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... pasted on an unused billboard off Haight street.
Photo by Jim Marshall, on the Rolling Stone website.:
www.rollingstone.com/music/music-lists/love-and-haight-ji...
They date it as 1967, even though the grafitti gives a 1968 date, but probably added later. We can see that the poster was there before the grafitti, because it is overwritten by it with a couple of strokes.
OMYGOSH.!
I just noticed that my stencil is sprayed here, too.
The writing in an arc, to the right of the poster says,
“ BULLETS SHOT IN AIR COME DOWN SOMEWHERE “.
I made that stencil because the Police were shooting up toward the rooftops on one occasion.
I was never happy with the phrasing, because it should say, bullets shot in the air come down somewhere, but “the” had to be taken out to make it work.
( i remember that some famous songwriter was never happy with the necessity to use the word, “devine”, in one of his song lyrics. haha. )
The rest of the text on the Rolling Stone web page is,
“ In This Article: Janis Joplin, Jefferson Airplane, Jim Marshall, Jimi Hendrix, the Grateful Dead. “
Jimi Hendrix lived int the City around 1967 and played in the Panhandle.
Chanter, Mark, missed him by ten minutes when he was a teenager.
I never heard about it at all. I started in the Haight and joined the Diggers in 1967, but it must have been after that.
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This page is the Link Station.
Related page.:
www.flickr.com/photos/doneastwest/7618346698/in/album-721...
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The poster, highlighted… finally.
www.flickr.com/photos/doneastwest/51603650889/in/datetake...
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6DB14223-681B-45E0-9FD2-61A35F937FF1.
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It is important to return to previous images found on stones from this ancient site in order to better understand this unknown culture and their distant technologies yet to be understood.
This stone could easily be disregarded as a simple stone fragment, an or accident of nature; however any stone found on this site could not have been an accident of nature; these stones were intentionally placed on this site to be maintained in entirety for an immense period of deep time, all and collectively holding specific technologies and messages yet to be translated and completely understood.
The beauty in these stones is often what you cannot see with the naked eye; it is the images, pigments, and shadows that appear only with the extended exposure of a modern digital camera. The arduous process of a traditional camera is far to antiquated to capture these hidden pigments and shadow images because the extended time period between exposure, processing, and review is simply too long. The traditional arduous antiquated process of relying on a "film-based" exposure system makes it impossible to study this unknown light technology existing on the quartz-based pigment stones from this site.
This blue pigment light figure that suddenly appears, and just as quickly disappears; is the true unknown on this ancient North American site, and the culture responsible for these stones.
All the figural images on the surface of this stone appear to be facing this illusive blue Shadow/light figure appearing on the left edge of this stone; it appears to take on the silent aura as a figure of "Grand and Supreme" Wisdom serving as a guide to the afterlife of this ancient culture and beyond.
This particular blue aura is most likely influenced by the earth's position to the Winter Solstice, the air temperature, and the time of day as the sun passes east to west across the horizon throughout the shortened early winter day.