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This is the output of the 2015 workshop that I recently joined.
Happy with the outcome and still exploring other workflows. :}
The Danish Road Directorate – Holstebro, Jylland, Denmark)
For this USD 580 million design-build contract in Holstebro, Denmark, the Danish Road Directorate created a digital tender for the 39-kilometer Herning – Holstebro project that included eight interchanges, four railway crossings, and five bridges. The challenge of the project was to create a digital workflow for sharing data across disciplines and establish a sustainable solution with meaningful requirements across the project’s lifecycle.
To fully take advantage of the collaboration between internal project members and external partners, the team standardized data management on MicroStation, along with Bentley Navigator, Bentley Descartes, Bentley MXROAD, and PowerCivil for Denmark. Because the 3D models received from its external partners are inspected for any divergences from the standards, the Danish Road Directorate and its external partners have been able to achieve significant efficiency gains.
I got inspired into some intense nerding this week. The above is a peek into the results. For more, check out the writeup on my blog.
Capsule summary: you can make an image have pretty much any histogram you like, with a little perl code—even a histogram that resembles the image itself. What you see here is:
1. An unaltered image of Miami.
2. The histogram of that image.
3. A new desired histogram made by tracing the silhouette of the skyline in the source image.
4. An altered version of the source image, which has the desired histogram.
Man was that fun to pull off.
This view shows the various stages of my scenery building. Cardboard strips fill in the space between fascia, track, and backdrop. These strips are covered with drywall tape, which I then paint tinted plaster of paris over. After a couple of coats, or however many I think are needed, static grass and other foliage is added.
When a physician sees a person with 10 or 20 medications and they need to do renewals that will be expiring before the next visit, I can take some mental effort to get it alright and avoid unnecessary phone calls asking for renewals prior to the next visit.
These are fairly typical steps in the process of doing that renewal review and completion.
This screenshot deconstructs by 365 day 31... I've never worked with textures before, but I decided that this image would benefit a textural addition.
1. I opened the original image in Ps, increased the exposure to make it a bit brighter (cancelled out by the new textures so it came back to its original exposure).
2. Opened the texture I got online and pulled it onto my image, using the soft light blending mode. I created a mask and masked off my face to keep it relatively clear (the brush had a 40% opacity I believe)
3. After doing that, I felt it looked better with a bit more contrast, so I made an S-Curve in the curves layer, and bumped the vibrance because I wanted to try the overlay blend on top on the soft light texture.
4. Same texture on the top, only in overlay blending mode, at 70% opacity, then masked out my face again on the forehead and "front" of the face to make it look like I was emerging. Again used a lower opacity on the masking brush, about 50%.
Final Shot here.
Hope this helps! I'm not claiming to be any sort of expert, that was just how I did it. This is far more processing that I usually do, I like Zack Arias' philosophy (well, I heard it from him) that you gotta get it right in camera.
...and if you have any ideas/feedback on how you'd do it, I'd love to hear!
Made a silly mistake in my workflow, so I had to re-up everything again.
Woke up in the middle of the night and couldn't sleep anymore. So I thought, let's drive to the IJsselmeer and try and catch the dawn. Nature didn't let me down.
Taken with a Canon EOS 5D Mark II, EF 16-35, Lee .6 ND filter and Lee .6 ND Hard grad on a Gitzo tripod.
Take a breath & pause, press the shutter, work on it some more & post it, hope that people see what you see #passion #skill #hardworkpaysoff
My current workflow, stitched together from my usual spaces layout and labeled via pen tablet. The first frame is a recent addition (April 2012) to include video-related software.
Ah how I miss leopard. Lion is super annoying.
I'll have to post a workflow chart of my other computer, 2007 "Music Production" Macbook Pro
Here is the Workflow to get the Matcap Material from zBrush to mental Ray material:
norman3d.com/blog/?p=11#more-11
Thanks Norman, I've max 2010 and it's a little bit easier:
- Screenshot from your Zbrush Material, crop and save it.
- from he Norman's tutorial:
"Change the “Default Scanline Renderer” to mentalray. Open the Material Editor and pick a default material. Change the Self Illumination value to 100. Now you can click on the diffuse slot and pick the “mr Gray Ball” map. In the “Gray Ball Image” slot you will have to put the Shading Map you grabbed earlier."
The part with *.mi file can be ignore in 2010. The correct/actual name i have for the "Gray ball Image map" is "Environment Probe/Gray Ball (mi)". For this example I didn't use a standard material but a Arch&Design material with a normal map. It works fine.
Info about the pic above.
#1 Picture of the model from zBrush
#2 Same Model in 3ds max with the new material method
#3 Lighting für mental ray
#4 Compositing in Photoshop with AO and Zdepth
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Here I hone in the mildly interesting and really interesting shots. If I've taken multiple shots of the same subject in rapid succession, then I'll choose the best of the litter. I'll begin to start editing and cropping here and it's very often at this state that a style or theme emerges. In this particular case I started thinking about a series of square crops. I'm left with 26 photos.
Over two years ago, I posted an image of my workflow. Today, I decided it was due for an update.
This is the perfect "Portable yet Powerful" combination, version 2!
Kết quả sau 3 ngày chuyển qua Lr làm
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Photo: Blue
Model: Polly Thanh Thảo
Location: Quận 7
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Contact: 090 3883 869
Gmail: dsltn.seeya@gmail.com
Yahoo: dsltn.seeya
© István Pénzes.
Please NOTE and RESPECT the copyright.
7th., March 2010, Distagon 50mm at the closest distance. I'm developing a bad habit to fill the last few pictures of every roll with camera porn. I'm sorry....
Hasselblad 503CW
Carl Zeiss Distagon 4.0/50
Kodak T-max 100
T-max developer 8 min. @ 19 Celsius
Coolscan 9000
This is my first HDR Panorama. The shots were gathered hastily with the camera handheld and me playing with the polarizing filter, but I'm still quite happy with the result.
Workflow was to batch procsess in Photmatix and then stitce with Microsoft ICE.
Suggestions on better workflow or other C&C much appreciated.
Prepare for bug close-ups...
This is the end of a small alligator clip on my X/Y/R specimen stage for photographing moths and other small creatures.
Workflow from
ubio.bioinfo.cnio.es/biotools/iHOP/examples/wf-iHOP.xml
as published in
by José M. Fernández, Robert Hoffmann and Alfonso Valencia
Workflows automate the task of associating CAPA issues to Teamcenter deliverables through sophisticated trace links
P7060037.
I'm changing my image processing workflow right now. I'm moving from Canon DPP to Adobe Lightroom and Nik Software Plugins. I have much to learn, but I see a lot more possibilities with this combination of softwares. One fun thing is to re-edit some old photos. When Lightroom catalogued my image store, it found about 38 000 digital photos. This is a fave from the summer of 2006 (Olympus C5060WZ) from Gränsö, just outside Västervik in Sweden.
Large size | Original uploaded size | My portfolio | My manifesto
No, not a tilt-shift photo, just practicing my CR2 -> DxO Optics -> DNG -> Adobe Camera Raw -> Adobe Photoshop CS4 workflow (I'm planning on using DxO mainly for the geometric corrections - they should make a Photoshop plug-in just for that).
I get asked a lot how I made the Burning Hand Shot. Here is basically my workflow from camera to finished project omitting the flames added between steps 2 and 3
you can see the final here::
Strike a Pose Workflow Review
“Lightroom Preset Collection for Portraits”
Today I’ll be reviewing a new product from Sleeklens.com, collection of Lightroom development presets and brushes they are calling “Strike a Pose Workflow“. These tools are specific to ... [read more...]
www.bigsunphotography.com/strike-a-pose-lightroom-presets...