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This edit was done in Lightroom 3

On a 13" Macbook running Lion. More details on my blog.

 

* Chrome, iTerm2, Emacs.app always running in fullscreen mode.

* Auto-hidden dock.

* Two desktops, book-ending the fullscreen apps (each with their own wallpapers)

* Using whatever tweaks I can find to remove animations, or at least decrease animation delays.

 

This workflow has been surprisingly good, so far.

"The Diigo connector accepts two required inputs: the bookmark url and title. Now you can easily started saving bookmarks on both Delicious and Diigo (...)" — read more

 

Uploaded via tarpipe.

Workflow: Negs processed by apetureuk.com

Raw file scanned with Reflecta RPS 10m @ 2,500dpi

Imported to Lightroom, then 'edit copy in Photoshop' selected. Colorperfect filter applied in Photoshop then saved. Colour, sharpness and N/R applied in Lightroom.

. #workflow #GoodMorning #HappyFriday #selfie

This is a shot list that I make of the images that I'd like to take when I do my walkthrough with the REALTOR® client (or on my own, if no client meets me at the property).

 

This idea came from the Interior Photo Workshop that I took in January 2009 in suburban Chicago from Photographers Scott Hargis and Thomas Grubba

From vector to object

Workflow: Negs processed by apetureuk.com

Raw file scanned with Reflecta RPS 10m @ 2,500dpi

Imported to Lightroom, then 'edit copy in Photoshop' selected. Colorperfect filter applied in Photoshop then saved. Colour, sharpness and N/R applied in Lightroom.

a bit of digital and a bit of freelensing on a vintage analog synthesizer.

 

for work, i needed a digital as the compact point and shoot canon i got from a friend, for free, just wasnt cutting it anymore.

 

after much hunting, i finally decided on a nikon v1 body and adapters for the rokkor and jupiter glass that i have.

 

the nikon handles really well,... and as a film shooter all i as looking for was a digital back for my glass. so because the nikon was aimed at people who just want to point and shoot,.... ironically it fits into my workflow really well.

 

with film bodies, i decide on an appropriate iso, meter the scene with my external meter, set the camera and go,.... adjusting shutter speed and aperture as the light changes.

 

with the V1, the distinct lack of knobs and buttons and wheels means i wind up doing the same thing,.....

 

aperture adjusted on the lens, rocker switch for shutter speed.

 

seriously what more do you need?

 

despite the sensor being half the size of m4/3 i went with it because of the colours and the images that came out of it,.... the noise is almost film like, and some black and white images i've seen remind me of neopan.

 

and it feels nice in the hand,.. very similar to my minolta xd, but lighter.

 

this afternoon i'll be hitting the streets with her.

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My workflow leaves something to be desired. Here I am trying to work on produce table designs, but I keep getting sidetracked- for example, by copying a Joni Mitchell CD cover.

View On Black

 

© István Pénzes.

Please NOTE and RESPECT the copyright.

 

7th., March 2010, Distagon 50mm at the closest distance.

 

Hasselblad 503CW

Carl Zeiss Distagon 4.0/50

Kodak T-max 100

T-max developer 8 min. @ 19 Celsius

Coolscan 9000

 

Grabbing some munchies for the road

So this is actually kind of fun I guess. This is my C41, color film workflow so far. It's been a bit of trial and error trying to maintain a consistent 102F for 3.5 min.

 

This is how I do it so far. Put water in this pot just enough to cover the 250ml of liquids in the measuring cups. Put pot on stove with flame on high to get a good rolling boil. Once it gets boiling, reduce flame to medium. When the temp in cups gets to about 95F, turn off heat otherwise the temp gets too hot and it takes longer to cool off than to heat up. Remove cups from water when they reach 102F. First step is just water for 1 min to heat up film and tank. This helps maintain temp for developer. 2nd, developer for 3.5 min. Developer will cool to about 95F in that amount of time which isn't good. So I put the tank in the water pot in between agitations. Keeps the temp from falling too fast. 3rd step is the bleach/ fix (blix) for 6.5 min. The good thing is that you can be between 95 and 105F for this step. 4th is wash for 1 min followed by stabilizer for 1.5 min. Done!

 

Also, I have always used Kodak black and white developers like HC110, D76 and Xtol for b&w film. To shake things up a bit and keep it interesting, I got some Rodinal. Never used it before and still haven't. Good times. This is definitely a labor of love.

  

Update: Roll number 3 following this method turned out some funky greenish colors on Portra 160. Not sure why. I'll keep this photo updated.

Made a silly mistake in my workflow, so I had to re-up everything again.

 

Woke up in the middle of the night and couldn't sleep anymore. So I thought, let's drive to the IJsselmeer and try and catch the dawn. Nature didn't let me down.

 

Taken with a Canon EOS 5D Mark II, EF 16-35, Lee .6 ND filter and Lee .6 ND Hard grad on a Gitzo tripod.

Processed with VSCO with kk2 preset

The brand-new Symfony development workflow unveiled by Fabien Potencier at the Symfony Live Paris 2014 conference.

A typical vim session.

 

Colorscheme: xoria256

  

git workflow image

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