti-aircraft gun. By all accounts the limited production of FlaK 41 were anti-aircraft weapon serving only within German borders. But the large shield on this mount leads me to think otherwise. (FMAR0319 G11)
For more info: en.wikipedia.org/wiki/88_mm_gun
boston, massachusetts
1972
michio kushi
macrobiotics lecture
(en.wikipedia.org/wiki/Michio_Kushi)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Side view of a German FlaK 41 88mm anit-aircraft gun. By all accounts the limited production of FlaK 41 were anti-aircraft weapon serving only within German borders. But the large shield on this mount leads me to think otherwise. (FMAR0319 G11)
For more info: en.wikipedia.org/wiki/88_mm_gun
In 2000 Birmingham Coach Company was re-branded as Diamond Bus seen here in Old Square,Birmingham City centre in later livery and later route 16 branding.
Sum 41
Don’t Call It a Sum-Back World Tour 2017
29th january 2017
This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.
for info and photos visit my website www.robertofinizio.it
Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
per info e materiale fotografico visita il mio sito www.robertofinizio.it
My brother got a new car today, a Dogde Caliber. I'm starting to ease my emotions a bit, only if just slightly. It is a start though.
I keep thinking about a story I'm planning on writing more and more. It's going to be called Walker. It's going to be about a girl my age (sixteen) named Heather who shares her world with her parents--50/50 custody. Her and her mother don't get along well and are always yelling at each other. Her and her brother, who lives full time at their mom's house and doesn't speak to the their dad, don't understand each other in the slightest. Her brother gets all the attention, and it's hell at her mom's house, therefore she's always on top of the moon when she gets to go to her dad's for the week.
Well, one day she pulls up in her cul-de-sac to find the cars away from the driveway, gone, a S O L D sign in their yard. The house empty. Thier house. Her house. Her HOME. All that's left inside is her key and a note from her dad saying that one day, he'll explain everything.
So throughout the story, Heather's recalling a memory when she's six years old and her entire family camps out for two weeks at Walker River, which is their self-proclaimed own little river, with woods all around, and just beautiful. This camping trip is, in Heather's mind and heart, the time when she and her family was completely happy, completely peaceful, everything good. So, naturally, she clings to this memory. A few weeks after she realizes she can't handle this emptiness anymore, she runs away from home and lives at the Walker.
After a while of living there, she meets this guy (the love interest, naturally) who tries to convince her to stay with him in his cabin, but she insists on making nature her home. At the end, her dad finds her and pieces everything together, making her understand everything she never knew, things that fell in between the cracks of her life.
Feedback?
324 to go.
Painting workshop with music / workshop de pintura com música > www.artworkshops.do.sapo.pt / chillloutart99@gmail.com (00351) 965277510