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Lisa (stranger 35)
I was sitting in the sun on a bench in front of the reception of the campsite in the Vosges. You have WiFi in that place, although it is a bit slow, you can use it to download the newspaper. From the corner of my eye I saw some movement on the water of the lake. Chris and Lisa came paddling (stand-up paddle). A beautiful sight, the water was silent and the paddlers were nicely reflected in the water against a dark background of the line of trees. Quickly pick up my photo camera and take some photos. A little later we got into conversation and told Chris and Lisa that they had seen a beaver in the lake, around eight o'clock in the evening, the beginning of the twilight. The water of the lake is very clear, you see fish swimming and now also a beaver. I had already seen the beaver marks of the beaver myself. I have made a portrait photo of Lisa, but I think the photo on which she is sitting on the paddle fits better with this story.
This is the 35th photo of my second round of the # 100stangers project.
Find out more about the project and see pictures taken by other photographers at the
www.flickr.com/groups/100strangers/
And can also be found on
Nikon 35 Ti (1993)
Luxury compact camera made mostly of titanium in a leather pouch with a gorgeous analog, watch like display.
Nikkor 35 mm 1/2.8 multicoated 6 elements in 4 groups
Auto focus from 40 cm to infinity in 541 steps
Between the lens shutter, 1/500 to 2 s and B (LT)
Program and aperture priority with matrix metering
I invite you to visit my on-line shop and my camera site at Classic Cameras in english.
Convido-os a visitar o minha loja on-line página Câmaras & Cia.
Edited USAF image of an F-35 waiting to take off.
Original caption: A Luke Air Force Base F-35 Lightning II stands by to take off April 15, 2015, at Nellis Air Force Base, Nev. (U.S. Air Force photo/Senior Airman Thomas Spangler)
Thought it was time to start examining the cameras from the hoard a bit more closely and to see what they needed. I thought to start with what I perceived to be the easiest one, the Kodak Signet 35. I removed it from its heavy leather "never ready" case (which has split along a crease; I may or may not bother with trying to sew it back together) and gave the outside a thorough cleaning, which it badly needed. Didn't really remove the corrosion from the metal part of the case, but did reduce it a bit.
The main operational issues it seemed to have was a sticky shutter and a non-existent overlay image in the rangefinder. I worked the shutter for a while, which freed it up a little, but it was still very sluggish, so I took the lens out and removed the front case and speed selector cam and used some forceps with bits of PecPad and some alcohol to clean the small amounts of grime I could see. Then I ran the shutter a couple times to see what was hanging up, and applied a tiny bit of lighter fluid to the affected pivots, while working the shutter some more. That seemed to free it up considerably, so I added the tiniest drop of Nyoil to those pivots and worked it some more, and that seemed to do the trick, so I closed the shutter back up.
As for the rangefinder: I carefully removed the top plate and examined the rangefinder setup. I was afraid that the front-surface mirror had lost its silvering, but that appeared to be in decent shape, so I left it alone. I'm not sure what was supposed to provide the contrast, but I am guessing from looking at things that the beamsplitter had a bit of a tint to it? It's mostly gone now if so. Mike Elek has an elegant solution: put a small piece of film leader in front of the viewfinder to restore contrast between the two views. I had a bit of color film leader to hand, so I cut out a small piece and stuck it in there. It worked well, although I think I'd prefer a slightly lighter base; this particular piece of film was old and I think had fogged a bit. But it's easy enough to swap out. In the meanwhile, I closed the camera up, attached a strap, loaded it with some expired Kodak MAX 400 (24exp) I picked up at a camera show last year, and took it for my morning walk. I took a bunch of snapshots, a mix of near and far, and have mostly finished the roll. As soon as I take the last few, I'll develop it and see what I got.
I didn't really expect to like the camera as much as I did; in use it reminds me mostly of my Leica IIIc, just with a simpler shutter (for those who don't know, the shutter on these guys has only 5 speeds plus Bulb). Only slightly larger in the hand, no heavier, and with the same quiet "snick" sound from the shutter. Oh and of course, the fixed 44/3.5 lens, where I have a small range of lenses for the IIIc. Really curious to see the quality of the results, have heard decent things about the Ektar lens. That said, f/3.5 is pretty slow; this is, for the most part, an outdoor camera only, saving games with tripods and the bulb setting. But it's pleasant to carry and quiet in use. The Peak Design strap I used is one of my favorites, but the small square shape of the camera doesn't interact as well with it; I prefer to carry the strap cross body so the thing isn't bouncing and swinging around while I walk. If I rig the strap so the back of the camera is against my hip, then when I pull it to my eye, the strap is in the way. If it shift the strap to the other side, then the lens faces my body and bounces off my hip, not ideal. I just went with the former for now and it was fine, just had to pull the strap to the side when I looked through the viewfinder. A bit easy to put your finger in front of the rangefinder window when your finger is on the shutter release, though. Not too tough to avoid, but a little unnatural.
Surprise round every corner in my house, and toys absolutely everywhere.
Strobist: 1 SB24 at 1/2 CR through shoot thru umbrella, 1 SB24 at 1/16 behind subject, both triggered with Yongnuo 603s
Provincial 35, BOR767, 1936 Park Royal-bodied AEC Regent at the Stokes Bay Rally, 3 August 2025. Taken by my partner Debs
The Olympus 35 RD was the last 'classic' fully mechanical shutter, fixed-lens rangefinder to be released by Olympus. Manufactured from 1975 - 1979.
35mm compact camera.
Built in Japan (1970) by Kurybayashi Company
C.C. Petri 1:2.8 f = 40mm
Belonged to my grandfather (fathers side). What a beauty! It's a teeny tiny camera but it's got everything you need and is very well designed. I wish there were digital compact cameras like this. I'd be all over it...
Clarus MS-35 (1949)
Wolensack Anastigmat 2 Inch (50mm) f:2.8
Focal plane shutter, cloth curtains, travelling horizontally
Coupled rangefinder
Interchangeable lenses 38mm thread
Made by Clarus Camera Manufacturing Company of Minneapolis, Minnesota USA
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia. em português
Cet homme qu vaut 35 milliards, c'est Lakshmi Mittal, patron du plus grand groupe sidérurgique mondial, dont l'auteur imagine l'enlèvement à Liège par une bande de pieds nickelés emmenés par un artiste en quête de consécration et un ouvrier fraîchement licencié de la sidérurgie. De ce roman polymorphe, thriller politico-social dont le véritable personnage central est la ville de Liège, le Collectif Mensuel livre une relecture percutante et rock'n roll, multipliant les formes théâtrales et installant un dialogue permanent entre le jeu des acteurs, la création vidéo et la musique live pour mieux en faire ressortir le ravageur humour, l'incroyable justesse de ton et la...terrifiante actualité.
Nicolas Ancion livre un roman polymorphe, qui fleure bon les pieds nickelés, le bassin sidérurgique et "le vieux morceau de new wave industrielle". Il joue avec les genres, les styles et les registres, l’adaptation théâtrale multipliera elle aussi les formes et sera, pour le Collectif Mensuel, l’occasion de poursuivre son exploration d’un théâtre débridé qui fait dialoguer différentes disciplines, telles que le jeu d’acteurs, la musique live ou la création vidéo…
D'après le roman de Nicolas Ancion
Conception et mise en scène : Collectif Mensuel
Avec : Sandrine Bergot, Quentin Halloy, Baptiste Isaia, Philippe Lecrenier, Renaud Riga
Collaboration artistique : Elisabeth Ancion
Scénographie et costumes : Claudine Maus
Création éclairage : Manu Deck
Régie générale : Dylan Schmit
Régie son : Matthew Higuet
Film : Christophe Lecarré
Montage et vidéo: Juliette Achard
Graphisme et Photographie : Dominique Houcmant - Goldo
Attaché de production & diffusion : Adrien De Rudder
Une création produite par le Collectif Mensuel, en coproduction avec le Théâtre de Liège et l’Ancre, PBA-Eden.
Réalisé avec le soutien de la Fédération Wallonie-Bruxelles (service théâtre), la Ville de Liège, la Province de Liège, la Province du Hainaut.
En partenariat avec le PAC, la FGTB Liège-Huy- Waremme, les Métallos MWB-FGTB, la Cible, le CAL, Arsenic, Théâtre & Publics, Maillages et la SPACE.
L’Homme Qui Valait 35 milliards s’inscrit dans le Richard Moors Project, projet européen de coopération culturelle initié par le collectif Mensuel et mené en partenariat avec Assemblea Teatro de Turin (Italie), le Centre culturel Kulturfabrik de Esch-sur-Alzette (Luxembourg), Culture Commune-Scène nationale du Bassin minier Nord Pas-de-Calais (France) et Theater Antigone de Courtrai (Belgique).
Das Vorbild für diese Balda war die Minox 35, der Konstrukteur Karl-Heinz Lange war an beiden beteiligt. Allerdings unterschied sich die Balda doch in ein paar Punkten von der Minox, so dass sie auf ihre Art wieder ein Original war. Es gab baugleiche Modelle wie die Voigtländer Vito C (dort kann man auch eine genaue Beschreibung nachlesen) und die Revue 35 XE. Die Revue war aber noch mit Gegenlichttaste ausgerüstet, das Zwillingsmodell dazu war die Balda CE 35.
Insgesamt gab es von diesen Balda Mini-Klappkameras 4 Ausführungen:
C 35 (nur Dreilinser 5,6/38 mm) = Voigtländer Vito
CA 35 (2,8 Vierlinser, ohne Gegenlichtkorrektur) = Voigtländer Vito C
CE 35 (mit Gegenlichtkorr.) = Revue 35 XE
CS 35 (mit Selbstauslöser u. Gegenlichtkorr.) = Voigtländer Vito CS
Die Systemblitzgeräte konnten gegenseitig ausgetauscht werden.
Die Balda CA 35 war 10,6 cm breit, 3,2 cm tief und 6,2 cm hoch; sie wog mit Batterie, ohne Film und Blitzgerät 150 g.
Zum Vergleich: Die Minox 35 EL hatte die Ausmaße 10 x 6,1 x 3,1 cm und wog mit Batterie (PX 27) 200 g.
IVECO 190/f/35
MARVIN Tour 2013 in the valley of marble Tuscany
La ricerca di veicoli con gli amici Riccardo e Luca nella valle toscana del marmo
29.08.2013
Soooo awhile back I applied to be part of Lensbaby's Traveling Burnside Project, and THEY PICKED ME!!!! So basically I get to try out their new Burnside 35 lens (which I received today!!!) for 2 weeks before I send it along to the next person. How cool is that?????? I mean look at the COLORS on this thing!!
SO FRICKIN EXCITED.
First impressions: Reminiscent of Helios...Still figuring out the point of the "slider effect".
Took my little Rollei xf 35 to our Austrian sping journey. Despite the weather was almost winter like we did enjoy it. Fuji 200 was used.
A very big thanks to Zach, a local camera repair tech based out of Providence, who sold me this fine (and working) specimen.