STRENGTH
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The Brain—is wider than the Sky—
For—put them side by side—
The one the other will contain
With ease—and You—beside—
The Brain is deeper than the sea—
For—hold them—Blue to Blue—
The one the other will absorb—
As Sponges—Buckets—do—
The Brain is just the weight of God—
For—Heft them—Pound for Pound—
And they will differ—if they do—
As Syllable from Sound—
Emily Dickinson, ‘The Brain is wider than the Sky’.
TDT(Copyright 2022) All my images are protected under international authors' copyright laws and may not be downloaded, reproduced, copied, transmitted, or manipulated without my written explicit permission. THIERRYDJALLO(C2022) PHOTO ENERGY
This monochrome photo captures a breathtaking view of lush vegetation and fields that seem to stretch on endlessly. The small mountains in the distance are visible under the weight of the clouds, adding depth to the scene. The photo evokes a sense of awe and wonder at the beauty of nature.
England’s capital is renowned for cold weather, warm beer and iconic tourist hotspots including some of the world’s most famous bridges.
But a lesser known bridge in Hampstead Heath, suitably know as ‘Sham Bridge’, has been making headlines for the last 200 years.
Most bridges are designed to at least bear the weight of vehicles or pedestrians crossing over them. However, this bridge located in North West London fails to meet these conventional requirements.
Found above the Thousand Pound Pond in Hampstead Heath, this bridge initially appears to be a typical structure. Yet, upon closer inspection from a different perspective, its true nature is revealed.
Given its nickname, the ‘Sham Bridge,’ this ornamental structure near Kenwood House is merely a two-dimensional feature, lacking the practicality for actual crossing.
Its origins can be traced back to the mid-18th century when it was part of the grounds owned by the first Earl of Mansfield.
I don't know much about cannons, I have a hard time seeing how they would be widely effective without an exploding round. Sure they could prove to make a lot of damamge. But the weight of moving these things around, could the same damage been done if it were men pound for pound.
Our society seems to be collapsing under the weight of the technology we’ve created. Misinformation and hate spreading like an unstoppable virus…..
It's another changeable day today, we're hoping to do some butterfly transects this afternoon but we need a bit of sun . We'll see. I had a lovely meal last night with June, and had some orchids potted by her, so my collection is growing. Weights and measures is by Dry The River.
Macro Flowers
Canon 1DS Mark iii with Tamron 90mm Macro
I had the opportunity to pick up an old 1DS Mark iii at a good price with less than 4K shutter count. To be honest, it's a bit clunky to work with given the old menu configuration, but I really enjoy the IQ, especially the color.
Similarly, the Tamron 90mm Macro was bought gently used and to my eyes, punches above it's weight class from a price performance perspective.
These flowers are in my gardens, and were especially vivid on this day.
Hope you enjoy!
NC
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Vik (alicekx1044)
Hair: TRUTH Luster – Grayscale + Stealthic - Bangs (Hime Set) 1.0
Earrings: e.marie // Sova Earrings – Silvers
Jacket & Top: Addams // CinthIa Sport Jacket+ Addams // Cinthia Sport Jogger
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Sneakers: Lyrium. Babe Sneakers - FATPACK
Pose: HERITAGE FITNESS (adapted)
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Wall Deco: MP
David Heather Weight Bench RARE(gacha)
David Heather Weights 2 (gacha)
Skybox: VARONIS Luca Skybox
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1971 Citroën N 350 (Belphégor) Fire Truck
- 1911cc straight-4 engine
- 91 bhp / 5.250 rpm
- 149 Nm / 3.500 rpm
- curb weight 3.000 kg
- load capacity 500 kg
- Indoors designed by Flaminio Bertoni.
- The strange shape of their bodies with portholes in the front and because of its resemblance to the character from the TV series Belphégor (played by Juliette Greco) is the source of their nickname "Belphégor".
- It used the same "DS" high pressure hydraulic system to operate the brakes witch mechanical distributes the braking force between front and rear axle.
* spotted in the wild ☺☺!
A very personal image that I've debated actually posting but I think I need to. It's an addition to my series based around depression and those who struggle to get through it. There's a weight that depression has, it feels like you're carrying something much too heavy all the time.
November is usually when my depression settles into my mind, like a dimmer switch slowly turning the lights lower. I get anxious when the seasons change, hopeful that I'll be bright enough to push out any negative energy that tries to weigh me down.
I think as photographers we tend to be connoisseurs of light. Someone else might look out and see a cloudy day. But a photographer is bound to appreciate much more nuance in those clouds. Is it just a thin layer, producing 'cloudy bright' conditions on the ground? Or a thicker layer that allows light, but produces no distinct shadows. My mind frequently evaluates cloud and light conditions, even when I'm not actively engaged in shooting; often when I don't even have a camera with me. The process simply cannot be switched off. The cloud cover and resulting ambient light has a tremendous effect on the look and mood of photos, and if there's one thing I'm learning it's how to leverage this to shape visual stories; to tell them the way I want them told. One condition I love to work in is high density clouds. The ones that darken the sky to the point where there are no shadows at all. A leaden sky that sucks the life out of color and contrast out of photos and causes an oppressive feeling, both visually and even mentally. We've all sensed how differently we feel on a bright day compared to a dark one. Even if you're at work indoors, your spirit is likely to soar a bit more on a bright day. It's just human nature. There's still plenty of energy on a cloudy day, the trick is learning how to tap into it. The heaviness of the day was upon me as I wandered about the local cemetery and eventually gravitated toward this magnificent Gothic receiving vault. The masonry played perfectly into the visual concept of weight and obscurity. There was just enough clarity in the foreground to create a layered effect, as acuity drops off with distance in the fog. Half or more of the thrill for me in a situation like this is simply experiencing it. That coupled with the sort of intimacy I feel as I am invariably the only one present to witness these things. This exclusivity heightens awareness and my senses. I can't help but think that would be diluted in the presence of others.
Last year I followed sculptor and friend Mark Rietmeijer during the
process of creating a sculpture. When he started working on a new
one he asked me to make pictures again.
This time the material is Norwegian Pink - Rose Norwegian, composite
marble, multiple stratification, 50 x 70 x 80 cm., 480 kgms.
Adagium to his new sculpture: I never tackled or solved any problems
in my life, but instead I learn to dance with them and by considering
them as 'questionmarks with wings' I try to escape their weight and
gravity.
Mark Rietmeijers website: www.markrietmeijer.nl/
www.markrietmeijer.nl/index-eng.html
See the slideshow: www.flickr.com/photos/simeon_barkas/sets/7215760382723853...
See also the slideshow of CREATION I: www.flickr.com/photos/simeon_barkas/sets/7215760022455440...
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Nice wander around Thetfrod Forest yesterday mornign with Matthew Dartford. Didn't great conditions, apart from a few minutes of light