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Missing middle homes, like ADUs, backyard cottages, mother-in-law suites, duplexes, triplexes, low-rise apartments or townhouses, have long fit into urban neighborhoods, often providing more affordable rental and purchase options than single, detached houses.

 

Sightline Institute Middle Homes Photo Library: www.sightline.org.

 

This work by Sightline Institute Modest Middle Homes Library is licensed under a Creative Commons Attribution 4.0 International License.

Ghost Ranch is part of Piedra Lumbre (Spanish, "Shining Rock"), a 1766 land grant to Pedro Martin Serrano from Charles III of Spain. The Rito del Yeso is a stream that meanders through the canyons and gorge, providing a drought resistant source of water for life to thrive.

 

The canyon was first inhabited by the Archuleta brothers, cattle rustlers who enjoyed the coverage and invisibility that the canyon provided as well as their ability to see for miles down the valley. They created two jacal homes and would move stolen cattle throughout the night to Box Canyon. By transporting the cattle through streams, footprints would be lost and they could not be tracked. Stories of people staying with the Archuleta brothers who had gone missing (and their clothing on the men) circulated around the area. One day one of the brothers made a transaction without the other, and claimed he had buried the gold for safety. Out of anger, the second brother killed the first who had hid the gold, and kept his wife and daughter hostage until they admitted to knowing where the gold was hidden. Though the mother and daughter feared the rumored spirits of the canyon, they mustered up the courage to sneak away at night through the Chama Valley. A group of local men then came to the ranch, fighting through their fear, and hung the remaining brother and his gang from the cottonwood tree by one of their casitas. Other visitors who stayed in the casita later on noted that they could hear voices of a man and a woman fighting.

 

Later on, Roy Pfaffle then won the deed to the ranch in a poker game. His wife, Carol Stanley, took the deed, put it in her name, and divorced him the next day. Stanley sought to create a getaway, and eventually many of her friends moved to New Mexico for the peaceful atmosphere in the 1930s. One of the most influential people to visit Ghost Ranch was Arthur Pack, writer and editor of Nature Magazine. Arthur's daughter suffered from bouts of pneumonia, so he and his family had to move to an area with a drier climate- he came to Stanely's ranch. Though Stanley had wealthy families coming to the ranch, she was having trouble breaking even. She then sold the ranch to Arthur Pack.[2]

 

Georgia O'Keefe, intrigued by Arthur Pack's statement that the Piedra Lumbre was "the best place in the world", checked out the ranch. She fell in love with the geography, and soon split her time between living in New York and New Mexico. She enjoyed having alone time, and was often very demanding of the Packs. Cerro Pedernal was a key geographical feature that could be often found in her paintings.

 

Use red/blue glasses for best effect.

 

Anaglyph 3D is the name given to the stereoscopic 3D effect achieved by means of encoding each eye's image using filters of different (usually chromatically opposite) colors, typically red and cyan. Anaglyph 3D images contain two differently filtered colored images, one for each eye. When viewed through the "color-coded" "anaglyph glasses", each of the two images reaches one eye, revealing an integrated stereoscopic image.

 

Images captured with dual canon SD950is Cameras and combined in software

 

Missing Summer: www.flickr.com/photos/motorpsiclist/12187507136/

 

Missing Roses: www.flickr.com/photos/motorpsiclist/12187444666/

 

Missing Dragons: www.flickr.com/photos/motorpsiclist/12187371086/

 

Missing Time: www.flickr.com/photos/motorpsiclist/12187253366/

 

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Copyright © notice: My photographs and videos and any of my derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and by the Berne Convention and the Universal Copyright Convention.

 

Do not rip these photos off; they do not belong to you!

 

ANY use without my permission in writing is forbidden by law, including use on blogs; pin boards such as Pinterest; Tumblr; Facebook; or any other use without my specific written permission.

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Kate McCann talks to The Duchess of Gloucester, Home Secretary Theresa May and Chief Executive of Missing People Martin Houghton-Brown as she attended a reception for missing people at Downing Street, London.

the sketch for Illustration Friday

welcome to the www.babayagada.com

 

and here I’m offering for sale high quality prints of my original digital artworks:

www.etsy.com/shop.php?user_id=5327740

 

Missing middle homes, like ADUs, backyard cottages, mother-in-law suites, duplexes, triplexes, low-rise apartments or townhouses, have long fit into urban neighborhoods, often providing more affordable rental and purchase options than single, detached houses.

 

Sightline Institute Middle Homes Photo Library: www.sightline.org.

 

This work by Sightline Institute Modest Middle Homes Library is licensed under a Creative Commons Attribution 4.0 International License.

BOX DATE: 2014

MANUFACTURER: Mattel

DOLLS IN LINE: Iris; Wydowna

MISSING ITEMS: 2 dresses, belt, skirt, shirt, purse, 3 pairs shoes, 7 bracelets, earrings, necklace

 

PERSONAL FUN FACT: I never would have guessed that this was a Wydowna piece. I got lucky that I happened to pass over a listing for her outfits on eBay, or it would have taken me way longer to identify the leggings. I was on the hunt for cheap lots of Monster High clothes on eBay/Mercari during the spring of 2023. I'd been given a hoard of monsters in need, who were part of the "Mountains of Monsters Lot." I found a rather large listing for 50 plus pieces of Monster High clothes for a reasonable "Buy It Now" price (it was on the cheap side compared to what their clothes were selling for at the time). I was stumped by these pants... I knew they were Monster High, but not which character they went to. Before they'd arrived, I happened to pan over a photo of Wydowna's clothes on eBay. Wydowna may have eight arms, but her lower half is the same as other Monster High dolls. That means anyone can wear these. The neutral color palette also is super versatile and would match a wide variety of tops.

  

Missing middle homes, like ADUs, backyard cottages, mother-in-law suites, duplexes, triplexes, low-rise apartments or townhouses, have long fit into urban neighborhoods, often providing more affordable rental and purchase options than single, detached houses.

 

Sightline Institute Middle Homes Photo Library: www.sightline.org.

 

This work by Sightline Institute Modest Middle Homes Library is licensed under a Creative Commons Attribution 4.0 International License.

Getting cold here in Alberta.

I talk to you but its not the same as touchin' you

And every time you whisper my name, I wanna run to you

We'll be together, it won't be long, it won't be long

But it feels like forever, and its hard to be strong

 

Baby 'cause I'm missing you now

And its drivin' me crazy

How I'm needin' you baby

I'm missing you now

Can't wait till I'm alone with you

To show you how I'm missing you now

 

Wishin' you were here by my side is all that I can do

Got my arms around my pillow at night, they should be

holdin' you

Thought I was stronger, how could I know, how could

I know

I can't take this much longer, its so hard on my soul

 

Baby I just can't wait, till I see your face

Chase away this loneliness inside

When you're close to my heart, right here in my arms

Then and only then, will I be satisfied

I'm missing you now

We'll be together, it won't be long, it won't be long

But it feels like forever, and its hard to be strong

 

Italian postcard by Rotalfoto, Milano, no. R 195.

Missing middle homes, like ADUs, backyard cottages, mother-in-law suites, duplexes, triplexes, low-rise apartments or townhouses, have long fit into urban neighborhoods, often providing more affordable rental and purchase options than single, detached houses.

 

Sightline Institute Middle Homes Photo Library: www.sightline.org.

 

This work by Sightline Institute Modest Middle Homes Library is licensed under a Creative Commons Attribution 4.0 International License.

Missing middle homes, like ADUs, backyard cottages, mother-in-law suites, duplexes, triplexes, low-rise apartments or townhouses, have long fit into urban neighborhoods, often providing more affordable rental and purchase options than single, detached houses.

 

Sightline Institute Middle Homes Photo Library: www.sightline.org.

 

This work by Sightline Institute Modest Middle Homes Library is licensed under a Creative Commons Attribution 4.0 International License.

Missing middle homes, like ADUs, backyard cottages, mother-in-law suites, duplexes, triplexes, low-rise apartments or townhouses, have long fit into urban neighborhoods, often providing more affordable rental and purchase options than single, detached houses.

 

Sightline Institute Middle Homes Photo Library: www.sightline.org.

 

This work by Sightline Institute Modest Middle Homes Library is licensed under a Creative Commons Attribution 4.0 International License.

Nov. 24, 2016 - looking for the "sneaky shoes" that left prints coming and going from basement window

Off to a gabby lunchdate with a former roommate. This was actually a few days ago, but I have just been reunited with my camera cord after a week of separation.

Vintage 60s sundress: estate sale (25 cents!)

Belt: thrifted

Ubiquitous black flats: Urban Outfitters

...I have a few other black flats for fall, I swear. :) This are just very summery and feel like mocassins. Of them I am quite fond.

Someone left a lonely pawn at the table. :(

 

Love, Marie

Copyright © 2011 Marie Sturges

 

If you wish to use this image elsewhere, please contact me.

16-02-2008 giornata triste

è scomparsa Minù a Niu Crobu, Flumini di Quartu.

Chiunque la trovasse o vedesse ce lo faccia sapere.

Grazie di cuore,

Francy e Nico.

Hilang dalam musibah tsunami Aceh

Has been disappeared after tsunami in Aceh.

------------------

Nama : Mery

Jkel : Perempuan

Umur : 24 tahun

Rambut : pendek, di atas bahu

Memakai kacamata.

Terakhir terlihat memakai kaos kuning dan celana biru selutut.

Alamat : Jalan Moh Jam Belakang no 75 Banda Aceh, Toko "Serba Kaca"

 

Jika ada informasi mengenai Mery, atau ada yang melihatnya -langsung ataupun melalui TV- mohon menghubungi:

Sulandi (0815 8808281)

Nelly (0812 8962460)

Chandra Wijaya ( 08129070802 )

Reza Peter ( 085261326328 )

 

Terima kasih

-------------------------------------

Seeking for:

 

Name : Mery

Sex : Female

Age : 24 years old

Hair : Short (above shoulder)

Wearing glasses

Last seen was wearing yellow T-shirt and Blue Jeans (knee length)

Address : Jalan Moh Jam Belakang no 75 Banda Aceh, "Serba Kaca" shop

 

If anybody have information about her, or have seen her whether directly or on TV, please call :

Sulandi (0815 8808281)

Nelly (0812 8962460)

Chandra Wijaya ( 08129070802 )

Reza Peter ( 085261326328 )

 

Thank you in advance

(Left to right) Mr. and Mrs. Murphy are introduced to The Missing Link (WILL ARNETT), Dr. Cockroach, Ph.D. (HUGH LAURIE) and B.O.B. (SETH ROGEN) by their daughter, Susan (REESE WITHERSPOON), now known as Girnormica, in DreamWorks Animation's 'Monsters vs. Aliens.'

Missing middle homes, like ADUs, backyard cottages, mother-in-law suites, duplexes, triplexes, low-rise apartments or townhouses, have long fit into urban neighborhoods, often providing more affordable rental and purchase options than single, detached houses.

 

Sightline Institute Middle Homes Photo Library: www.sightline.org.

 

This work by Sightline Institute Modest Middle Homes Library is licensed under a Creative Commons Attribution 4.0 International License.

Have you ever bothered to realize

how much you mean to me?

I care so much for you inside

and miss you so deeply.

 

My mind is always curious about

the way things might have been.

As days go by and time goes by,

I look back once again.

 

All the time I held you in my arms,

I had the whole world right there.

There you were, comforting me with

all of your charms.

 

Every little kiss from you

was like a dream come true.

This love that I have inside my heart,

it all belonged to you!

 

It's funny, all those little things

I never thought I'd miss,

Like all those conversations we had,

or the first time we kissed.

 

I guess that what I'm trying to say,

is I miss and love you more each day!

It hurts me not to see you,

or not to know if you're ok.

 

I want you to understand

that I loved you from the start.

And I want you to know,

no matter how many miles

we may be apart,

you'll always hold a special place

in my heart.

     

Deriek Ellis

  

Missing middle homes, like ADUs, backyard cottages, mother-in-law suites, duplexes, triplexes, low-rise apartments or townhouses, have long fit into urban neighborhoods, often providing more affordable rental and purchase options than single, detached houses.

 

Sightline Institute Middle Homes Photo Library: www.sightline.org.

 

This work by Sightline Institute Modest Middle Homes Library is licensed under a Creative Commons Attribution 4.0 International License.

I can't stop missing you, wish I was still with you

I can't stop missing you

  

OM-2N, 28mm F2.8

To the best of my knowledge, the orange and yellow swords are fanmade images; which is totally cool, I just included them here because you'll see them in a lot of galleries and I wanted people to know what the actual source was ~and that I wasn't missing official art. They're cannibalized from the images in the Nintendo Power Link to the Past guide. I put the original images next to them. They are not from the German guide, as some places state.

Riff, PD#18245, a land art monument celebrating 100 years of the Zuiderzee Act

A collaboration of artist Bob Gramsma and engineer WaltGalmarini AG

 

Riff, PD#18245 is a site-specific work, a Land Art monument. The tectonic work looks like it is emerging from the natural-cultural landscape and, at the same time, helps to frame it. A mound of soil was heaped up on a foundation of slanted pillars. Large cavities were dug into the mound and then cast in concrete, thus creating an inverted sculptural reproduction of the void in the mound. Afterwards, the mound was removed, and the concrete sculpture cleaned of loose soil and sand. The result is a large-scale work, supported by three stalactite-shaped concrete volumes and the pillars of the foundation, which are partially visible. The monument is in context with the horizon, the landscape and the sunset. A stairway leads up to the top of the structure, inviting visitors to overview its surface.

 

The process of digging uses the labour of construction to create traces of landscape – space without architecture. The sculpture re-interprets the material and historical conditions of the site. The slightly slanted volume echoes characteristics of the Polder, like dikes, ditches, canals, plots, embankment, drainage, extraction, renaturation and depilution (vertical segregation). At the same time, Riff, PD#18245 also appears foreign in this environment – a hull resting on slanted pillars, aligned with the dikes. It is reminiscent of other interventions in this particular landscape: water management, flood protections, the signs of the transition from fishing to agriculture, and the renaturation of the landscape. It literally emerges from, and melds into, the artificial topography, the geology, the IJsselmeer polder and the Zuiderzee bed.

 

At the same time, Riff, PD#18245 is a trace of the artistic and the production process, outlining an interstice between the present and the past. The trace as an index of the working process creates a nexus between time and spatiality. The monumental blueprint of an excavation, which has long since disappeared, turns into a poetic sculpture, a hollow resonant body with a natural patina growing over time. Riff, PD#18245 looks southwest westward across the renatured land in the direction of the sunset and the amusement parks, providing a visual link to the Veluwemeer and the Flevopolder, the largest man-made island and its physical vastness.

 

Riff, PD#18245 becomes a space for the audience to project, or to reanimate, their understanding of the site, its history and its present. The sculpture is at once a tool to reflect on history and an incitement for the viewer to dream those stories. It is a way of visualizing both absence and presence, a sculpted ghost, or spirit, that opens up a new space for rethinking the relationship between material and memory. It is a residue of memory, honouring the past, while serving the present. By means of the elemental exposure of the earth, the missing cast, and the past that it encapsulates, we are reminded that earth and its history — as well as the cosmic forces or energies shaping it — are beyond human intelligibility. But we can try to understand, or appreciate, their unfathomable presence in time as we access this exhumed vestige.

 

Production

After creating a foundation by driving piles deep into the ground, a huge mound (70 x 40 x 7 m, 15.000 m3) was heaped up on top of it, consisting of sand and clay from the agricultural land and from the bottom of the Zuiderzee on the site. A wide sinkhole, reaching 2 m under sea level, and two narrow deep pits, reaching down to the level of the pillars, were dug into the mound. Reinforcement structures were built, and concrete poured and pneumatically projected into the cavities to produce an inverted sculptural reproduction of the empty space. After the concrete had dried, the heaped-up soil was bulldozed away and returned to build the new environment for the New Nature Programme. An immersive sculpture, whose platform hovers above the ground, is revealed. A small staircase cuts into the platform. The piece is approx. 37,5 m long, 13 m wide and 7 m high.

 

Using the local soil as false work, as well as formwork, and reusing it after the production for the new reserve is a very ecological, as well as economical, casting technique. It allows to produce an intricate seamless hollow concrete cast in one piece. After the structure was cleaned, it is ready for the public and the winds to take over. Within time, an ecosystem will evolve on the inside of the hollow body, and the surface will be partly covered with moss, chalk, and salt efflorescence. Little gaps in the shell enable insects and animals to build viable habitats inside the hollow body. The whole production process was open to the public to provide an in-depth vision and understanding in the making of Riff, PD#18245. The sculpture itself thus starts to generate memories in the minds of the audience – a process that will continue well into the future as weather and nature gradually take over the sculpture, altering its shape and functions over time, while the wind is playing on its resonant body.

 

Text: Martin Jaeggi

I think some of the pieces of this pink puzzle are missing?

 

Find more at ariadnisthread.wordpress.com/

Continua la collaborazione con la fotografa Rosanna Papalini che ha creato per lui questa serie chiamata Missing Aviator, un aviatore scomparso, forse prigioniero o isolato dal resto del mondo, catapultato in un landscape fantasioso ed a tratti avatarico complice la luce calda e dorata di un tramonto.

 

Photo: Rosanna Papalini

Instagram: @ropalina

Continua la collaborazione con la fotografa Rosanna Papalini che ha creato per lui questa serie chiamata Missing Aviator, un aviatore scomparso, forse prigioniero o isolato dal resto del mondo, catapultato in un landscape fantasioso ed a tratti avatarico complice la luce calda e dorata di un tramonto.

 

Photo: Rosanna Papalini

Instagram: @ropalina

"The Sun shines through the open window

The empty side the shadow's shallow

My arm circles nothing at all

My fingers reach to touch the wall

Missing you when I'm away, think of things I'd like to say..."

 

For the first time in probably over a year, a new Madness reference, this time to their track 'Missing You.'

I believe it was penned by Suggs (lead singer) who was inspired by his yearning for loved ones while constantly on tour with the band. It's a nice upbeat song with crashing drums (not usual for Madness songs) and a crazy sax solo bridge. It almost sounds like rock and roll but rather makes me think of warm coffee shops in the winter for some reason.

 

The image I used is an old one from the 23rd of December 2011, back when I was in a long-distance relationship, so it plays to the lyrics of the song; my ex is on a webcam on the Mac in real-time but we're not physically together in person (we never were other than in high school before the actual relationship started).

Me and my son Ísar had a great walk in the woods today, I can´t wait for the spring to come and the green color around this pond.

Missing middle homes, like ADUs, backyard cottages, mother-in-law suites, duplexes, triplexes, low-rise apartments or townhouses, have long fit into urban neighborhoods, often providing more affordable rental and purchase options than single, detached houses.

 

Sightline Institute Middle Homes Photo Library: www.sightline.org.

 

This work by Sightline Institute Modest Middle Homes Library is licensed under a Creative Commons Attribution 4.0 International License.

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