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A good wireframing tool will allow a web designer to showcase their creative skills by expanding their ideas and convert them into web design. With the help of these tools, you can really know what you need to do before actually starting off your project.
Inspired by persuasive design method, Bjarke design the wireframe for testing one drawing feature using and make it as the game.
Aliás quer dizer algo a mais, algo que agrega, complementa. É mais que um nome; é uma filosofia adotada em nossa cultura desde a fundação, em 1991, ainda na área de design gráfico.
Incluir a publicidade, a propaganda, o planejamento estratégico e o marketing direto em nosso mix de produtos e serviços foram os passos seguintes. Hoje, as Unidades Estratégicas de Negócio Aliás®, especializadas e interdependentes, alimentam um ciclo contínuo de geração de resultados para todas as partes envolvidas.
Unidades Estratégicas de Negócio Aliás®
* Aliás Comunicação: publicidade e propaganda, design, planejamento de marketing e endomarketing, ações especiais;
* Aliás Digital: concepção de websites, aplicativos digitais, vídeos interativos, intranets corporativas, anúncios eletrônicos, multimídia;
* Aliás Produtora: produção audiovisual, fotografias, vídeos institucionais, documentários, filmes, comerciais de TV, autoração de DVDs;
* Aliás Mobile: portais WAP para celulares e campanhas de mobile marketing.
Range Rover Evoque e l’arte
Alcuni tra i più famosi artisti di Parigi hanno realizzato una serie di installazioni dedicate a Range Rover Evoque.
You should visit www.acehotel.com, come visit us in Portland and stay here. Beautiful place, really. Great coffee shop in the lobby for working.
Jimmy Tu was kind/foolish enough to lend me his head for modeling a Japanese warrior. Jimmy's an animator and immediately struck the expression I wanted... sort of a grimace, but very Japanese.
At the right time of day, and when my screen door is closed, this perfectly defined silhouette makes an appearance.
This is the concept we choose to go with on the We Love You, Too" Notable press page.
It puts a little too much emphasis on the tweets and video, but we were willing to promote these in order to push content that people would continue to click on.
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).
I have to say, Microsoft has done a pretty amazing job with the Xenon development environment.
Don't ask my why the model doesn't load. I'm an animation engineer, we don't need no stinkin' meshes! Besides, it's time to go home.
Jimmy Tu was kind/foolish enough to lend me his head for modeling a Japanese warrior. Jimmy's an animator and immediately struck the expression I wanted... sort of a grimace, but very Japanese.
Modified Evermotion Archmodel scene. Model created in 3D Studio Max. Rendered with Vray. Post production with Photoshop.
Records and Wireframes presents moving image works by artists Paul Dolan (UK) and Paul Walde (Canada) alongside skeletal remains of the extinct Tasmanian Tiger, on loan from the collection of the University of Dundee’s D’Arcy Thompson Zoology Museum. Curated for NEoN by artist Kelly Richardson to accompany her exhibition at DCA, ‘The Weather Makers’, ‘Records and Wireframes’ explores themes around climate change and screen culture with allusions to the past, present and future.
In the expansive video installation Requiem for a Glacier (2013), Paul Walde memorialises British Columbia’s Jumbo Glacier, or “Qat’muk”, now under immediate threat from global warming and resort development. The work shows a four-movement oratorio performed by an orchestra and chorus atop the area’s Farnham Glacier. Over thirty-seven minutes, Requiem for a Glacier features panoramic glacier views alongside the oratorio that was composed by converting data such as temperature records for the area, into musical notation.
Requiem for a Glacier (2013), Paul Walde
The theme of disappearing landscapes, and data as a form of media archaeological artifact, continues in Paul Dolan’s real-time video work, Wireframe Valley (2017), which presents the gradual disappearance of a digitally constructed landscape, revealing its virtual origins. The defining features of the landscape degrade over the exact duration of the exhibition. In the context of global warming, where the physical planet is increasingly incapable of sustaining life as we know it, our refuge amongst digital environments may not placate us for long.
Wireframe Valley (2017), Paul Dolan
Should we fail to alter our course, predictions for the fallout from large-scale, unchecked industry are nothing short of terrifying. Some scientists believe that a 6th mass extinction event is already underway through the “biological annihilation” of wildlife in recent decades. Recent studies suggest that the Tasmanian Tiger’s extinction in the 1930s was itself caused by drought.[1] Due to human overpopulation and overconsumption, roughly 50% of the earth’s wildlife population has been lost during our lifetime. A recently published study in the peer-reviewed journal Proceedings of the National Academy of Sciences forgoes the usual sober tone and refers to the gravity of the loss as a “frightening assault on the foundations of human civilisation”. [2]
Carrying on from themes explored in Kelly Richardson’s exhibition The Weather Makers at DCA, Records and Wireframes shows the work of artists who, through their art, are creating digital records expressing how we understand our world today. These art works, like the fragmented thylacine skull, may become artifacts that future archaeologists consider in their search to appreciate how, in 2017, inhabitants of Earth understood the global environmental crisis facing them.
About the Artists
Paul Walde is an intermedia artist, composer, and curator. His work has been exhibited across the United States and Canada, including View From Up Here: The Arctic at the Center of the World at the Anchorage Museum, Anchorage, USA (2016), All Together Now at the University of Toronto Art Centre in Toronto, Canada (2014); Beyond/In Western New York (2007), a biennial organised by the Albright Knox Gallery in Buffalo, USA;. His work is held in several Canadian and American collections including the Museum London, Canada and the Anchorage Museum, Anchorage, USA. Walde currently lives and works in Victoria, British Columbia, where he is Associate Professor of Visual Arts and Department Chair at the University of Victoria.
Paul Dolan is an artist, animator and musician, interested in the materiality of media and how it relates to ideas surrounding ‘nature’ and ‘environment’. He is a current PhD candidate at Northumbria University where he is exploring changing notions of materiality within computer simulation-related contemporary art. Wireframe Valley (originally from 2015, reproduced in 2017) was commissioned by Queens Hall (Hexham, England) and included in the exhibition Land Engines alongside established artists using video game design tools to create works that explore computer generated landscapes, including David Blandy (UK), Jen Southern (UK) and Mark Tribe (USA). He currently lives and works in North East England, where he is Senior Lecturer of Animation at Northumbria University.
Supported by the High Commission of Canada to the United Kingdom
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[1] www.theguardian.com/science/2017/sep/28/tasmanian-tigers-...
[2] Gerardo Ceballos, Paul R. Ehrlich, and Rodolfo Dirzo (2017) ‘Biological annihilation via the ongoing sixth mass extinction signalled by vertebrate population losses and declines’ Proceedings of the National Academy of Sciences of the United States of America. See www.pnas.org/content/114/30/E6089 Accessed: 25/09/17.
Opening Preview Thursday 9 November 5pm – part of our Gallery Tours and Exhibition Opening Night programme
CENTRESPACE
Dundee Contemporary Arts
152 Nethergate
DD1 4DY