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JPEGMini Pro is an integral part of my digital photography workflow. Read all about it in an upcoming article on the blog: hikinginfinland.com
This view shows the various stages of my scenery building. Cardboard strips fill in the space between fascia, track, and backdrop. These strips are covered with drywall tape, which I then paint tinted plaster of paris over. After a couple of coats, or however many I think are needed, static grass and other foliage is added.
When a physician sees a person with 10 or 20 medications and they need to do renewals that will be expiring before the next visit, I can take some mental effort to get it alright and avoid unnecessary phone calls asking for renewals prior to the next visit.
These are fairly typical steps in the process of doing that renewal review and completion.
This screenshot deconstructs by 365 day 31... I've never worked with textures before, but I decided that this image would benefit a textural addition.
1. I opened the original image in Ps, increased the exposure to make it a bit brighter (cancelled out by the new textures so it came back to its original exposure).
2. Opened the texture I got online and pulled it onto my image, using the soft light blending mode. I created a mask and masked off my face to keep it relatively clear (the brush had a 40% opacity I believe)
3. After doing that, I felt it looked better with a bit more contrast, so I made an S-Curve in the curves layer, and bumped the vibrance because I wanted to try the overlay blend on top on the soft light texture.
4. Same texture on the top, only in overlay blending mode, at 70% opacity, then masked out my face again on the forehead and "front" of the face to make it look like I was emerging. Again used a lower opacity on the masking brush, about 50%.
Final Shot here.
Hope this helps! I'm not claiming to be any sort of expert, that was just how I did it. This is far more processing that I usually do, I like Zack Arias' philosophy (well, I heard it from him) that you gotta get it right in camera.
...and if you have any ideas/feedback on how you'd do it, I'd love to hear!
Take a breath & pause, press the shutter, work on it some more & post it, hope that people see what you see #passion #skill #hardworkpaysoff
This is the workflow that I have used for my V500 Epson Scanner. The V500 does not produce a linear scan but you can still use ColorPerfect (colorNeg) and get good results. I messed around trying to use the Digtal ICE feature on the V500. I never gave me good results. So I went with y original workflow, AND vigously wiping my negatives with a Shifter pad. Which resulted in a large reduction in dust. Well, here is my work flow:
The Epson V500 (and many other Epson scanners) do not produce Linear scans so after going through the C-F-S and ColorPerfect websites I came up with this work flow that I pieced together from the sites. If any of you that use Epson scanners find something wrong with this, please comment:
Epson Perfection V500 and ColorPerfect:
Open Epson scanning software
Choose professional mode
Then film
Positive film
48 bit color
The other selections are your choice
Now open Configuration and choose ‘No Color Correction’
In ‘File Save Settings’ Choose TIFF the rest is your preference
Now Preview and Scan
As the ColorPerfect website says these will not be Linear Scans
Open your editing program and open a TIFF scan and crop so only negative shows
Use Make TIFF to assign 'sRGB' and do whatever else it does (EDIT from below post)
Open ColorPerfect
Find options and check ‘Gamma C in/out’
Close ColorPerfect
Reopen ColorPerfect and Choose ‘ColorNeg’
Just under ‘ColorNeg’ to the left find ‘2.2’ and to the right window 'sRGB'
Choose the type of film
Put the arrow on a gray area or white area and click to adjust color
Now start at the ‘Black’ and adjust
Continue down the list (‘White’ is next)
There are other helpful tips in these videos that include ‘save list’ ‘zoom’ ‘shadow degree clip’ ‘highlight stop range clip’ ‘saturation’ ‘gamma’ ‘ring cc’ and more:
My current workflow, stitched together from my usual spaces layout and labeled via pen tablet. The first frame is a recent addition (April 2012) to include video-related software.
Ah how I miss leopard. Lion is super annoying.
I'll have to post a workflow chart of my other computer, 2007 "Music Production" Macbook Pro
Here is the Workflow to get the Matcap Material from zBrush to mental Ray material:
norman3d.com/blog/?p=11#more-11
Thanks Norman, I've max 2010 and it's a little bit easier:
- Screenshot from your Zbrush Material, crop and save it.
- from he Norman's tutorial:
"Change the “Default Scanline Renderer” to mentalray. Open the Material Editor and pick a default material. Change the Self Illumination value to 100. Now you can click on the diffuse slot and pick the “mr Gray Ball” map. In the “Gray Ball Image” slot you will have to put the Shading Map you grabbed earlier."
The part with *.mi file can be ignore in 2010. The correct/actual name i have for the "Gray ball Image map" is "Environment Probe/Gray Ball (mi)". For this example I didn't use a standard material but a Arch&Design material with a normal map. It works fine.
Info about the pic above.
#1 Picture of the model from zBrush
#2 Same Model in 3ds max with the new material method
#3 Lighting für mental ray
#4 Compositing in Photoshop with AO and Zdepth
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Here I hone in the mildly interesting and really interesting shots. If I've taken multiple shots of the same subject in rapid succession, then I'll choose the best of the litter. I'll begin to start editing and cropping here and it's very often at this state that a style or theme emerges. In this particular case I started thinking about a series of square crops. I'm left with 26 photos.
Over two years ago, I posted an image of my workflow. Today, I decided it was due for an update.
This is the perfect "Portable yet Powerful" combination, version 2!
Kết quả sau 3 ngày chuyển qua Lr làm
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Photo: Blue
Model: Polly Thanh Thảo
Location: Quận 7
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Contact: 090 3883 869
Gmail: dsltn.seeya@gmail.com
Yahoo: dsltn.seeya
© István Pénzes.
Please NOTE and RESPECT the copyright.
7th., March 2010, Distagon 50mm at the closest distance. I'm developing a bad habit to fill the last few pictures of every roll with camera porn. I'm sorry....
Hasselblad 503CW
Carl Zeiss Distagon 4.0/50
Kodak T-max 100
T-max developer 8 min. @ 19 Celsius
Coolscan 9000
Workflow from
ubio.bioinfo.cnio.es/biotools/iHOP/examples/wf-iHOP.xml
as published in
by José M. Fernández, Robert Hoffmann and Alfonso Valencia
Prepare for bug close-ups...
This is the end of a small alligator clip on my X/Y/R specimen stage for photographing moths and other small creatures.
Workflows automate the task of associating CAPA issues to Teamcenter deliverables through sophisticated trace links
Large size | Original uploaded size | My portfolio | My manifesto
No, not a tilt-shift photo, just practicing my CR2 -> DxO Optics -> DNG -> Adobe Camera Raw -> Adobe Photoshop CS4 workflow (I'm planning on using DxO mainly for the geometric corrections - they should make a Photoshop plug-in just for that).
I get asked a lot how I made the Burning Hand Shot. Here is basically my workflow from camera to finished project omitting the flames added between steps 2 and 3
you can see the final here::
Strike a Pose Workflow Review
“Lightroom Preset Collection for Portraits”
Today I’ll be reviewing a new product from Sleeklens.com, collection of Lightroom development presets and brushes they are calling “Strike a Pose Workflow“. These tools are specific to ... [read more...]
www.bigsunphotography.com/strike-a-pose-lightroom-presets...
Have you ever wondered how the articles get from print to you? Check out this awesome behind-the-scenes view of the JSTOR archive production process, in a comic drawn by one of our own staff members, Patrick Goussy.
A simple workflow for converting a Digital Object Identifier 10.1093/nar/gkl320 into a PubMedID (16845108) using the NCBI eSearch utitlity.
NCBI services consume and produce complex data types. In Taverna, inputs (e.g. Database name, DOI, Return type in this example) have to be merged into a single string using the perversely named "Input Splitter". Outputs have to be split using the Output Splitter, which appear when you right click on the service in Taverna.
Workflow available from www.cs.man.ac.uk/~hulld/workflows/DOI2PMID.xml and via a simpler RESTian style: eutils.ncbi.nlm.nih.gov/entrez/eutils/esearch.fcgi?db=Pub...
This workflow was created and runs in www.taverna.org.uk/