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(30D & 50mm/f1.4) I'm trying to establish some kind of a workflow for RAW files. My concern is always having an oversaturate d and oversharpened picture. After reading a few posts on several forums I decided to just write down a few steps and stick with them for a while until I become more comfortable with CS2. Here is my workflow so far:
1. RAW to JPG conversion using DPP 3.0
2. Crop (CS2)
3. Shadow, Highlights & Contrast (CS2)
4. USM (CS2)
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This is a Workflow I created for my system that will batch process groups of files in one shot! It provides an easy way to batch Spotlight Comment, Label, Rename Sequentially & add additional text to the filename.
This workflow waits 30 seconds, then takes a photo using this UNIX script:
~/./isightcapture WakingStudy.jpg
The items are then searched for, uploaded to Flickr, then thrown in the trash. Silent, stealthy and the only pop up is a "Workflow Running" message in the menubar.
June 13, 2022 - Optic Convention - Workflow Experience Room, featuring Dell Computers, along with several other Vendors of interest to Photographers.
Entering in diary entries & dates into palm & comparing information with desktop diary. This is a PIII, old, monochrome but does the job. In continuous use since '97.
Note the rhino-skin, titanium casing. Stops the palm being crushed but not the jolts that may clear the mem.
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A move from camera, to lightroom, to photohop. Shows how even if you dont have a light meter and you underexpose the lighting you can still save an image with a little work.
I am going to be writing a blog post about this over at my website today at Dream in Pictures
Workflow test - Enchancer tone mapping, with black turned up. This shot was a pain in the ass. The bridge that I was on is a steel bridge with steel decks and any vehicles, even a mere bicyclist, will cause the deck to vibrate like a plucked guitar string. I ended up shooting bulb mode and firing off shots while kneeling with fingertips on the bridge deck to sense vibrations, and mentally counting off the seconds required for the bracketed exposures. (One potato, two potato,...)
The amazingly complex workflow document/chart as compiled by Andy Nehl, so files know which tubes to send themselves down.