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Book documenting work selected into the Thirteenth Annual 100 Show of the American Center for Design.
competition chair and book design: Michael Manwaring
editor and competition coordination: Rob Dewey
judges: April Greiman, David Gresham, Cheryl Heller, Paula Scher, Christopher Pullman
Red Stapler! My old cube, but even at my new one it's pretty much the same. Minus that awful green piggy bank at the corner of it. It talks. SO ANNOYING. My old boss kept putting it there and he and the mailman had a ball pressing the button. No matter how many times I tried to make it dissapear.. it always came back. Until I killed it.
Purchased 10/19/06. I finally broke down and bought the thing. He had it on promo. Came with a pretty cool graphic (rat fink is always cool, regardless of his history) and with a free hutch. It's hard for the tool trucks to carry hutches around with them, so it's coming via UPS in a couple weeks. This thing was way more than I wanted to pay, and it put me off buying the house for another year, but there was no more tricks to be had with my roll around. It was giving up.
the title of this image is not intended to offend nor trivialise - it is an attempt to highlight the futility of the worker ethic instilled in us by the powers that be
Braunschweig, Germany
... it's what I should be doing way more than I already do right now: learning. The final exams are only 8 weeks away ...
Long time no see. xD Yeah, so, I drew a pic of Christina Grimmie (from youtube) as a fan photo to her. What do you think? :]
Whoa, fantastic show, with Canada Day fireworks as a backdrop. And free, too.
Summer in Toronto? I love ye!
For all the pics, head over here! Rest of 'em will be up on CBCR3 sessions shortly.
The frigid weekend gave me a good excuse to stay inside and work on salted-paper printing after a long hiatus. Did a bunch of test prints to refamiliarize myself with the process, and also started working with digital negatives using the curves generated at the Eastman workshop. Then had to spend some time re-learning how to finish the prints with beeswax and lavender oil.
These are not final prints, generally being coated somewhat sloppily and not toned fully (or, in some cases, at all). But I did manage to get through the process multiple times, found good exposure values, and was able to wax a bunch of prints without tearing any. Now to get some more gold toner, recalibrate the digital negative curve for my own workflow, and generate some real prints. Also want to try out developed-out salt prints when I have some more time.
This shot was an old Sigma DP2 shot; I want to rework the digital negative: the curve on the one we generated at the workshop may push the contrast a bit more than I like, made it tough to print this one with reasonable contrast.