View allAll Photos Tagged website!
Website: www.annadoshina.com
Facebook: www.facebook.com/annadoshinaphotography
Pinterest: www.pinterest.com/adoshina/
Instagram: instagram.com/annadoshinaphotography/
Website: www.magdabanach-photo.pl
Instagram: www.instagram.com/magdabanachphoto/
500px: www.500px.com/magdabanach/
Flickr: www.flickr.com/magdabanach13/
________________________________________________________________________________________________________
Website : GYPSIES OF RAJASTHAN
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
Wedding Photography by Mathew Irving for more information about me and
bookings visit my website - irvingphotographydenver.com
________________________________________________________________________________________________________
Website : HORIZONS CELTIQUES
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
Website www.vulturelabs.photography
My next B&W fine art photography workshop will take place in London on Saturday 28th June and Sunday 29th June, Please mail me to reserve a place if you would like to attend.
________________________________________________________________________________________________________
Website : MÉMOIRE DES PIERRES
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
"CLIQUEZ SUR L'IMAGE POUR AGRANDIR
Website: www.michalbanach-photo.pl
FB: www.facebook.com/michalbanachphotography/
Instagram: www.instagram.com/michalbanachphoto/
Website: www.annadoshina.com
Facebook: www.facebook.com/annadoshinaphotography
Pinterest: www.pinterest.com/adoshina/
Instagram: instagram.com/annadoshinaphotography/
Website: www.michalbanach-photo.pl
FB: www.facebook.com/michalbanachphotography/
Instagram: www.instagram.com/michalbanachphoto/
Website: www.annadoshina.com
Facebook: www.facebook.com/annadoshinaphotography
Pinterest: www.pinterest.com/adoshina/
Instagram: instagram.com/annadoshinaphotography/
________________________________________________________________________________________________________
Website : MÉMOIRE DES PIERRES
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
"CLIQUEZ SUR L'IMAGE POUR AGRANDIR
Anemone
Website: www.magdabanach-photo.pl
Instagram: www.instagram.com/magdabanachphoto/
500px: www.500px.com/magdabanach/
Flickr: www.flickr.com/magdabanach13/
"LUFTHANSA 754" holding briefly for few seconds, while I let my camera do the work of freezing her, before taxiing to the gate after landing on Runway 09 at Bengaluru International Airport.
________________________________________________________________________________________________________
Website : MÉMOIRE DES PIERRES
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
Website: oliverliria.wix.com/oliverliria
Facebook page: www.facebook.com/OndaOcho.Photography
Tumblr: ondaocho.tumblr.com/</
Website: www.magdabanach-photo.pl
Instagram: www.instagram.com/magdabanachphoto/
500px: www.500px.com/magdabanach/
Flickr: www.flickr.com/magdabanach13/
Website: www.annadoshina.com
Facebook: www.facebook.com/annadoshinaphotography
Pinterest: www.pinterest.com/adoshina/
Instagram: instagram.com/annadoshinaphotography/
Website www.vulturelabs.photography
500px | Stark | Twitter | Google +| Time Out London | fstoppers| formatt-hitech
My next B&W photography workshop will take place in London on 29th and 30th of November, please email vulturelabs@gmail.com for more information or to reserve a place.
Many thanks for visits, comments and faves, most appreciated ;-) I hope your all having a great weekend!!
Toni Duarte Freelance Photographer
Please don't use this image on websites, blogs or other media
without my explicit permission.
© All rights reserved
Contac: toniduarte[a]cmail.cat
Wikipedia:
El pont de la Mar o pont del Mar és un pont de València que creua el riu Túria i connecta els barris de Mestalla i el Pla del Remei. Relaciona, doncs, el passeig de l'Albereda amb la plaça d'Amèrica i el passeig de la Ciutadella. És un pont exclusivament per als vianants, i és dels considerats històrics, ja que va ser construït el 1591, després que una riuada destruí l'anterior.El pont és un dels més històrics de la ciutat, i és l'única que se situa a desnivell amb els carrers fitants. Concretament, penja a quatre metres per damunt de les ribes del riu, ja que en construir-se el pont d'Aragó als anys 30, aquest es va peatonalitzar, encarregant-se de les obres l'arquitecte Xavier Goerlich. És, per tant, accessible només a peu, mitjançant una sèrie d'esgraons disposada en forma de ventall al voltant dels dos caps del pont. L'estructura mateixa és feta sencerament de pedra blanca, tallada en rajoles i blocs de grans dimensions que alhora es troben un tant desgastats pel temps.Atès que el pas de cotxes o bicis hi és prohibit, i de fet físicament impossible, sorprèn la gran amplària del pont: al voltant de sis metres i mig. Una altra sorpresa és la posició realtiva al riu: el creua diagonalment, sent doncs més llarg del que és estrictament necessari. És sostingut per una sèrie de nou baluards gruixuts i allargats que fan tot l'ampli del pont. És interessant notar que, tot i que el pont creua el Túria en diagonal, els pilars sobre els quals recolza són orientats en la mateixa direcció del riu i per tant en diagonal de la coberta del pont. A més a més, cada baluard acaba en cada extrem en forma d'una "v" enorme. Aquest motiu és habitual en els ponts medievals perquè, en continuar fins a la part transitable del pont, hi crea un lloc de pas, però en el cas del pont de la Mar, no se’ls aprofita, sinó acaben abans d'arribar a dalt de tot. Per altra banda, l'amplària de la calçada és tant que no caldria en cap cas un lloc de pas. Sembla doncs un element més aviat decoratiu que tanmateix dóna una forma més feixuga al que, d'altra manera, és una estructura bastant esvelta. Aquests nou baluards, que prenen la forma de parets més àmplies que altes, es reparteixen en fila d'Índia al llarg del pont; entre cada un, es produeix un suau arc gòtic amb una punta bastant súbtil. Just a sobre de cadascuna d'aquestes puntes hi ha un desaiguàs. Arran de la pasarel·la, la posició de cada pilar és indicada per una petita esfera de pedra damunt de la barana. Gairebé tots els dies, especialment els caps de setmana, es pot observar escaladors individuals o en grups grimpant un d'aquests pilars, els quals són especialment idonis per a aquesta afició gràcies a la seua superfície foradada, que fa la seua escala practicable sense gaire dificultat.
ESP:
El puente del Mar es un puente de Valencia que cruza el río Turia y conecta los barrios de Mestalla y el Pla del Remei. Relaciona, pues, el paseo de la Alameda con la plaza de América y el paseo de la Ciudadela. Es un puente exclusivamente peatonal, y es de los considerados históricos, ya que fue construido en 1591, después de que una riada destruyó el anterior. El puente es uno de los más históricos de la ciudad, y es la única que se sitúa a desnivel con las calles acotando. Concretamente, cuelga a cuatro metros por encima de las orillas del río, ya que al construirse el puente de Aragón en los años 30, este se peatonalizar, encargándose de las obras del arquitecto Xavier Goerlich. Es, por tanto, accesible sólo a pie, mediante una serie de escalones dispuesta en forma de abanico alrededor de los dos jefes del puente. La estructura misma está hecha enteramente de piedra blanca, cortada en baldosas y bloques de grandes dimensiones que a su vez se encuentran un tanto desgastados por temps.Atès que el paso de coches o bicis está prohibido, y de hecho físicamente imposible, sorprende la gran anchura del puente: alrededor de seis metros y medio. Otra sorpresa es la posición realtiva al río: lo cruza diagonalmente, siendo pues más largo de lo estrictamente necesario. Es sostenido por una serie de nueve baluartes gruesos y alargados que hacen todo el amplio del puente. Es interesante notar que, aunque el puente cruza el Turia en diagonal, los pilares sobre los que apoya son orientados en la misma dirección del río y por tanto en diagonal de la cubierta del puente. Además, cada baluarte termina en cada extremo en forma de una "v" enorme. Este motivo es habitual en los puentes medievales que, al continuar hasta la parte transitable del puente, hay crea un lugar de paso, pero en el caso del puente del Mar, no se les aprovecha, sino terminan antes de llegar a alto. Por otra parte, la anchura de la calzada es tanto que no habría en ningún caso un lugar de paso. Parece pues un elemento más bien decorativo que, sin embargo da una forma más pesada en el que, de otra manera, es una estructura bastante esbelta. Estos nueve baluartes, que toman la forma de paredes más amplias que altas, se reparten en fila de India a lo largo del puente, entre cada uno, se produce un suave arco gótico con una punta bastante sutil. Justo encima de cada una de estas puntas hay un desaiguàs. A raíz de la pasarela, la posición de cada pilar es indicada por una pequeña esfera de piedra encima de la barandilla. Casi todos los días, especialmente los fines de semana, se puede observar escaladores individuales o en grupos trepando uno de estos pilares, los cuales son especialmente idóneos para esta afición gracias a su superficie agujereada, que hace su escala practicable sin mucho dificultad.
My Website : Twitter : Facebook : Instagram : Photocrowd
Another shot of the Leaning Tower of Pisa.
If you've been before then you'll know that as most of the grass is roped off people line this particular bit of path to get their perfect Pisa photo. Most people opt for the (oh so) humourous 'pushing the tower over / propping it up' shot as can be seen demonstrated here.
Inspired by a Martin Parr shot, probably from his 'Small World' book I took a series of photos from a slightly different viewpoint, rendering the posing somewhat surreal.
More photos from Tuscany here : www.flickr.com/photos/darrellg/albums/72157714689304067
From Wikipedia "The Leaning Tower of Pisa (Italian: Torre pendente di Pisa) or simply the Tower of Pisa (Torre di Pisa) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa, known worldwide for its nearly four-degree lean, the result of an unstable foundation. The tower is situated behind the Pisa Cathedral and is the third-oldest structure in the city's Cathedral Square (Piazza del Duomo), after the cathedral and the Pisa Baptistry.
The height of the tower is 55.86 metres (183.27 feet) from the ground on the low side and 56.67 metres (185.93 feet) on the high side. The width of the walls at the base is 2.44 m (8 ft 0.06 in). Its weight is estimated at 14,500 metric tons (16,000 short tons). The tower has 296 or 294 steps; the seventh floor has two fewer steps on the north-facing staircase.
The tower began to lean during construction in the 12th century, due to soft ground which could not properly support the structure's weight, and it worsened through the completion of construction in the 14th century. By 1990 the tilt had reached 5.5 degrees. The structure was stabilized by remedial work between 1993 and 2001, which reduced the tilt to 3.97 degrees."
© D.Godliman
________________________________________________________________________________________________________
Website : HORIZONS CELTIQUES
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
________________________________________________________________________________________________________
Website : MÉMOIRE DES PIERRES
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
website: www.simmulated.com
Blog: www.simmulated.com/blog
email: simmie.reagor@e-reagor.com
facebook: www.facebook.com/simmulated
instagram: www.instagram.com/simmulated
500px: 500px.com/sreagor
________________________________________________________________________________________________________
Website : GANGA SADHU
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
________________________________________________________________________________________________________
Website : MÉMOIRE DES PIERRES
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
"CLIQUEZ SUR L'IMAGE POUR AGRANDIR"
________________________________________________________________________________________________________
Website : HORIZONS CELTIQUES
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
website: www.martinmoucha.com/
instagram: www.instagram.com/martinmoucha/
facebook: www.facebook.com/MartinMouchaPhoto/
6D mark II, 24mm, 50mm, 135mm, 16-35mm, 70-300mm, DJI Mavic Air
I'am landscape and sport photographer based in Turnov, Czech Republic.
Spend 15 months in Banff, Canada.
I like catchy colors, analog, sharpness and especially bokeh.
"JETAIRWAYS 461" on short final for Runway 07 at Chennai International Airport arriving from CSIA Mumbai.
________________________________________________________________________________________________________
Website : MÉMOIRE DES PIERRES
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
________________________________________________________________________________________________________
Website : MÉMOIRE DES PIERRES
© All rights reserved ®
Website : REGARDS DU MONDE
© All rights reserved ®
________________________________________________________________________________________________________
Le Grand Chœur de style gothique flamboyant 1545 - 1585, la statuaire polychrome qui le compose a été réalisée par les ateliers bourguignons de Cluny. Permettant de séparer les personnes religieuses du peuple, le jubé ou Grand Choeur est aujourd'hui le témoin des pratiques religieuses de l'époque. Puis par sa majestuosité, il est aussi le témoin de la richesse de l'Eglise CatholiqueLa statuaire de Ste Cécile forme un ensemble considérable, peut-être le plus important de la sculpture française de la fin du Moyen Age :
- 87 statues à la façade externe du jubé
- 33 personnages de l'Ancien Testament au pourtour du choeur
- 15 statues figurant l'Eglise à l'intérieur : (12 apôtres, la Vierge, St Jean-Baptiste et St Paul)
- 72 statues d'anges, Charlemagne et l'Empereur Constantin dominant les deux portes d'entrée de la clôture.
L'ensemble des statues a conservé leur polychromie d'origine. La couleur tend au naturalisme, chevelures, attitudes et costumes sont d'une variété admirable. Le style des barbes des visages, des drapés permet de distinguer trois familles qui pourraient être liées à l'art des grands imagiers français de la fin du XVème siècle : Antoine Le Moiturier et Michel Colombe.
Grand Choir Gothic style 1545 - 1585, polychrome sculpture which consists was conducted by the Burgundian workshops of Cluny. To separate the religious people of the people, the rood screen or Grand Choeur is now witness to the religious practices of the time. Then by its majesty, it is also a witness to the wealth of the Church of St. Cecilia CatholiqueLa statuary forms a considerable body, perhaps the most important of the French sculpture of the late Middle Ages:
- 87 statues on the external façade of the rood screen
- 33 characters of the Old Testament to the perimeter of the choir
- 15 statues representing the Church inside: (12 apostles, the Virgin, St John the Baptist and St Paul)
- 72 statues of angels, Charlemagne and the Emperor Constantine overlooking the two entrance doors of closing.
All the statues retained their original polychrome. The color tends to naturalism, hair, attitudes and costumes are an admirable variety. The style beards faces, draped distinguishes three families that could be related to the art of the great French sculptors of the late fifteenth century: Antoine Le Moiturier and Michel Colombe
© All rights reserved ®
Please view more of my photography at the following websites. Totally, I have 24+ million views; 3,900+ followers/subscribers and 15,000 views daily
*Flickr: www.flickr.com/people/viv_vivekananda/
*Fluidrive www.fluidr.com/photos/viv_vivekananda
*YouTube: www.youtube.com/channel/UCt5wf3DvvWAqgUd9NMUItVw
*500px: 500px.com/p/svive1?view=photos
*Facebook: www.facebook.com/profile.php?id=61560235015998
*Instagram www.instagram.com/viv_vivekananda/
You may purchase my images at:
*Shootproof: vivvivekanandaphotography.shootproof.com/
*Getty Images: www.gettyimages.com.au/search/2/image?family=creative&...
Zebras are several species of African equids (horse family) united by their distinctive black-and-white striped coats. Their stripes come in different patterns, unique to each individual. They are generally social animals that live in small harems to large herds. Unlike their closest relatives, horses and donkeys, zebras have never been truly domesticated. There are three species of zebras: the plains zebra, the mountain zebra and the Grévy's zebra. The plains zebra and the mountain zebra belong to the subgenus Hippotigris, while Grévy's zebra is the sole species of subgenus Dolichohippus. The latter resembles an ass, to which zebras are closely related, while the former two look more horse-like. All three belong to the genus Equus, along with other living equids. The unique stripes of zebras make them one of the animals most familiar to people. They occur in a variety of habitats, such as grasslands, savannas, woodlands, thorny scrublands, mountains, and coastal hills. Various anthropogenic factors have had a severe impact on zebra populations, in particular hunting for skins and habitat destruction. Grévy's zebra and the mountain zebra are endangered. While plains zebras are much more plentiful, one subspecies, the quagga, became extinct in the late 19th century – though there is currently a plan, called the Quagga Project, that aims to breed zebras that are phenotypically similar to the quagga in a process called breeding back. R_49393