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这是自己一个实际工程的室内中庭，准备练习一下从sketchup到3dsmax表现的流程。因为工作关系，整个流程的主要软件使用Autocad、Sketchup、3dsmax、Ps。希望我能坚持更新。
(This is a interior rendering for a project I am working. )
Started work on this scene in 2008 - was happy with my progress - then Avatar came out - damn you James Cameron & Weta!
I have released very detailed models of the new Google Pixel 3 and Google Pixel 3XL phones!
You can download them as polygonal versions AND as high quality NURBS formats!
Pixel 3XL
3dsmax/maya/vray/obj:
www.turbosquid.com/3d-models/3d-model-google-pixel-3xl-13...
NURBS:
www.turbosquid.com/3d-models/google-pixel-3-xl-3d-1315417
Pixel 3:
3dsmax/maya/vray/obj:
www.turbosquid.com/3d-models/3d-google-pixel-3-1317314
NURBS:
www.turbosquid.com/3d-models/google-pixel-3-model-1315415
Pixel 3 + Pixel 3XL pack
3dsmax/maya/vray/obj:
www.turbosquid.com/3d-models/google-pixel-3-3xl-3d-model-...
NURBS:
www.turbosquid.com/3d-models/3d-google-pixel-3-3xl-model-...
This is a plane with 4x60 segments and a noise modifier on top.
The panels are made from a tube primitive object with 6 segments.
Straight out of the viewport.
(Max 2012 viewport rendering is quite nice)
Created with Populate:3dsmax
Patgirl Dakota - CHPT IX - The Time Capsule - Official .
Road of No Return is written and produced by Patgirl Dakota
Follow the next Chapter.
#patgirl #patgirldakota #pintogirl #thetimecapsule #DoP #nuke #motioncamera #logic #kemper #diezel #schecter #deanguitars #davinciresolve #protools #kronos #blackmagicdesign #3dsmax #motiondesigner #3ds-designer #filmdesign #guitarvirtuoso #band #rock #metal #woman #capucine_dakota #the_damned #patgirlofficial #songwriter #producer
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Just running a couple of 3ds Max architectural test scenes through iRay. Scene is a modified Turbosquid scene that was originally configured for VRay.
Materials are A&D with a combination of bitmaps & substance maps/textures. Lighting is mostly HDR environment. Lamps are self-illuminated geometry.
Render time was set for 40 minutes using: (1) Quadro 6000, (1) Tesla C2070, and (1) Tesla C2050
3dsmax(Modeling,base software)
Z-brush(adding extra detail,unwraping)
Marvelous Designer(cloth simulation)
SpeedTree(plants)
V-ray(Lighting , rendering, shadering)
Photoshop (texture creation,post production)
I'm going to make this track for rFactor 1 and rFactor 2 as well.
The elevation data and the underlying map is imported from Google Earth + Google SketchUp.
The track surface was made using spline cage method in 3dsMax
Just running a couple of 3ds Max architectural test scenes through iRay. Scene is a modified Turbosquid scene that was originally configured for VRay.
Materials are A&D with a combination of bitmaps & substance maps/textures. Lighting is mostly HDR environment. Lamps are self-illuminated geometry.
Render time was set for 40 minutes using: (1) Quadro 6000, (1) Tesla C2070, and (1) Tesla C2050