View allAll Photos Tagged windowframe
This recharging center was crafted from a wooden coke crate. The bottom contains the outlet so only one wire shows to the plug. Wires are worked thru the slots in the back to keep them organized. Hinged doors hide the mess. 3 Open cubbies are perfect for keys, memory cards or mail. Designed to hang on wall freeing up desk space. Turned upside down, it will sit flat.
LDoll and Atelier Momoni totally destroyed my bank account. Most of my loot comes from the Atelier Momoni booth : two dolls, 4 pairs of shoes (1 is a gift for someone), jeans, a shirt, a charm and a print.
I also got 2 dresses from BellaDolla, a pink creature from Tinkerbells Kawaii and a windowframe/closet from DreamStudio (not shown in the photo).
On the second day, I got a couple of smaller items. Will photograph those later.
New York City winter snow blizzard photos taken overnight in midtown Manhattan.
Photos
New York City
01-12-2011
Choice Home Loans, Pt Adelaide, South Australia.
Got a bit of a kick out of this one as it is still in use. Wonder if their money is as good.
This image is available for purchase. Please contact me by leaving a message on Flickr.
Canonteign Barton - Listed Grade I
On the market, April/May 2014 [Knight Frank, Exeter] (09/02/2019)
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'Canonteign was a Domesday manor and the impressive Canonteign Barton or Old Canonteign was the Tudor manor house. In the Civil War it was garrisoned for the king, and taken by Fairfax in 1645. It was relegated to a farmhouse after Sir Edward Pellew (an illustrious naval commander who became the 1st Baron Exmouth) bought the manors of Christow and Canonteign in 1812 and built himself a new house in the park. Lead, silver, zinc and copper were mined in the parish in the mid 19th century, at Canonteign (where large waste tips remain near the road), at Reed in the north, and in the south at Hyner where barytes and other minerals were also produced. Water from nearby waterfalls was used in washing the ore. Micaceous haematite, a form of iron ore, was worked at Shuttamoor, in the south-west, for some years around 1900. There was also a large quarry at Scatter Rock on Christow Common where basalt was extracted up to 1950. The stone was conveyed to the former Christow Station on the Teign Valley Railway, an extension from Ashton to Exeter in 1903 which closed in 1958. Further reading: Clark, Stafford, A history of the parish of Christow, Devon, 1989'
Book: A Handbook of Devon Parishes, p.43 [Christow], by Helen Harris
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' Christow stands on the W. hillside of the Teign Valley. To the W. it rises well over 800 ft. to moorland where the two reservoirs of Tottiford and Kennick, supplying Torquay with water, lie. These cover nearly 74 acres; and here the scenery of the parish, which is everywhere of great beauty, reaches its loveliest.
Canonteign was the original Domesday manor. It was given to the canons of St Mary du Val in Normandy c.1125 and so acquired its prefix. Canonteign Barton or Old Canonteign was the Tudor manor house. It is a fine example of its period, built of local stone with massive granite quoins, windowframes, mullions, and doorways, and tall granite chimney-stacks. When Sir Edward Pellew bought the two manors of Christow and Canonteign in 1812, he built a new Canonteign House, in a beautiful timbered park SW. of the old house, and the old house was occupied as a farm. Some of its internal features remain, e.g. a fine early 17th-cent. staircase. The house was garrisoned for the King, and was taken by Fairfax in December 1645 (plate 33).
Sir Edward Pellew (1757-1833), first Viscount Exmouth, was a brilliant naval commander. Among his many exploits was the bombardment of Algiers in 1816, upon the refusal of the Dey to abolish Christian slavery, an action which brought him honours from all over Christendom and a viscountcy at home. He is buried at Christow, where a monument to him may be seen.
Christow church (prob. St. Christina) is a 15th-cent. granite building, except the chancel, which was rebuilt in 1862. The W. tower is one of the finest granite towers in Devon. It bears the date 1630, when it was either rebuilt in its old form or substantially repaired. There are some carved 16th-cent. bench-ends, a 15th-cent. chancel screen too garishly coloured, and some 18th—19th-cent. Pellew monuments. The font is Norman.
There were formerly silver, lead, copper, and manganese mines in the parish. An abandoned lead mine may be seen near Old Canonteign. Pale Farm is of some antiquarian interest, and a farm near the church contains late medieval panelling.' - Devon, by W.G. Hoskins [Amazon]
Further reading: Canonteign - [Wikipedia]
Thought the inclusion of the door to the left added a bit of asymmetry while still mirroring the design pattern in the windows.
READ INSTRUCTIONS BEFORE COMMENCING ASSEMBLY.
TRIX THE FOOTPLATEMAN.
A SERIES OF KITS FOR THE CONSTRUCTION OF VARIOUS LOCOMOTIVES.
The Western class diesel locomotive (D.1000)
Kit No. 2167 Two-rail system.(2165 green)
Kit No. 2168 Trix twin system.(2166 green)
BEFORE ASSEMBLY.
Check components. Clean parts if and where necessary.
Painting.
Paint bufferbeam red. Line handrails and the raised letters and numbers on the name and number plates.
HOUSING ASSEMBLY.
1. Locate buffers and secure with cement.
2. Select the correct panels for the various windowframes and fit headlights. Again secure with plastic cement.
3. Locate and secure crest transfers to cab sides, (one only per cab)
4. Fit the route indicator transfers to the route panel (The transfers are waterslide)
5. Locate the yellow warning panel to the section surrounding the route panel.
(This panel is a self-adhesive label).
6. Cement number and nameplate to the superstructure sides.
7. Clip on roof,
CHASSIS ASSEMBLY.
1. Position the cast bogie support frame before you with the recess towards you and the slot on the further side,
2. Locate the coverplate - a black moulding with two large and one small hole - over the recess. Note the rim over the large hole. This rim should be facing you and the small hole should be on your right.
3. Place one of the brass contacts over the large hole at the centre of the cover plate and the small hole of the brass contact should locate over the small hole on your right. Secure this with the small self tapping screw.
4. Insert the bulb into the centre hole.
5. Position the other brass contact, with the large hole over the rim and note that there is no small hole on the other end of this brass arm.
6. Locate the small black bush within the brass contact and push it. into the hole of the coverplate. locate the dimple of the brass arm over the bulb. Secure these parts now with the slightly longer self tapping screw, but do not use the longest screws,
7. Repeat this process on the other frame,
8. Select the trailing bogie and fit to the centre hole - if not already fitted -a soldering tag and secure this tag with a short bolt and nut. The tag may have a wire lead attached, this lead takes the current to the motor bogie.
9. Fit the support frame over the bogie. Hold the bogie with your left hand, the thin end of the centre section pointing towards your right. Then slide the frame from the right - the light assembly facing towards your left and the slot on your right - over the centre section of the bogie. The thin end section of the bogie should be above the slot of the frame and the hole of this section should locate over the slot,
10. Turn the assembly around. Insert the brass sleeve into the slot and push the longest self tapping screw through the brass sleeve and screw same into the hole on the thin section of the bogie. Ensure that the bogie can swing freely within the slot.
11. Repeat this with the other geared bogie (motor bogie).
12. Glue the side frames with cement into the cores on the trailing bogie. Note there are left and right hand, bogie frames. The steps should be towards the front of the bogies. Before repeating this with the other bogie the traction tyres have to be fitted to the grooved wheels on the motor bogie (a number of kits may contain bogies which have the traction tyres fitted to the wheels)
13.Locate the motor on the motor bogie. The motor will be secured by a single screw through a slot from below. This slot allows the correct alignment of the worm and intergear. Usually the fixing position is right up against the front of the slot. Before securing, ensure there is day light between the gears, then secure whilst holding the rear end of the motor towards the bogie. If after repeated efforts the motor still seems too tightly meshed, insert a thin piece of card between the motor and the chassis. It is important that the correct meshing is obtained, if not the performance of the loco will be disappointing. Test by gently turning the armature by hand.
continued...
Lighting info:
1 x Canon 580EX behind model, zoomed at 85mm, 1/4 power.
1 x Canon 580EXII, camera left at 1/4 power.
Heavy snowfall over red rorbuer-once traditional seasonal fishing huts-now for tourist use-snow pile on downy birch tree in Hamnoy village near Reine town. Moskenesoya-Lofoten-Nordland fylke-Norway.
Thought this was going to be okay when I shot it, but at home, I was lucky to find one which was properly in focus. Will need to be more careful, and will have to consider what happens if one of the numbers in sequence doesn't work out. Do I have to start again from that number next time, or can I use any others I've shot after it and just replace that one number?
Canonteign Barton - Listed Grade I
On the market, April/May 2014 [Knight Frank, Exeter] (09/02/2019)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
'Canonteign was a Domesday manor and the impressive Canonteign Barton or Old Canonteign was the Tudor manor house. In the Civil War it was garrisoned for the king, and taken by Fairfax in 1645. It was relegated to a farmhouse after Sir Edward Pellew (an illustrious naval commander who became the 1st Baron Exmouth) bought the manors of Christow and Canonteign in 1812 and built himself a new house in the park. Lead, silver, zinc and copper were mined in the parish in the mid 19th century, at Canonteign (where large waste tips remain near the road), at Reed in the north, and in the south at Hyner where barytes and other minerals were also produced. Water from nearby waterfalls was used in washing the ore. Micaceous haematite, a form of iron ore, was worked at Shuttamoor, in the south-west, for some years around 1900. There was also a large quarry at Scatter Rock on Christow Common where basalt was extracted up to 1950. The stone was conveyed to the former Christow Station on the Teign Valley Railway, an extension from Ashton to Exeter in 1903 which closed in 1958. Further reading: Clark, Stafford, A history of the parish of Christow, Devon, 1989'
Book: A Handbook of Devon Parishes, p.43 [Christow], by Helen Harris
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
' Christow stands on the W. hillside of the Teign Valley. To the W. it rises well over 800 ft. to moorland where the two reservoirs of Tottiford and Kennick, supplying Torquay with water, lie. These cover nearly 74 acres; and here the scenery of the parish, which is everywhere of great beauty, reaches its loveliest.
Canonteign was the original Domesday manor. It was given to the canons of St Mary du Val in Normandy c.1125 and so acquired its prefix. Canonteign Barton or Old Canonteign was the Tudor manor house. It is a fine example of its period, built of local stone with massive granite quoins, windowframes, mullions, and doorways, and tall granite chimney-stacks. When Sir Edward Pellew bought the two manors of Christow and Canonteign in 1812, he built a new Canonteign House, in a beautiful timbered park SW. of the old house, and the old house was occupied as a farm. Some of its internal features remain, e.g. a fine early 17th-cent. staircase. The house was garrisoned for the King, and was taken by Fairfax in December 1645 (plate 33).
Sir Edward Pellew (1757-1833), first Viscount Exmouth, was a brilliant naval commander. Among his many exploits was the bombardment of Algiers in 1816, upon the refusal of the Dey to abolish Christian slavery, an action which brought him honours from all over Christendom and a viscountcy at home. He is buried at Christow, where a monument to him may be seen.
Christow church (prob. St. Christina) is a 15th-cent. granite building, except the chancel, which was rebuilt in 1862. The W. tower is one of the finest granite towers in Devon. It bears the date 1630, when it was either rebuilt in its old form or substantially repaired. There are some carved 16th-cent. bench-ends, a 15th-cent. chancel screen too garishly coloured, and some 18th—19th-cent. Pellew monuments. The font is Norman.
There were formerly silver, lead, copper, and manganese mines in the parish. An abandoned lead mine may be seen near Old Canonteign. Pale Farm is of some antiquarian interest, and a farm near the church contains late medieval panelling.' - Devon, by W.G. Hoskins [Amazon]
Further reading: Canonteign - [Wikipedia]
Yellow facade of fishing port warehouse-closed old window-icicles hanging from roof gutters-red round life saver hanging on the wall-white windowframes. Nusfjord-Flakstadoya-Lofoten-Nordland-Norway.
Canonteign Barton - Listed Grade I
On the market, April/May 2014 [Knight Frank, Exeter] (09/02/2019)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
'Canonteign was a Domesday manor and the impressive Canonteign Barton or Old Canonteign was the Tudor manor house. In the Civil War it was garrisoned for the king, and taken by Fairfax in 1645. It was relegated to a farmhouse after Sir Edward Pellew (an illustrious naval commander who became the 1st Baron Exmouth) bought the manors of Christow and Canonteign in 1812 and built himself a new house in the park. Lead, silver, zinc and copper were mined in the parish in the mid 19th century, at Canonteign (where large waste tips remain near the road), at Reed in the north, and in the south at Hyner where barytes and other minerals were also produced. Water from nearby waterfalls was used in washing the ore. Micaceous haematite, a form of iron ore, was worked at Shuttamoor, in the south-west, for some years around 1900. There was also a large quarry at Scatter Rock on Christow Common where basalt was extracted up to 1950. The stone was conveyed to the former Christow Station on the Teign Valley Railway, an extension from Ashton to Exeter in 1903 which closed in 1958. Further reading: Clark, Stafford, A history of the parish of Christow, Devon, 1989'
Book: A Handbook of Devon Parishes, p.43 [Christow], by Helen Harris
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
' Christow stands on the W. hillside of the Teign Valley. To the W. it rises well over 800 ft. to moorland where the two reservoirs of Tottiford and Kennick, supplying Torquay with water, lie. These cover nearly 74 acres; and here the scenery of the parish, which is everywhere of great beauty, reaches its loveliest.
Canonteign was the original Domesday manor. It was given to the canons of St Mary du Val in Normandy c.1125 and so acquired its prefix. Canonteign Barton or Old Canonteign was the Tudor manor house. It is a fine example of its period, built of local stone with massive granite quoins, windowframes, mullions, and doorways, and tall granite chimney-stacks. When Sir Edward Pellew bought the two manors of Christow and Canonteign in 1812, he built a new Canonteign House, in a beautiful timbered park SW. of the old house, and the old house was occupied as a farm. Some of its internal features remain, e.g. a fine early 17th-cent. staircase. The house was garrisoned for the King, and was taken by Fairfax in December 1645 (plate 33).
Sir Edward Pellew (1757-1833), first Viscount Exmouth, was a brilliant naval commander. Among his many exploits was the bombardment of Algiers in 1816, upon the refusal of the Dey to abolish Christian slavery, an action which brought him honours from all over Christendom and a viscountcy at home. He is buried at Christow, where a monument to him may be seen.
Christow church (prob. St. Christina) is a 15th-cent. granite building, except the chancel, which was rebuilt in 1862. The W. tower is one of the finest granite towers in Devon. It bears the date 1630, when it was either rebuilt in its old form or substantially repaired. There are some carved 16th-cent. bench-ends, a 15th-cent. chancel screen too garishly coloured, and some 18th—19th-cent. Pellew monuments. The font is Norman.
There were formerly silver, lead, copper, and manganese mines in the parish. An abandoned lead mine may be seen near Old Canonteign. Pale Farm is of some antiquarian interest, and a farm near the church contains late medieval panelling.' - Devon, by W.G. Hoskins [Amazon]
Further reading: Canonteign - [Wikipedia]
I was attempting to get a shot of myself washing dishes but that wasn't working, so then I decided to start talking to my son, Samuel... I am not sure what the heck I am saying here, but I love how you can see the Vaseline I had smeared on my lips a few minutes before... and the so not posed look on my face. I also love the light bouncing from the window onto the blue cabinets and the yellow framing the window. For a "nothing" shot, I am amazed how much I like it!
Mature woman cutting flowers and arranging them in window
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Everyone is looking at their coffee, or their mobile, or a newspaper. I just looked up and there it was.
It could be anywhere of course, but this is in Café Nero on the corner of Burton St and Milton St in Nottingham. (Corner seat at far end as you go in).
Taken with ProCamera for IOS and processed with Elements 19 (which strangely enough shows as Elements 17 on the EXIF)
Photograph on canvas framed in old wooden windows. Each one of a kind. Contact me for custom orders Shipping is available. $375
One of the window frames on the lock-keepers house at Riley's Lock on the C&O Canal.
Scavenge Challenge: June #14) Painted surfaces are boring when they're new. In age, they're more ap-peel-ing.
Used in Our Daily Challenge: No Words Photogame www.flickr.com/groups/ourdailychallenge/discuss/721576236...
Images printed on archival paper, dipped in multiple layers of shellac and crucified with with monofilament line to an old Victorian window frame. Sold at Auction in San Francisco.
New York City apartment porch covered in snow during the winter snow blizzard of 2011, photo taken overnight in midtown Manhattan.
Photo
New York City
01-27-2011
Old wooden port warehouse painted yellow-closed casement windows with white wooden windowframes-storehouse on the gangplank-pier on the N.side of the fishing port. Nusfjord-Flakstadoya-Lofoten-Norway.
From street level most of this detail is too far away to see. Move just a little higher and there's more detail and textures than you have time to see with a single look. Photographs are necessary in this case. I love the gloss of the window panes and the differently coloured curtains. Each one is like a picture in an elegant, ornate frame.
random moment. empty deserted room in a full packed factory hall during the burning beats party in brno. music booming in/out through the shattered windows, screeching along corridors and echoing from wall to graffiti-festooned wall. parquet floors shaking from the stomping of hundreds of entranced partygoers.
and then, a moment of audible silence..
‎'Framing my Dreams' - Gamkaberg / Warmbad (Calitzdorp), Western Cape Province - South Africa.
"Art is the window to man's soul. Without it, he would never be able to see beyond his immediate world; nor could the world see the man within." ~Claudia Johnson
open-ended signature edition print: available
print sizes: A5 to A0
print medium: fine art paper, canvas
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It was the middle of winter, when the broad flakes of snow were falling around, that the queen of a country many thousand miles off sat working at her window. The frame of the window was made of fine black ebony, and as she sat looking out upon the snow, she pricked her finger, and three drops of blood fell upon it. Then she gazed thoughtfully upon the red drops that sprinkled the white snow, and said, ‘Would that my little daughter may be as white as that snow, as red as that blood, and as black as this ebony windowframe!’ And so the little girl really did grow up; her skin was as white as snow, her cheeks as rosy as the blood, and her hair as black as ebony; and she was called Snowdrop. - Brothers Grimm