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Isaiah 65:2 “I spread out My hands all day long to a rebellious people who walk in the wrong path, following their own thoughts.”
WRONG - ASPENDOS - chair+pufic+rug+table+TV wall - ADULT @Equal10
...Mutresse... Dobby Cats Gacha-@Arcade
Yeah, I had the wrong lens for this gorgeous view, but then I thought of Billy Brandt's "Throw the rule book out of the window." and decided to post it anyway.
♬ loved me with your worst intentions ♬
didn't even stop to question
*Gravity Poses - Curious
Tetra - chill t-shirt @ Tetra
*taken at Panjin ♥
This somewhat rare and unusual car/truck took Best in Class at the 2024 Lime Rock Concours Show. The truck was developed around Studebaker's Dictator car, (looks more like their Commander model, so the info could be wrong) used it's chassis along the front and rear styling features of the car. This hybrid car/truck predated Ford's Ranchero and Chevrolet's El Camino by around 20 years.
The Studebaker Coupe Express is a passenger car based coupe utility, produced by the Studebaker Corporation of South Bend, Indiana, between 1937 and 1939. Featuring an automobile styled cab and flared rear fenders right off the Studebaker Dictator, it was sold both with a manufacturer supplied pick up style metal bed, and as a rolling chassis and cab to be fitted with a bed or boxes by the purchaser.
The Coupe Express was designed by Raymond Loewy and utilized the Dictator passenger car frame, running gear, and front sheet metal. A new body stamping was made to form the cab back. The model was sold both with a manufacturer supplied metal bed and as a cab and chassis, with the Dictator’s automobile-style sweepingly flared rear fenders attached. A service box, built to specification, would be fabricated by (or for) the end user (such as a plumber or electrician).
The truck was powered by the larger of Studebaker's L-head six-cylinder flathead engines and mated to a 3-speed manual transmission. Studebaker offered a Borg-Warner 3-speed transmission with overdrive as an option. Other options included a radio, heater, wire reinforced sliding back window and turn indicators. Two optional wheels were available, including a stamped steel disc wheel and a stamped steel 'artillery' spoked wheel.
Production for the 1937 model year was approximately 3,000 units.
The truck's passenger cab was restyled in 1938 to reflect the modernized passenger car sheet metal resulted a slightly longer pickup bed. Production for 1938 was approximately 1,200 units.
The 1939 model was again remodeled to reflect Studebaker's annual design updates. Production was approximately 1,000 units. The Coupe Express model was discontinued after the 1939 model year, and Studebaker did not offer a successor model for 1940.
Studebaker introduced the M-Series pickup truck 1941, while the company used the Coupe Express name in advertising for a time,[citation needed] but no M-Series trucks were ever officially designated as the Coupe Express.
The fact that Studebaker itself labeled it a “coupe” rather than a truck (a very different thing at that time; retained a stylish, even luxurious, interior instead of replacing it with a more utilitarian one; and never named or officially referred to any of its actual pickup trucks with the terms “coupe“ or “express“, further distance it from being labeled as one.
Tail: Cristal Fox Tail by Sweet Thing www.flickr.com/photos/sweetthingsl/
Shoes: Wei Boots by Enchante *Get this item at the K9 event!* www.flickr.com/photos/149746383@N08/
Outfit: Project KDA (red) by AiiZawa *Get this item at the Harajuku event!* www.flickr.com/photos/188135097@N07/
Tattoo: Onatah & Evaki (BOM applied) by Lilithe www.flickr.com/photos/181962047@N03/
Backdrop: Neon Bridge by MINIMAL *Get this item at the E10 event!* www.flickr.com/photos/124000684@N07/
How funny of the nature. This shot was not clear enough but I still want to share with you. I only cropped little bit from the original shot.
Explore highest position: #262 on Sunday, July 12, 2009
(i have turned this one around so you can see the lovely building Ashton Memorial is but it is a puddle reflection)
.................can't have you all standing on your heads!!
what is wrong at the end of the day
what is really wrong no one dares to say
you know you're wrong when there's only one right
but what is wrong ♬ when right is out of sight ♬
the things:
Ana Poses - Lae
VERSOV - Selenov Sandals (socks hideable with hud)
More random acts of rendering
Copyright 2005 Ron Diorio
Center for Photography at Woodstock
May 7 - June 19
Doug Harrop Photography • June 30, 1979
A Union Pacific eastbound manifest freight has been routed via the westbound track. This happens from time to time when an eastbound train stalls on Main 2 or during track maintenance.
An SD40-DD35-SD40-2 sandwich tackles the 1.73% grade of Main 1 (versus the 1.14% of Main 2) at Castle Rock in Echo Canyon, Utah.
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Thanks for the visits, faves and comments its greatly appreciated.
Florida
This male his name is Kylo
Why Google make sometimes wrong translation -i will never now
Another 2014 shot, this one from March of that year. CP SD30C-ECO 5013 leads an IC&E SD40-2 and one of the last GP9s on the roster at that point, west at Cragin Junction on Chicago's west side with a manifest routed to Bensenville Yard via Tower A-5. It felt like the wrong leader at the time, but I'd certainly take it these days.
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Now if you think I'm some sideline type chick
Think you gonna sell me lies, best recognize real quick
Bitch, you got the wrong bitch
You got the wrong wrong bitch
If you think you gonna slanderize my name
You done lost your mind
I ain't got time for all these games
Bitch, you got the wrong bitch
You got the wrong wrong bitch
A Ewe laying peacefully with a flock of Starlings noisily searching round it for food.
Apparently the collective noun for Starlings is a Murmuration, however, is this true when they are on the ground? We usually associate a Murmuration as the mass patterns created by Starlings in flight, or at least I do!
This might be a slightly silly idea, but I had a lot of fun sharing a small glimpse of what was going on in my head while creating and editing this image and this character. Writing it down felt right in the moment.
For me, it’s never just about the looks.
Editing is the part where my brain goes off on its own little adventure and the character starts to take shape beyond pixels and poses.
Please keep in mind that I’m just a roleplayer whose biggest passion is emoting — not a professional storyteller. And yes… this was also translated from my native language into English, so please be gentle with me. 😅
Still, I hope some of you enjoy getting a peek into Arawn’s backstory. And if not — hey, at least I had fun doing it.
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Arawn was born where the water never forgets.
In the drowned groves beneath the world—where roots strangled the light and rivers murmured names no living throat should shape—he learned early that mercy decays faster than bone. The spirits there did not raise him. They claimed him. Fed him lies sweet as honey. Wrapped living vines around his wrists and called it protection.
He was beautiful even then.
That was his first curse.
They crowned him with antlers grown from living wood, not as a blessing but as a tether—proof that he belonged to the wild dark, to a bargain he had never agreed to. Power gathered in him like still water: patient, cold, inevitable. He learned to take what he needed. He learned that love, when offered, always carried a hook.
And in the water’s memory—long before Rowan was born—
their name already waited.
The spirits whispered it not as prophecy, but as warning. A flaw in the pattern. A future threaded into root and river alike that would not bow. Something the forest could not own.
They knew Arawn could be claimed.
He was dangerous, yes—but predictable. He could be bound with antlers. Tethered with ritual. Fed devotion until he mistook it for choice.
Rowan was not.
The spirits felt Rowan first as an absence—a hollow where roots refused to grow straight and rivers forgot which way they were meant to flow. Where futures forked and refused to settle. Rowan was not born of the forest, nor sworn to it.
They were not meant to kneel.
The spirits tried to erase them. Names misplaced. Paths misaligned. Chances quietly drowned before they could surface. But Rowan kept surviving—kept walking forward—kept becoming unavoidable.
By the time the upper world learned Arawn’s name, he was already a villain in their mouths.
The Forest King.
The Whisper in the Mire.
The one who traded salvation for obedience.
He conquered not with armies, but with want. Cities fell because people knelt willingly. He never corrected them.
But sometimes—rarely—Arawn would hear it again.
A name carried on running water. A presence just beyond the treeline. Not a command. Not a prayer.
A pull.
(You can find the rest on my FB Page)
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Muchas gracias cariño por estar siempre ahí <3