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This here is a hip shot fail. Why, you ask, would somebody who tirelessly ridicules hip shooting on the regz post a hip shot of my own? Well, I think it is illustrative of my disdain for the practice. First of all, the only reason I shot this from the hip is these two twin bitties are my neighbors. They know me, and recognize me, and I didnt feel comfortable shooting them on their way back from the eye hospital, so I chicken shitted out and took a sneak shot. Does it look it? I think so. It certainly isnt any good. Now I can rationalize like the best of them. The tilt is reminiscent of GW. The 28mm wide angle lens on my (borrowed) LEICA M2 is very suited to this "style" of shooting. I am experienced enough with this lens to have a good idea of what the camera is seeing, even as I am looking away, twiddling some nobs and pretending there is something interesting beyond the ladies.
The truth is, this is what hip shooting gets you: Nothing special. Nothing to really call your own. At best a happy accident, but in most cases, not even. There is no connection between the subject and photographer, because no connection was made. This topic is now open to discussion. Adherents to the technique please speak up!
A present-day Toronto Police officer checks the road before exiting a vintage bus participating in a film shoot in downtown Toronto.
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Hey you crook, you have no business here.
Western Jackdaw & Blackbird
(Corvus monedula et Turdus merula )
Dohle & Amsel️
Falscher Schalter!
He du Ganove, hier hast Du nichts verloren.
Secaucus, NJ
"Wrong Shade of Blue" trails train #1724
Prints available at SmugMug: donaldwinship.smugmug.com/Rail-Photography/i-hgRgRhV
If I'm wrong, well, at least I know better.
~ Delphic
Because it makes me think of summer.
Something a little different than my usual perhaps. This is my backyard. =)
Tumblr. Follow me. ::::: Formspring. Ask questions or write me something. ::::: BUY PRINTS HERE! ::::: Lookbook!
I took that shot in probably the most famous shooting spot in NYC...I was just facing the wrong direction ;(
Para que sufrir pensando en algo que jamás pasara, es mejor seguir adelante la vida algún día me lo compensara..
Truck hauling another truck backwards. Not something you want to wake up to if you are in the passenger seat day dreaming!
Seen near Crossville, TN.
for 7DoS: I nearly gave myself a seizure setting this shot up ;)
Apologies to anyone disturbed by this image ... and if you're not, what's wrong with you?!!
in July 99 with work due to be carried out in Castle Street and this required it to be closed, so Shoplatch and High Street traffic flow reversed, seen coming up Shoplatch is Midland red Nth's 876 an ex Crosville Leyland National GMB376T
Second weekend of the annual Heritage event. It seems wrong to call it a weekend as it now compromises two weekends and many meedweek events too.
And scanning the events, there were some in Canterbury, so we decide to head to the city for a wander: jools would go shopping while I would go and do some snapping.
Of course there is always shopping first. Off to Tesco to fill the car, then fill the fridge and larder. I am away for three days, nearly four, so not much needed on top of some ready meals for Jools. Still came to seventy quid, mind.
A tub of cheese footballs did fall into the trolley, which helped.
Back home for breakfast of fruit and more coffee, and then off to Canterbury, parking near St Augustine's Abbey, walking to the centre via a subway. We parted, Jools went to Body Shop and a couple of other shops, while I walked down High Street, past the Eastbridge Hospital, Westgate Tower, Canterbury West station to St Dunstan's.
I could say I walked straight there, but I had a quarter of an hour to play with, so when I walked past a pasty shop, I went in for a coffee, and although wasn't really hungry, I did have a pasty anyway.
Once fed and watered, I walk on, up the hill past the station, and on the left was the church, the door already open despite it being only five to nine.
I went in, and found I had the church to myself.
Last time I was here, the Roper Chapel was being renovated and so I couldn't get inside. Important as it is in the chapel that the head of Thomas Moor, beheaded on Tower Hill on orders of Henry VIII. The windows of the chapel have several representation of him and scenes from his life. I snap them all.
I go round with the wide angle lens, now the church is fully open again.
That done, I walk back down into the centre heading for Eastbridge Hospital.
I have been here before, a decade ago, when I went round with just my wide angle lens, and go a few poor shots. So, with it being open for the Heritage Event, it seemed a good idea to go.
The hospital is ancient, it goes without saying, and is still in use.
I have walked up and down High Street in Canterbury dozens of times, and never really thought about what lay behind buildings on the west side.
At Eastbridge the ancient hospital straddles the Stour, or one branch of it, on the other is the timber framed house, Weavers, with the ducking stool further downstream.
I re-visited the hospital, and on the way out was told I could visit the gardens and Greyfriars Chapel at the same time.
A shop, former pawnbrokers, is now a charity shop for the gardens, and through the shop there is an exit to a path beside the river.
This opens out into two acres of gardens, still used to feed the patients in the hospital, and the monks who still live and work here.
There used to be a large priory church here, and there are parts of ancient walls and ruins to be seen, as well as a bridge of the same age.
Over the river, a former lodging building from the 13th century, as been converted into a chapel, Greyfriars, with pillars supporting the building as the river passes through a tunnel under it.
It was rather like walking through a wardrobe into a magical place, with the Stour gently flowing through it, and a few other visitors making their was to the Chapel and surrounding gardens.
We sat for 45 minutes in the meadow waiting for a service to end, so I could get shots. So, we people watched and delighted in Migrant Hawkers flying by.
Franciscan Gardens, Canterbury, Kent The sounds of the city seemed a hundred miles away.
I got the shots once the group of ladies left, and once I had the three shots, we followed sign to the exit, leaving the garden through a plane gate beside the old post office.
Two hundred and sixty Now what?
Well, nothing. Really.
So, we walk back slowly to the car, pay for three hours parking and drive back out of the city, down the A2 to the coast and home.
Back in time to listen to the footy, have a brew and try to avoid eating as we were going out in the evening. As, on Monday, it will be 14 years since we married, and as I will be in another country Monday, we celebrated it two days early.
Or would do come six.
Norwich were going for seven wins in a row, but never really got going against WBA, and fell a goal behind early on. Better in the second half, and drew level thanks to a deflection, but no win. But also, no defeat either.
Franciscan Gardens, Canterbury, Kent I had a shower and put on some clean clothes and a splash of aftershave.
Ready.
I drive us to Jen's, picked her up, then drove slowly to Sandwich, then over the marshes through Preston to Stourmouth.
We were not the only customers; there was a wedding reception, and there were gentlement and boys in three piece suits, and ladies and girls in glamourous gowns and neck-breaking heels. Occasionally the bride would literally sweep through the bar, the train of her dress cleaning as it went. Not sure if what was the right colour.....
We had ordered when I booked the table, a huge pan of paella with chorizo, chicken, ham and shrimp. Jen and I shared a bottle of red, and we ate and watched the comings and goings as the wedding party got ever more rauocus.
We rounded off with a cheeseboard between the three of us, and that was it.
Jools drove us back to Jen's, dropping her off, then back home.
I had decided to open the bottle of port once home, and did. This has been on the shelf since my last trip to Denmark and I saw it at the airport duty free.
It was every bit of good that I hoped it would be.
-------------------------------------------
The Hospital of St Thomas the Martyr of Eastbridge was founded in the 12th century in Canterbury, England, to provide overnight accommodation for poor pilgrims to the shrine of St Thomas Becket. It is now one of the ten almshouses still providing accommodation for elderly citizens of Canterbury[1] and is a grade I listed building.
The hospital is situated on the King's-bridge, near the Westgate, in Canterbury. It was established sometime after the death of Thomas Becket (1170), possibly as early as 1176, when Canterbury Cathedral became a site of pilgrimage; the hospital provided accommodation for the pilgrims. The earliest name recorded as founder is that of Edward FitzOdbold c. 1190, with further endowments by Archbishop Hubert Walter about 1203.[1] For many years, no special statutes were enacted, nor were any rules laid down for the treatment of pilgrims.
The original building consists of an entrance hall, undercroft, refectory and chapel, all built in around 1190. Like the ancient Entrance Hall beneath it, the Pilgrims’ Chapel dates from the twelfth century, but assumed its present proportions in the fourteenth century. The roof of the Pilgrims’ Chapel is a fine example of its kind: the style of woodwork and joinery indicate that it was built around 1285. The Undercroft's original function was as a dormitory, and architecturally shows the period of time where the round-headed arch was giving way to the Gothic style of pointed arch.
The Refectory is a large open room originally used as a dining space. On the north wall is a painting of Our Lord in Glory between the symbols of the four Evangelists dating from the thirteenth century. This fresco was only uncovered when the chimney and fireplace installed around the time of the dissolution were removed in 1879, and it has been conserved since its revelation.
Approval for the funding of a Chantry Chapel was sanctioned by Archbishop Sudbury in 1375; the original document confirming this endowment is housed in the Canterbury Cathedral archives. (Chantries were abolished in 1547, and this fell into disrepair until it was reclaimed and restored for its original use in 1969.)
Hospital of St. Thomas, Canterbury, old engraving.
In the fourteenth century the hospital was reformed by Archbishop John de Stratford, during the reign of Edward III; he created ordinances, as well as a code of regulations to be acted on concerning pilgrims. He ruled that every pilgrim in health could rest in the hospital for one night at the cost of four pence, that weak and infirm applicants were to be preferred to those with better health, and that women "upwards of forty" should attend to the bedding and administer medicines to the sick. He also appointed a Master in priest's orders, under whose guidance a secular chaplain served. Further lands and revenues from parishes were given by Stratford and by Archbishop Simon Sudbury.[1]
This institution survived the Dissolution of the Monasteries and other religious houses during the reigns of Henry VIII and Edward VI, although the pilgrimage to St Thomas of Canterbury did not survive this period. In 1569 Archbishop Matthew Parker issued new ordinances governing the Hospital and its Master which specified the maintenance of twelve beds for the 'wayfaring poor' and established a school in the chapel for twenty boys. This arrangement was confirmed by Archbishop John Whitgift by Act of Parliament in 1584.[1]
The school survived until 1879. The chapel was then little used until its restoration by the Master in 1927. Further restoration work has taken place during the twentieth century. Much of this work was financed by sale of some of the hospital's lands at Blean at the foundation of the University of Kent in the 1960s.[1] A list of the Masters of the Eastbridge Hospital up to the end of the eighteenth century is given by Edward Hasted.
Between 2014–2019, extensive restoration took place to preserve those rooms situated directly over the River Stour. This work was supported by the Viridor Credits scheme, which funds community, heritage, and biodiversity projects. It was formally opened to the public by the Bishop of Dover on 23 March 2019, and named after Archbishop William Juxon, who was a generous benefactor during his tenure, and gave money for an earlier restoration of this part of Eastbridge.
Eastbridge is a functional almshouse to this day, providing accommodation in eight individual apartments in areas of the buildings inaccessible to the public. Eastbridge is administered by Trustees whose main aims are the maintenance of the ancient buildings, which are of national historic interest, and the welfare of the almshouse residents (Indwellers).
en.wikipedia.org/wiki/Eastbridge_Hospital_of_St_Thomas_th...
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THE HOSPITAL OF KING'S BRIDGE, ALIAS EASTBRIDGE
IS likewise situated in the same hundred, being exempt from the liberties of the city, and within the jurisdiction of the county of Kent at large. It takes its name from its situation close on the south side of King's bridge. This hospital was formerly called, by both the names of Eastbridge hospital and the hospital of St. Thomas the martyr of Eastbridge; which latter it had, from its being at first erected and endowed by the charity and piety of St. Thomas Becket, in king Henry II.'s reign. (fn. 1) For this we have the testimony of one of his successors, archbishop Stratford; who, upon his new ordination of the hospital, and in the charter of it, acknowledged archbishop Becket to be the first founder and endower of it; besides which, there is no other record extant, or to be found concerning the foundation of this hospital, or the intent why it was erected. (fn. 2) But to look back to the times intervening between these two founders, in which it is recorded, that archbishop Hubert, who sat in this see in king John's reign, was an especial benefactor to it, by the gift of several mills, tithes, and other premises, which were confirmed by the prior and convent of Christ church. In this archbishop's time there was another hospital, neighbouring to this of King's, alias Eastbridge, called Cokyn's hospital, built and en dowed by one William Cokyn, a citizen of Canterbury, whose name in his posterity long survived him, in this city. (fn. 3) This hospital was dedicated to St. Nicholas and the Virgin and martyr St. Catherine; and was situated in the parish of St. Peter, almost directly opposite to the late Black Friars-gate, having had a lane by it, once called Cokyn's lane, though long since shut up, and built upon. This hospital lastmentioned, was built on the scite of a house adjoining to the above William Cokyn's dwelling, or else was turned into one by him. Afterwards, by his charter, he united these two hospitals, and then by another charter, entitled them to all his lands, possessions and chattels, and made them his heirs. This union was confirmed by the bull of pope Innocent III. anno 1203, in which it is called the hospital of St. Thomas of Canterbury; and in Cokyn's grant of union, it is stiled the hospital of St. Nicholas, St. Catherine, and St. Thomas the Martyr of Eastbridge. (fn. 4) Eastbridge hospital becoming thus by union or consolidation possessed of and owners of Cokyn's hospital, it ceased soon afterwards, probably, to be used as one, and was hired or rented out, among the possessions of the hospital of Eastbridge; in which state it continues at this time. (fn. 5)
To return now again to the hospital of St. Thomas of Eastbridge, for which there being no statutes for the government of it, archbishop Stratford, anno 15 Edward III. drew up certain ordinances for that purpose, (fn. 6) the effect of which was, that the hospital being founded for the receiving, lodging and sustaining of poor pilgrims, was then, owing to the negligence of the masters, who had wasted the revenues of it, but meanly endowed, and that the buildings of it were in a ruinous condition: to remedy which, and to continue the charitable intent of it, he decreed, that the church of St. Nicholas, Harbledown, should be for ever appropriated to it; that for the government of this hospital, there should be a master in priest's orders, appointed by the archbishop and his successors, who should keep a proper secular chaplain, or vicar, under him, to be removed at the master's will and pleasure. That such poor pilgrims as happened to die within this hospital, should be buried in Christ church yard, in the place heretofore allotted to them there. That every pilgrim, in health, should have no more than one night's lodging and entertainment, at the expence of 4d. that there should be twelve beds in the hospital, and that some woman, upwards of forty years of age, should look after the beds and provide all necessaries for the pilgrims; that those who were not in health, should be preferred to such as were; that no lepers should be received into it; that if there was a smaller number of pilgrims reforting to the hospital, at any one time, a greater number should be received into it, in lieu of such deficiency, at other times, as far as the revenues of the hospital would allow of it; and further, he inhibited them from having any common seal in the hospital, with several other particular orders and injunction, as may be seen in the instrument more at large.
This hospital had several very liberal benefactors in early times. Among others, Hamo de Crevequer gave the church of Blean to it, which gift was afterwards confirmed by archbishop Stephen Langton, and was afterwards appropriated to it by archbishop Sudbury in 1375, Thomas, lord Roos, of Hamlake, in the 33d year of king Edward III. gave the manor of Blean to it, and the year afterwards Sir John Lee, as appears by the ledger of the hospital, gave to it a messuage, with 180 acres of land and divers rents of assize, in the same parish, for the increase of vorks of piety in it. (fn. 7)
In the year 1362, archbishop Islip founded a perpetual chantry in this hospital, and transferred to it, for the benefit of it, at the request of Bartholomew de Bourne, the chantry founded in the church of Livingsborne, alias Beaksborne, by his ancestor James de Bourne. (fn. 8)
By the instruments of the archbishops Islip and Sudbury, dated in the above year, it appears, by the former, that there was founded in this hospital, a perpetual chantry for divine services; the priest of which was to receive a yearly stipend of ten marcs, of the master of the hospital, out of the revenues of it; for which he was to celebrate divine service, and minister the sacraments and sacramentals in it, to such poor and infirm as should resort hither; and that the priest and his successors should possess the mansion, within the bounds of the hospital, between the infirmary and the great gate of it, and the chamber over it. After which king Edward III, having given a messuage, called the Chaunge, at the time almost wholly in ruins, to Thomas Newe de Wolton, then master of this hospital, and his successors, in aid of the maintenance of the priest who should celebrate in it for his health, for his soul afterwards, and that of John at Lee, who in part founded the chantry, &c. and the said messuage having been repaired and rebuilt by the executors, and at the cost, though charity, of his predecessor, the value of the rent amounted to seven marcs yearly, and would, as it was presumed, amount still higher in future; and it being difficult at that time to find a proper priest, who would undergo the duty and residence required in it, for the salary of ten marcs, the king's piety in augmenting the priest's stipend, was as yet frustrated—Archbishop Simon Sudbury, therefore, by his instrument dated in 1375, in which he recited the above ordination of his predecessor, ordained and decreed, in addition to that before-mentioned, and by the consent of the said Thomas, master of this hospital, and the executors of his predecessor, that the endowment of this chantry of ten marcs, should be augmented with five marcs and an half out of the seven marcs of rent of the messuage given by the king as aforesaid, with power of distress, &c. and whereas the presentation of the chantry of Bourne, united to this hospital, as in the ordination of the first chantry aforesaid made by his predecessor, more plainly appeared, belonged to Bartholomew de Bourne, his heirs, or assigns, before the union; he therefore decreed and ordained, that the presentation and collation to be made to the same, when vacant, should belong to him and his successors, and to the said Bartholomew de Bourne, his heirs, or assigns, alternately; the first turn to belong to the archbishop, because the assigns of Bartholomew de Bourne (fn. 9) had presented the then incumbent to it, &c. (fn. 10)
Though the revenues of this hospital lay chiesly in the parish of Blean, yet it was possessed of other rents, lands and tenements in Canterbury, Harbledown, and in Birchington. It was likewise possessed of lands in Herne, Reculver, Swaycliffe, Chistlet, and Bekesborne, belonging to the before-mentioned chantry, which at the suppression of it were seized on, as such.
By a bull of pope Honorius III. this hospital had the privilege of not paying tithes of their gardens. (fn. 11)
By the return made to the king's commissioners in king Henry VIII.'s reign, it appears, that there was here a neat handsome chapel, dedicated to the Virgin Mary, to which had belonged two bells, to ring to service, as was reported to them by the parson and churchwardens of All Saints; who said further, that this hospital was a parish church, in which there was ministred all sacraments and sacramentals, to the poor people resorting thither, and to the keeper of it, and his household, and all others remaining within the precinct of it, by the chantry priest; the matter of fact was, that this chapel was formerly served by the chantry priest of the chantry in it, mentioned before, to have been transferred to it, who had 10l. 6s. 8d. yearly stipend or wages, besides his mansion or dwelling, which was at the west end of the hospital, of all which it was deprived at the suppression of it by the statute of the 1st year of king Edward VI. (fn. 12) when a pension of six pounds per annum was granted to Nicholas Thompson, alias Campion, the incumbent of it, which was remaining anno 1553. (fn. 13)
The value of the revenues of the hospital itself, as returned anno 26 Henry VIII. according to both Dugdale and Speed, were 23l. 18s. 9⅓d. per annum, but this must have been the clear income, for according to Sancrost's manuscript valor, they amounted in the whole to 43l. 12s. 3d. (fn. 14)
The state of this hospital, as it stood in the time of cardinal Pole, at archdeacon Harpsfield's visitation in 1557, was, as appears by the entry in the book of it; that they were bound to receive way faring and hurt men, and to have eight beds for men, and four for women; to remain for a might, and more, if they were not able to depart; and the master of the hospital to be charged with their burial, and they had twenty lords of wood yearly allowed, and 26s. a year for drink, that there was 10l. land a year, with a mansion, which the priest always had for officiating in the chapel, taken away by the king, and that it was the head church to St. Cosmus and St. Damian Blean, but that they had no ornaments but organs. (fn. 15)
This hospital, though it outlasted the general suppression of most of the foundations of the like sort in the reigns of king Henry VIII. and king Edward VI. yet in the beginning of queen Elizabeth's reign, the lands and tenements belonging to it, as well as the hospital itself, then converted into tenements, were occu pied and possessed by private persons, until archbishop Parker, in the 10th year of that reign, recovered, by his prudent care, some of the lands and possessions, and restored the house again to pious and charitable uses. He framed new ordinances for the government of it, which he wisely contrived should be suitable to those times, as well as agreeable to the first foundation of the hospital, and the former statutes of archbishop Stratford, as far as might be; reserving nevertheless, a power to his successors, archbishops of Canterbury, to revise, alter, abolish and new make all, or any part of them; they are dated May 20, 1569. (fn. 16)
In them it appears, that in consequence of the ordinances of archbishop Stratford, the master of the hospital might take all the profits of it to his own use, bestowing only for the relief of wandering and wayfaring brethren, and poor, in bread and drink, after the rate of 4d. a day, and one night's lodging for twelve persons, if so many came there at one time, in the whole not above 6l. 2s. 6d. per annum, but the archbishop (Parker) by the authority in the above former ordinance concerning the disposition of the profits of this hospital, to him and his successors reserved, to alter and change the same, did by these ordinances in that behalf made, under his hand and seal, not only increase the above sum, to be from thenceforth bestowed on certain poor inhabiting within the county of the city of Canterbury, but also appointed other sums of money thereout, yearly to be paid towards the keeping of a freeschool, for a certain number of poor children of the county of the said city, to be taught to write and read freely within the hospital.
By the same ordinance, as well as by an indenture, between the master of this hospital and the master of Corpus Christi, or Benet college, in Cambridge, dated May 22, anno 11th Elizabeth, the archbishop founded out of the revenues of this hospital, two scholarships, each of the yearly value of 3l. 6s. 8d. that sum to be paid yearly from thence, by the master of the hospital to the master of the college; the two scholars to be chosen, named, examined and approved by the master of this hospital and the dean of Canterbury, if any such there should be; if not, then by the master only, and to be taken from the free-school in Canterbury, being such of the scholars there as were born within Kent, and being sent to Cambridge, should be called Canterbury scholars; who, after their admittance and receipt there, should remain and continue in that college, according to the orders and statutes of it, and should have of the provision of it, convenient chambers, commons, reading and other necessaries, as other scholars in it, according to common custom, for the term of two hundred years next, from the date of the indenture, with other rules and regulations in it relating to them. (fn. 17)
Not long after this, queen Elizabeth issued a commission of charitable uses, to enquire into the state and condition of this hospital, which was done, and a return thereof made accordingly; and again, soon after the death of archbishop Parker, there was a second commission, directed to Sir James Hales and others, who certisied, that the hospital house stood ruinated, and neither master nor brethren were resident, or dwelling of long time. The house was let out into tenements for yearly rent. The beds that were wont to lodge and harbour poor people resorting thither, were gone and sold, contrary to the old order and foundation of the same; and that the hospital was relinquished and concealed from the queen, &c. Upon which, she granted it, with all its revenues, by letters patent, dated July 20, in her 18th year, to John Farnham, one of her gentlemen pensioners, to hold in see farm for ever. —He soon afterwards conveyed his interest in it for 550l. and the release beside of a debt owing by him, to Geo. Hayes. After this, archbishop Whitgift recovered this hospital, with the revenues of it, from Hayes, and then settled it upon a new foundation, so firm and sure, that it has continued to the present time, and remains a perpetual monument of the archbishop's piety and prudence, who may be justly reputed the sounder and restorer of it; (fn. 18) and he framed new ordinances and statutes, for the better government of it, by which the hospital is now ruled. In these it is, among other things, ordered and decreed, that the archbishop should collate the master, who should be in holy orders, and should be instituted and inducted according to the usual form and custom, who should have the lodging known by the name of the master's lodging, in the hospital; and a yearly stipend of 61. 13s. 4d. and twenty loads of wood from the lands belonging to it, to be delivered cost free. That the master should appoint a school-master, who by himself or deputy, should freely instruct twenty poor children of this city, above the age of seven years, to write, read and cast accompts, and to have books, paper, &c. provided for them, out of the prosits of the hospital, and not to remain in the school above three years. The school-master to have a lodging in the hospital, and a stipend of four pounds, and for his further relief, if the master approved of it, to be receiver of the rents, &c. of the hospital; for which he should receive 26s. 8d. and two loads of wood yearly, to be delivered cost free, and one summer livery cloth. That out of the prosits of the hospital, there should be paid for ever, to the two scholars to be taken out of the common school at Canterbury, commonly called the mynte, by the master of the hospital, with the consent of the archbishop, and placed in Benet college, 3l. 6s. 8d. each, according to the former ordinances made of it. That whereas by former ordinances, the master of the hospital was only tied to pay in time of peace, unto the poor passengers, or to such other poor people as the master should think good, thirty pence a week; and in time of war that payment ceasing, to provide twelve beds for the lodging of poor soldiers, passing through this city, within the hospital, for the space of one night only, which is now grown wholly out of use, especially since the loss of Calais; therefore, for the better relief of the poor inhabiting within this city and the suburbs of it, it was ordered, that the former last recited orders should cease, and instead of them, there should be five inbrothers, and five in-sisters, to be permanent and have their habitation in the hospital; and after the space of twenty years next ensuing, there should be five other out-brothers, and five others called out-sisters; each of the said in-brothers and in-sisters to have a several dwelling and lodging within the hospital, and 26s. 8d. by the year, and one load of wood to be delivered cost free, between Midsummer and Michaelmas; and each of the out brothers and out-sisters to have 26s. 8d. by the year only; that the mayor of this city should from time to time, nominate to the master of the hospital for every of the brothers and sisters rooms, when they should be void and unfurnished, two poor persons, men or women, as the places should require, being lame, impotent, blind, or aged, above fifty years of age, who should have inhabited within the city, of suburbs, seven years before; of which two, the master should chuse and admit one; and in default of the mayor's nomi nating for the space of three months, the master to make choice, and admit any, qualisied as above-mentioned. That in the room of every out-brother and sister, the mayor should nominate such persons as above specisied, whereof one at least should be such as had dwelt in the city or suburbs, by the space of three whole years at least, to the end that such as dwelt there, and not within the county of the city, should receive the whole benefit of these ordinances. That the master, out of the profits of the hospital, should repair and sustain it, and every part within the precincts of it, and also sufficiently sustain and maintain the bridge, called the king's bridge, alias Eastbridge, within the city of Canterbury; (fn. 19) and pay to the queen, her heirs and successors, 7l. 10s. yearly, due to her for the pension of a chantry, sometime within the hospital, and all other dues and payments going out of it. That the master should not let for years or lives, the lands or tenements, nor make any woodsales of the wood, without the express consent, in writing, of the archbishop, and should yearly make an accompt to him, if demanded, so that of the surplusage all charges deducted, the portions of the brethren and sisters might be increased at the will of the archbishop, as theretofore had been used. That the in-brethren or sisters, master or schoolmaster, who should die within the precincts of the hospital, might be buried within the church-yard of the cathedral, according to a former agreement made between the archbishop, his predecessor and the then prior and convent of Christ church, with many other orders and re gulations mentioned in them, (fn. 20) all which were confirmed and ordered to be inrolled in chancery, by an act passed in the 27th year of that reign, (fn. 21) by the means of which, the rights of this hospital have been preserved to this time.
There have been some few modern benefactors to this hospital.
Mr. Avery Sabin, sometime an alderman of this city, by his will in 1648, gave a rent charge out of his estate at Monkton, in Thanet, of 20l. per annum, for charitable uses to the poor of this city, of which, ten marcs were assigned yearly to be paid to the five in-brothers and five in-sisters of this hospital. (fn. 22)
Mrs. Elizabeth Lovejoy, widow, by her will in 1694, gave, out of her personal estate, the sum of five pounds yearly to this hospital, to be shared and divided among the poor of it, in like manner as her gift to Cogan's hospital, above-mentioned. Besides which, this hospital receives yearly the sixth part of the interest, due from 1631. 16s. 3d. being the sum due from Mrs. Masters's legacy, who died in 1716, which is vested in the mayor and commonalty, in trust, for the several hospitals in Canterbury, of which a full account may be seen among the charitable benefactions to this city.
In 1708 John Battely, D. D. archdeacon of Canterbury, and master of this hospital, new built three of the sisters lodgings, and did several other great repairs, and at his death left by his will, to the in-brothers and sisters, one hundred pounds, the interest of which he ordered should be proportioned by Mr. John Bradock, of St. Stephen's, and Mr. Somerscales, vicar of Doddington.
Mr. John Bradock, master of this hospital, in 1719 gave by his will, 25l. 13s. 4d. for the better payment of the poor people, at Lady-day and Michaelmas.
Mr. Matthew Brown, of St. Peter's, in Canterbury, in 1721, gave by his will 10s. per annum for ever, to the in brothers and sisters of this hospital.
In 1768, Thomas Hanson, esq. of Crosby-square, London, gave by will, the interest of 500l, for ever, to the in brothers and sisters of this hospital; which being now invested in the 3 per cents. reduced Bank Annuties, produces 17l. 1os. per annum.
Besides these, the hospital had many temporary benefactors, as well towards the repairs of it, as in money; among which were, the archbishops Juxon, Sheldon and Sancrost. The yearly tenths of this hospital amounting to 2l. 7s. 10d. are payable to the archbishop.
In 1691, the yearly revenues of this hospital amounted in the whole to 101l. 5s. 9d. besides which were the fines upon the renewals of the leafes, and alderman Sabine's gift of 13s 4d. a piece, by the year, which came not into the master's hands, but was paid by one of the aldermen of the city.
The present building is antient; it has a decent hall and chapel, where the schoolmaster, who has a good apartment in the house, and is called the reader, instructs twenty boys gratis, in reading, writing, and arithmetic. There are rooms also for five in brothers, and five in-sisters, but some of these rooms are subject to be flooded in a very wet season. (fn. 23) The master has a neat handsome house, sitauted in a court near the hospital, but on the western or opposite side of the river.
¶The antient common seal of this hospital having been for a long time missing, the late master, Dr. Backhouse, at his own expence, supplied the hospital with another in the year 1783.
Seen in White Street coach park , coventry today was Silverdale of Nottingham MX10DPV a Neoplan Tourliner C61FT. Photo taken 18/02/15
It was a truly memorable evening in Buena Park when the immortal Miss Mae West visited Movieland Wax Museum, the Stars' Hall of Fame, to unveil her "Diamond Lil" likeness in a scene from the 1933 Paramount production, "She Done Him Wrong." The bejeweled gown is exacting Movieland duplicate of the original and the rhinestone jewels, a gift from the great lady.
While scouting out an abandoned winehouse we found this Simca Aronde 90A, built in the late '50s.
Co-explore with Dr. Baab and SolidVortex
Halifax Transit 2013 New Flyer Xcelsior XD40 #1168 is seen on route 16.
This says block 50 which the bus did Yesterday on Tuesday, July 10th 2018, today the block number was not changed to the proper block number. Block 50 does the 52.
Watching full movie at : camreporting.com/american-movie-wrong-turn-6-last-resort/
Thank you for watching . Love you all !
「好了。你看看這樣的長度會不會太長?」
設計師拿起鏡子將我的左側，後側，再到右側照了照。
「嗯，是很OK啦，只是我有點想要換換造型。可以讓前面的頭髮再短些?」
然後我們花了點時間做溝通。在大面玻璃鏡前比手畫腳地解釋了一番。
唰地一聲。我還來不及阻止，頭髮就以1G的重力加速度在我眼前大方落地。
「好了。你看看這樣的長度會不會太長?」
他用著和方才相同的語調，相同的動作輕鬆地說著。
很滿意自己的手法一般。
「嗯。我想這樣的長度，夠‧短‧了。」
然後我像更生人剛出獄般地付完沒有折扣的剪髮費，低著頭迅速離開。
我想，我和這位理髮師的緣份是盡了。
＊ ＊ ＊ ＊ ＊
晚些的碰面，我刻意戴上帽子將過短的頭毛蓋住。
你見著了我，馬上一眼看穿，不用問句就直說明，「頭髮剪壞了吼。」
還好有帽舌遮光後的陰影中合了我的臉紅。
「來，讓我看看。」
你仍不失禮貌地請我將白帽摘下讓你看。我很乖地照做。
「噗。會不會太短了啊。」你一樣不帶疑問句地肯定。
我後悔地馬上把帽子戴上。瞪了你一眼。
「好啦。這樣的造型也還好啦。只是比較像那些混道上的大哥些。」
「能有機會和大哥交往，這也是很棒的事啊!」
你補上了一句。自以為有安慰的作用。
看來，沒有非死不可沒有噗什麼浪，一向和流行脫節的我，這回倒是搭上了正夯的艋舺風。
【攝於/ 台中‧江屋】
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