View allAll Photos Tagged weegee

Hats in a pool room, Mulberry Street, New York, ca. 1943. by Weegee

April First Night in Frederick MD.

 

Single flash, dragging f11 at 1/50

Crown Graphic

This series influenced by Bruce Gilden and Weegee combined suprise flash photography with late night hours.

My best Weegee impression.

Continuing the theme and my interpretation of today's @dailyshoot:

 

Realizing that complete knowledge cannot exist in the mind of one person requires a different approach to creating an overview of the situation. Diverse teams of varying viewpoints are a critical structure for completely exploring ideas. Innovation is also an additional challenge. Most of the revolutionary ideas of today at one time existed as a fringe element. An organizations ability to foster, nurture, and synthesize the impacts of varying views of information is critical to knowledge economy survival. Speed of “idea to implementation” is also improved in a systems view of learning.

 

Connectivism presents a model of learning that acknowledges the tectonic shifts in society where learning is no longer an internal, individualistic activity. (Siemens, 2004)

www.masters-of-photography.com/images/full/weegee/weegee_...

 

Write a short story that describes what is going on in the image above.

my cat, pyscho mama (she's my mom's cat and she has gone pyschotic from living with us), and weegee are best friends

After Weegee photo. Ink, watercolor, gouache on Arches 140lb hot press paper.

My friend Lizz did some maquillage based on Pris as you first see her in Blade Runner. It's pretty good. I need to take a pic in natural light, though...this looks like something Weegee would have done back in the day with his Speed Graphic and a monster flash gun.

ICP Curator of the "Magnum Contact Sheets" exhibition, Kristen Lubben, with guest

With apologies to Weegee and Andy Warhol...

Buddies lounging around the pool.

Inkjet print, signed and annotated by Richard Sadler. This wonderful photograph of an ironic photographer was donated to the University of Derby, where I won it in a fund raising raffle in 1993.

A legend in newspaper photography. A must visit if you're in Milan anytime before 12-Oct-08. [More here] Milan, 03-Jul-2008

The camera had a horrible problem with noise at even moderate iso. I turned that weakness into a strength by using it to create this old timey look reminiscent of Weegee in photos from a vintage wear party.

 

The images are 100% in camera without any post processing. They are best viewed at the 500-1024 resolutions

Weegee and MizSarah discuss something engrossing.

An elegant flash for a more civilized age. Ha. Civilized? Hardly. You have seen some of the stuff Weegee shot with one of these, haven't you?

 

I'll give them elegant though; this baby is deco-licious.

 

It's surprisingly light, although I doubt it will be once I hop into my DeLorean and pick up whatever the 1940s equivalent was to D batteries. Then it'll have the offensive capabilities of a police-size Maglite.

 

Anyway - the interesting thing here is, these were used to make the lightsaber hilt props in the first two Star Wars movies. By "first two" I mean chronologically. Er. Real-world chronologically, not movie-world chronologically. You know what I mean.

 

I swear it's what they used 'em for. Run a Google search for graflex flash and check out the first link you get.

 

(This shot is for Dave, my brotha of anotha motha, and the one easy name on my Xmas shopping lists.)

 

[No, Dave, you can't have my flash arm. I need it as a flash.]

Gelatinsilber

36,7 x 33,4 cm

Sammlung FOTOGRAFIS der Bank Austria, Wien

Lighting: Canon 580ex handheld, triggered by STE2

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