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Another early morning shot of this impressively long bridge (17.5km) in Lisbon.

 

Also find me here:

website | facebook | google+ | twitter | instagram

Website www.vulturelabs.photography

  

Google +| Time Out London | fstoppers | formatt-hitech | Instagram

  

All images are available as limited edition signed prints, please email vulturelabs@gmail.com

  

A midnight shoot in Vik southern Iceland. Just perfect conditions. Think we finished up at 5am this morning

 

My next upcoming B&W long exposure photography workshop will take place in London on the 29th and 30th of August, Please email vulturelabs@gmail.com for more information

  

Also if you want to attend a long exposure workshop in Iceland during September, please drop me an email, places are extremely limited.

 

Finally, post processing workshops will be available from August, learn Lightroom CC, Photoshop CC, DXO Optics Pro 10, Silver Efex Pro 2

Website www.vulturelabs.photography

  

Signed Limited Edition Prints

 

My next B&W fine art long exposure photography workshop will be held in London on the 9th and 10th of April, and again on the 23rd and 24th of April, (only one place available) Please email vulturelabs@gmail.com for more info

 

Please follow my Instagram account, as Im posting more photos there

  

Thank you all, for visits, comments and faves, most appreciated ;-)

Website www.vulturelabs.photography

  

500px | Stark | Twitter | Google +| Time Out London | fstoppers| formatt-hitech

 

My next B&W photography workshop will take place in London on 13th and 14th of December, please email vulturelabs@gmail.com for more information or to reserve a place.

 

Many thanks for visits, comments and faves, most appreciated ;-) I hope you all have a great weekend ;-)

Website: |Bruce Wayne Photography|

 

Critiques and comments are most welcome!

*** All Rights are Reserved***

 

If you are interested in licensing my copyrighted photos for websites, books, cards, etc, please Email me at: client@bruce-wayne-photography.com

 

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Fulton Street Station.

Sometimes you are in the right place at the right time. Which was the case with this photo. These moments don’t happen often, but when they do…

 

This is the first of a series that I’ve been working on for the last few months. It’s hard to create something different that has been shot a billion times, but here is my take on the interior of this iconic station.

 

Stay safe everyone

 

Equipment: Canon 5DMKIII

 

*** All Rights are Reserved ***

  

Website / Facebook / Flickr: vincentrctphotos.smugmug.com

Website www.vulturelabs.photography

  

Signed Limited Edition Prints | 500px | Twitter | Google +| Time Out London | formatt-hitech| Instagram

  

I have just updated my store with new works available

Signed Limited Edition Prints

www.etsy.com/uk/shop/VultureLabs?ref=hdr_shop_menu

 

My next B&W fine art long exposure photography workshop will be held in London on the 5th and 6th of March, and again on the 12th and 13th of March, learn my complete post processing workflow, and lots more. please email vulturelabs@gmail.com for more info

  

Please follow my Instagram account, as Im posting more photos there

  

Thank you all, for visits, comments and faves, most appreciated ;-)

Website / Facebook / Flickr: vincentrctphotos.smugmug.com

Website www.vulturelabs.photography

  

Signed Limited Edition Prints | 500px | Twitter | Google +| Time Out London | formatt-hitech| Instagram

 

PREVIEW Opening Night!!

 

Brick Lane Gallery, 93-95 Sclater Street E1 6HR

6pm to 8:30pm

 

Hope to see you there!!

 

This image will be available as a 40" inch print!

 

My next B&W fine art long exposure photography workshop will be held in London on the 20th and 21st of February, please email vulturelabs@gmail.com for more information

  

I also have a rare space available for my sold out workshop on the 23rd and 24th of January

  

Please follow my Instagram account, Im posting more photos there

New Website: |Bruce Wayne Photography|

  

I wanted to do something to bring in winter, since the season has officially started. This is shot is actually an Infrared HDR that I shot during the day. With the use of Photoshop I was able to turn it into night. Stars and moon were added as well as the darkening of the sky. The Infrared effect and clouds were as is. No textures or separate images from other photos were used to make this.

Hope you all had a great weekend!

 

I think this image is much better seen Large: View On Black

   

Dec 22nd: Thank you all for helping me achieve this! #1 Explore! :-)

 

***All Rights are Reserved. If you are interested in using any of my photos for any reason please contact me via email***

    

balade en bord de Saône

 

En arrière plan, sur la rive gauche de la Saône, le village et l'église de Jassans Riottier (Ain) avec son clocher en tuiles vernissées.

 

In the background, on the left bank of the Saône, the village and the church of Jassans Riottier (Ain) with its bell-tower in glazed tiles.

1938 stand of Californian Redwoods planted half a world away in Australia's Otway Ranges...

一片綠草原,幾棵花椰樹,

舖上大布塊,我們坐著野餐。

 

有人拍手,有人打球,有人騎車,有人運動。

好喜歡這樣的生活....

 

我猜是很久沒這樣遠離市囂了,

一整個嚮往。

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日本軟銀Softbank的Website。

感謝葉卡文總是熱心提供這些好東西。

Taken from the website:

The Portiuncula Chapel, on the grounds of Cardinal Cushing Centers, Hanover, Massachusetts, is the final resting place of Richard Cardinal Cushing. It was his desire to be laid to rest close to his beloved exceptional children.

 

The word Portiuncula means "little portion" in Italian. When constructed on the Hanover campus in 1953, Cardinal Cushing made a point of making sure that every stone, every fresco, and every part of the Chapel came from Assisi where the original chapel was built by St. Francis over 700 years ago.

 

It was Richard Cardinal Cushing who initiated construction of the Portiuncula chapel on the scenic Hanover Campus. He looked for a stone mason trained in the Italian marble tradition and authentic material, and found a remarkable craftsman named Frank Tarzia in Hingham, whose search for building stone ended in the quarries of Assisi, Italy. Every stone had to match its counterpart in the original chapel. When the precious cargo arrived in Boston Harbor, the Cardinal was there to bless it.

 

"His Eminence visited two or three times a week to check on my progress," Frank Tarzia recalls. Tarzia often worked late at night when, undisturbed, he could concentrate on each detail. The sisters frequently climbed the hill to encourage him after the children were in bed. They brought flowers to the place where the altar would be. Sisters and children came to watch and cheer Mr. Tarzia on when a crane lifted the statue of St. Francis to its place on the roof. "I built it so firm and strong it will never come down until the end of the world," Frank Tarzia said with justifiable pride.

 

For many years Tarzia was the only person privy to the fact that the Cardinal had selected the Chapel as his burial place. It was a deeply personal decision, one that merited secrecy. When the vault was finished, Tarzia asked him if he wanted any embellishments on the simple grave. "This is good enough," the cardinal replied, "and I want to be placed so that I am forever looking towards the children."

website: www.martinmoucha.com/

instagram: www.instagram.com/martinmoucha/

facebook: www.facebook.com/MartinMouchaPhoto/

 

6D mark II, 24mm, 50mm, 135mm, 16-35mm, 70-300mm, DJI Mavic Air

 

I'am landscape and sport photographer based in Turnov, Czech Republic.

Spend 15 months in Banff, Canada.

I like catchy colors, analog, sharpness and especially bokeh.

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Website : HORIZONS CELTIQUES

© All rights reserved ®

 

Website : REGARDS DU MONDE

© All rights reserved ®

 

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Website Stefan Gerrits Photography

Facebook Stefan Gerrits Photography

NEW Instagram Stefan Gerrits Photography

 

Can’t believe it’s already 2 years ago that I took this picture of a male Bearded Reedling (Panurus biarmicus). It was an incredible cold winter resulting in a sea covered by thick ice. It was literally a matter of hopping onto the frozen sea, hoping it was strong enough, listening carefully where the birds were and moving then slowly into that direction. Where is that winter now? Where are those birds now?

My website is finally up! I'm sooo excited. Huge thanks to my best friend Ryan Barker for dealing with all of the dreamweaver/hosting/server/domain complications haha! :)

 

And my teacher ms g (Genevieve Garruppo) for helping me out also! < check out her site!

  

kaitlynferris.com

 

kaitlynferris.com

 

kaitlynferris.com

 

kaitlynferris.com

 

kaitlynferris.com

 

kaitlynferris.com

 

kaitlynferris.com

 

kaitlynferris.com

© All rights reserved - Don't use my images on websites, blogs or other media without my explicit permission

 

1966 by Boudewijn De Groot (Lyrics in English beneath):

 

Zo te sterven op het water met je vleugels van papier

Zomaar drijven na 't vliegen in de wolken drijf je hier

Met je kleuren die vervagen zonder zoeken zonder vragen

Eindelijk voor altijd rusten en de bloemen die je kuste

Geuren die je hebt geweten

Alles kan je nu vergeten

Op het water wieg je heen en weer

Zo te sterven op het water met je vleugels van papier

Als een vlinder die toch vliegen kan tot in de blauwe lucht

Als een vlinder altijd vrij en voor het leven op de vlucht

Wil ik sterven op het water maar dat is een zorg van later

Ik wil nu als vlinder vliegen op de bloemenblaadren wiegen

Maar zo hoog kan ik niet komen

Dus ik vlieg maar in mijn dromen

Altijd ben ik voor het leven op de vlucht

Als een vlinder die toch vliegen kan tot in de blauwe lucht

Om te leven dacht ik je zou een vlinder moeten zijn

Om te vliegen heel ver weg van alle leven alle pijn

Maar ik heb niet langer hinder van jaloersheid op een vlinder

Want zelfs vlinders moeten sterven laat ik niet mijn vreugd bederven

Ik kan zonder vliegen leven

Wat zal ik nog langer geven

Om een vlinder die verdronken is in mij

Om te leven hoef ik echt geen vlinder meer te zijn.

 

PS: I rescued the poor animal!

 

Drowned Butterfly

 

Dying like that on the water with your wings of paper

Just floating after the flying in the clouds you float here

With your colours that fade without searching without asking

Finally resting for always and the flowers that you kissed

Smells that you have known

You can forget everything now

On the water you rock there and back

Dying like that on the water with your wings of paper

 

Like a butterfly that can do fly until in the blue sky

Like a butterfly always free and fleeing from life

I want to die on water but that is a worry for later

I want to now fly like a butterfly, sway on the petals

 

But I can't go that high

So I just fly in my dreams

Always am I fleeing from life

Like a butterfly that can do fly until in the blue sky

 

To live I thought you should be a butterfly

To fly far away from all sorrow and pain

But I'm not bothered anymore by being jealous of a butterfly

If even butterflies have to die I won't let my joy be ruined

I can live without flying

What will I still care

About a butterfly that has drowned in me

To live I don't need to be a butterfly anymore

 

#MacroMondays #Fingertip(s)

My Website: www.tonyemeryphotography.com/

 

My Facebook:

www.facebook.com/tonyemeryphotography/?ref=hl

 

Instagram: tonyemphotos

 

I went to a really cool place last night called 'Cod Beck', Osmotherley, North Yorkshire. When a torch was shined across the surface of the water, it illuminated the mist.

Click here for large version

 

On all our tours I encourage our guests to also shoot verticals, not only horizontals. Magazines for instance, are all based on verticals, so if you ever want your picture to grace the cover or to be published on a full page, you'll need to shoot verticals as well.

 

A little while back I got an email from British Airways, asking whether I had a vertical version of my famous picture The Edge, of an elephant at Victoria Falls. And as a matter of fact I did, I just never processed it. When I started processing the image, I wondered why I hadn't done it earlier - the vertical version seems to make more sense because you can actually see the height of the falls and you can see all the water falling down.

 

Anyway, British Airways published the shot and I was happy they had given me a good reason to dive into my image library again.

 

Here's the background story that I wrote for the horizontal version:

 

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It's hard enough to make original pictures, but with some subjects it simply borders the impossible.

 

When I was at Victoria Falls last year, I thought about the billions of photographs that must have been taken there, and I almost decided to just visit the place without my camera. That was until I spoke with some of the local people, who told me that they had seen a bull elephant crossing the Zambezi river the day before. During my research I had not seen any images of the falls with an elephant in it, so I decided to stay a few extra days and try my luck.

 

The course of the Zambezi is dotted with numerous tree-covered islands, which increase in number as the river approaches the falls. As the dry season takes effect, the islets on the crest become wider and more numerous, and with the water level of the Zambezi dropping, once submerged walkways and fresh foraging possibilities present themselves. This elephant was apparently aware of this.

 

On the third day I left very early with a small boat to reach my location. On my way to the edge I suddenly saw the lone bull wading through shallow parts of the river, but it was far away and light levels were low, so I decided to continue to the falls. I took some sunrise shots and half an hour later I saw the elephant approaching the falls. I quickly collected my gear and moved carefully towards the edge where the water plummeted into a 360ft chasm - not particularly nice when you're afraid of heights... I set everything up in order to include as much as possible of the falls and made a composition. Luckily the elephant was aware of my preference to shoot into the light, so his position couldn't be better.

 

After I took the shots, I knew I had just witnessed and captured something very special. Later that day local people confirmed this by telling me that they had never seen an elephant so close to the edge of the falls before - exactly what I wanted to hear!

 

This image was featured as a double page spread in National Geographic, and won First Prize in the European Wildlife Photographer of the Year Awards.

 

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If you would like to join me on our next photo tour in Zambia and learn everything about wildlife photography, please check out my website for more information and tour impression video clips:

 

Squiver Photo Tours & Workshops

 

Hope to see you there!

 

Marsel

 

©2013 Marsel van Oosten, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.

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Website : SPORTS SHOOTING

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Website : REGARDS DU MONDE

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