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Beautiful instrumentals to enjoy with photography:
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"They will be home soon," she whispers, "I know it."
Meanwhile the porch light offers herself as a welcoming beacon, as a seed sewn to the little, wooden shingled house.
"It has been two seasons since we heard their voices and footsteps fill the rooms," he says with a pensive relay.
"I know just what to do. We will send Mr. Messenger BeeAe Bird and his flock for them," she exclaims!
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for my love of photography and writing.
I hope you join me, xo.
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NEW WEBPAGE www.carlvanassche.com
This Photo is part from the Album "The Dancers" © Carl Vanassche Photos are based on exisitng images
Shortly after sunrise with the lower flank of Mt St Helens in the foreground and Mt Hood in the distance; with one heck of a fog ocean in-between. What I really like about this shot is that Mt Hood is right about ~61 miles as the crow flies to the south. Not many better ways to spend a morning.
Thanks for looking and have a great weekend!
edit: darn little dust spot snuck past me on this one.
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Comments and constructive criticism always appreciated.
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Driving through Zion Natl Park, I passed over a little bridge and thought, "I wonder what the view is from under there?"
I was glad I decided to climb down and see.
Thanks for looking and have a great weekend!
_________________________________________________
Comments and constructive criticism always appreciated.
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This week in 1972, the Apollo 17 crew returned to Earth following a successful 12-day mission. Apollo 17 marked the final crewed lunar landing mission. Here, Apollo 17 commander Eugene Cernan approaches the parked Lunar Roving Vehicle. NASA's Marshall Space Flight Center designed, developed and managed the production of the Lunar Roving Vehicle that astronauts used to explore the Moon. Today, Marshall is developing NASA's Space Launch System, the most powerful rocket ever built, capable of sending astronauts to the Moon, Mars and deeper into space than ever before. The NASA History Program is responsible for generating, disseminating and preserving NASA’s remarkable history and providing a comprehensive understanding of the institutional, cultural, social, political, economic, technological and scientific aspects of NASA’s activities in aeronautics and space. For more pictures like this one and to connect to NASA’s history, visit the Marshall History Program’s webpage.
Image credit: NASA
Illinois Terminal Class C electric locomotive 1587 at Danville IL, 5-3-41. Sister locomotive 1595 survives today at the Museum of Transport in St Louis. kc1533.org/webpages/MotivePower/Electric/1595ITclassC.html
B&W print in my collection, photographer unknown.
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© Andy Brandl / PhotonMix (2011)
Don´t redistribute / use on webpages, blogs or any other media without my explicit written consent
EMAIL: aaaltd@hotmail.co.uk for availability and price quotation; FLIC EN FLAC
EMAIL: aaaltd@hotmail.co.uk for availability and price quotation; FLIC EN FLAC
EMAIL: aaaltd@hotmail.co.uk for availability and price quotation; FLIC EN FLAC
©2009 by João Paglione - all rights reserved
Visit my webpage www.joaopaglione.de to view images in larger resolution (full screen) or license them for editorial, commercial, or personal usage. Or e-mail me
Hit the road Jack and don't you come back no more, no more, no more, no more.)
(Hit the road Jack and don't you come back no more.)
What you say?
(Hit the road Jack and don't you come back no more, no more, no more, no more.)
(Hit the road Jack and don't you come back no more.)
Woah Woman, oh woman, don't treat me so mean,
You're the meanest old woman that I've ever seen.
I guess if you said so
I'd have to pack my things and go. (That's right)
(Hit the road Jack and don't you come back no more, no more, no more, no more.)
(Hit the road Jack and don't you come back no more.)
What you say?
(Hit the road Jack and don't you come back no more, no more, no more, no more.)
(Hit the road Jack and don't you come back no more.)
Now baby, listen baby, don't ya treat me this-a way
Cause I'll be back on my feet some day.
(Don't care if you do 'cause it's understood)
(you ain't got no money you just ain't no good.)
Well, I guess if you say so
I'd have to pack my things and go. (That's right)
(Hit the road Jack and don't you come back no more, no more, no more, no more.)
(Hit the road Jack and don't you come back no more.)
What you say?
(Hit the road Jack and don't you come back no more, no more, no more, no more.)
(Hit the road Jack and don't you come back no more.)
Well
(don't you come back no more.)
Uh, what you say?
(don't you come back no more.)
I didn't understand you
(don't you come back no more.)
You can't mean that
(don't you come back no more.)
Oh, now baby, please
(don't you come back no more.)
What you tryin' to do to me?
(don't you come back no more.)
Oh, don't treat me like that
(don't you come back no more.)
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This series complements my award-winning guidebook, Chicago in Stone and Clay: A Guide to the Windy City's Architectural Geology. Henceforth I'll just call it CSC.
The CSC section and page reference for the building featured here: 15.8; pp. 246-249.
Looking northwestward at the eastern and southern elevations.
Of the many fine late-nineteenth-century residences still on view in the Windy City, the Richardsonian Romanesque Rickcords House in the Gold Coast neighborhood holds the distinction of being a rare surviving example of the use of that hardest of architectural stones, the Montello Granite.
The Montello, quarried in the central-Wisconsin town of that name, formed from a body of magma associated with a violent eruptive event in the Paleoproterozoic era, about 1.746 Ga ago. This cataclysmic episode in the complex geologic history of the Badger State blanketed its region with rhyolite and welded tuff (fused volcanic ash). Apparently it was triggered not by the usual process of plate convergence, but by crustal thinning—possibly caused by a process known as slab rollback.
While the particular mass of molten rock that became the granite did not reach the surface before it cooled, its geochemistry is essentially the same as that of the extrusive material that did. What makes the Montello Granite both so hard to work and so durable is its abnormally high quartz content. It was also favored—and much more frequently used—for monuments and cemetery headstones.
For more on this site, get and read Chicago in Stone and Clay, described at its Cornell University Press webpage.
The other photos and discussions in this series can be found in my "Chicago in Stone and Clay" Companion album. In addition, you'll find other relevant images and descriptions in my Architectural Geology: Chicago album.
my webpage:
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Support My Work
My future photographic playground. Even more so than today - don´t poke your eye on all the sharp angles :)
© Andy Brandl (2013)
Don´t redistribute - don´t use on webpages, blogs or any other media without my explicit written permission.
See my "profile" page for my portfolio´s web address and information regarding licensing of this image for personal or commercial use.
© Andy Brandl (2013) // PhotonMix Photography // Andy Brandl @ Getty Images
Don´t redistribute - don´t use on webpages, blogs or any other media without my explicit written permission.
See my "profile" page for my portfolio´s web address and information regarding licensing of this image for personal or commercial use.
A companion shot of sorts to the comment photo, this grouping of giraffe was very fun to watch. The large matriarch of the group is out of frame to the right.
Some recent articles point out the major challenges the species is facing.
Thanks for looking!
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Comments and constructive criticism always appreciated.
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A cowboy’s hands are as strong as steel as tough as leather put soft enough to touch a hummingbirds wing and the skin of a woman and not disturb the beauty of either.
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Please do contact if you wish to use any of my Photograph.
Thank You For Visiting My Photography.
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