View allAll Photos Tagged warmtones
This was taken on Fellsströnd in West Iceland.
Mamiya 645, HP5+ in Pyrocat-HD and printed on Ilford warm-tone RC.
Camera: Honeywell Pentax Spotmatic F
Lens: Asahi Super Takumar 1.4/50
Filter: Yellow
Film: HP5 plus 400 @ 200 ISO
D-76 1+1 68° 10 min.
Scanned from Caffenol-C print on Ilford WT RC
Slightly bleached
Microtek ScanMaker 6100
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/6899396719/in/photolis...
We decided to do something with the "Game of Thrones" / "Wheel of Time" genre in mind.
P117/44 - Heather's Dragon
This is my most complex composite photo to date.
Met a few awesome people while testing out the new camera and got some great street portraits!
Thanks for looking!
—-
Scott - Silver Gelatin Print
Pentax 67
SMC 90mm f/2.8
Tri-x 400TX in HC110
Fomatone 131 fiber warmtone paper
München, September 2021
Hasselblad 503CW, 4,0/50, Ilford HP5+ in Moersch efd entwickelt
printed on Ilford MG FB Warmtone
Moersch SE6 Blue(1+10), Finisher Blue 5 ml, 4 min
Selentonung MT1, 1+26, 90 sec
3421_14_II_WEB_Anna_laessig_in_der_Nacht
Oh I love this. Minus a couple little things:
- I look TIRED
- My shorts went all stupid
- And my super fat gross legs
I hate my legs so much, but whatever.. :)
I actually woke up early today and felt the need to have a photoshoot. I took a buncha' other pictures like this, but this one is my favorite. I'm sure i'll post some others later in the day. Tell my what you think Flicksters!
My little brother just got home, going to help him build his "lego limo"
See you later :)
Scan from darkroom print.
Leica M6ttl, Summicron 90 mm, I think - haven’t got EXIF data ;-)
Ilford HP5+ in Xtol.
Printed on Fomatone in Moersch warmtone developer.
Toned in selenium 1 : 20 for 4 min
Darkroom print
Camera: Holga 120N
Film: Kodak Tri-X 400
Paper: Ilford Warmtone fibre based 8x10
London
November 2017
Zero45 pinhole on ilford delta 100, printed on ilford warmtone fiber.
I really like the zero45. I bought one last spring and have only begun to break her in.
I LOVE PHOTOGRAPHY!!!!!! It keeps me up @ night.
Death Valley CA, Dec 2011. A 5x7 negative developed in Pyrocat-HD. This is printed on Bergger VC warmtone semi-gloss paper developed in Ansco 130.
S come Soul....
Amore divino...che unisce il cielo alla terra...ed il cuore, l'anima a te!
Lith print on Forte Warmtone MG FB
Scan from print..
Amid walls of warming stone,
a gaze speaks louder than words.
Braided thoughts, firm yet free,
adorned with colors that whisper and shine.
A moment – not posed, but felt.
An echo of strength,
that doesn’t demand,
but remains.
Playing around with long exposures during the recent Christmas holiday period. I was up early to catch the high tide around 8.15am. It was very blustery that Boxing Day and you can see the effects on the tree looking rather blurry and 'dreamy' as it swayed the whole time I was making the exposure. Also, the scan here seems to look, at least on my screen, 'creamier' than the actual print is. There must be a setting I need to change in the scanner software which I don't have a clue :).
As for the print, I experimented with a method used by Bob Carnie, discussed on APUG here, where he makes use of some sort of a variation to the split-grade printing method. Roughly what he does is he first chooses an exposure that gives nice slightly off-whites to the highlights using normal-ish grade and then makes a 'blast' of Grade-5 exposures, at the same exposure time or less, to bring in the blacks and contrast.
Location: Ujong Pasir, Melaka, 26 December 2011
Capture: Rolleiflex SL66, 80/2.8 HFT, Fuji Acros@80, ND1000, F22, 2'
Development: Spur HRX-3 (1+20), 7', 20C
Print: 8x10, Ilford Warmtone RC, Agfa Neutol WA (1+7), Selenium toned (1+9) 1'
Print notes: F11 (i) Y12M65 15.9" (ii) Y12M65 6"-burn sky,1/2 stop (iii) Y0M130 5"-G5 blast
photo: HOLGA (6sec without tripod) + acros + id 11
print: lith print on kentmere fineprint warmtone with GAF 81 (homemade) and then toned with homemade blue toner. don't know how to use it (fix or not) but it work nice.
St hilaire St florent (49) le thouet
Nikon FM2, Fuji Acros 100 dev. in Moersch efd, printed on Ilford MGWT FB in Moersch Eco, MT1 selenium toned.
Blick auf Glottertal und Kandel
text reads:
seagulls
down by the ferry
cold, winter day
--the primary. It
was wet. They
fed the seagulls;
they are dead.
The two people
and Sean, the
redhead.
---
Ilford Warmtone RC - Dektol
Nikon F3 • HP5+ ei 320 / Perceptol
Roman Baths in Bath
Kodak Tmax 400 shot with a Holga 120S and developed in Ilford DD-X. Printed on Ilford Multigrade RC Warmtone glossy paper.
Mamiya C330 Pro F
Mamiya-Sekor DS 105mm 3.5
llford FP4
Yellow filter
Gelatin Silver Print
Ilford fibred based warmtone glossy 8x10 paper
London
February 2026
Fornells, Menorca
5/VII/2016
Mamiya 7II/150mm
Película Kodak Tmy 400/X-tol 1/1
Papel Ilford Warmtone fb 20x25cm
Virado Oro y Tiourea
Golden hour portrait session in the fields of Oberschwaben, Baden-Württemberg. Natural light, warm tones, summer vibes.
This is my beloved Ruthie, my faithful shadow and closest companion, as her name might imply. She is a tri-color merle Miniature Australian Shepherd. (Exploring portraiture in low light.)
The effects of controlling nature in my area in controversial way, apparently to promote biodiversity. I don't get it!!
Image on 4x5" Fomapan film with 90mm Schneider Kreuznach Angulon wide angle and Graflex Crown Graphic, printed in the darkroom on Rollei Warmtone.
Hasselblad 503CX / Planar 2.8/80
Tri-X 400 / Pyro 48
Ilford MG Warmtone / ECO 4812
bleach / MT5 Sepia / MT1 Selentoner - short dip
# film exposed 12/2017 / developed 09/2018
Equipment Used: Hasselblad - 60mm Distagon
Film & Developer: TMY II - Pyrocat HD
Paper & Developer: Ilford Warmtone - Dektol - Selenium
Love using ND filters to create a smooth effect on the water.
This was done using 2 ND filters stacked on top of each other. Had some corner vignetting but a simple crop fixed that.