View allAll Photos Tagged welding
Chromoskedasic Sabattier Technique with Fomabrom 123
SE4 Neutral 1+10 50 secs, 2nd bath 1600ml water + 160ml stabilizer + 200ml activator, light on after 10 secs, total time 45 secs
Straight out the pub onto the station and this comes through!
This would have been a photograph not a vid had I bloody known about it!
56078 works a Long Welded Rail train through Carlisle on a Carlisle New Yard to Stocksfield engineers train, 12/06/2018.
At Chicago's busy Lumber Street Amtrak facility, a maintenance-of-way worker welds a section of rail under absolutely bone chilling conditions.
Wikipedia offer some detailed details about this class:
"The Å koda Type 22E2 type locomotive is a multipurpose electric locomotive built for the North Korean State Railway by the Å koda Works of Czechoslovakia.
Although some lines had been electrified already in the colonial era, the large-scale electrification of North Korea's railways began in 1956 after the end of the Korean War and the subsequent reconstruction of North Korea's railway infrastructure. To work the newly electrified lines, an order was placed with the Å koda Works in Czechoslovakia for electric locomotives of works Type 22E2, based on the Type 12E locomotives built by Å koda for the Czechoslovak State Railways (ÄŒSD class E 499.0).
The Type 12E was developed by Škoda Works based on the technology of the BLS Class Ae 4/4 built by SLM Winterthur. The first prototype was completed in 1953, and production of types 12E1—12E6 continued until 1958 for the ČSD and the Polish State Railways (as class ET13), along with the very similar derivative types - the Type 22E2 for North Korea, and Types 24E0, 41E0—41E2 and 29E0 for the Soviet Railways (as class ЧС1). All variants of the type were built to operate on the 3,000 V DC system.
These are dual-cab locomotives with welded-steel bodies and two two-axle bogies. Each bogie has two six-pole DC traction motors, one for each axle. Current collection is via pantograph from overhead lines; the on-board electrical system is 48 V.
The total number of Type 22E2 locomotives ordered by the Korean State Railways is not known, but at least three are still in service today. These have been rebuilt in various ways, such as the addition of 'bumpers' on the ends and other features unique to individual units. They are painted in the standard light blue over dark green or light green over dark green scheme used on most other electric locomotives; this scheme is very similar to the livery used on Czechoslovak and Soviet examples of this type."
I saw altogether 3 of these type. So maybe more of this set are still in use on the national railway system.
DPRK, Oct. 2015
Thanks for visiting!
See the most recent uploads here
FAQ (Frequently Asked Questions)
'Best of' Albums--> Photos with 500+ Faves
CP 2237 (SD22C-ECO) leads a CP SD60 on a loaded welded rail train under the Milwaukee Road searchlights in Franklin Park, IL.
Elsecar Heritage Railway, near Barnsley, UK. Long Welding track joints on the new extension near Tingle Bridge Crossing. This is track circuit work to make the level crossing work.
This is a fuel tank being welded due to the immense heat and the non corrosive zinc plating on the metal plate it creates quite a cool smoke affect
Flexible Welding torch is now a thing in Mecabricks!
After releasing the new and improved flexible system in Mecabricks, I started to design new flexible elements that could not be done before.
Fletcher tests out his new welding kit......................... he just needs something to weld now!
(8/100)
I have some gruesome pictures of the rot on the back corner and underneath but i made a template and fabricated a curved section and welded that ton a curved piece of metal sheet i cut and them weled the whole lot to the cab and then filled etc and once painted you really could not tell at all..
Two exposures one set to lighten to bring extra sparks through, apart from that a single exposure, processed in photoshop using highlight/shadow and then in niks colour efex's to bring in detail. There's also a slight oob too.
Canon 40D
EF-S10-22mm f/3.5-4.5 USM
1/60 sec; f/8; ISO 200
I.S.O. 100
Press
"L" to view in Lightbox
"F" to make a favourite
"C" to comment
Please do not use my images without permission.
My most intresting images on Flickriver
My Blog Site. Not much on it yet.
Used a piece of grade 10 (about 13 stops) welding glas for this photo. Manual white balance using a white card. I know proper ND filters are better, but for €6 per two it's worth a try.
RJ Corman is busy installing brand new CWR on the east end of the former Pan Am. A wheeled excavator, which is utilized to position the rail exactly in place on the ties behind the puller machines, sits just ahead of the rail welding truck.
This is Jason welding, attaching duals to his combine to give it more flotation in the mud. Looks to me like he's getting burnt.
The process of electric arc welding is as it says ... you are basically melting the steel by running a massive electric arc through the metal, melting it and joining the material together. This is a great shot, lucky actually, as I timed it so you can see the heat through the metal with the welder on the other side.
iP5s with native camera. Then touched with Snapseed, Noiseware and Aviary.
Soooo I got FIVE welding guy minifigures from Series 11, and this is the first use I've been able to find for even one of them :(
I can't remember where I saw the backpack design that my design is loosely based on. May appear in my next Animation Challenge entry.
The welding glass fitted perfectly on to my 24mm f/1.8 Carl Zeiss Sonnar Lens. 6 seconds and little PS.
American Arcade card.
Tuesday Weld (1943) began acting as a child and progressed to mature roles in the late 1950s. She won a Golden Globe Award for Most Promising Female Newcomer in 1960. Over the following decades, she played reckless, sexually acting-out women in such films as Play It as It Lays (1972), Looking for Mr. Goodbar (1977), The Winter of Our Discontent (1983), and Once Upon a Time in America (1984). Since the late 1980s, her acting appearances have been infrequent, but her most successful film was Falling Down (1993)
Susan Ker Weld was born in 1943, in New York City. When her father, Lathrop Motley Weld, died three years later at the age of 49, the young girl, whose name by was transmogrified into "Tuesday", an extension of her childhood nickname, "Tu-Tu", so named by her young cousin, Mary Ker, who could not pronounce "Susan". She officially adopted her name in October 1959. Tuesday took over the role of the family breadwinner, which included her mother Yosene Balfour Ker. She became a successful child model, posing for advertisements and mail-order catalogs. Her work and the burden of responsibility estranged her from her mother Yosene, her two elder siblings, and forced the preteen girl into adulthood. At nine years of age, she suffered a nervous breakdown; at ten, she started heavy drinking; one year later, older men started exploiting her, all of which led to a suicide attempt at age twelve. Weld made her acting debut on television at the age of 12, and her feature film debut that year in a bit role in the Alfred Hitchcock crime drama The Wrong Man (1956) starring Henry Fonda. That year, the 13-years-old played the lead role in the low-budget exploitation film Rock Rock Rock! (Will Price, 1956), an early jukebox musical featuring performances by established rock and roll singers of the era, including Chuck Berry, LaVern Baker, and Connie Francis who dubbed in as Tuesday's character's singing voice. Famed disc jockey Alan Freed also made an appearance as himself. Tuesday decided to become an actress. After numerous TV appearances in New York she went to Hollywood in 1958 and was cast in a supporting role in the Paul Newman comedy Rally 'Round the Flag, Boys! (Leo McCarey, 1958). It was a breakthrough for her. At Columbia, Weld was in The Five Pennies (Melville Shavelson, 1959), playing the daughter of Danny Kaye.
Over the next few years, Tuesday Weld became Hollywood's queen of teen. In the television series The Many Loves of Dobie Gillis, she played Thalia Menninger, the love interest of Dobie Gillis (played by Dwayne Hickman), whose rivals for Thalia's affection included Milton Armitage (played by Warren Beatty). Although Weld was a cast member for only one season, the show created considerable national publicity for her, and she was named a co-winner of a "Most Promising Newcomer" award at the Golden Globe Awards. In the cinema she played precocious sex kittens in such films as Because They're Young (Paul Wendkos, 1960), starring Dick Clark, the comedy Sex Kittens Go to College (Albert Zugsmith, 1960), with Mamie van Doren and Mijanou Bardot - Brigitte's sister, and the Spectacolor comedy The Private Lives of Adam and Eve (Albert Zugsmith, 1960) starring Mickey Rooney. Weld had a supporting role in the sequel Return to Peyton Place (José Ferrer, 1961), in the part played by Hope Lange in the original. Her portrayal of an incest victim was well received, but the film was less successful than its predecessor. She supported Elvis Presley in Wild in the Country (Philip Dunne, 1962), along with Hope Lange. Weld had an off-screen romance with Presley. Tuesday's wild private life added to the entertainment of her fans. Critics acknowledged her talent, directors approved of her professionalism, and in the late 1960s she even managed to grow out of her child/woman image and find more demanding roles - she had been "sweet little 16" for about 16 years. However, Tuesday Weld didn't achieve first-magnitude stardom. Maybe she was just unlucky with her selection of jobs; she turned down Lolita (1962), Bonnie and Clyde (1967), and Bob & Carol & Ted & Alice (1969). She was Stanley Kubrick's first choice to play the role of Lolita in his film, but she turned the offer down, saying: "I didn't have to play it. I was Lolita". In 1965, Weld appeared in The Cincinnati Kid (Norman Jewison, 1965), opposite Steve McQueen. There was some controversy when she refused to meet the local governor at a fund-raiser for hurricane victims, jumping out of a car in view of 70,000 people. The film was a big hit. Weld got a star role in Lord Love a Duck (George Axelrod, 1966), with Roddy McDowall, Ruth Gordon, and Harvey Korman. She received excellent reviews, but the film was a box office disappointment. Christoph Heuke at IMDb: "Maybe her independence-loving mind made her instinctively shrink back from the restraints of superstardom. In any case, she kept on performing well in films that had either not much flair or not much success."
Tuesday Weld did play in such films as the Neo Noir I Walk the Line (John Frankenheimer, 1970), opposite Gregory Peck, A Safe Place (Henry Jaglom, 1971), co-starring Jack Nicholson and Orson Welles, and Play It as It Lays (Frank Perry, 1972), again with Perkins, for which she was nominated for a Golden Globe Award. Previously, they had starred together in the film Pretty Poison (Noel Black, 1968). From the mid-1970s on she focused more and more on made-for-TV movies as her film career had petered out. Weld attracted attention as the favoured, out-of-control Katherine in Looking for Mr. Goodbar (Richard Brooks, 1977) – packing into her short screen time an orgy, a divorce, a lot of alcohol, and two abortions – and was nominated for an Oscar for Best Supporting Actress. Later she appeared in the war drama Who'll Stop the Rain (Karel Reisz, 1978) opposite Nick Nolte; and the comedy Serial (Bill Persky, 1980). Weld had a good supporting role in Michael Mann's acclaimed Thief (1981), opposite James Caan. She played Al Pacino's wife in the comedy-drama Author! Author! (Arthur Hiller, 1982) and co-starred with Donald Sutherland in the TV film The Winter of Our Discontent (Waris Hussein, 1983). This performance earned her an Emmy nomination. Then the excellent gangster epic Once Upon a Time in America (Sergio Leone, 1984) with Robert De Niro and James Woods, came her way. One of her most successful films would be Falling Down (Joel Schumacher, 1993), starring Michael Douglas. She later had small supporting roles in independent films like Feeling Minnesota (Steven Baigelman, 1996) starring Keanu Reeves, Investigating Sex (Alan Rudolph, 2001), and Chelsea Walls (Ethan Hawke, 2001). Tuesday Weld was married three times, but all ended in a divorce. Her husbands were screenwriter Claude Harz (1965-1971), actor Dudley Moore (1975-1980), and Israeli concert violinist and conductor Pinchas Zukerman (1985-1998). She has two children, daughter Natasha (1966) with Harz, and son Patrick (1975) with Moore.
Sources: Christoph Heuke (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.