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Work started this morning on the disused fuel tanks at the garage. This afternoon, the coverings on the old lumps had been removed with no pumps in evidence. It looks as if they may be degassing the tanks and sealing them.
When I leave work at 5, it's already late dusk outside. When I walk under these trees, I like the way the moon looks next to the leaves.
This is what my office at cognitive systems looks like. It's really mine and Jim's office, but on the first day Jim forgot his power adapter, so I had it to myself.
It's hard to tell, but the computer in the background there is a ancient sun desktop.
317/365 Wednesday 13 November 2013 - I took this on my way home from work. Trying out my new phone outdoors. I popped home and then went to Thame to sort out some paperwork. Got home and was deflated to find the hotel we wanted to book for a night this weekend was fully booked.
Book documenting work selected into the Thirteenth Annual 100 Show of the American Center for Design.
competition chair and book design: Michael Manwaring
editor and competition coordination: Rob Dewey
judges: April Greiman, David Gresham, Cheryl Heller, Paula Scher, Christopher Pullman
As work continues on the gothic style St. Andrew's Cathedral in Glasgow I was struck by the similarity of this and the cathedral of the Sagrada Familia (Holy Family) in Barcelona. The Sagrada Familia cathedral has been under construction for centuries. By contrast the cathedral os St. Andrew has been undergoing renovation for only a few months.
It was created by Alexander Kostevich, a Saint Petersburg craftsman who previously worked with Gennady Khainov and Dmitry Parfenov on a number of legendary projects, such as RAF-2000, Okhta and LuAZ-Proto. The fiberglass car was built in 1996 using aggregates from the Volga. The engine is taken from a diesel van Avia. The front suspension is based on the Niva suspension parts, the rear one is based on the original springs. It was also planned to implement all-wheel drive, but it did not work out.
Alexander on his creation almost every year went to the Crimea, along the way traveled all over Ukraine and Moldova. The car is still alive today and is kept by its Creator.
Red Stapler! My old cube, but even at my new one it's pretty much the same. Minus that awful green piggy bank at the corner of it. It talks. SO ANNOYING. My old boss kept putting it there and he and the mailman had a ball pressing the button. No matter how many times I tried to make it dissapear.. it always came back. Until I killed it.
Very nice and I am really exercising good control -- only one piece of naan, a somosa, 2 small pieces of tandori chicken and 3 small chunks of chiken tikki marsala,
2011-2012 © Tarek
• Artwork // Comics // Press // Paris Tonkar // Street art •
Official website // www.tarek-bd.fr
Tarek art shop// Art shop
Le bog // Girls in the City
Collage de personnages féminins que j’ai peints puis posés dans la rue en plein jour. Chaque objet peint est numéroté et signé.
Collage of female characters that I painted and then placed in the street in broad daylight. Each artwork painted is numbered and signed.
Avant le collage, une photo de l’objet peint est systématiquement prise dans un endroit avec un minimum de mise en scène. Villes où des collages ont été effectués : Paris, Lyon, Los Angeles, San Francisco, Cayenne, Caen, Laval, Angoulême, Saint-Pierre des Corps, Le Mans, Saint-Brieuc, Rennes, Bourges, Brest, Montluçon, Rome et Vitry-sur-Seine
Before pasting, a photo of the painted object is always taken in a place with minimal staging. Cities where collages were made: Paris, Lyon, Los Angeles CA, San Francisco CA, Cayenne, Caen, Laval, Angoulême, Saint-Pierre des Corps, Le Mans, Saint-Brieuc, Rennes, Bourges, Brest, Montluçon, Rome et Vitry-sur-Seine…
Je réalise en parallèle une série de Girls in the city sur toile ayant le même thème ainsi que des collages de personnages sur toile. Mes collages sont parfois posés dans la rue par des artistes avec qui je collabore comme Gregos, Bastek ou encore des personnes qui veulent participer à mon projet artistique.
I paint in the same times series of Girls in the city on canvas with the same theme and characters of collages on canvas. My collages are sometimes placed in the street by artists with whom I work as Gregos, Bastekor people who want to participate in my art project.