View allAll Photos Tagged 35:
Soooo awhile back I applied to be part of Lensbaby's Traveling Burnside Project, and THEY PICKED ME!!!! So basically I get to try out their new Burnside 35 lens (which I received today!!!) for 2 weeks before I send it along to the next person. How cool is that?????? I mean look at the COLORS on this thing!!
SO FRICKIN EXCITED.
First impressions: Reminiscent of Helios...Still figuring out the point of the "slider effect".
Took my little Rollei xf 35 to our Austrian sping journey. Despite the weather was almost winter like we did enjoy it. Fuji 200 was used.
A very big thanks to Zach, a local camera repair tech based out of Providence, who sold me this fine (and working) specimen.
Braun Paxette 35. A nice distinctive feature is the foldable cocking lever under the lens barrel. Thrift shop find, in excelent condition.
This is the "film d'essai" (test film) of my newly-arrived Rollei 35 (year 1973), Lyon, France, March 2, 2023,
After blank mechanical tests and a detailed inspection the day before, the Rollei 35 camera was loaded with a 36-exposure Fomapan Creative 200 film exposed for 200 ISO. Fomapan 200 is a regular panchromatic film sensitized in the red to 690 nm, a bit more than the common panchromatic films as Kodak Tri-X or Ilford HP5 with a cutoff around 650 nm. The 35mm perforated Foma film is coated on a regular cellulose acetate base tinted in grey-blue to avoid halation. Technical Foma data indicate that the nominal sensitivity is more around 160 than 200 ISO.
Expositions were determined using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas. Typically, 1/500s, to 1/125s, were used at f/8 to f/16. Most of the view were taken with a 24mm screwed Rollei filter "Gelb-Mittel" (medium yellow) fitted on the Tessar 1:35 f=40mm lens (Made by Rollei under a Carl Zeiss licence o ft the original Tessar lens for the Rollei 35). The coefficient "+1,5" of the medium yellow filter is equivalent to 0.5 stop.
March 2, 2023
69004 Lyon
France
After exposure, the film was processed using Adox Adonal (=Agfa Rodinal R09) developer at dilution 1+50, 20°C for 10 min.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This original Rollei 35 is equipped of the collapsible 40mm Tessar lens "Made by Rollei" under Carl Zeiss licence who designed the first 1:3.5 f=40mm Tessar lens for the Rollei 35. Original Rollei 35 were manufactured by Rollei Franke & Heideke company originally in Germany starting year 1966 then later in Singapore until 1981. Originally, the build-in CdS cell was design by Gossen and the central shutter by Compur. Diaphragm and shutter are operated mechanically by two wheels on the front of the camera. The CdS cell is coupled to both. The Rollei 35 was a miniature 35 mm camera weighting around 320g, about 100g more than the Rollei 35 LED for instance with less mechanical parts. Overall more than 2 millions of Rollei 35 camera were produced over 15 years under different versions. According the serial number (3 410 XXX) of this chrome-plated camera was produced by Rollei Singapore between 01/1971 and 06/1973 and likely after 04/1973 due to the Tessar lens "Made by Rollei" instead of formally Carl Zeiss Tessar (ref : rollei35.eu/rollei35numbers.php#r35ge). It came with its original leather pouch, the wrist strap, a Rollei soft collapsible shade hood, Rollei 24mm screw-on UV and medium yellow filters, and the original user manual.
1972, zwei Jahre nach Erscheinen der 35 RC, bringt Olympus eine vollautomatische Version dieser Kompaktklasse heraus. Die 35 ECR besitzt den damals recht verbreiteten Blendenverschluss „Seiko ESF“ (wie z. B. in der Ricoh 35 electronic), d. h., die Verschlusslamellen fungieren gleichzeitig als Blende. Der Verschluss lässt Zeit/Blende-Kombinationen von 4 Sek./Blende 2,8 bis 1/800 Sek./Blende 13 zu. Auch die Minolta Hi-Matic F funktioniert mit dem fast identischen "Seiko ESL".
Man weiß allerdings nicht, was die Automatik eingestellt hat, die Werte werden nicht angezeigt, nur ein orange Lämpchen warnt vor langen Zeiten. "B" gibt es nicht, dafür die berühmte Blitz-Automatik, bei der sich nach Einstellen der Blitz-Leitzahl die Blende nach der eingestellten Entfernung richtet.
Das Objektiv ist das ausgezeichnete E. Zuiko 2,8/42 mm wie bei der 35 RC, sogar dieselbe Spezial-Gegenlichtblende kann man verwenden.
Die Abmessungen der 35 RC und 35 ECR sind gleich, beide haben auch einen gekuppelten Entfernungsmesser. Allerdings ist der Hebel neben dem Objektiv bei der ECR kein Selbstauslöser wie bei der RC, sonder „nur“ eine Auslösesperre.
Ein Problem sind die nicht mehr erhältlichen dicken 640er Quecksilber-Batterien, von denen man 2 Stück zu je 1,35 Volt benötigt hat.
Es gibt aber "legale" Nachfolger, die in der Größe (doppelt so dick wie "normal"!), aber nicht in der Spannung passen:
www.akkushop.de/px640-alkaline-batterie-640px-15-volt-px6...
Ein Negativ-Film verkraftet die Abweichung.
Eine andere Möglichkeit ist folgender Adapter:
In den kann man die verfügbaren SR44 (1,55 V, Silberoxid), LR44 (Alkaline, 1,5 V) oder die 675er Hörgeratebatterien reintun. Letztere sind sehr günstig, haben sogar passende 1,4 V, aber halten nicht so lang.
Die dritte Möglichkeit: Man füllt ein Fach mit zwei dieser Batterien:
www.preis.de/produkte/Varta-V-625-U-Alkali-Mangan-15V/567...
Das andere Fach wird zur Überbrückung mit Alufolie gefüllt, wobei man das auch professioneller machen kann.
Die Revue 35 XE entsprach der Balda CE 35. Die Balda CA 35 und die Voigtländer Vito C waren fast gleich, es fehlte ihnen nur die Taste für die Gegenlichtkorrektur. Dieser kleine quadratische Schieber neben dem Auslöser erfüllte bei der Revue diese Funktion (+2).
Alles Nähere bei der Vito C.
Ferguson Massey 35 Tractor Birthday Cake
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35/366 taken on a 550D, collecting the logs for the fire and when I was out I found some mushrooms, I considered these to be flora so decided to shoot them for my project. Bit smaller than yesterdays subject.
A few preview shots of vignettes of my Immersive "35 Elephants" also featuring the photography of the indomitable Lek Chailert, founder of the Save Elephant Foundation. Also thanks to Linden Endowment of the Arts for providing SIM space for me to pull this together over the last few days. Opens officially 21st December at 11.30am Pacific Standard Time, benefit Concert performed live on cam & screened at the event by the wonderful Joaquin Gustav, with 100% proceeds of course to Save Elephant Foundation.
"I'm not getting all vigilante about this, rather emphasise the positive. There's a place in our cognition to recognise wrongs in any stance, I guess it's how we choose to address the revelation after that fact. Promoting awareness and cold hard cash directed to those in the front lines seems a reasonable reaction." - Me
Artistic view of historic downtown St. Augustine Florida from this morning. Need to broaden my photography.
Hope you like it.
LBN 35 is a HII region located in Ophiuchus.
Dolidze 27 is an open cluster consisting of the stars just to the left of LBN 35.
MBM 139, most of the rest of the dust in the image, is a cloud of IFN illuminated by our galaxy.
Luminance – 12x600s – 120 minutes – binned 1x1
RGB – 8x300s – 40 minutes each – binned 2x2
240 minutes total exposure – 4 hours
Imaged on June 19th and 20th, 2022 at the Danville Conservation Area (New Florence, Missouri) with a SBIG ST-8300M on an Astro-Tech AT90EDT at f/6.7 603mm.
Thanks so much to my model, without her, this photo had not been possible
Strobist info:
- YN-568ex 1/1@24mm a las 8:00 hrs del sujeto
via 500px ift.tt/2h56UWd
What a horrible old day, today. Waiting in for the gas engineer to have a look at our central heating boiler - supposed to be here between 0800 and 1300 but arrived at 1500 and was here for a good hour!. All is in order, with our heating, thankfully as it is oh so cold, rainy and windy outside. Thought, I'd catch some great storm waves at the beach but never got out the house!!
Dinner time now and nothing like a nice freshly prepared salad - with a little piece of homemade chocolate cake to follow!! Now remember, your salad should always have a fresh sprinkling of bokeh!!
365 Project (2013 and Beyond) .....
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